Richtlinien Oesterreichischer Filmpreis 2017
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Dear Friends, Contents
Dear Friends, This is a vibrant moment in Latvian film. from the 1960s to the present day, and who By Dita Rietuma, Riga, Latvia, was chosen as the host location is a past recipient of an EFA award. director of the of the 2014 European Film Academy awards Animation is also an essential part of National Film ceremony. 2014 was also marked as a time Latvian cinema – both puppet and illustrated Centre of Latvia when a new generation of directors came animation have been evolving in Latvia since into Latvian cinema. Many – journalists, the 1970s. 2014 saw two cardinally-different critics – are likening them to the French features: The Golden Horse, based on a New Wave of the 1960s, with their realistic, national classic, and Rocks in M y Pockets – an impulsive aesthetic and take on original, feministic and very personal view the zeitgeist of the time. Mother, I Love from director Signe Baumane, it is also You (2013) by Jānis Nords and Modris (2014) by Latvia’s contender for the Oscars. Juris Kursietis, have received awards and Latvia is open to collaboration, offering a recognition at the Berlinale and San multitude of diverse locations and several Sebastian festivals respectively. tax-rebate schemes, but most A strong documentary film tradition importantly – a positive and vital cinematic continues on in Latvia, and is embodied by environment. living legend, documentary filmmaker Ivars Discover Latvia, its films, filmmakers and Seleckis, whose career has spanned a period creative opportunities! 6 Contents Doing It Right. Overview 2 A Poetic Touch. Director Ivars Seleckis 8 From Behind the Listening Post. -
Co-Production Forum
CO-PRODUCTION FORUM 1 CONTENT PITCH SESSION : GAP FINANCING SESSIONS PITCHER BAYO BAYO BABY KANAKI FILMS - SPAIN 4 by Amaia Remírez & Raúl de la Fuente PITCHER BIRDS DON’T LOOK BACK SPECIAL TOUCH STUDIOS - 5 by Nadia Nakhlé FRANCE DIRTY LAND PITCHER BRO CINEMA - PORTUGAL 6 by Luis Campos PITCHER DREAMING OF LIONS PERSONA NON GRATA 7 by Paolo Marinou-Blanco PORTUGAL PITCHER AN ENEMY POKROMSKI STUDIO - POLAND 8 by Teresa Zofia Czepiec PITCHER FIRES CODE BLUE PRODUCTION D.O.O. - 9 by Nikola Ljuca MONTENEGRO PITCHER THE GLASS HOUSE DIRECTORY FILMS - UKRAINE 10 by Taras Dron PITCHER OUR FATHER THIS AND THAT PRODUCTIONS 11 by Goran Stankovic SERBIA PITCHER SOULS ON TAPE VILDA BOMBEN FILM AB 12 by Carl Javér SWEDEN PITCH SESSION : UP : UP-AND-COMING PRODUCERS PITCHER ARTURO’S VOICE MATRIOSKA - ITALY 14 by Irene Dionisio PITCHER AUTONAUTS OF THE COSMOROUTE IKKI FILMS - FRANCE 15 by Olivier Gondry & Leslie Menahem PITCHER CLEAN CARTOUCHE BVBA - BELGIUM by Koen Van Sande 16 PITCHER THE FURY RINGO MEDIA - SPAIN 17 by Gemma Blasco GROUND ZERO PITCHER RADAR FILMS - UKRAINE 18 by Zhanna Ozirna PINOT FILMS - POLAND PITCHER IN BETWEEN 19 by Piotr Lewandowski PITCHER SHINY NEW WORLD MAKE WAY FILM - NETHERLANDS 20 by Jan van Gorkum THREE SONGS CORTE A FILMS - SPAIN PITCHER 21 by Adrià Guxens PITCHER THE VIRGIN AND THE CHILD PLAYTIME FILMS - BELGIUM 22 by Binevsa Berivan PITCHER ZEJTUNE (UNTITLED GHANA PROJECT) LUZZU LTD - MALTA 23 by Alex Camilleri TIMETABLE 24 PITCH SESSION : GAP FINANCING SESSIONS 3 BAYO BAYO BABY - FICTION SPAIN Every night Aminata patrols the streets of Freetown searching for girls being exploited by pimps. -
List of Films Considered the Best
Create account Log in Article Talk Read View source View history Search List of films considered the best From Wikipedia, the free encyclopedia Main page This list needs additional citations for verification. Please Contents help improve this article by adding citations to reliable sources. Featured content Current events Unsourced material may be challenged and removed. (November Random article 2008) Donate to Wikipedia Wikimedia Shop While there is no general agreement upon the greatest film, many publications and organizations have tried to determine the films considered the best. Each film listed here has been mentioned Interaction in a notable survey, whether a popular poll, or a poll among film reviewers. Many of these sources Help About Wikipedia focus on American films or were polls of English-speaking film-goers, but those considered the Community portal greatest within their respective countries are also included here. Many films are widely considered Recent changes among the best ever made, whether they appear at number one on each list or not. For example, Contact page many believe that Orson Welles' Citizen Kane is the best movie ever made, and it appears as #1 Tools on AFI's Best Movies list, whereas The Shawshank Redemption is #1 on the IMDB Top 250, whilst What links here Star Wars Episode V: The Empire Strikes Back is #1 on the Empire magazine's Top 301 List. Related changes None of the surveys that produced these citations should be viewed as a scientific measure of the Upload file Special pages film-watching world. Each may suffer the effects of vote stacking or skewed demographics. -
Tabla 1:Festivales Y Premios Cinematográficos
Tabla 1:Festivales y premios American Choreography Arts and Entertainment Critics cinematográficos Awards, USA Awards, Chile http://www.imdb.com/Sections/ American Cinema Editors, USA Artur Brauner Award Awards/Events American Cinema Foundation, Ashland Independent Film USA Festival American Cinematheque Gala Asia-Pacific Film Festival 2300 Plan 9 Tribute Asian American Arts 30th Parallel Film Festival American Comedy Awards, Foundation 7 d'Or Night USA Asian American International American Film Institute, USA Film Festival - A – American Independent Film Asianet Film Awards Festival Aspen Filmfest A.K.A. Shriekfest American Indian Film Festival Aspen Shortsfest ABC Cinematography Award American Movie Awards Association for Library Service ACTRA Awards American Screenwriters to Children AFI Awards, USA Association, USA Athens Film Festival, Georgia, AFI Fest American Society of USA AGON International Meeting of Cinematographers, USA Athens International Film Archaeological Film Amiens International Film Festival ALMA Awards Festival Athens International Film and AMPIA Awards Amnesty International Film Video Festival, Ohio, USA ARIA Music Awards Festival Athens Panorama of European ARPA International Film Amsterdam Fantastic Film Cinema Festival Festival Atlanta Film Festival ASCAP Film and Television Amsterdam International Atlantic City Film Festival Music Awards Documentary Film Festival Atlantic Film Festival ASIFA/East Animation Festival Anchorage International Film Atv Awards, Spain ATAS Foundation College Festival Aubagne International -
City Research Online
City Research Online City, University of London Institutional Repository Citation: Nadavulakere, S.S. (2008). International Film Festivals as Field-Configuring Events. (Unpublished Doctoral thesis, City University London) This is the accepted version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/8591/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] International Film Festivals as Field-Configuring Events ShivasharanS. Nadavulakere Thesis submitted in fulfillment of the requirementsfor PhD in Management City University, London Faculty of Management Cass Business School October 2008 I'\ To Anushri, my love Chapter Contents Page Dedication ii ....................................................................................... List Tables & Figures of .................................................... -
Lo Hobbit-La Desolazione Di Smaug PB-ITA
New Line Cinema e Metro-Goldwyn-Mayer Pictures Presentano Una Produzione Wingnuts Film Ian McKellen Martin Freeman Richard Armitage Benedict Cumberbatch Evangeline Lilly Lee Pace Luke Evans Ken Stott James Nesbitt e Orlando Bloom nel ruolo di ‘Legolas’ Musiche Howard Shore Co-prodotto da Philippa Boyens Eileen Moran Armi, Creature e Trucco Effetti Speciali Weta Workshop Ltd. Effetti visivi e animazioni Weta Digital Ltd. Supervisone Effetti Visivi Joe Lettieri Montaggio Jabez Olssen Scenografie Dan Hennah Direttore della fotografia Andrew Lesine Acs,Asc Produttori esecutivi Alan Horn Toby Emmerich Ken Kamis Carolyn Blackwood Prodotto da Carolynne Cunningham Zane Weiner Fran Walsh Peter Jackson Basato su un romanzo di J.R.R. Tolkien Sceneggiatura Fran Walsh Philippa Boyens Peter Jackson Guillermo Del Toro Diretto da Peter Jackson Durata: 2 ore e 41 minuti Sito: www.HobbitIlFilm.it FB: https://www.facebook.com/LoHobbitIlfilm Twitter: https://twitter.com/lohobbitfilm YouTube: http://www.youtube.com/warnerbrostrailers I materiali sono a disposizione sul sito “Warner Bros. Media Pass”, al seguente indirizzo: https://mediapass.warnerbros.com Dal 12 Dicembre al Cinema Distribuzione: WARNER BROS. ENTERTAINMENT ITALIA Ufficio Stampa Warner Bros. Entertainment Italia Riccardo Tinnirello: [email protected] Emanuela Semeraro: [email protected] Cinzia Fabiani: [email protected] Antonio Viespoli: [email protected] Dal regista premio Oscar® Peter Jackson arriva, “Lo Hobbit: La Desolazione di Smaug” il secondo film della trilogia dall’adattamento del popolare capolavoro senza tempo, The Hobbit, di J.R.R. Tolkien. I tre film narrano la storia ambientata nella Terra di Mezzo, 60 anni prima di “Il Signore degli Anelli” portato in scena sul grande schermo da Jackson e dal suo team, una trilogia campione d’incassi culminata con la vittoria dell’Oscar® di “Il Signore degli Anelli: Il Ritorno del Re”. -
Swedish Film #2 2020
#2 • 2020 FEATURES • DOCS • SHORTS • FILMS IN PRODUCTION ON THE COVER: PLEASURE BY NINJA THYBERG 1 Contacts Head of International Festivals, shorts & docs Administrator Department Jing Haase Signe-Annie Lindstedt Steffen Andersen-Møller Phone: +46 70 420 32 74 Phone: +46 70 766 12 41 Phone: +46 76 051 36 97 [email protected] [email protected] [email protected] Festivals, features Festivals, docs & shorts International co-productions Petter Mattsson Sara Rüster Lina Norberg Johansson Phone: +46 70 607 11 34 Phone: +46 76 117 26 78 Phone: +46 70 251 91 72 [email protected] [email protected] [email protected] Festivals, docs & shorts Festivals, features Press Officer Josefina Mothander Theo Tsappos Jan Göransson Phone: +46 70 972 93 52 Phone: +46 76 779 11 33 Phone: +46 70 603 03 62 [email protected] [email protected] [email protected] Swedish Film Institute International Department P.O Box 27 126 Art Director: Markus Edin SE- 102 52 Stockholm, Sweden Cover photo: Pleasure Phone +46 8 665 11 00 filminstitutet.se ©Plattform Produktion Fax +46 8 661 18 20 instagram.com/swedishfilm Welcome to the world of Swedish films Contents FEATURES AND DOCS FILMS IN PRODUCTION SHORTS 5 Always Amber 29 Merry Christmas, Yiwu 45 The Ape Star 58 Anyway 6 The Beautiful Game 30 The Most Beautiful Boy 46 Clara Sola 59 DON’T, KISS .mov 7 Bellum in the World 47 Eva & Adam – To Be or Not to Be 60 A Film 8 Bert’s Diary 31 My Father Marianne – Together 61 Grab Them 9 Bitter Love 32 Nelly Rapp Monster Agent 48 Excess Will Save Us -
Magnolia Pictures
Mongrel Media Presents LET THE RIGHT ONE IN A film by Tomas Alfredson Sweden, 2008, 114 min. Distribution Publicity Bonne Smith 1028 Queen Street West Star PR Toronto, Ontario, Canada, M6J 1H6 Tel: 416-488-4436 Tel: 416-516-9775 Fax: 416-516-0651 Fax: 416-488-8438 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com High res stills may be downloaded from http://www.mongrelmedia.com/press.html SYNOPSIS A fragile, anxious boy, 12-year-old Oskar is regularly bullied by his stronger classmates but never strikes back. The lonely boy's wish for a friend seems to come true when he meets Eli, also 12, who moves in next door to him with her father. A pale, serious young girl, she only comes out at night and doesn't seem affected by the freezing temperatures. Coinciding with Eli's arrival is a series of inexplicable disappearances and murders. One man is found tied to a tree, another frozen in the lake, a woman bitten in the neck. Blood seems to be the common denominator – and for an introverted boy like Oskar, who is fascinated by gruesome stories, it doesn't take long before he figures out that Eli is a vampire. But by now a subtle romance has blossomed between Oskar and Eli, and she gives him the strength to fight back against his aggressors. Oskar becomes increasingly aware of the tragic, inhuman dimension of Eli's plight, but cannot bring himself to forsake her. Frozen forever in a twelve-year-old's body, with all the burgeoning feelings and confused emotions of a young adolescent, Eli knows that she can only continue to live if she keeps on moving. -
A MAN CALLED OVE a Film by Hannes Holm
presents A MAN CALLED OVE A film by Hannes Holm 116 min | Sweden | 2016 | PG-13 | 2.35 In Swedish with English subtitles Official Website: http://www.musiCboxfilms.Com/ove Press Materials: http://www.musiCboxfilms.Com/ove-press New York/National Press Contacts: Sophie GluCk & AssoCiates Sophie GluCk: [email protected] | 212-595-2432 Aimee Morris: [email protected] | 212-595-2432 Los Angeles Press Contacts: Marina Bailey Film PubliCity Marina Bailey: [email protected] | 323-962-7511 Sara Tehrani: [email protected] | 323-962-7511 Music Box Films Contacts Regional Publicity Bianca Costello | [email protected] | 312-508-5362 Marketing & Social Media BeCky SChultz| [email protected] | 312-508-5360 Theatrical Booking Brian Andreotti | [email protected] | 312-508-5361 Exhibition Materials David Cook | [email protected] | 312-508-5363 AWARDS AND FESTIVALS Sweden's OffiCial Foreign Language Submission - 89th ACademy Awards® Winner - Audience Award, Best Actor (Rolf Lassgård), Best Make-Up (Love Larson & Eva Von Bahr), 2016 Guldbagge Awards (Sweden’s ACademy Awards) Winner – Best Actor (Rolf Lassgård), 2016 Seattle International Film Festival Winner - Audience Award, 2016 Mill Valley Film Festival Winner - Audience Award, 2016 Traverse City Film Festival Winner - Special Recognition, 2016 Stony Brook Film Festival Opening Night SeleCtion - 2016 Minneapolis St. Paul International Film Festival SYNOPSIS Stepping from the pages of Fredrik Backman’s international best-selling novel, Ove is the quintessential angry old man next door. An isolated retiree with striCt prinCiples and a short fuse, who spends his days enforCing bloCk assoCiation rules that only he Cares about, and visiting his wife’s grave, Ove has given up on life. -
On Screen 18 - 30 April 2019
ON SCREEN 18 - 30 APRIL 2019 JAKARTA BEKASI TANGERANG BANDUNG 18–30 APRIL 19–28 APRIL 20–25, 27–29 APRIL 26–29 APRIL MEDAN DENPASAR YOGYAKARTA SURABAYA 22–28 APRIL 26–27 APRIL 22–27 APRIL 19–29 APRIL @europeonscreen ALL SCREENINGS & EVENTS ARE FREE www.europeonscreen.org QUICK STATS OF ON SCREEN 18 - 30 APRIL 2019 FILMS101 (FEATURE & SHORTS) 277SCREENINGS 8CITIES 19VENUES 13FESTIVAL DAYS CONTENT FILM CLASSIFICATION Film Classification 3 G General Audience Segala Umur Foreword: EU Ambassador 4 Suitable for general Foreword: Festival Co-directors 5 audience of all ages. Our Partners 6 Untuk segala umur. Opening Film 8 12+ Teenager Closing Film 9 Remaja Suitable For Teenagers: Film Section: Festivities 10 12 years old and over. Film Section: Realities 64 Untuk para remaja, Film Section: Realities - #OurLand 82 12 tahun ke atas. Film Section: Retrospective - #Bauhaus100 91 17+ Young Adult Film Section: Retrospective - Bertolucci 94 Pra-dewasa No one younger than 17 Film Section: Specialties - Open Air 99 may see the film. Film Section: Specialties - Shorts 108 Orang berusia kurang dari 17 tahun dilarang Film Section: Specialties - On Location 114 menonton film ini. Film Section: Specialties - Preview 117 Film Section: Specialties - SFPP 120 21+ Adult Dewasa Film Talks 123 Suitable only for adults. Festival Guests 125 No one younger than 21 may see the film. Festival Venues 127 Hanya untuk dewasa. Festival Credits 129 Orang berusia kurang dari Film Index 131 21 tahun dilarang menonton film ini. Festival Rules 132 Film Schedule 133 This program book is correct at the time of printing. For any changes and updates please refer to our official social media accounts. -
Krzysztof Kieslowski Scripteast Award Sandra Buchta 2021 at a Ceremony During the Festival to the Best Script Amongst These 12 Projects
Strip your script. STRIP YOUR SCRIPT. MAKE IT BETTER. WE WILL IT TAKE WORLDWIDE 12 BEST CCE SCRIPTS DEVELOPED WITHIN XV SCRIPTEAST Dear Friends, After what has been a truly difficult year for the film business in Europe, we are finally ALMOST HAPPY MARIJA’S SILENCE seeing light at the end of the tunnel. As of now, production is ramping up, cinemas are Ewa Podgórska, Sebastian Wasiński Dāvis Sīmanis opening up again across the continent, and film festivals and markets are again taking POLAND LATVIA place with the physical presence of film lovers, critics, buyers and sellers, and filmmak- AN ENEMY MISS KEBAB ers. The XV ScripTeast edition has so far only happened online since the writers joined the Teresa Zofia Czepiec, Kamila Czul, Natalia Koryncka-Gruz program in October last year, but we are so happy to be able to welcome them in person Maciej Sobieszczański POLAND POLAND to this year’s Cannes Film Festival. A SENSITIVE MAN THE BORDER We are delighted to present 12 scripts covering a multitude of different genres, illus- Eryk Lenartowicz, Yvette Underwood trating the diversity of scripts emerging from the region. They include various forms of Tomas Klein, Kateřina Traburová, POLAND, AUSTRALIA drama, such as culture clash, psychological, immigration, ensemble, and historical, as Lucie Vaňková well as different kinds of comedy and comedy-dramas covering social realism, crime, CZECH REPUBLIC THE CASE OF E.E. coming-of-age and ecological themes. GROUND ZERO Paweł Grajnert, Maja Costa, The ScripTeast Artistic Board will present the Krzysztof Kieslowski ScripTeast Award Sandra Buchta 2021 at a ceremony during the Festival to the best script amongst these 12 projects. -
Latvijas Filmas Latvijas Simtgadei Latvi- Jas Kino Industrijai Ir Gan Liels Gods, Gan Pamatīgs Izaicinājums
LATVIJAS FILMAS LATVIJAS SIMTGADEI 8 10 12 14 SATURS CONTENT IEVADS 5 DITA RIETUMA INTRODUCTION 6 LINDA PAVĻUTA 7 MĀRA ZĀLĪTE 16 18 20 22 SPĒLFILMAS 8 1906 | 1906 FEATURES 10 BILLE | BILLE 12 HOMO NOVUS | HOMO NOVUS 14 PARADĪZE ‘89 | PARADISE ‘89 16 PUIKA AR SUNI | BOY WITH A DOG 18 VECTĒVS, KAS BĪSTAMĀKS PAR DATORU | GRANDDAD MORE DANGEROUS THAN COMPUTER ANIMĀCIJAS FILMAS 20 JĒKABS, MIMMI UN RUNĀJOŠIE SUŅI | 24 26 28 30 ANIMATION JĒKABS, MIMMI AND TALKING DOGS 22 SAULE BRAUCA DEBESĪS | THE SUN RIDES UP INTO THE SKY DOKUMENTĀLĀS FILMAS 24 ASTOŅAS ZVAIGZNES | EIGHT STARS DOCUMENTARIES 26 BALTIJAS JAUNAIS VILNIS | BALTIC NEW WAVE 28 BALTU CILTIS | BALTIC TRIBES 30 IEVAINOTAIS JĀTNIEKS | THE WOUNDED RIDER 32 KURTS FRIDRIHSONS | KURTS FRIDRIHSONS 34 LUSTRUM | LUSTRUM 36 MĒRIJAS CEĻOJUMS | MĒRIJA’S JOURNEY 32 34 36 38 38 TURPINĀJUMS | CONTINUATION 3 Iespēja īstenot filmu programmu Latvijas filmas Latvijas simtgadei Latvi- jas kino industrijai ir gan liels gods, gan pamatīgs izaicinājums. Nacionālā Kino centra mērķis, uzsākot īstenot šo programmu ar vairāk nekā 7 miljo- niem eiro finansējuma, ir augstvērtīgu, žanriski daudzveidīgu un sabiedriski nozīmīgu filmu izveide, lai aktualizētu Latvijas vēstures, valstiskuma un na- cionālās identitātes tēmas un visplašākajā auditorijā stiprinātu izpratni par Latvijas valsts attīstību. Priecājamies un lepojamies, ka programmas ietvaros līdz 2018. gadam tiks izveidotas 16 pilnmetrāžas filmas – sešas spēlfilmas, divas animācijas filmas un astoņas dokumentālās filmas. Šo filmu tematika ir daudzveidīga un pla- ša – tā aptver gan senus, gan nesenus vēstures posmus, turklāt filmu projek- tu īstenošanā darbojas gan atzīti Latvijas kino klasiķi, gan jaunās paaudzes režisori. Tiksimies pirmizrādēs 2018. gadā! DITA RIETUMA, Nacionālā Kino centra vadītāja The possibility of implementing the film programmeLatvian Films for Latvi- an Centenary is both great honour, as well as a considerable challenge for the Latvian film industry.