Zeynep Tufekci
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The Social Internet: Frustrating, Enriching, but Not Lonely
Public Culture The Social Internet: Frustrating, Enriching, but Not Lonely Zeynep Tufekci The “lonely world of cyberspace” is a curious example of the vast gap that every so often opens between an idea’s popularity among pun- dits (considerable) and its basis in empirical research (very little). In the past few years the New York Times has run multiple op- eds suggesting social media or our phones are eroding human connections (for example, Cohen 2012; Egan 2013; Foer 2013; Franzen 2011; Fredrickson 2013); the Atlantic ran a cover story ask- ing, “Is Facebook Making Us Lonely?” (Marche 2012); Massachusetts Institute of Technology psychologist Sherry Turkle wrote a book titled Alone Together (2011) that is partly about social media damaging “real world” human connections; and Pope Benedict warned youngsters not to replace their real friends with virtual ones (Benedict XVI 2011, 2009). In the meantime, a growing pile of empirical research shows that, if anything, the relationship runs the other way — Internet users are more social and less isolated. This curious “Freddy Krueger effect” — the inability of data to kill the endur- ing attractiveness of a theme — deserves unpacking that goes beyond an indication of its lack of empirical basis and appeal to moral panic. The Internet’s integration into sociality happened with such impressive speed that it is at once mundane, all around us, and yet also barely examined. In addition, the Internet’s qualitative and subjective impacts are harder to measure than simple indicators like use or penetration. Further, a technology as multifaceted and complex as the Internet not only will not produce a “main effect” — a single, homogeneous impact that applies to everyone and every type of use — but it may well have different consequences at systemic, individual, and historical scales. -
Dutchcu|Ture Photography in Turkey |
Centre for international DutchCu|ture | cooperation Photography in Turkey Version 2019 | Written by Refik Akyuz Photography in Turkey Version 2019 In 2011, SICA (the predecessor of DutchCulture) Acknowledgements produced a comprehensive mapping of the Turkish Written by Refik Akyuz based on 2011 mapping by cultural field. This mapping was written by local Selin Yilmaz. experts and edited by Teike Asselbergs and Chantal Hamelinck. The mapping was produce as a means to Edited by Chantal Hamelinck and Teike Asselbergs. promote cultural exchange between the Netherlands Proofread by Natasha Hay. and Turkey and as a starting point of the year 2012, which marked 400 years of Dutch – Turkish diplo- Commissioned by DutchCulture, centre for matic relations. The mapping was supported and international cooperation. produced in close co-operation with the Dutch public funds. Supported by the Ministry of Education, Culture and Science of the Netherlands. An update of these mappings was commissioned in 2018 by DutchCulture while working with the same editors. The existing mappings were revised and several new mappings were added. The updated mappings are focusing more on giving Dutch cultu- ral practitioners an insight into the Turkish cultural field and its infrastructure, and helping them get in contact with colleagues. This mapping is supported by the Ministry of Education, Culture and Science of the Netherlands. Page 2 Photography in Turkey Contents Summary 4 Introduction 6 Short history 7 Main trends and topics 10 Popular 12 Audiences 13 Sub-disciplines 14 Documentary photography 14 Contemporary photography 15 Commercial photography 16 Professional Groups and Associations 17 Educational institutions 18 Non-professionals 19 Youth and Photography 20 Venues 21 Festivals and Events 23 Prizes and grants 24 Financial situation 26 Critics and researchers 27 (Social) Media and Photography 28 Publishers 29 Resources 30 Facilities 31 Page 3 Photography in Turkey | Summary Photography in Turkey has a long history. -