DOCSLIB.ORG

View Album Insert

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
View Album Insert Als A o Stere Mon Playabl HEARTSTRINGS 4:05 Day after day and night after night can't help myself to think bout the DIstiNCTiOn Stephen Francis, Claressa Monteiro, times I did you wrong o o Clement Chow, Faridah Ali, Love can be right and love can be true Karen Xavier, Shiekh Tahir, Jai One thing I would like to e Lyrics & Music: Jeremy Monteiro is just to give my love to you Tell me what you see. when you look around you, * Repeat 1st chorus A ©198 when you see the people passing you by If only you could realize Does everything seem fine? Did you take the time? and just a little sacrifice 2 4 3 5 1 . Musi I'm sure we make it if we try. Heartstring I Sid Wha To look beyond the smiles and the laughter? 7 Wil Polygra I will love you all that I can e Hey' why should I care? Isn't life just unfair? l B t 3:5 c No one said that it has to be easy. I will please you best that I can Wil Markete Fro y And if I should care, if I reached to share, Even though it's hard to make it Sid m but one thing I'll be sure l How could something I do, help at all? Lif m Record I'm gonna love you more s e M 4:0 e Together we share, Every single day of my life. d 4:0 B b y together we show them that we care Hear e y I know that it's the only way Now Polygra s Together we care, and share. I hope. WHAT WILL LIFE BE NOW? Pt That all of us be happy as one. t Sherry Aljunied 3:24 e 3:0 ? Ltd Lyrics & Music: Henson Lim 3:2 If everyone just tries, to spare a thought each day, m and give a little once in a while Record . Like the wind that moves the tide, Singapore It isn't very hard, just try and you'll see. 5 0 5 4 You have always been my guide, 5 a little help goes a long way. But yesterday, I heard you say, Words that left me. oh, so far away, B And if I should try. every once in awhile, s Ltd would it really help someone in need? Now I'm left here on my own . 4 3 2 1 © Now I understand, there's only one way Wonderin' 'bout the love I've known . VARIOU Neve Foreve I' Leathe Hon ARTIST to Love is to care and to share Oh why the pain, I can't explain, 198 m But I know my love for you remains. Cryin g Chorus Sax Solo Chorus till Fade Kong/Singapore/Malaysia 7 r Though Chorus Polygra r r & I I WILL 3:35 g What will life be now? n Lac Fo You Kaye Hamid Truth has brought me down Love is gone. I've lost what I have found S Lyrics & Music: Ben Salleh r m S e t Yo What will life be now? r I' 3:4 Record Arm If only you could change your mind d and give me a chance u Com Isn't it a crying shame? 4:2 I promise you that I'm gonna love you even more Is it you, or I, to blame? s Deep in my heart and deep in my soul 4:1 We had our times, we had our fears s there will be no other man e Pt Now it's gone, it had to disappear Thi who could steal my heart away e Including Chorus Ltd s STEREO I will love you all that I can . Fa Mark Chan "HEARTSTRINGS" I will please you best that I can What can I do? . Singapore r Even though it's hard to make it What can I say? 4:4 Kay Hamid Community Chest Song 830 836-4 but one thing I'll be sure I'm just crying all my nights away. Sherry Aljunied I'm gonna love you more everyday of my life 5 0 0 5 Claressa Monteiro PHILIPS As the playing times of the two sides are unequal, it is advisable . All Rights Reserved, National Library Board, Singapore Jeremy Monteiro to wind the tape on to the end before turning It over. MUSIC FROM MY HEART 305 Throw the dice and let it roll LEATHER & LACE 3:40 Never thought I could come this far, Now I know Monte Cristo Break the ice, shake off self-control Kaye Hamid See all the things that I can be now. There's no other place my lonely heart can go (Jeremy & Claressa Monteiro) Let's go with the flow and ride with the tide Lyrics & Music: Kevin Wood That rising star is not so far. Where the quiet waters flow My turn has come to hit the heights now. Lyrics: Maurice Ryall/Jeremy Monteiro Is it time? There's time to tell I wear my leather & lace No looking back, I need you now Music: Jeremy Monteiro Do we rhyme? We're rhyming so well I'm not just a pretty face No more waiting, no more where, no why, no how Whatever we want we can be side by side When I let my hair hang down The way to go is up. This has got to be the hour I'm just another girl, that nobody knows You'll be glad that I'm around No need to wait any longer. and maybe never will All the pain (She a lady) don't mess with me Fame is calling you bet I'll answer, There's too much pain And I'm no superstar whose songs can save the world Every drop of pain we've cried I can be dangerous you'ed better believe Don't hold me back. There's too much rain or change the way you feel Every dream I go crazy life is fun for me It's almost mine now The cloud must part We've kept bottled up inside But it wasn't always so easy I want to see your face again But why can't I just tell you how I feel Has been released Guess I'm here on my own, Must I have a name just to sing a song for you We no longer have to hide I wear my diamonds & pearls But no way does It bring me down I want to live forever in your arms Whatever we want we can be side by side You could say I'm a classy girl I need to feel I'm in control I've stayed away too long ** Just listen to the music that comes from my heart Side by side Man with dollar don't make my scene I guess it's goodbye I need you much too strong with all the hope in love that someone can have I don't impress that easily Side by side Don't wanna see you I want to live forever in your Cause I sing this song to all the world tonight arms (She's a lady) don't mess with me Weather the storm Open up your heart and share the love inside I can be dangerous you'ed better believe CHORUS Sleep in the warm B I go crazy life is fun for me I want to live forever Now not too long ago some people got around I'M CRYING FOR YOU 4:25 But it wasn't always so easy I see the stars in the sky, Forever, forever in your arms And sang we are the world "We are the children" I'll feel alive when I'm shining too. And if their message got to you Sherry Aljunied I can walk into a room and people say No need for cupid's arrows yet. To give a helping hand. I know you'll understand Lyrics & Music: Ha ha who's that girl Rakesh s/o Ramkumar Sharma When tomorrow comes, I know I can turn head's like I'm turning People will see that. CHORUS But still I'll try and tell you how I feel I bury my face down in my hands A corner in a car (to fast) I'll may never change the world Why I cry I don't understand People say I'm the kind of girl but I can sing my song for all Maybe its because I'm left here all alone You don't mess around with FOREVER IN MY ARMS 4:15 Maybe its because I'll only tell you once. I'll make it clear Mark Chan Just listen ... (Chorus **) I know your heart is made of stone Lyrics & Music: Mark Chan Each time I turn around it's your face I see (Repeat 1st verse) Arranged and produced by Sidney Tan And Lionel Ritchie, Michael Jackson, I close my eyes you're my fantasy Quincy Jones and friends I wake and see How could you leave me standing here NEVER THOUGHT When you said you would wipe away my tears the morning sun shining just for me (Maybe I can change the world) Maybe its because I'm left here on my own I'D COME THIS FAR 4:40 and it's where I've got to be But I guess that you were lying Kay Hamid and Mark Chan Monte Cristo It's been too long Now you see me crying by courtesy of Polydor SIDE BY SIDE 4:00 (Jeremy & Claressa Monteiro) Since I heard your laughter ringing in my song Mark Chan For your heart, its made of stone Life is an illusion full of pain Lyrics: Jeremy Monteiro/Claressa Monteiro and the music makes me strong Executive Producer: Lyrics & Music: Mark Chan Music: Jeremy Monteiro This reality is making me insane Jeremy Monteiro Take it slow, no need to rush Oh I know how it feels Believe our love was real, There's too much pain Just let go.
Load more

Recommended publications
  • Songs by Artist
    Reil Entertainment Songs by Artist Karaoke by Artist Title Title &, Caitlin Will 12 Gauge Address In The Stars Dunkie Butt 10 Cc 12 Stones Donna We Are One Dreadlock Holiday 19 Somethin' Im Mandy Fly Me Mark Wills I'm Not In Love 1910 Fruitgum Co Rubber Bullets 1, 2, 3 Redlight Things We Do For Love Simon Says Wall Street Shuffle 1910 Fruitgum Co. 10 Years 1,2,3 Redlight Through The Iris Simon Says Wasteland 1975 10, 000 Maniacs Chocolate These Are The Days City 10,000 Maniacs Love Me Because Of The Night Sex... Because The Night Sex.... More Than This Sound These Are The Days The Sound Trouble Me UGH! 10,000 Maniacs Wvocal 1975, The Because The Night Chocolate 100 Proof Aged In Soul Sex Somebody's Been Sleeping The City 10Cc 1Barenaked Ladies Dreadlock Holiday Be My Yoko Ono I'm Not In Love Brian Wilson (2000 Version) We Do For Love Call And Answer 11) Enid OS Get In Line (Duet Version) 112 Get In Line (Solo Version) Come See Me It's All Been Done Cupid Jane Dance With Me Never Is Enough It's Over Now Old Apartment, The Only You One Week Peaches & Cream Shoe Box Peaches And Cream Straw Hat U Already Know What A Good Boy Song List Generator® Printed 11/21/2017 Page 1 of 486 Licensed to Greg Reil Reil Entertainment Songs by Artist Karaoke by Artist Title Title 1Barenaked Ladies 20 Fingers When I Fall Short Dick Man 1Beatles, The 2AM Club Come Together Not Your Boyfriend Day Tripper 2Pac Good Day Sunshine California Love (Original Version) Help! 3 Degrees I Saw Her Standing There When Will I See You Again Love Me Do Woman In Love Nowhere Man 3 Dog Night P.S.
    [Show full text]
  • Issues of Image and Performance in the Beatles' Films
    “All I’ve got to do is Act Naturally”: Issues of Image and Performance in the Beatles’ Films Submitted by Stephanie Anne Piotrowski, AHEA, to the University of Exeter as a thesis for the degree of Doctor of Philosophy in English (Film Studies), 01 October 2008. This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which in not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. (signed)…………Stephanie Piotrowski ……………… Piotrowski 2 Abstract In this thesis, I examine the Beatles’ five feature films in order to argue how undermining generic convention and manipulating performance codes allowed the band to control their relationship with their audience and to gain autonomy over their output. Drawing from P. David Marshall’s work on defining performance codes from the music, film, and television industries, I examine film form and style to illustrate how the Beatles’ filmmakers used these codes in different combinations from previous pop and classical musicals in order to illicit certain responses from the audience. In doing so, the role of the audience from passive viewer to active participant changed the way musicians used film to communicate with their fans. I also consider how the Beatles’ image changed throughout their career as reflected in their films as a way of charting the band’s journey from pop stars to musicians, while also considering the social and cultural factors represented in the band’s image.
    [Show full text]
  • Beatles Cover Albums During the Beatle Period
    Beatles Cover Albums during the Beatle Period As a companion to the Hollyridge Strings page, this page proposes to be a listing of (and commentary on) certain albums that were released in the United States between 1964 and April 1970. Every album in this listing has a title that indicates Beatles-related content and/or a cover that is a parody of a Beatles cover. In addition, the content of every album listed here is at least 50% Beatles-related (or, in the case of albums from 1964, "British"). Albums that are not included here include, for example, records named after a single Beatles song but which contain only a few Beatles songs: for example, Hey Jude, Hey Bing!, by Bing Crosby. 1964: Nineteen-sixty-four saw the first wave of Beatles cover albums. The earliest of these were released before the release of "Can't Buy Me Love." They tended to be quickly-recorded records designed to capitalize rapidly on the group's expanding success. Therefore, most of these albums are on small record labels, and the records themselves tended to be loaded with "filler." Possibly, the companies were not aware of the majority of Beatle product. Beattle Mash The Liverpool Kids Palace M-777 Side One Side Two 1. She Loves You 1. Thrill Me Baby 2. Why Don't You Set Me Free 2. I'm Lost Without You 3. Let Me Tell You 3. You Are the One 4. Take a Chance 4. Pea Jacket Hop 5. Swinging Papa 5. Japanese Beatles 6. Lookout for Charlie The label not only spells "Beatle" correctly but also lists the artist as "The Schoolboys." The liner notes show that this album was released before the Beatles' trip to America in February, 1964.
    [Show full text]
  • So Go the Ghosts of México, Part One
    so go the ghosts of méxico, part one by Matthew Paul Olmos Contact: Leah Hamos The Gersh Agency 41 Madison Avenue, 33 rd Floor, New York, NY 10010 212.917.1818 [email protected] i part I a brave woman in méxico the people a brave woman in méxico the police chief the husband el morete güero a place méxico, present day Spanish translation by Mariana Carreño King ii the beginning an emptying dirt and gravel parking lot: vacant spaces and cars-recently-left surrounded by cars-abandoned-who- the-fuck-knows. MARI and HUSBAND fuck in an emptied car. HUSBAND Lemme just— MARI Yea, I know, it’s— HUSBAND You’re on my— MARI I’m trying to— HUSBAND Will you get…over— MARI I don’t want be…over, I wanna be right…on…this… HUSBAND Fine then lift your— MARI I can’t, you go around— HUSBAND Mari, I can’t keep it in if I can’t— MARI You’re a man, if there’s a way to keep it in, you will. (HUSBAND tries a different approach; they find a rhythm) HUSBAND See that. Lookit us— MARI Will you/just— HUSBAND See how we can be— 1 MARI No words. (Just as HUSBAND feels in synch, MARI pulls off. On their separation, we hear a breaking of static; they both notice, but think nothing of it) HUSBAND Okay… MARI This isn’t— HUSBAND Wow. I know that look. MARI I’m not looking at you, I’m just— HUSBAND What? (pause) Say it. MARI Tomorrow.
    [Show full text]
  • Songs by Artist
    YouStarKaraoke.com Songs by Artist 602-752-0274 Title Title Title 1 Giant Leap 1975 3 Doors Down My Culture City Let Me Be Myself (Wvocal) 10 Years 1985 Let Me Go Beautiful Bowling For Soup Live For Today Through The Iris 1999 Man United Squad Loser Through The Iris (Wvocal) Lift It High (All About Belief) Road I'm On Wasteland 2 Live Crew The Road I'm On 10,000 MANIACS Do Wah Diddy Diddy When I M Gone Candy Everybody Wants Doo Wah Diddy When I'm Gone Like The Weather Me So Horny When You're Young More Than This We Want Some PUSSY When You're Young (Wvocal) These Are The Days 2 Pac 3 Doors Down & Bob Seger Trouble Me California Love Landing In London 100 Proof Aged In Soul Changes 3 Doors Down Wvocal Somebody's Been Sleeping Dear Mama Every Time You Go (Wvocal) 100 Years How Do You Want It When You're Young (Wvocal) Five For Fighting Thugz Mansion 3 Doors Down 10000 Maniacs Until The End Of Time Road I'm On Because The Night 2 Pac & Eminem Road I'm On, The 101 Dalmations One Day At A Time 3 LW Cruella De Vil 2 Pac & Eric Will No More (Baby I'ma Do Right) 10CC Do For Love 3 Of A Kind Donna 2 Unlimited Baby Cakes Dreadlock Holiday No Limits 3 Of Hearts I'm Mandy 20 Fingers Arizona Rain I'm Not In Love Short Dick Man Christmas Shoes Rubber Bullets 21St Century Girls Love Is Enough Things We Do For Love, The 21St Century Girls 3 Oh! 3 Wall Street Shuffle 2Pac Don't Trust Me We Do For Love California Love (Original 3 Sl 10CCC Version) Take It Easy I'm Not In Love 3 Colours Red 3 Three Doors Down 112 Beautiful Day Here Without You Come See Me
    [Show full text]
  • Apple Label Discography
    Apple Label Discography 100-800 series (Capitol numbering series) Apple Records was formed by John Lennon, Paul McCartney, George Harrison and Ringo Starr in 1968. The Apple label was intended as a vehicle for the Beatles, their individual recordings and the talent they discovered. A great deal of what appeared on Apple was pretty self indulgent and experimental but they did discover a few good singers and groups. James Taylor recorded his first album on the label. Doris Troy recorded a good soul album and there are 2 albums by John Lewis and the Modern Jazz Quartet. The Beatlesque group Badfinger also issued several albums on the label, the best of which was “Straight Up”. Apple Records fell apart in management chaos in 1974 and 1975 and a bitter split between the Beatles over the management of the company. Once the lawyers got involved everybody was suing everybody else over the collapse. The parody of the Beatles rise and the disintegration of Apple is captured hilariously in the satire “All You Need Is Cash: the story of the Rutles”. The Apple label on side 1 is black with a picture of a green apple on it, black printing. The label on side 2 is a picture of ½ an apple. From November 1968 until early 1970 at the bottom of the label was “MFD. BY CAPITOL RECORDS, INC. A SUBSIDIARY OF CAPITOL INDUSTRIES INC. USA”. From Early 1970 to late 1974, at the bottom of the label is “MFD. BY APPLE RECORDS” From late 1974 through 1975, there was a notation under the “MFD.
    [Show full text]
  • KLOS Sept. 9Th 2012
    1 PLAYLIST SEPT. #9 #9 #9 2012 9AM 1 2 The Beatles - Words Of Love - Beatles For Sale (Holly) Lead vocal: John and Paul The Beatles idolized Buddy Holly and performed his songs regularly as part of their club act. So it is a little surprising that “Words of Love” is the only Buddy Holly song the band officially recorded. John and Paul took extra care to make sure their harmonies were perfect, likewise George, in reverence to the material, double-tracked his careful guitar work. This recording was special to the Beatles, and it shows. Recorded on October 18, 1964 in three takes. On U.S. album: Beatles VI - Capitol LP 2 3 The Beatles - You’ve Got To Hide Your Love Away - Help! (Lennon-McCartney) Lead vocal: John Recorded in less than two hours on February 18, 1965. Written entirely by John Lennon, who freely admitted the obvious Bob Dylan influence. Lennon wrote this at Kenwood, his home on the St. George’s Hill estate in Weybridge, Surrey (where the Beatles would be photographed for the cover of their “Rubber Soul” album). John’s original lyric was “I can’t go on feeling two foot tall,” but when singing it for Paul the first time he accidentally said, two foot “small.” Lennon then laughed and said, “Let’s leave it … all those pseudes will really love it.” The first of their songs since “Love Me Do” in 1962 to feature an outside musician. Johnnie Scott provides the flute solo at the end of the song, though he is not credited on the album jacket.
    [Show full text]
  • The Beatles - the Capitol Albums, Volume 2 Pdf, Epub, Ebook
    THE BEATLES - THE CAPITOL ALBUMS, VOLUME 2 PDF, EPUB, EBOOK John Lennon | 248 pages | 01 Jun 2010 | Hal Leonard Corporation | 9781423429951 | English | Milwaukee, United States The Beatles - the Capitol Albums, Volume 2 PDF Book Acoustic - Budget Books. Twist and Shout. In the Tyrol Instrumental Our customers love us! What You're Doing. Blues Classical Country. Live at the BBC []. Sexy Trippy All Moods. Pitchfork is the most trusted voice in music. Nobody at the label found the results satisfactory so they attempted it again almost exactly a For personal non-commercial use only. All My Loving. Contact Info. Girl - stereo 9. Tripolar Zenttric. Tracks on Disc 1: 1. It's Only Love - mono Since we first met the Beatles in , things have never been the same. Send Feedback. Chase, The - instrumental, mono. Ostensibly, that's the way the Beatles would have liked it, but it's the domestic configurations of these albums that fans in the U. Little Child. Your Email Address. It was inevitable that the constant grind of touring, writing, promoting, and recording would grate What You're Doing 8. I've Just Seen A Face - stereo 2. Enabling JavaScript in your browser will allow you to experience all the features of our site. I Don't Want to Spoil the Party Baby's in Black. Long Tall Sally. All the Real Books feature hundreds of time-tested songs in extremely accurate arrangements; the famous large, easy-to-read, hand-written notation with no page turns; general tempo indications to assist with set selection; songs indexed alphabetically, by key, and by In the Tyrol Ken Thorne.
    [Show full text]
  • Positively ME! If You Don't Want to Sing the Entire Song, the Important Words
    Positively ME! If you don’t want to sing the entire song, the important words to sing contain the positive “I” statements. These songs can be used as a tool for recovery. It is well known that saying positive affirmations helps us change the negative tapes that often play in our head. These songs have positive affirmations within the song. By singing the song, with or without the CD, you begin changing negative thoughts into positive ones. When singing the song, think about how the song may pertain to your life. For instance, “I Will Survive” is about a woman overcoming a relationship. What are you trying to overcome? I suggest, when you sing the Helen Reddy song “ I am Woman”, that you substitute your name for Woman. This is very positive, because you are you and no one can be you. You are essential to life and the universe, although sometimes it may not feel like it. Once you can change how you think about yourself, you can start succeeding in life and feeling better about yourself. Many people feel silly saying good things about themselves out loud; however, if the good things are recorded on a song, then you do not feel as silly singing them out loud. For this to be most effective, you need to say the positive affirmations out loud. Listen to words of the songs you listen to most often. What are they saying? Is it positive? Does it lift you up? By watching what we say, sing and do, we begin to identify those things that reinforce the old tapes.
    [Show full text]
  • Sing! 1975 – 2014 Song Index
    Sing! 1975 – 2014 song index Song Title Composer/s Publication Year/s First line of song 24 Robbers Peter Butler 1993 Not last night but the night before ... 59th St. Bridge Song [Feelin' Groovy], The Paul Simon 1977, 1985 Slow down, you move too fast, you got to make the morning last … A Beautiful Morning Felix Cavaliere & Eddie Brigati 2010 It's a beautiful morning… A Canine Christmas Concerto Traditional/May Kay Beall 2009 On the first day of Christmas my true love gave to me… A Long Straight Line G Porter & T Curtan 2006 Jack put down his lister shears to join the welders and engineers A New Day is Dawning James Masden 2012 The first rays of sun touch the ocean, the golden rays of sun touch the sea. A Wallaby in My Garden Matthew Hindson 2007 There's a wallaby in my garden… A Whole New World (Aladdin's Theme) Words by Tim Rice & music by Alan Menken 2006 I can show you the world. A Wombat on a Surfboard Louise Perdana 2014 I was sitting on the beach one day when I saw a funny figure heading my way. A.E.I.O.U. Brian Fitzgerald, additional words by Lorraine Milne 1990 I can't make my mind up- I don't know what to do. Aba Daba Honeymoon Arthur Fields & Walter Donaldson 2000 "Aba daba ... -" said the chimpie to the monk. ABC Freddie Perren, Alphonso Mizell, Berry Gordy & Deke Richards 2003 You went to school to learn girl, things you never, never knew before. Abiyoyo Traditional Bantu 1994 Abiyoyo ..
    [Show full text]
  • A Permeable Life (Lyrics)
    Lyrics Portitor Consectetur Lorem ipsum dolor sit Every Little Bit of It Tries with its might to live. The leaves recount with a rasping We sense but can’t describe, sound Just beyond my sight, From the corner of our eye A shadow cast on the autumn ground Something that I cannot see, Something nameless and abiding, It’s a lovely wish, it’s a tender sight I've been circling around a thought, And so we keep transcribing. A promise made on shifting light That’s been circling round me. ! Bad news from the start Like the vapor of a song, Words and Music By Carrie Newcomer But yet I gave it my heart, That is just out of earshot, ! ! And I thought I knew the question, The Ten O’Clock Line Chorus But I guess not. ! ! Gone with the grace of a black-winged I always thought I would start again, Chorus: There it is just below the surface of crow But I was so much younger then things, With all the tact of an exit poll Perhaps no more of just the same In a flash of blue, and the turning of wings. I banked the curve of the last back But a deeper song with a different Drain the glass, drink it down, every moment road name of this, While you washed your hands in a The last one had its time Every little bit of it, every little bit. silver bowl Up on the Ten O' Clock Line ! I didn’t want to know ! I swam against the tide, That’s the way it goes Chorus There’s a hole in the world I tripped on my own pride, ! I saw it coming for some time So I'll try again today, Pretty words traced in the dirt, This is how it always ends To get out of my own way.
    [Show full text]
  • THE BEATLES IMAGE: MASS MARKETING 1960S BRITISH and AMERICAN MUSIC and CULTURE, OR BEING a SHORT THESIS on the DUBIOUS PACKAGE of the BEATLES
    THE BEATLES IMAGE: MASS MARKETING 1960s BRITISH AND AMERICAN MUSIC AND CULTURE, OR BEING A SHORT THESIS ON THE DUBIOUS PACKAGE OF THE BEATLES by Richard D Driver, Bachelor of Arts A Thesis In HISTORY Submitted to the Graduate Faculty of Texas Tech University in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS Approved Aliza S Wong Randy McBee John Borrelli Dean of the Graduate School May, 2007 Copyright 2007, Richard Driver Texas Tech University, Richard D Driver, May 2007 ACKNOWLEDGMENTS This work could not have been possible without the encouragement and guidance of a number of individuals, as well as countless persons who pulled books, worked through interlibrary loans, and simply listened to me talk about it. Without the guidance, tolerance, insight, time, and encouragement of my committee, Aliza S Wong and Randy McBee, this thesis would have remained nothing more than a passing thought. Aliza, more than any other professor has been there for me since this project truly began over two years ago. It was her initial push for me to write about something I loved that drove me to attend Graduate school and then build upon what I had done previously with The Beatles “image.” Dr. McBee provided excellent guidance into understanding many of the post-war American facets of this work, not simply those related to The Beatles or music in general. Additional thanks are reserved for Dr. Julie Willett for her class on sexuality and gender where new methods and modes of historical thought were founded in this work. Finally, this thesis would have been impossible had I not been accepted into and granted a teaching position in the History Department at Texas Tech University, and it is to the entire department that I owe my greatest thanks.
    [Show full text]