Childhood Days

Total Page:16

File Type:pdf, Size:1020Kb

Childhood Days © Nelson Rolihlahla Mandela ± All Rights Reserved Chapter 1: Childhood Days My father, Gadla Henry Mphakanyiswa, once a prosperous nobleman according to the standards of that time died in 1930 having lost his chieftaincy and all the wealth and comforts attached to that office. Shortly thereafter my mother and I went westward on a journey which, unknown to me then, was to change my whole life. I was sorry to leave behind the sweet home where I had spent the happiest days of my childhood; the simple peasant huts where my sisters and I had enjoyed my mother's love and protection as well as her tempting dishes; where we had listened to her at night telling us gripping stories and fables from the distant past, and where no evil could touch us. Before we disappeared behind the hills I turned and looked for the last time at the cluster of villages I was leaving behind. I could see the two trading stores where I used to buy my mother's groceries, the two primary schools I had attended, the dipping tanks, the maize fields and the green pastures where the herds and flocks were grazing. I imagined how other boys were enjoying themselves hunting, roasting maize on the cob, drinking milk straight from the cow's udders and swimming in the pools. Above all I could see those three round huts which I associated with happiness, with life itself. I wished I had kissed them before I left. 1 1 We travelled on foot and in the afternoon came to a large and beautiful home with an equally large courtyard. The buildings consisted of two large ingxande (square houses) and seven rondavels, all washed in white lime and far bigger than anything I had seen before. In the shade of two gum trees sat a group of about twenty serious elders. There were peach trees and maize in the front garden and a larger garden at the back had apple trees, maize, a vegetable and flower strip and a wattle patch. Grazing around the place were about fifty head of cattle and about three hundred sheep. This was Mqhekezweni, the provisional capital of Thembuland, and the residence of Chief Jongintaba Dalindyebo who acted as the regent for Sabata, a future king. In my village at Qunu I had seen modern homes of the families of Mbekela, Zidlele, Njomane, Habe and others, but the royal residence completely dwarfed all these. Here almost everything had a dimension of its own and at that age I could hardly imagine anything on earth which could exceed this. It would take me almost two decades to discover the prosperity of the Thembu Court could hardly be compared to that of the senior chiefs of Botswana, Lesotho, and Swaziland. Towards sunset a huge motor car drove through the western gate and the men in the shade rose to their feet shouting: Bayethe a-a-a Jongintaba ! (Hail ! Jongintaba !), the traditional salute of the Xhosas for their chief. A short thick set man, dark complexioned and wearing a smart suit, stepped out and joined the gathering under the trees. He had a resolute bearing and an intelligent face. His confidence and casual manner marked him off as one who was used to praise and exercise of authority. This was the regent who for more than a decade was to be my guardian and generous 2 2 benefactor and who was to exercise a tremendous influence on me. His physical appearance symbolised all the prosperity and grandeur that was written into everything that made up that home. The men around him were the counselors who handled the affairs of Thembuland and who formed the highest Thembu Court of Justice. Before my arrival at Mqhekezweni I had no higher ambitions than to have plenty of good food, nice clothes, to become a great hunter, a champion stick fighter, and the centre of a host of other adventures some printable others not. The idea of property and class had not become an obsession as yet. But even on that first day of my arrival, I felt like a tree that had been pulled out root and branch from the earth and flung mid stream into a strong current. Children who come from poor homes, whose parents can neither read nor write, are exposed to many temptations when they suddenly find themselves in the midst of prosperity. Established beliefs, existing loyalties and even affectionate relationships may be undermined. During the first days at the royal residence I felt the slender foundations my parents had built in me beginning to shake with the impact of all the glitter that surrounded me. Life here made me acutely aware of the poverty in which I was born and bred. A few days after our arrival my mother, my very first friend in life, returned to Qunu to resume the fight against poverty and growing physical and spiritual needs that would never be satisfied. I remained behind merry in the festive atmosphere of Mqekezweni, eating fairly good food, sleeping 3 3 in comfort and looking like a polished piece of bronze in the new outfit the regent had bought me. Parting came without fuss. There were no sermons, moral or otherwise, no kisses and not even a handshake. All these things would have been superfluous. That tender look of hers which has always moved me and her smooth and concise remarks were all that I needed to feel secure and relaxed. Uqinisufokotho Kwedini ! (Brace yourself up, my boy !) meant more to me than anything else. Both my home at Qunu and the royal residence at Mqhekezweni are in the district of Mthatha (the corrupt European form being presently Umtata), the capital of the Transkei. The Transkei itself is about seven hundred miles east of Cape Town and lies between the Kei River and the Natal border, the Drakensberg mountains and the Indian Ocean. A beautiful country of rolling hills, fertile valleys and numerous rivers, it is the largest block of African territory in South Africa, covering an area of 16,500 square miles and with the present population of 3,600,000 Xhosas with a tiny minority of Basothos, Coloureds (mixed blood) and whites. The land is owned by the State and, with a few exceptions, Africans enjoy no private title to land. Africans are state tenants paying rent annually to the Government. Much of the beauty of the territory has been destroyed by over population, over stocking and soil erosion. The houses consist of rounded mud walls, grass roofs with strong wooden poles in the centre on which the roof rests. The floor is made of crushed ant heap and kept smooth and clean by smearing it regularly with fresh cow dung. The houses are generally grouped together in residential areas separate and very 4 4 often some distance from the maize fields. Cattle, horses, sheep and goats graze in common pastures. Maize, sorghum, beans and pumpkins form the staple diet, not because of any inherent preference for this type of food, but because the people cannot afford anything better. The more well to do families supplement their diets with some milk, tea, coffee and sugar, but for many people these are luxuries which are beyond their means. For the greater part of the year the men are away working on the mines, farms and towns. They return mainly for the purpose of ploughing but leave the hoeing, weeding and harvesting to women and children. Water has to be fetched in buckets or clay pitchers by women from springs and streams. As a rule Christians move about in modern clothes whilst the non-Christians wear blankets soaked in ochre. The Transkei is a country of poverty and hunger, disease and illiteracy. It serves as an important reservoir of cheap labour for the mines and the farms, the former having established an efficient network of recruiting agencies throughout the area. Much change has occured to this area over the past fifty years in regard to the living conditions of the people and, in spite of strong objections and stubborn resistance from the liberation movement to the policy of separate development and its institutions, today there is even talk of independence in which the people it is claimed will for the first time since conquest run their own affairs. My father ruled at Mvezo in the district of Mthatha. Here I was born on the 18th July 1918, a year 5 5 which is significant in many respects. It brought both disaster and happy days. It was the year of the influenza epidemic in which millions of people throughout the world died. It marked the end of the first world war and ushered in world peace for two decades. That year a delegation of the African National Congress travelled to the Versailles Peace Conference to voice the grievances of the African people of South Africa. On the home front is was a year of rising industrial unrest in which both black and white workers went on strike and in which there were even wild rumours of an impending rebellion by the workers. It was in this atmosphere that in Johannesburg and Durban workers went so far as to establish soviets to manage their affairs. Above all, it was the year following the Bolshevik revolution - an immortal achievement which opened up vast possibilities for man's forward movement. My relationship to the Thembu royal house, and more particularly the fact that I spent my youth at Mqhekezweni, has led to well meant but exaggerated accounts of my exact position in the affairs of Thembuland.
Recommended publications
  • Between Empire and Revolution : a Life of Sidney Bunting, 1873-1936
    BETWEEN EMPIRE AND REVOLUTION: A LIFE OF SIDNEY BUNTING, 1873–1936 Empires in Perspective Series Editors: Emmanuel K. Akyeampong Tony Ballantyne Duncan Bell Francisco Bethencourt Durba Ghosh Forthcoming Titles A Wider Patriotism: Alfred Milner and the British Empire J. Lee Th ompson Missionary Education and Empire in Late Colonial India, 1860–1920 Hayden J. A. Bellenoit Transoceanic Radical: William Duane, National Identity and Empire, 1760–1835 Nigel Little Ireland and Empire, 1692–1770 Charles Ivar McGrath Natural Science and the Origins of the British Empire Sarah Irving Empire of Political Th ought: Indigenous Australians and the Language of Colonial Government Bruce Buchan www.pickeringchatto.com/empires.htm BETWEEN EMPIRE AND REVOLUTION: A LIFE OF SIDNEY BUNTING, 1873–1936 BY Allison Drew london PICKERING & CHATTO 2007 Published by Pickering & Chatto (Publishers) Limited 21 Bloomsbury Way, London WC1A 2TH 2252 Ridge Road, Brookfi eld, Vermont 05036-9704, USA www.pickeringchatto.com All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise without prior permission of the publisher. © Pickering & Chatto (Publishers) Limited 2007 © Allison Drew 2007 british library cataloguing in publication data Drew, Allison Between empire and revolution : a life of Sidney Bunting, 1873–1936. – (Empires in per- spective) 1. Bunting, Sidney Percival, 1873–1936 2. Social reformers – South Africa – Biography 3. Communists – South Africa – Biography 4. Lawyers – South Africa – Biography 5. South Africa – Politics and government – 1909–1948 6. South Africa – Politics and government – 1836–1909 7. South Africa – Social conditions I.
    [Show full text]
  • A Study of the Victorian and Edwardian Conceptions Of
    James Madison University JMU Scholarly Commons Masters Theses The Graduate School Spring 2012 Hidden kisses, walled gardens, and angel-kinder: A Study of the Victorian and Edwardian conceptions of motherhood and childhood in Little Women , The Secret Garden , and Peter Pan Leah Marie Kirkpatrick James Madison University Follow this and additional works at: https://commons.lib.jmu.edu/master201019 Part of the English Language and Literature Commons Recommended Citation Kirkpatrick, Leah Marie, "Hidden kisses, walled gardens, and angel-kinder: A Study of the Victorian and Edwardian conceptions of motherhood and childhood in Little omeW n, The eS cret Garden, and Peter Pan" (2012). Masters Theses. 253. https://commons.lib.jmu.edu/master201019/253 This Thesis is brought to you for free and open access by the The Graduate School at JMU Scholarly Commons. It has been accepted for inclusion in Masters Theses by an authorized administrator of JMU Scholarly Commons. For more information, please contact [email protected]. Hidden Kisses, Walled Gardens, and Angel-kinder: a Study of the Victorian and Edwardian Conceptions of Motherhood and Childhood in Little Women, The Secret Garden, and Peter Pan Leah M. Kirkpatrick A thesis submitted to the Graduate Faculty of JAMES MADISON UNIVERSITY In Partial Fulfillment of the Requirements for the degree of Master of Arts English May 2012 Table of Contents List of Figures………………………………………………………………..…….....iii Abstract…………………………………………………………………………….....iv Introduction…………………………………………………………………………....1 I: The Invention of Childhood and the History of Children’s Literature…………..….3 II: An Angel in the House: the Victorian and Edwardian Wife and Mother………...27 III: Metaphysical Mothers: Mothers in The Secret Garden and Little Women………56 IV.
    [Show full text]
  • 00 List of Conferred Honorarydegrees.Xlsx
    Honorary Degrees Conferred by the CSU 1963-2020 Full Name Degree Campus Date Mildred Jean Ablin Doctor of Humane Letters Bakersfield 6/13/1998 Morton I. Abramowitz Doctor of Laws Stanislaus 5/29/1993 Roberta Achtenberg Doctor of Humane Letters San Marcos 5/19/2017 Jack Acosta Doctor of Humane Letters East Bay 6/12/2010 Abel G. Aganbegyan Doctor of Laws Hayward* 6/15/2002 Yoshie Akiba Doctor of Fine Arts East Bay 6/14/2014 William C. "Bill" Allen Doctor of Humane Letters Northridge 5/22/2014 Isabel Allende Doctor of Humane Letters San Francisco 5/24/2008 Barbara Alpert Doctor of Humane Letters Long Beach 5/28/2021 Raymond Alpert Doctor of Humane Letters Long Beach 5/28/2021 Alfred E. Alquist Doctor of Laws San José 5/24/1997 Abel Coronado Amaya Doctor of Humane Letters Dominguez Hills 5/18/2007 Paul Anka Doctor of Fine Arts Pomona 6/16/2013 Robert Antle Doctor of Humane Letters Monterey Bay 5/19/2007 Alan Armer Doctor of Humane Letters Northridge 5/31/2002 Susan Armstrong Doctor of Science San Luis Obispo 12/5/2020 Ruth Asawa Doctor of Fine Arts San Francisco 5/30/1998 Ronald M. Auen Doctor of Humane Letters San Bernardino 6/13/2013 Sherrie C. Auen Doctor of Humane Letters San Bernardino 6/13/2013 Judith F. Baca Doctor of Fine Arts Northridge 5/18/2018 Robin Baggett Doctor of Laws San Luis Obispo 6/15/2014 Danny J. Bakewell, Sr. Doctor of Humane Letters Dominguez Hills 5/19/2017 Homer P. Balabanis Doctor of Fine Arts Humboldt 6/15/1985 John Baldessari Doctor of Fine Arts San Diego 5/17/2003 David Baltimore Doctor of Science San Luis Obispo 9/28/2001 Raudel J.
    [Show full text]
  • Women in Twentieth Century South African Politics
    WOMEN IN TWENTIETH CENTURY SOUTH AFRICAN POLITICS: WOMEN IN TWENTIETH CENTURY SOUTH AFRICAN POLITICS: THE FEDERATION OF SOUTH AFRICAN WOMEN, ITS ROOTS, GROWTH AND DECLINE A thesis submitted for the Degree of Master of Arts at the University of Cape Town October 1978 C.J. WALKER ACKNOWLEDGEMENTS I wish to express my appreciation to my supervisor, Robin Hallett, and to those friends who helped and encouraged me in numerous different ways. I also wish to acknowledge the financial assistance I received from the following sources, which made the writing of this thesis possible: Human Sciences Research Council Harry Crossley Scholarship Fund H.B. Webb Gijt. Scholarship Fund University of Cape Town Council. The views expressed in this thesis are those of the author alone. CONTENTS List of Abbreviations used in text Introduction CHAPTER 1 : The Position of Women, 1921-1954 CHAPTER 2 : The Roots of the FSAW, 1910-1939 CHAPTER 3 : The Roots of the FSAW, 1939-1954 CHAPTER 4 : The Establishment of the FSAW CHAPTER 5 : The Federation of South African Women, 1954-1963 CHAPTER 6 : The FSAW, 1954-1963: Structure and Strategy CHAPTER 7 : Relationships with the Congress Alliance: The Women's Movement and National Liberation CHAPTER 8 : Conclusion APPENDICES BIBI,!OGRAPHY iv V 1 53 101 165 200 269 320 343 349 354 ABBREVIATIONS USED IN TEXT AAC AllAfricanConvention AME American Methodist Episcopal (Church) ANC African National Congress ANCWL African National Congress Women's League APO African People's Organisation COD CongressofDemocrats CPSA Communist Party
    [Show full text]
  • Nelson Mandela and His Colleagues in the Rivonia Trial
    South Africa: The Prisoners, The Banned and the Banished: Nelson Mandela and his colleagues in the Rivonia trial http://www.aluka.org/action/showMetadata?doi=10.5555/AL.SFF.DOCUMENT.nuun1969_08 Use of the Aluka digital library is subject to Aluka’s Terms and Conditions, available at http://www.aluka.org/page/about/termsConditions.jsp. By using Aluka, you agree that you have read and will abide by the Terms and Conditions. Among other things, the Terms and Conditions provide that the content in the Aluka digital library is only for personal, non-commercial use by authorized users of Aluka in connection with research, scholarship, and education. The content in the Aluka digital library is subject to copyright, with the exception of certain governmental works and very old materials that may be in the public domain under applicable law. Permission must be sought from Aluka and/or the applicable copyright holder in connection with any duplication or distribution of these materials where required by applicable law. Aluka is a not-for-profit initiative dedicated to creating and preserving a digital archive of materials about and from the developing world. For more information about Aluka, please see http://www.aluka.org South Africa: The Prisoners, The Banned and the Banished: Nelson Mandela and his colleagues in the Rivonia trial Alternative title Notes and Documents - United Nations Centre Against ApartheidNo. 13/69 Author/Creator United Nations Centre against Apartheid Publisher Department of Political and Security Council Affairs Date 1969-10-00 Resource type Reports Language English Subject Coverage (spatial) South Africa Coverage (temporal) 1969 Source Northwestern University Libraries Description Note.
    [Show full text]
  • Thematic Essay) 5
    VOLUME FOR TEACHERS ONLY 1 OF 2 The University of the State of New York MC & THEMATIC REGENTS HIGH SCHOOL EXAMINATION Global History and Geography June 15, 2010 GLOBAL HISTORY Part I AND GEOGRAPHY Cut Here 1. 4 . 26. 2 . Tuesday, June 15, 2010 — 1:15 to 4:15 p.m., only 2. 1 . 27. 1 . SCORING KEY FOR PART I 3. 4 . 28. 4 . AND RATING GUIDE FOR PART II 4. 2 . 29. 2 . (THEMATIC ESSAY) 5. 4 . 30. 1 . 6. 3 . 31. 4 . 7. 4 . 32. 4 . Updated information regarding the rating of this examination may be posted on the New York State Education Department’s web site during 8. 2 . 33. 3 . the rating period. Visit the site http://www.emsc.nysed.gov/osa/ and select the link “Scoring of Examinations” for any recently posted 9. 3 . 34. 3 . information regarding this examination. This site should be checked 10. 4 . 35. 1 . before the rating process for this examination begins and at least one more time before the final scores for the examination are recorded. 11. 1 . 36. 4 . 12. 4 . 37. 4. Contents of the Rating Guide 13. 3 . 38. 2 . For Part I (Multiple-Choice Questions): 14. 2 . 39. 3 . • Scoring Key 15. 2 . 40. 1 . For Part II (thematic) essay: • A content-specific rubric 16. 1 . 41. 3. • Prescored answer papers. Score levels 5 and 1 have two papers each, 17. 3 . 42. 2 . and score levels 4, 3, and 2 have three papers each. They are ordered by score level from high to low.
    [Show full text]
  • Arts & Culture
    SOUTH AFRICA YEARBOOK 2013/14 The Department of Arts and Culture (DAC) con- tinues to make signifi cant strides in positioning Arts and the cultural and creative industries as one of the main drivers of economic growth and job crea- tion in South Africa. The success of the arts and culture sector is also reliant on effective governance, infra- Culture structure and skills development, partnerships, research, sharing of information and enterprise development. In this context, the department is committed to supporting a number of emergent shifts in the arts, culture and heritage sector over the next fi ve years. These shifts have the potential to increase the growth and development of the sector signifi cantly. They include addressing a number of inade- quacies in the policy and regulatory environment to strengthen governance in the sector, increase investment and improve information and sta- tistics for more effective planning and decision - making. The DAC is strengthening co - operation with a range of public and private sector institu- tions and stakeholders. The development and implementation of the Mzansi Golden Economy Strategy is an example of how to mobilise the resources of all stakeholders in the sector. Measures to promote the arts include: • providing fi nancial, as well as information and communication technology support to artists to enable the creation of works expressing national creativity, while opening space for vibrant debate • strengthening the Independent Communica- tions Authority of South Africa’s mandate for nation - building and value inculcation • incentivising commercial distribution networks to distribute and/or host art • developing and implementing plans for a more effective arts and culture curriculum in schools with appropriate educator support • supporting income-smoothing for artists in a special unemployment insurance scheme and evaluating funding models for such initiatives • developing sectoral determination legislation frameworks to protect arts-sector employees.
    [Show full text]
  • Mary Benson's at the Still Point and the South African Political Trial
    Safundi The Journal of South African and American Studies ISSN: 1753-3171 (Print) 1543-1304 (Online) Journal homepage: https://www.tandfonline.com/loi/rsaf20 Stenographic fictions: Mary Benson’s At the Still Point and the South African political trial Louise Bethlehem To cite this article: Louise Bethlehem (2019) Stenographic fictions: Mary Benson’s AttheStillPoint and the South African political trial, Safundi, 20:2, 193-212, DOI: 10.1080/17533171.2019.1576963 To link to this article: https://doi.org/10.1080/17533171.2019.1576963 © 2019 The Author(s). Published by Informa UK Limited, trading as Taylor & Francis Group. Published online: 08 May 2019. Submit your article to this journal Article views: 38 View Crossmark data Full Terms & Conditions of access and use can be found at https://www.tandfonline.com/action/journalInformation?journalCode=rsaf20 SAFUNDI: THE JOURNAL OF SOUTH AFRICAN AND AMERICAN STUDIES 2019, VOL. 20, NO. 2, 193–212 https://doi.org/10.1080/17533171.2019.1576963 Stenographic fictions: Mary Benson’s At the Still Point and the South African political trial Louise Bethlehem Principal Investigator, European Research Council Project APARTHEID-STOPS, The Hebrew University of Jerusalem, Jerusalem, Israel ABSTRACT KEYWORDS From the mid-1960s onward, compilations of the speeches and trial South African political trials; addresses of South African opponents of apartheid focused atten- Mary Benson; the Holocaust; tion on the apartheid regime despite intensified repression in the Eichmann trial; wake of the Rivonia Trial. Mary Benson’s novel, At the Still Point, multidirectional memory transposes the political trial into fiction. Its “stenographic” codes of representation open Benson’s text to what Paul Gready, following Foucault, has analyzed as the state’s “power of writing”: one that entangles the political trialist in a coercive intertextual negotiation with the legal apparatus of the apartheid regime.
    [Show full text]
  • Masaki Kobayashi: HARAKIRI (1962, 133M) the Version of This Goldenrod Handout Sent out in Our Monday Mailing, and the One Online, Has Hot Links
    October 8, 2019 (XXXIX: 7) Masaki Kobayashi: HARAKIRI (1962, 133m) The version of this Goldenrod Handout sent out in our Monday mailing, and the one online, has hot links. Spelling and Style—use of italics, quotation marks or nothing at all for titles, e.g.—follows the form of the sources. DIRECTOR Masaki Kobayashi WRITING Shinobu Hashimoto wrote the screenplay from a novel by Yasuhiko Takiguchi. PRODUCER Tatsuo Hosoya MUSIC Tôru Takemitsu CINEMATOGRAPHY Yoshio Miyajima EDITING Hisashi Sagara The film was the winter of the Jury Special Prize and nominated for the Palm d’Or at the 1963 Cannes Film Festival. CAST Tatsuya Nakadai...Tsugumo Hanshirō (1979), Tokyo Trial* (Documentary) (1983), and Rentarō Mikuni...Saitō Kageyu Shokutaku no nai ie* (1985). He also wrote the screenplays Akira Ishihama...Chijiiwa Motome for A Broken Drum (1949) and The Yotsuda Phantom Shima Iwashita...Tsugumo Miho (1949). Tetsurō Tamba...Omodaka Hikokuro *Also wrote Ichiro Nakatani...Yazaki Hayato Masao Mishima...Inaba Tango SHINOBU HASHIMOTO (b. April 18, 1918 in Hyogo Kei Satō...Fukushima Masakatsu Prefecture, Japan—d. July 19, 2018 (age 100) in Tokyo, Yoshio Inaba...Chijiiwa Jinai Japan) was a Japanese screenwriter (71 credits). A frequent Yoshiro Aoki...Kawabe Umenosuke collaborator of Akira Kurosawa, he wrote the scripts for such internationally acclaimed films as Rashomon (1950) MASAKI KOBAYASHI (b. February 14, 1916 in and Seven Samurai (1954). These are some of the other Hokkaido, Japan—d. October 4, 1996 (age 80) in Tokyo, films he wrote for: Ikiru (1952),
    [Show full text]
  • Apartheid Revolutionary Poem-Songs. the Cases of Roger Lucey and Mzwakhe Mbuli
    Corso di Laurea magistrale (ordinamento ex D.M. 270/2004) in Lingue e Letterature Europee, Americane e Postcoloniali Apartheid Revolutionary Poem-Songs. The Cases of Roger Lucey and Mzwakhe Mbuli Relatore Ch. Prof. Marco Fazzini Correlatore Ch. Prof. Alessandro Scarsella Laureanda Irene Pozzobon Matricola 828267 Anno Accademico 2013 / 2014 ABSTRACT When a system of segregation tries to oppress individuals and peoples, struggle becomes an important part in order to have social and civil rights back. Revolutionary poem-songs are to be considered as part of that struggle. This dissertation aims at offering an overview on how South African poet-songwriters, in particular the white Roger Lucey and the black Mzwakhe Mbuli, composed poem-songs to fight against apartheid. A secondary purpose of this study is to show how, despite the different ethnicities of these poet-songwriters, similar themes are to be found in their literary works. In order to investigate this topic deeply, an interview with Roger Lucey was recorded and transcribed in September 2014. This work will first take into consideration poem-songs as part of a broader topic called ‘oral literature’. Secondly, it will focus on what revolutionary poem-songs are and it will report examples of poem-songs from the South African apartheid regime (1950s to 1990s). Its third part will explore both the personal and musical background of the two songwriters. Part four, then, will thematically analyse Roger Lucey and Mzwakhe Mbuli’s lyrics composed in that particular moment of history. Finally, an epilogue will show how the two songwriters’ perspectives have evolved in the post-apartheid era.
    [Show full text]
  • The United Democratic Front and Political Struggles in the Pietermaritzburg Region, 1983-1991
    Mobilization, Conflict and Repression: The United Democratic Front and Political Struggles in the Pietermaritzburg region, 1983-1991. BY NGQABUTHO NHLANGANISO BHEBHE Submitted in partial fulfilment of the requirements for the Degree of Master of Arts in the Department of Historical Studies, University of Natal. Pietermaritzburg July 1996. DEDICATION To My Family I dedicate this thesis to my father R. Hlanganiso and to my mother K. Rawuwe. To my sisters, Nominenhle and Lindivve,and my brothers, Duduzani, Dumile and Vumani, thanks for your patience and unwavering support. ABSTRACT In the eight years of its existence, from 1983 to 1991, the United Democratic Front had a major impact on the pace and direction ofpolitical struggles in South Africa. The UDF was a loose alliance of organizations, whose strength was determined by the nature of the organizations affiliated to it. This thesis explores the nature of the problems faced by the UDF in the Pietermaritzburg region, and how it sought to respond to them. Chapter one -covers the period from 1976 to 1984. This chapter surveys the political context in which the UDF wasformed, beginning withthe Soweto uprising of 1976, and continuing with the growth of extra-parliamentary organizations in the late 1970s and early 1980s, leading up to the formation of the UDF in 1983. This chapter ends with emergence of organized extra-parliamentary activitiesin Pietermaritzburgin 1984. Chapter two assesses the period between1984 and mid-1986. This was the time when the UDF activists began to mobilize in the region, and it was during this period that UDF structures were set up.
    [Show full text]
  • Fighting Talk, Vol. 10, No. 4, May 1954
    Fighting talk, Vol. 10, No. 4, May 1954 Use of the Aluka digital library is subject to Aluka’s Terms and Conditions, available at http://www.aluka.org/page/about/termsConditions.jsp. By using Aluka, you agree that you have read and will abide by the Terms and Conditions. Among other things, the Terms and Conditions provide that the content in the Aluka digital library is only for personal, non-commercial use by authorized users of Aluka in connection with research, scholarship, and education. The content in the Aluka digital library is subject to copyright, with the exception of certain governmental works and very old materials that may be in the public domain under applicable law. Permission must be sought from Aluka and/or the applicable copyright holder in connection with any duplication or distribution of these materials where required by applicable law. Aluka is a not-for-profit initiative dedicated to creating and preserving a digital archive of materials about and from the developing world. For more information about Aluka, please see http://www.aluka.org/. Page 1 of 19 Alternative title Fighting talk Author/Creator Fighting Talk Committee (Johannesburg) Contributor First, Ruth Publisher Fighting Talk Committee (Johannesburg) Date 1954-05 Resource type Newspapers Language Afrikaans, English Coverage (spatial) South Africa Coverage (temporal) 1954 Source Digital Imaging South Africa (DISA) Rights By kind permission of the Fighting Talk Committee. Description Comment. Trade Unions Last Chance, by M. Muller. Poem. Who Will Protect the Protectorates? Red Herrings by Ben Giles. Ray Alexander by J. Podbrey. National Women's Conference by Hilda Watts and Paul Joseph.
    [Show full text]