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DOCTOR WHO LOGOPOLIS Christopher H. Bidmead Based On
DOCTOR WHO LOGOPOLIS Christopher H. Bidmead Based on the BBC television serial by Christopher H. Bidmead by arrangement with the British Broadcasting Corporation 1. Events cast shadows before them, but the huger shadows creep over us unseen. When some great circumstance, hovering somewhere in the future, is a catastrophe of incalculable consequence, you may not see the signs in the small happenings that go before. The Doctor did, however - vaguely. While the Doctor paced back and forth in the TARDIS cloister room trying to make some sense of the tangle of troublesome thoughts that had followed him from Traken, in a completely different sector of the Universe, in a place called Earth, one such small foreshadowing was already beginning to unfold. It was a simple thing. A policeman leaned his bicycle against a police box, took a key from the breast pocket of his uniform jacket and unlocked the little telephone door to make a phone call. Police Constable Donald Seagrave was in a jovial mood. The sun was shining, the bicycle was performing perfectly since its overhaul last Saturday afternoon, and now that the water-main flooding in Burney Street was repaired he was on his way home for tea, if that was all right with the Super. It seemed to be a bad line. Seagrave could hear his Superintendent at the far end saying, 'Speak up . Who's that . .?', but there was this whirring noise, and then a sort of chuffing and groaning . The baffled constable looked into the telephone, and then banged it on his helmet to try to improve the connection. -
Doctor Who: Castrovalva
Still weak and confused after his fourth regeneration, the Doctor retreats to Castrovalva to recuperate. But Castrovalva is not the haven of peace and tranquility the Doctor and his companions are seeking. Far from being able to rest quietly, the unsuspecting time-travellers are caught up once again in the evil machinations of the Master. Only an act of supreme self-sacrifice will enable them to escape the maniacal lunacy of the renegade Time Lord. Among the many Doctor Who books available are the following recently published titles: Doctor Who and the Leisure Hive Doctor Who and the Visitation Doctor Who – Full Circle Doctor Who – Logopolis Doctor Who and the Sunmakers Doctor Who Crossword Book UK: £1 · 35 *Australia: $3 · 95 Malta: £M1 · 35c *Recommended Price TV tie-in ISBN 0 426 19326 1 This book is dedicated to M. C. Escher, whose drawings inspired it and provided its title. Thanks are also due to the Barbican Centre, London, England, where a working model of the disorienteering experiments provided valuable practical experience. DOCTOR WHO CASTROVALVA Based on the BBC television serial by Christopher H. Bidmead by arrangement with the British Broadcasting Corporation CHRISTOPHER H. BIDMEAD published by The Paperback Division of W. H. Allen & Co. Ltd A Target Book Published in 1983 by the Paperback Division of W.H. Allen & Co. Ltd A Howard & Wyndham Company 44 Hill Street, London W1X 8LB Novelisation copyright © Christopher H. Bidmead 1983 Original script copyright © Christopher H. Bidmead 1982 ‘Doctor Who’ series copyright © British Broadcasting Corporation 1982, 1983 Printed and bound in Great Britain by Hunt Barnard Printing Ltd, Aylesbury, Bucks ISBN 0 426 19326 1 This book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out or otherwise circulated without the publisher’s prior consent in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser. -
Gender and the Quest in British Science Fiction Television CRITICAL EXPLORATIONS in SCIENCE FICTION and FANTASY (A Series Edited by Donald E
Gender and the Quest in British Science Fiction Television CRITICAL EXPLORATIONS IN SCIENCE FICTION AND FANTASY (a series edited by Donald E. Palumbo and C.W. Sullivan III) 1 Worlds Apart? Dualism and Transgression in Contemporary Female Dystopias (Dunja M. Mohr, 2005) 2 Tolkien and Shakespeare: Essays on Shared Themes and Language (ed. Janet Brennan Croft, 2007) 3 Culture, Identities and Technology in the Star Wars Films: Essays on the Two Trilogies (ed. Carl Silvio, Tony M. Vinci, 2007) 4 The Influence of Star Trek on Television, Film and Culture (ed. Lincoln Geraghty, 2008) 5 Hugo Gernsback and the Century of Science Fiction (Gary Westfahl, 2007) 6 One Earth, One People: The Mythopoeic Fantasy Series of Ursula K. Le Guin, Lloyd Alexander, Madeleine L’Engle and Orson Scott Card (Marek Oziewicz, 2008) 7 The Evolution of Tolkien’s Mythology: A Study of the History of Middle-earth (Elizabeth A. Whittingham, 2008) 8 H. Beam Piper: A Biography (John F. Carr, 2008) 9 Dreams and Nightmares: Science and Technology in Myth and Fiction (Mordecai Roshwald, 2008) 10 Lilith in a New Light: Essays on the George MacDonald Fantasy Novel (ed. Lucas H. Harriman, 2008) 11 Feminist Narrative and the Supernatural: The Function of Fantastic Devices in Seven Recent Novels (Katherine J. Weese, 2008) 12 The Science of Fiction and the Fiction of Science: Collected Essays on SF Storytelling and the Gnostic Imagination (Frank McConnell, ed. Gary Westfahl, 2009) 13 Kim Stanley Robinson Maps the Unimaginable: Critical Essays (ed. William J. Burling, 2009) 14 The Inter-Galactic Playground: A Critical Study of Children’s and Teens’ Science Fiction (Farah Mendlesohn, 2009) 15 Science Fiction from Québec: A Postcolonial Study (Amy J. -
MT337 201102 Earthshock
EARTHSHOCK By Eric Saward Mysterious Theatre 337 – Show 201102 Revision 3 By the usual suspects Transcription by Robert Warnock (1,2) and Steven W Hill (3,4) Theme starts Didn’t we just do this one? Stars More stars Bright stars Peter! Hey it’s that guy from the Gallifrey convention video. Peter zooms towards camera I saw a guy who looks just like him in the hotel. More bright stars Neon logo Neon logo zooms out Earthshock I love one-word titles. By Eric Saward Part One Star One. Long shot of the BBC Quarry. © Some people in coveralls rappel up the side of a hill. If that’s tug of war, you’re doing it wrong. I love the BBC quarry. Lieutenant Scott reaches out to help Professor Kyle Another boring planet in the middle of nowhere. over the top. She gasps. They run away from the camera towards another hill Is this Halo? where some other troopers are standing guard. They run past an oval-shaped, blue tent to where some other troopers are standing, and stop. Scott looks around a bit, the moves forward again. He heads towards a “tunnel” entrance where some more troopers are standing. Kyle and Snyder are looking into the entrance as Scott walks up. Look, she’s got headlights. Phwooar! Page 1 SNYDER Nothing. Kyle turns around and walks away from the tunnel Quarry. entrance very slowly. PROF KYLE How does this thing work? It’s called a microfiche. WALTERS It focuses upon the electrical activity of the body-heartbeat, things like that. -
Download Just Choose the Ones I Can Afford and Take to Have Some Grasp of Whereabouts in the and Own – Any Big Finish Production
WWW.BIGFINISH.COM • NEW AUDIO ADVENTURES REUNITING THE REBELS IN WARSHIP WHAT’S IN STORE IN GALLIFREY V ISSUE 48 • FEBRUARY 2013 ANIMATING THE REIGN OF TERROR PLUS CHASE MASTERSON DISCUSSES VIENNA VORTEX MAGAZINE | PAGE 1 VORTEX MAGAZINE | PAGE 2 SNEAK PREVIEWS EDITORIAL AND WHISPERS ello! You were expecting Nick Briggs weren’t you? I’m H afraid he’s in a booth at the minute, hissing and growling. This is not a condition brought on by overwork… Oh no, he’s back in the armour of an Ice Warrior, acting away for the recording of Doctor Who – The Lost Stories: Lords of the Red Planet. The six-part story, which was originally devised by Brian Hayles for TV back in 1968, will be out on audio in November – and form another part of Big Finish’s massive fiftieth anniversary celebrations. And what celebrations they will be! As I write, we’re well into recording our multi-Doctor special The Light at the End, and it’s been a blast. Admittedly it’s been strange to DOCTOR WHO: THE LIGHT AT THE END see the Doctors in the studio at the same time. We’re so used to them being in separately, and suddenly they’re ‘We want something special from Big Finish for here together! But there’s been a real sense of this being the fiftieth anniversary,’ they said. a massive party – the green room chatter has been really We like a challenge, so we went to town jolly and vibrant. It’s so nice to see that all these actors love with this one – eight Doctors (yes, incarnations Doctor Who just as much as we do. -
Stonyhurst Association Newsletter 306 July 2013
am dg Ston y hurSt GES RU 1762 . B .L 3 I 9 E 5 G 1 E S 1 R 7 7 E 3 M . O 4 T S 9 . 7 S 1 T O ST association news N YHUR STONYHURST newsletter 306 ASSOjulyC 2013IATION 1 GES RU 1762 . B .L 3 I 9 E G StonyhurSt association 5 1 E S 1 R 7 7 E 3 M . O 4 francis xavier scholarships T S 9 newsletter . 7 S 1 T O ST N YHUR The St Francis Xavier Award is a scholarship being awarded for entry to newSlet ter 306 a mdg july 2013 Stonyhurst. These awards are available at 11+ and 13+ for up to 10 students who, in the opinion of the selection panel, are most likely to benefitS from,T andO NYHURST contribute to, life as full boarders in a Catholic boarding school. Assessments for contentS the awards comprise written examinations and one or more interviews. diary of events 4 Applicants for the award are expected to be bright pupils who will fully participate in all aspects of boarding school life here at Stonyhurst. St Francis In memoriam 4 Xavier Award holders will automatically benefit from a fee remissionA of 20%S andS OCIATION thereafter may also apply for a means-tested bursary, worth up to a further 50% Congratulations 5 off the full boarding fees. 50 years ago 6 The award is intended to foster the virtues of belief, ambition and hard work which Francis Xavier exemplified in pushing out the boundaries of the Christian reunions 7 faith. -
A IDEOLOGICAL CRITICISM of DOCTOR WHO Noah Zepponi University of the Pacific, [email protected]
University of the Pacific Scholarly Commons University of the Pacific Theses and Dissertations Graduate School 2018 THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO Noah Zepponi University of the Pacific, [email protected] Follow this and additional works at: https://scholarlycommons.pacific.edu/uop_etds Part of the Communication Commons Recommended Citation Zepponi, Noah. (2018). THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO. University of the Pacific, Thesis. https://scholarlycommons.pacific.edu/uop_etds/2988 This Thesis is brought to you for free and open access by the Graduate School at Scholarly Commons. It has been accepted for inclusion in University of the Pacific Theses and Dissertations by an authorized administrator of Scholarly Commons. For more information, please contact [email protected]. 2 THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO by Noah B. Zepponi A Thesis Submitted to the Graduate School In Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS College of the Pacific Communication University of the Pacific Stockton, California 2018 3 THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO by Noah B. Zepponi APPROVED BY: Thesis Advisor: Marlin Bates, Ph.D. Committee Member: Teresa Bergman, Ph.D. Committee Member: Paul Turpin, Ph.D. Department Chair: Paul Turpin, Ph.D. Dean of Graduate School: Thomas Naehr, Ph.D. 4 DEDICATION This thesis is dedicated to my father, Michael Zepponi. 5 ACKNOWLEDGEMENTS It is here that I would like to give thanks to the people which helped me along the way to completing my thesis. First and foremost, Dr. -
Doctor Who “ Season 2, Episode12-13, “Army of Ghosts” “Doomsday” DOCTOR: You, You've Heard of Me, Then? (你們聽說
Doctor Who “ Season 2, Episode12-13, “Army of Ghosts” “Doomsday” DOCTOR: You, you've heard of me, then? (你們聽說過我?) YVONNE: Well of course we have. And I have to say, if it wasn't for you, none of us would be here. The Doctor and the Tardis. (那當然了。我得說,要不是因為你,我們根本不會在這裡。博 士和 TARDIS!!) DOCTOR: And you are? (那你是?) YVONNE: Oh, plenty of time for that. But according to the records, you're not one for travelling alone. The Doctor and his companion. That's a pattern, isn't it, right? There's no point hiding anything. Not from us. So where is she? (那可以慢慢說。不過按紀錄,你不是單獨旅行的。博 士,和他的夥伴。就這模式,對吧? 你不用隱藏什麼,至少對我們不用。那,她在哪?) DOCTOR: Yes. Sorry. Good point. She's just a bit shy, that's all. (對,有道理。抱歉。她就是有 點害羞啦。) DOCTOR: But here she is, Rose Tyler. (就是她,Rose Tyler.) DOCTOR: Hmm. She's not the best I've ever had. Bit too blonde. Not too steady on her pins. A lot of that. (她不是我最好的夥伴。有點太金髮,做事不仔細,常這樣。) DOCTOR: And just last week, she stared into the heart of the Time Vortex and aged fifty seven years. But she'll do. (就上個禮拜,她直視時間流,結果老了 57 歲。不過還好啦。) JACKIE: I'm forty! (我才四十歲!) DOCTOR: Deluded. Bless. I'll have to trade her in. Do you need anyone? She's very good at tea. Well, I say very good, I mean not bad. Well, I say not bad. Anyway, lead on. Allons-y! But not too fast. Her ankle's going. (別唬我。上帝保佑。我得把她賣了。你們需要人嗎?他很會泡茶。額,我 說「很會」意思是不差。額,不差啦。反正呢,你帶路吧,出發!別走太快,她的腳不太好。) JACKIE: I'll show you where my ankle's going. -
Shakespeare on Film, Video & Stage
William Shakespeare on Film, Video and Stage Titles in bold red font with an asterisk (*) represent the crème de la crème – first choice titles in each category. These are the titles you’ll probably want to explore first. Titles in bold black font are the second- tier – outstanding films that are the next level of artistry and craftsmanship. Once you have experienced the top tier, these are where you should go next. They may not represent the highest achievement in each genre, but they are definitely a cut above the rest. Finally, the titles which are in a regular black font constitute the rest of the films within the genre. I would be the first to admit that some of these may actually be worthy of being “ranked” more highly, but it is a ridiculously subjective matter. Bibliography Shakespeare on Silent Film Robert Hamilton Ball, Theatre Arts Books, 1968. (Reissued by Routledge, 2016.) Shakespeare and the Film Roger Manvell, Praeger, 1971. Shakespeare on Film Jack J. Jorgens, Indiana University Press, 1977. Shakespeare on Television: An Anthology of Essays and Reviews J.C. Bulman, H.R. Coursen, eds., UPNE, 1988. The BBC Shakespeare Plays: Making the Televised Canon Susan Willis, The University of North Carolina Press, 1991. Shakespeare on Screen: An International Filmography and Videography Kenneth S. Rothwell, Neil Schuman Pub., 1991. Still in Movement: Shakespeare on Screen Lorne M. Buchman, Oxford University Press, 1991. Shakespeare Observed: Studies in Performance on Stage and Screen Samuel Crowl, Ohio University Press, 1992. Shakespeare and the Moving Image: The Plays on Film and Television Anthony Davies & Stanley Wells, eds., Cambridge University Press, 1994. -
THE TWO JACKS! We Bring You EXCLUSIVE Interviews with JOHN and CAROLE BARROWMAN and the Real Captain Jack, MATT RIPPY!
Issue Seven Hey folks? You miss me? THE TWO JACKS! We bring you EXCLUSIVE interviews with JOHN AND CAROLE BARROWMAN and the real Captain Jack, MATT RIPPY! PLUS! We talk to Trevor Baxendale about his Torchwood novels! EDITORIAL CONTENTS “Hey Jack: is that a missile in your 4-5: Inside the Hub- All the latest Torchwood news pocket or are you just pleased to see me?” 6-11: TORCHWOOD TALES: The Barrowmans Welcome to one of the most exciting 12-13: A Salute to Jack issues of The Hub I’ve ever produced. Firstly, apologies we did not release on the previously ad- vertised date of 1st September. I have been in Devon for a week and didn’t get as 14-17: TORCHWOOD TALES: Matt Rippy much time to edit as I thought. It probably didn’t help I purchased “The Walking Dead Season Two” on DVD… And the large amount of reading 18-21: Episode Guide: Captain Jack Harkness The Hub Issue Seven I had for some Sixth Form courses I’m taking… Editor (Captain Jack): Matt Powell Assistant Producers (Gwen and Ianto): 22-28: Fiction: 21st January. 1941 This issue has been such fun to produce and it all started with the Bar- Louise Mills, Debs Forrest Copy Editor: Lisa Moran rowman’s interview. I remember the night when I had Debs email me saying she’d got them. We were over the moon. I couldn’t believe that we’d 30-37: Trevor Baxendale Article Writers: got them at first! Jack is a character we all love and adore. -
Sociopathetic Abscess Or Yawning Chasm? the Absent Postcolonial Transition In
Sociopathetic abscess or yawning chasm? The absent postcolonial transition in Doctor Who Lindy A Orthia The Australian National University, Canberra, Australia Abstract This paper explores discourses of colonialism, cosmopolitanism and postcolonialism in the long-running television series, Doctor Who. Doctor Who has frequently explored past colonial scenarios and has depicted cosmopolitan futures as multiracial and queer- positive, constructing a teleological model of human history. Yet postcolonial transition stages between the overthrow of colonialism and the instatement of cosmopolitan polities have received little attention within the program. This apparent ‘yawning chasm’ — this inability to acknowledge the material realities of an inequitable postcolonial world shaped by exploitative trade practices, diasporic trauma and racist discrimination — is whitewashed by the representation of past, present and future humanity as unchangingly diverse; literally fixed in happy demographic variety. Harmonious cosmopolitanism is thus presented as a non-negotiable fact of human inevitability, casting instances of racist oppression as unnatural blips. Under this construction, the postcolonial transition needs no explication, because to throw off colonialism’s chains is merely to revert to a more natural state of humanness, that is, cosmopolitanism. Only a few Doctor Who stories break with this model to deal with the ‘sociopathetic abscess’ that is real life postcolonial modernity. Key Words Doctor Who, cosmopolitanism, colonialism, postcolonialism, race, teleology, science fiction This is the submitted version of a paper that has been published with minor changes in The Journal of Commonwealth Literature, 45(2): 207-225. 1 1. Introduction Zargo: In any society there is bound to be a division. The rulers and the ruled. -
SFGH September 2005 – Doctor Who: Was Gibt Es Neues
...und zum dritten – Doctor Who 2007 – ohne Rose nix los? Doctor Nr. 10 findet neue weibliche Begleitung Am Rande sei bemerkt, daß die Folge, die wir letztes Mal angesehen haben, den Hugo Award in der Kategorie Drama - Short Form gewonnen hat. Am Ende der Staffel 2006 verließ Rose Tyler in einem tränenreichen Finale den 10. Doctor, um in einer Parallelwelt mit Original-Mutter, Parallel-Vater und verändertem Mickey glücklich bis an ihr seliges Ende zu leben. Damit ist bis auf David Tennant in der Titelrolle das gesamte Stammpersonal verschwunden. Doch die nächste Weihnachtsfolge kommt bestimmt. Nach einer Einmal-Begleiterin trifft der Doctor in der ersten Folge 2007 eine angehende Ärztin – Martha Jones – die ihn während der gesamten Staffel begleitet. In den letzten drei Folgen stößt auch noch Captain Jack Harkness (John Barrowman) dazu, bekannt aus Staffel 2005 und der Spin-off-Serie Torchwood. Die Folgen im einzelnen Weihnachts-Sonderfolge 2006 ‚The Runaway Bride’. Während die Braut Donna Noble in der Kirche auf den Altar zuschreitet, verschwindet sie plötzlich und taucht in der TARDIS auf. Obwohl der Doctor versucht, sie zurückzubringen, reagiert sie recht lange feindselig auf ihren vermeintlichen Entführer. Diesmal stecken sehr irdische Übeltäter aus der frühesten Erdvergangenheit hinter der Story, deren Höhepunkte eine Verfolgungsjagd zwischen Taxi und TARDIS auf der Autobahn und eine trockengelegte Themse sind. Nur mit Weihnachten hat die Story nichts zu tun. Am Schluß rät Donna dem Doctor, sich eine Begleitung zu suchen, da sie glaubt, er braucht sie. Donna Noble wird gespielt von Catherine Tate, wohl derzeit die berühmteste britische Komikerin. Sie wird nicht die letzte Top-Berühmtheit sein, die in dieser Staffel auftritt.