Rules and Regulations 2022
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Prix De Lausanne 2021 Video Edition International Ballet Competition
Press release Prix de Lausanne 2021 Video Edition International ballet competition Lausanne, November 20th, 2020: Due to the sanitary situation and related restrictions, the Fondation en faveur de l'Art Chorégraphique has had to rethink the usual form of its main event, the Prix de Lausanne. Therefore, the Fondation announces the new format for this year’s competition: The Prix de Lausanne will exceptionally be a Video Edition with a 9-member Jury present in Switzerland. Due to the sanitary situation and related restrictions, the Fondation en faveur de l'Art Chorégraphique has had to reinvent its main event but its priorities remain the same: providing opportunities for young talented dancers and fulfilling its mission as a charitable foundation. The Fondation is therefore pleased to announce that the 49th edition of its Prix de Lausanne, from January 31st to February 7th, 2021, will be a Video Edition. The event will require only the Jury’s 9-member presence on site in Switzerland. Every selected candidate will be able to demonstrate their talent and compete for a scholarship or apprenticeship via video submission and not in person in Switzerland. Classical and contemporary variations, as well as a ballet class, will be evaluated and marked separately. As in previous years, 20 finalists will be selected and judged at the end of the week, before the winners’ announcement during the Finals on Saturday, February 6th, 2021. The Prix de Lausanne’s Partner Schools and Companies will follow the competition week and will be able watch the videos privately through our Networking Forum and thus offer their support to all of the 81 candidates. -
Silvia Wojczewski EDUCATION EMPLOYMENT
Silvia Wojczewski Wiedner Hauptstrasse 130/12 1050 Vienna AUSTRIA +43 650 4146789 [email protected] http://www.researchgate.net/profile/Silvia_Wojczewski Nationalities: German and French EDUCATION 2011 Mag. phil., Social- and Cultural Anthropology, University of Vienna, Austria 2009 BSc. Environment and Bio Resource Management, University of Applied Life Sciences, Vienna, Austria EMPLOYMENT 02/2016-2021 PhD candidate and teaching assistant (supervisor: Anne-Christine Trémon, Co- supervisor: David Picard) at the University of Lausanne, Institute for Geography and Sustainability, Anthropology of Travel and Tourism http://igd.unil.ch/silviawojczewski/en/presentation/ Associate member of the LACS – Laboratoire d’anthropologie sociale et culturelle, Université de Lausanne 10/2015 External lecturer, Medical anthropology, Medical University, Vienna 03/2013- 09/2015 Research assistant EU-FP7-project HURAPRIM Human Resources for Primary Health Care in Africa/ Migration of health care workers (http://www.huraprim.ugent.be/drupal/), APRES about Antibiotic resistance in Europe, QUALICOPC about General Medicine in Europe and COCO- Common Cold-Project in Europe, Unit Ethnomedicine and International Health, Medical University, Vienna, Austria 08/2012 Project assistant quantitative methods for Dr. Gerhild Trübswasser, intercultural project from the University of Klagenfurt, Austria 02/2012- 06/2012 Project assistant part-time qualitative methods at the Unit Ethnomedicine and International Health, Medical University, Vienna 05/2011- 12/2013 Translator -
Australians Headed to the 2017 Prix De Lausanne
Australians headed to the 2017 Prix de Lausanne dancemagazine.com.au /2017/01/australians-prix-de-lausanne/ The Prix de Lausanne is widely regarded as one of the most elite ballet competitions in the world. Taking place at the end of January/beginning of February each year, it welcomes carefully selected competitors to Théâtre de Beaulieu in Switzerland for a week of technique classes, absorbing repertoire and, eventually, competition. In addition to the exposure each dancer receives to artistic directors and choreographers from across the globe, there are many prestigious scholarships and company contracts up for grabs. Get to know six of the 10 Australian dancers selected to compete at the 2017 Prix de Lausanne below. Dance Informa asked them about their background, favourite dancewear and food, and how they’re preparing for the competition. Rose Dalton Age: 15 School: Fulltime at Tanya Pearson Classical Coaching Academy, Sydney. Previous training: The Premier Dance Academy, Brisbane. Awards and accomplishments thus far: Obtained distinctions in both RAD and Cecchetti Examinations; 2016 RAD Isobel Anderson Awards Finalist in Sydney; invited to the 2017 YAGP New York Finals. Top dance icon: “There are so many! I can’t choose one! I’d say Sylvie Guillem for her flawless lines and exceptional technique, and Natalia Osipova – she inspires me with her passion and artistry!” Favourite dancewear accessories: “I love my new Fleecys socks! They are so warm and go well over my pointe shoes.” Rose Dalton with Lucinda Dunn. Photo courtesy of What we can find her doing on her off day: “If I wasn’t Dalton. -
Press Release
Press release Prix de Lausanne 2012 40th international competition for young dancers from January 29 to February 4, 2012, at the Beaulieu Theater in Lausanne Lausanne, January 24, 2012: The Prix de Lausanne is celebrating its 40th anniversary. 40 years of excellence and passion in fostering the stars of tomorrow. Since 1973, the challenge launched by Philippe and Elvire Braunschweig, founders of the Prix de Lausanne, is met each winter with the same creative energy and artistic rigor. 79 candidates of 19 different nationalities were selected on the basis of the videos submitted by the 226 entrants and will be competing in Lausanne for a week. At the end of the selection round, on Friday, February 3rd, 20 candidates will have been chosen to perform in the finals on Saturday, February 4th. 8 of them will be leaving with a year-long scholarship to one of the 65 prestigious Prix de Lausanne partner schools and companies. The jury, composed of 9 personalities of the dance world, all prize winners of the Prix de Lausanne, will be presided by the Director and Choreographer of the Ballets of Monte- Carlo, Mr Jean-Christophe Maillot (prize winner 1977). In the finals, during the jury deliberations, the public will be able to admire three short performances danced by the students of the Royal Ballet School of London and the Royal Danish Ballet School of Copenhagen, both partner schools of the Prix de Lausanne. An exceptional Gala will take place on Sunday, February 5th, 2012, at 5 pm at the Beaulieu Theater with 25 artists, most of them prize winners of the Prix de Lausanne. -
Nicolle Greenhood Major Paper FINAL.Pdf (4.901Mb)
DIVERSITY EN POINTE: MINIMIZING DISCRIMINATORY HIRING PRACTICES TO INCREASE BALLET’S CULTURAL RELEVANCE IN AMERICA Nicolle Mitchell Greenhood Major paper submitted to the faculty of Goucher College in partial fulfillment of the requirements for the degree of Master of Arts in Arts Administration 2016 Abstract Title of Thesis: DIVERSITY EN POINTE: MINIMIZING DISCRIMINATORY HIRING PRACTICES TO INCREASE BALLET’S CULTURAL RELEVANCE IN AMERICA Degree Candidate: Nicolle Mitchell Greenhood Degree and Year: Master of Arts in Arts Administration, 2016 Major Paper Directed by: Michael Crowley, M.A. Welsh Center for Graduate and Professional Studies Goucher College Ballet was established as a performing art form in fifteenth century French and Italian courts. Current American ballet stems from the vision of choreographer George Balanchine, who set ballet standards through his educational institution, School of American Ballet, and dance company, New York City Ballet. These organizations are currently the largest-budget performing company and training facility in the United States, and, along with other major US ballet companies, have adopted Balanchine’s preference for ultra thin, light skinned, young, heteronormative dancers. Due to their financial stability and power, these dance companies set the standard for ballet in America, making it difficult for dancers who do not fit these narrow characteristics to succeed and thrive in the field. The ballet field must adapt to an increasingly diverse society while upholding artistic integrity to the art form’s values. Those who live in America make up a heterogeneous community with a blend of worldwide cultures, but ballet has been slow to focus on diversity in company rosters. -
Yuriko Kajija Oral History
Houston Asian American Archive Chao Center for Asian Studies, Rice University Interviewee: Yuriko Kajiya Interviewer: Priscilla Li Date/Time of Interview: September 16, 2019 Transcribed by: Priscilla Li, Daniel Ngo (10/3/2019) Edited by: Sarah Kong (10/13/2019) Audio Track Time: 1:08:09 Background: Yuriko Kajiya is a principal dancer at the Houston Ballet. Born in Japan in 1984, she started ballet training at the Shanghai Dance School until she competed in the Prix de Lausanne during her last year at the school. Winning the competition, she was awarded one year of study at the National Ballet School of Canada in Toronto, Canada. From there, she was accepted into the American Ballet Theatre in New York City where she performed and worked for fifteen years until coming to the Houston Ballet in 2014. She enjoys performing and being able to connect with the audience, in addition to giving back by coaching and mentoring aspiring young dancers. Setting: The interview was conducted at a study room in Fondren Library on September 16th, 2019. It lasted a little over an hour, and included Kajiya’s journey from Japan to China to Canada, and most recently to the United States as ballerina. Key: YK: Yuriko Kajiya PL: Priscilla Li —: speech cuts off; abrupt stop …: speech trails off, pause Italics: emphasis [Brackets]: Actions [laughs, sighs, etc.] (?): Unclear word or phrase Transcript: PL: Today is September 16th at two o'clock in the afternoon. I'm at Fondren Library interviewing Yuriko Kajiya for the Houston Asian American archive. My name is Priscilla Li. -
Miami City Ballet 37
Miami City Ballet 37 MIAMI CITY BALLET Charleston Gaillard Center May 26, 2:00pm and 8:00pm; Martha and John M. Rivers May 27, 2:00pm Performance Hall Artistic Director Lourdes Lopez Conductor Gary Sheldon Piano Ciro Fodere and Francisco Rennó Spoleto Festival USA Orchestra 2 hours | Performed with two intermissions Walpurgisnacht Ballet (1980) Choreography George Balanchine © The George Balanchine Trust Music Charles Gounod Staging Ben Huys Costume Design Karinska Lighting Design John Hall Dancers Katia Carranza, Renato Penteado, Nathalia Arja Emily Bromberg, Ashley Knox Maya Collins, Samantha Hope Galler, Jordan-Elizabeth Long, Nicole Stalker Alaina Andersen, Julia Cinquemani, Mayumi Enokibara, Ellen Grocki, Petra Love, Suzette Logue, Grace Mullins, Lexie Overholt, Leanna Rinaldi, Helen Ruiz, Alyssa Schroeder, Christie Sciturro, Raechel Sparreo, Christina Spigner, Ella Titus, Ao Wang Pause Carousel Pas de Deux (1994) Choreography Sir Kenneth MacMillan Music Richard Rodgers, Arranged and Orchestrated by Martin Yates Staging Stacy Caddell Costume Design Bob Crowley Lighting Design John Hall Dancers Jennifer Lauren, Chase Swatosh Intermission Program continues on next page 38 Miami City Ballet Concerto DSCH (2008) Choreography Alexei Ratmansky Music Dmitri Shostakovich Staging Tatiana and Alexei Ratmansky Costume Design Holly Hynes Lighting Design Mark Stanley Dancers Simone Messmer, Nathalia Arja, Renan Cerdeiro, Chase Swatosh, Kleber Rebello Emily Bromberg and Didier Bramaz Lauren Fadeley and Shimon Ito Ashley Knox and Ariel Rose Samantha -
Madame Ballet' As Establish a Perth-Based Ballet Company Western Australian Author Ffion Murphy As a Result of Those Who Had Prepared the Ground for Her
Michelle Potter reveals how Bousloff, whose youth had been lived out Russian dancer Kira Bousloff boldly of a suitcase as she travelled the world as a dancer with the Ballets Russescompanies created an environment for dance of Colonel de Basil, decided to remain in to flourish in Western Australia Australia in 1939 at the end of a tour by the Covent Garden Russian Ballet. She recalls When I came to the airport here in little Perth, that decision in an oral history interview at the end of the world, I put my feet on the recorded for the National Library in 1990: ground, I looked around, and I said loudly and strongly 'That's where I'm going to live and I was sitting in my hotel room in Melbourne that's where I'm going to die'. on my own and I had a strong feeling that my father (who had died many years ago) -Kira Bousloff touched my shoulder. It was a physical feeling practically. Then I had suddenly this strong ira Bousloff, or Kira Abricossova as feeling that I had to stay in Australia. So she was known during her early without even thinking twice (of course, you see, Kperforming career, was the founder of I'm a bit queer, eccentric, but that's the truth, the West Australian Ballet, one of Australia's that's what happened) I ran down the stairs and earliest state-based ballet companies-the rang up ... a very good friend and I said, 'I want first, in fact, to call itself a state company. -
Lausanne / Switzerland Energy-From-Waste Plant
Lausanne / Switzerland General project data Owner TRIDEL SA Energy-from-Waste Plant Start of operation 2006 Total investment CHF 360 million Scope of Hitachi Zosen Inova AG Combustion, flue gas treatment, residue treatment Plant design Hitachi Zosen Inova AG Technical data Annual capacity 160,000 t/a Number of trains 2 Throughput per train 10 t/h (nom), 12.5 t/h (max) Calorific value of waste 14.4 MJ/kg (nom), 7.2–18.0 MJ/kg (min./max.) Thermal capacity per train 40 MW Waste type Municipal solid and commercial waste Special waste fractions Hospital waste, sewage sludge Waste delivery Waste pit capacity 10,000 m3 Bulk waste shredding Shredder Combustion system Grate type Hitachi Zosen Inova grate Grate design 2 rows with 4 zones per row Grate size Length: 8.5 m, width: 5.2 m Grate cooling First two zones water-cooled (Aquaroll®) Boiler Type Four-pass boiler, horizontal with external economiser Steam quantity per train 48.3 t/h Steam pressure 50 bar Steam temperature 400°C Flue gas outlet temperature 160°C (end of operations campaign) after external economiser Flue gas treatment Concept Electrostatic precipitator, wet scrubber, SCR, wastewater treatment Flue gas volume per train 63,000 m3/h (at standard conditions) Energy recovery Type Extraction condensation turbine Electric power output 20 MW (max. generator output) Heat generation 50 MW Residues Bottom ash 37,600 t/a (including treated fly ash) Zinc concentrate 1,400 t/a from fly ash scrubbing Special features Commodity recycling Acid fly ash washing with metal recovery Recovery of 180 t/a zinc and 1.7 t/a mercury Replacement 2 x 12.5 t/h, 40 MW Lausanne / Switzerland Energy-from-Waste Plant Tridel – environmentally-friendly thanks to maximized metals recovery and minimal emissions High energy efficiency, low emissions, virtually no visible plumes of steam: The new waste treatment plant in Lausanne, in the Canton of Vaud (CH), meets all the standards for a facility located near this urban recreational area. -
Press Release Prix De Lausanne 2017
Press release Prix de Lausanne 2017 Ticket sales opening, artistic team 2017 and interlude programme part I International competition for young dancers - Théâtre de Beaulieu Lausanne December 15th, 2016: tickets for the Selections (February 3rd, 2017) and Finals (February 4th, 2017) go on sale today! The Prix de Lausanne also presents its artistic team 2017 (teachers, coaches and musicians) and the first part of the interlude on February 4th. Ticketing Tickets for Prix de Lausanne 2017 go on sale online today, at noon, on prixdelausanne.org and ticketino.com. Please note: • For the Selections (February 3rd), tickets will also be available at the theater during the competition. Tickets are free for children under the age of 5 years old. • For the Finals (February 4th), last-minute tickets will be on sale at the theater, but we advise the public to purchase their tickets early as the Finals sell out quickly. Children pay full price. Artistic team The competition could not exist without the precious collaboration of our international teachers, coaches and musicians. They contribute to ensuring that the Prix is a learning opportunity as well as a springboard to success, through their availability, constant care and experienced guidance. Discover the members of our 2017 artistic team below: Teachers Ballet Classes Patrick ARMAND, Associate Director of the San Francisco Ballet School and Prix de Lausanne Prize Winner 1980. Stefanie ARNDT, international guest teacher and coach and Prix de Lausanne Prize Winner 1983. Contemporary Classes Didy VELDMAN, international choreographer and guest teacher. Coaches Classical Variations Patrick ARMAND, Associate Director of the San Francisco Ballet School and Prix de Lausanne Prize Winner 1980. -
Luis Franjo García February 2017
LUIS FRANJO GARCÍA FEBRUARY 2017 CONTACT INFORMATION College of Management Phone Contact: Swiss Federal Institute of Technology Lausanne (EPFL) Office: +41 21 693 00 76 Station 5 Cell Phone 1: +41 78 825 56 93 CH – 1015 Lausanne, Switzerland Cell Phone 2: +34 69 988 86 45 Email: [email protected] URL: https://sites.google.com/site/luisfranjogarcia/home CURRENT POSITION October 2013 to present Postdoc Fellow, Chair of International Finance, Swiss Federal Institute of Technology Lausanne (EPFL). EDUCATION October 2013 Ph.D. in Economics, Universidad Carlos III de Madrid. MSc in Economics, Universidad Carlos III de Madrid. BA in Economics, Universidad Carlos III de Madrid. RESEARCH INTERESTS Primary Fields Macroeconomics, International Macroeconomics, Housing. Secondary Fields Growth, Consumption and Savings. VISITING POSITIONS 2009 (Feb – Jun) Instituto Tecnológico Autónomo de México (ITAM). WORK EXPERIENCE 2006-2008 Department of International Economics, Bank of Spain. Research Assistant. 1 TEACHING EXPERIENCE Instructor: 2015 - Global Business Environment, Master in Management, Technology and Entrepreneurship, École Polytechnique Fédérale de Lausanne (EPFL). - Macrofinance, Master in Financial Engineering, École Polytechnique Fédérale de Lausanne (EPFL). 2013 Recursive Methods in Macroeconomics, Ph.D. course, École Polytechnique Fédérale de Lausanne (EPFL). Teaching Assistant: 2013-2016 Global Business Environment, Master in Management, Technology and Entrepreneurship, École Polytechnique Fédérale de Lausanne (EPFL). 2012 Principles of Economics, undergraduate course, Universidad Carlos III de Madrid. 2010-2012 Microeconomics, undergraduate course, Universidad Carlos III de Madrid. 2010 Macroeconomics IV, undergraduate course, Universidad Carlos III de Madrid. 2010 Macroeconomics, undergraduate course, Universidad Carlos III de Madrid. 2009 Public Economy II, undergraduate course, Universidad Carlos III de Madrid. -
Prix De Lausanne 2020 Jury Members and Interlude International Ballet Competition – Auditorium Stravinski
Press release Prix de Lausanne 2020 Jury members and Interlude International ballet competition – Auditorium Stravinski Lausanne, December 2nd, 2019: the 48th Prix de Lausanne jury panel will be presided by Frédéric Olivieri, Director of the Scala in Milan and Prize Winner of the Prix de Lausanne 1977. Among the artistic collaborators, Nicolas Le Riche, Etoile of the Paris Opera Ballet and actual Director of the Royal Swedish Ballet, will be the coach for the male candidates’ variations. During the Interlude, the performance will be the 3rd edition of the Partner School Choreographic Project, choreographed by Mauro Bigonzetti, with 26 of the world’s best students reunited in Montreux for a unique creation, as well as a performance by dancers from the Royal Ballet School of London. The registration for the 2nd edition of the Summer Intensive – European Preselection open this week. The 2020 jury presided by Frédéric Olivieri The nine jury members of the Prix de Lausanne 2020 are: Frédéric Olivieri (President), Yorgos Loukos (Vice-President), Zenaida Yanowsky, Nadia Deferm, Jaimie Persson, Zhongjing Fang, Bernice Coppieters, Philippe Cohen and Sebastian Vinet. « I am very honoured to have Frédéric Olivieri as the 2020 Prix de Lausanne jury President! As a 1977 Prize Winner and as the Director of the prestigious ballet company and school ‘La Scala de Milan’, he has the expertise and experience that it takes to be an inspirational leader.» (Kathryn Bradney, Artistic and Executive Director of the Prix de Lausanne) An Etoile joins the Prix de Lausanne artistic collaborators Nicolas Le Riche, Etoile of the Paris Opera Ballet and actual Director of the Royal Swedish Ballet, will be the coach of the male candidates’ variations.