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Udan Mas Rineka Aransemen Trustho UDAN MAS RINEKA ARANSEMEN TRUSTHO Skripsi Untuk memenuhi sebagian persyaratan guna mencapai derajat Sarjana S-1 Program Studi Seni Karawitan Kompetensi Pengkajian Karawitan Oleh: Fitri Ainur Rohmah 1610605012 JURUSAN KARAWITAN FAKULTAS SENI PERTUNJUKAN INSTITUT SENI INDONESIA YOGYAKARTA 2020 PERSEMBAHAN Karya tulis ini penulis persembahkan kepada: 1. Orang tua tercinta (Ibu Sumiyem dan Bapak Sudiman) 2. Keluarga besar K.M.T Radyo Bremoro 3. Jineman Karawitan 2016 MOTTO “Barang siapa yang menempuh jalan untuk mencari suatu ilmu, niscaya Allah memudahkannya ke jalan menuju surga” (HR. Tirmidzi) KATA PENGANTAR Puji syukur penulis panjatkan kehadirat Allah SWT atas segala karunianya sehingga penulisan skripsi ini dapat diselesaikan dengan lancar. Skripsi yang berjudul “Udan Mas Rineka Aransemen Trustho” ini tidak dapat diselesaikan tanpa adanya bantuan dari berbagai pihak. Untuk itu, dalam kesempatan ini penulis dengan segala kerendahan hati menyampaikan rasa terima kasih kepada: 1. Bapak Drs. Teguh, M.Sn., selaku Ketua Jurusan Karawitan, Fakultas Seni Pertunjukan, Institut Seni Indonesia Yogyakarta, yang telah memberi dorongan serta persetujuan hingga skripsi ini dapat terselesaikan. 2. Ibu Dra. Tri Suhatmini Rokhayatun, M.Sn., sebagai Dosen Pembimbing I yang telah banyak memberikan sumbangsih berupa bimbingan, nasehat, motivasi, dan pengarahan, serta dengan sabar mendengar keluh kesah sehingga pada akhirnya skripsi ini dapat terwujud dan selesai. 3. Bapak Anon Suneko, S.Sn., M.Sn., sebagai Dosen Pembimbing II yang sangat sabar dalam menghadapi anak didiknya ini, sungguh penulis sangat berterimakasih atas segala bantuan dan pengarahan yang tak pernah habis- habisnya diberikan selama proses penyusunan skripsi. 4. Bapak Asep Saepudin, S.Sn., M.A sebagai Penguji Ahli yang telah memberikan masukan yang sangat berharga dan semangat untuk menyelesaikan skripsi ini. 5. Bapak Drs. Trustho, M.Hum., selaku narasumber utama yang telah memberikan banyak informasi terkait dengan topik penelitian skripsi ini. vi 6. Ibu Dra. Sutrisni, M.Sn., selaku dosen wali yang senantiasa memberikan arahan, saran dan dukungan selama penulis menempuh studi di Jurusan Karawitan FSP ISI Yogyakarta. 7. Seluruh dosen Jurusan Karawitan yang telah sabar mendengar keluh kesah, menjawab segala pertanyaan disaat penulis menemui kesulitan dalam proses menyusun skripsi. 8. Orang tuaku tercinta, Bapak Sudiman dan Ibu Sumiyem, sungguh kalian adalah alasan terbesar untuk dapat menyelesaikan skripsi ini, terimakasih untuk selalu ada disaat penulis terpuruk, dan selalu memberikan motivasi- motivasi yang sangat berharga. Semoga kalian senantiasa diberikan kesehatan. Aamiin. 9. Bakmi Sunami, selaku sponsor utama dalam bidang finansial. 10. Keluargaku, Bayu Septiana, Agista Nurbaya Sari, dan Sabrina Aleesya Zhafira, yang selalu menemani selama proses penyusunan skripsi. 11. Ardi Lanjar Novianto yang senantiasa menjadi pendamping setia dalam segala hal. 12. Keluarga Jineman Karawitan 2016 yang selama empat tahun menjadi keluarga dan selalu memberi semangat. 13. Keluarga Omah Gamelan yang telah memberikan dukungan dan doa yang terbaik. 14. Sahabat-sahabatku tercinta Dewi, Arin, Marlina, Trisat, Yeyen, Linda, Kingkin yang selalu memberikan dukungan. vii 15. Segenap karyawan perpustakaan Institut Seni Indonesia Yogyakarta yang telah banyak membantu dan memberikan data yang berguna dalam rangka penyusunan skripsi. 16. Teman-teman, alumni, adik tingkat dan semua keluarga Jurusan Karawitan Institut Seni Indonesia Yogyakarta, yang begitu banyak memberikan bantuan dalam bentuk apapun demi terwujudnya skripsi ini. Keterbatasan pengetahuan dan kemampuan yang ada pada penulis tentu saja menyebabkan hasil penulisan skripsi ini jauh dari sempurna. Maka dari itu, kritik dan saran senantiasa penulis harapkan agar lebih baiknya penulisan selanjutnya. Penulis berharap semoga penulisan skripsi ini dapat bermanfaat bagi pembaca. Aamiin yarobbal’alamin. Bantul, 21 Juli 2020 Penulis, Fitri Ainur Rohmah viii DAFTAR ISI Halaman KATA PENGANTAR ........................................................................... vi DAFTAR ISI .......................................................................................... ix DAFTAR TABEL .................................................................................. xi DAFTAR SINGKATAN DAN SIMBOL ............................................... xii INTISARI ............................................................................................... xiv BAB I PENDAHULUAN ............................................................... 1 A. Latar Belakang ................................................................. 1 B. Rumusan Masalah ........................................................... 3 C. Tujuan Penelitian ............................................................. 4 D. Tinjauan Pustaka ............................................................. 4 E. Landasan Pemikiran ........................................................ 7 F. Metode Penelitian ............................................................ 10 1. Tahap Pengumpulan Data ................................................ 10 a. Studi Pustaka ............................................................. 11 b. Wawancara ................................................................ 11 c. Diskografi .................................................................. 12 2. Analisis Data ................................................................... 13 3. Tahap Penulisan ............................................................... 13 BAB II BIOGRAFI DAN KARYA CIPTA TRUSTHO .............. 14 A. Sekilas Biografi dan Kesenimanan Trustho .................... 14 B. Komposisi Udan Mas Rineka Karya Trustho .................. 17 C. Proses Penggarapan ......................................................... 22 1. Rangsangan awal ....................................................... 24 2. Eksplorasi .................................................................. 26 3. Improvisasi ................................................................ 27 4. Komposisi .................................................................. 28 D. Analisis Media Garap ...................................................... 29 1. Gambang ................................................................... 29 2. Gendѐr ....................................................................... 30 3. Bonang ....................................................................... 30 4. Slenthem .................................................................... 30 5. Saron .......................................................................... 30 6. Kendhang ................................................................... 31 ix BAB III IMPLEMENTASI TEKNIK DAN GARAP TABUHAN DALAM KOMPOSISI UDAN MAS RINEKA ............... 32 A. Deskripsi Penyajian Komposisi Udan Mas Rineka ......... 32 B. Implementasi Teknik dan Garap Tabuhan Komposisi Udan Mas Rineka ............................................................. 45 BAB IV PENUTUP .......................................................................... 51 A. Kesimpulan ...................................................................... 51 B. Saran ................................................................................. 52 DAFTAR PUSTAKA ............................................................................ 53 DAFTAR ISTILAH ............................................................................... 55 LAMPIRAN ........................................................................................... 59 x DAFTAR TABEL Halaman Tabel 1. Daftar Contoh Karya-Karya Komposisi Trustho ............................... 16 Tabel 2. Notasi Genderan pada bagian 1 ......................................................... 34 Tabel 3. Notasi Genderan pada bagian 3 ......................................................... 37 Tabel 4. Penjabaran Balungan.......................................................................... 49 xi DAFTAR SINGKATAN K. M. T : Kanjeng Mas Tumenggung Bal : Balungan BB : Bonang Barung BP : Bonang Penerus DAFTAR SIMBOL =. : tabuhan ketuk p. : tabuhan kempul n. : tabuhan kenong g. : tabuhan gong G. : tabuhan gong suwukan _ : tanda pengulangan xii Simbol Kendhangan : I : tak P : thung C : dhang kendhang ageng K : ket xiii INTISARI Skripsi yang berjudul “Udan Mas Rineka Aransemen Trustho” ini bertujuan untuk mengetahui bagaimana latar belakang penggarapan serta menganalisis implementasi teknik dan garap tabuhan pada salah satu karya aransemen Trustho yang berjudul Udan Mas Rineka. Penelitian ini menggunakan metode deskriptif analisis yaitu metode yang mengacu pada wawancara, diskografi, dan studi pustaka. Trustho merupakan seorang seniman yang terkenal dalam bidang tari dan karawitan. banyak karya-karya yang sudah dihasilkan oleh Trustho baik karya mandiri maupun karya komposisi. Salah satu karyanya yaitu komposisi Udan Mas Rineka merupakan karya yang mengambil materi garap dari Gending Udan Mas Laras Pelog Pathet Barang yang kemudian diaransemen menjadi suatu komposisi baru yang terdiri dari enam bagian dengan keanekaragaman teknik dan garap. Adapun beberapa teknik yang digunakan oleh Trustho dalam penggarapan komposisi Udan Mas Rineka seperti augmentasi, diminusi, filler, repetisi, dan imitasi. Kata kunci: Udan Mas Rineka, Trustho, komposisi karawitan. xiv BAB I PENDAHULUAN A. Latar Belakang Trustho atau yang dikenal dengan nama K.M.T Radyo Bremoro1 adalah salah satu seniman yang berasal dari Yogyakarta
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