Time to Bust the Fake, Move Away from Trps
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SPARROW Newsletter
SNL Number 38 May 2019 SPARROW newsletter SOUND & PICTURE ARCHIVES FOR RESEARCH ON WOMEN A Random Harvest: A book of Diary sketches/ Drawings/Collages/ Watercolours of Women Painters It is a random collection from the works women painters who supported the Art Raffle organised by SPARROW in 2010. The works were inspired by or were reflections of two poems SPARROW gave them which in our view, exemplified joy and sorrow and in a sense highlighted women’s life and experiences that SPARROW, as a women’s archives, has been documenting over the years. Contribution Price: Rs. 350/- This e-book is available in BookGanga.com. Photographs............................................. 19267 Ads................................................................ 7449 Books in 12 languages............................ 5728 Newspaper Articles in 8 languages... 31018 Journal Articles in 8 languages..............5090 Brochures in 9 languages........................2062 CURRENT Print Visuals................................................. 4552 Posters........................................................... 1772 SPARROW Calendars...................................................... 129 Cartoons..............................................................3629 Maya Kamath’s cartoons...........................8000 HOLDINGS Oral History.................................................. 659 Video Films................................................. 1262 Audio CDs and Cassettes...................... 929 Private Papers........................................ -
Annual Report and Accounts 2004/2005
THE BFI PRESENTSANNUAL REPORT AND ACCOUNTS 2004/2005 WWW.BFI.ORG.UK The bfi annual report 2004-2005 2 The British Film Institute at a glance 4 Director’s foreword 9 The bfi’s cultural commitment 13 Governors’ report 13 – 20 Reaching out (13) What you saw (13) Big screen, little screen (14) bfi online (14) Working with our partners (15) Where you saw it (16) Big, bigger, biggest (16) Accessibility (18) Festivals (19) Looking forward: Aims for 2005–2006 Reaching out 22 – 25 Looking after the past to enrich the future (24) Consciousness raising (25) Looking forward: Aims for 2005–2006 Film and TV heritage 26 – 27 Archive Spectacular The Mitchell & Kenyon Collection 28 – 31 Lifelong learning (30) Best practice (30) bfi National Library (30) Sight & Sound (31) bfi Publishing (31) Looking forward: Aims for 2005–2006 Lifelong learning 32 – 35 About the bfi (33) Summary of legal objectives (33) Partnerships and collaborations 36 – 42 How the bfi is governed (37) Governors (37/38) Methods of appointment (39) Organisational structure (40) Statement of Governors’ responsibilities (41) bfi Executive (42) Risk management statement 43 – 54 Financial review (44) Statement of financial activities (45) Consolidated and charity balance sheets (46) Consolidated cash flow statement (47) Reference details (52) Independent auditors’ report 55 – 74 Appendices The bfi annual report 2004-2005 The bfi annual report 2004-2005 The British Film Institute at a glance What we do How we did: The British Film .4 million Up 46% People saw a film distributed Visits to -
Vivekananda College, Thiruvedakam West
VIVEKANANDA COLLEGE College with Potential for Excellence Reaccredited with ‘A’ Grade (CGPA 3.59 Out Of 4.00) By NAAC (Residential & Autonomous – A Gurukula Institute of Life-Training) (Affiliated to Madurai Kamaraj University) TIRUVEDAKAM WEST MADURAI DISTRICT – 625 234 DEPARTMENT OF HISTORY B.A. HISTORY SYLLABUS (For those who joined in June 2015 and after) (2017-2020 Batch) ABOUT THE COLLEGE Vivekananda College was started by Founder-President Swamiji Chidhbhavanandhaji Maharaj of Sri Ramakrishna Tapovanam, Tirupparaithurai, Trichy in 1971 on the banks of the river Vaigai which is blissfully free from the noise and hurry, the crowds and distraction of the city. Vivekananda College is a residential college functioning under Gurukula pattern. It is Man-making education, that is imparted in this institution, Culture, character and curriculam are the three facets of ideal education that make man a better man. This is possible only when the teacher and taught live together, The Gurukula system of Training is therefore a humble and systematic attempt in reviving the age old GURUGRIHAVASA for wholesome education, Attention to physical culture, devotion to duty, obidence to teachers, hospitality to guests, zest for life, love for the nation, and above all, humility and faith in the presence of God etc. are the values sought to be inculcated. All steps are taken to ensure the required atmosphere for the ideal life training. Vivekananda College, Tiruvedakam West, Madurai District-625 234 is an aided college established in 1971 and offers UG and PG courses. This College is affiliated to the Madurai Kamaraj University, Madurai. The College was reaccredited with ‘A’ grade (CGPA 3.59 out of 4.00) by NAAC IN September 2015. -
Abbas, Haider
AUTHOR INDEX, 2012 Abbas, Haider: Will Mulayam Checkmate Ahlawat, Neerja: The Political Economy of Congress? (LE) Haryana's Khaps (C) Issue no: 09, Mar 03-09, p.5 Issue no: 47-48, Dec 01-13, p.15 Abhinandan, T A et al: Suppression of Ahmad, Nesar: See Lahiri-Dutt, Kuntala Constitutional Rights (LE) Issue no: 17, Apr 28-May 04, p.5 Ahmad, Shakeel: See Singh, K P Abodh Kumar; Neeraj Hatekar and Rajani Ahmed, Imtiaz: Teesta, Tipaimukh and River Mathur: Paanwalas in Mumbai: Property Linking: Danger to Bangladesh-India Rights, Social Capital and Informal Relations (F) Sector Livelihood (F) Issue no: 16, Apr 21-27, p.51 Issue no: 38, Sep 22-28, p.90 Ahmed, Mokbul M: See Vishwanathan, P K Acharya, Rajib; Shagun Sabarwal and Shireen J Jejeebhoy: Women's Aiyar, Suranya: The Child and the Family Empowerment and Forced Sex Within (LE) Marriage in Rural India (SA) Issue no: 12, Mar 25-31, p.4 Issue no: 02, Jan 14-20, p.65 Ajay Kumar: Khap Panchayats: A Adams, Bill: See Vira, Bhaskar Socio-Historical Overview (RA) Issue no: 04, Jan 28 - Feb 03, p.59 Adhikary, Sourav: Consolidating Religio-Political Forces (LE) -: Misrepresentation of Authors Issue no: 19, May 12-18, p.5 Views (LE) Issue no: 06, Feb 11-17, p.4 Adve, Nagraj: A Prolonged Enquiry (BR) Issue no: 32, Aug 11-17, p.35 Ajit, D: See Saxena, Ravi Agarwal, Ravi: E-Waste Law: New Paradigm Akhter, Majed: The Politics of Or Business as Usual? (C) Sovereignty in Pakistan (C) Issue no: 25, Jun 23-29, p.14 Issue no: 02, Jan 14-20, p.17 Aggarwal, Ankita; Ankit Kumar and Aashish Akolgo, Bishop; Raina -
RMRL 2011 12.Pdf
2011-12 Cover Page : In commemoration of 125th birth anniversary of mathematical genius Ramanujan Contents 6 Annual Report Narrative 8 Reference Services and Acquisitions 9 Donors List 10 Documentation 10 Reprographic Services 11 Conservation 11 Workshops / Training and Technical Support 12 Indus Research Centre 14 Lectures / Seminars / Exhibitions 17 Audited Financial Statement Main Objectives of the Trust The Roja Muthiah Research Library Trust endeavors to: • undertake and enable development of research libraries and archives relating to south Indian studies in order to serve the needs of scholars; • preserve and conserve documents of value for research; • gather and generate knowledge about libraries and archives; • disseminate that knowledge; • train librarians and archivists; • engage in international collaborative efforts for the betterment of services to readers; and • engage in research in the areas of humanities and social sciences. The Roja Muthiah Research Library Trust’s principle current objectives are maintenance and development of the Roja Muthiah Research Library and affiliated bodies such as the Indus Research Centre. 11-12 We acknowledge with gratitude the support of Prof. M. Anandakrishnan Mr. Chidambaranathan & Family Dr. R. Champakalakshmi, Chennai Mr. Durai Arasu, Chennai Government of Tamilnadu Institute of Mathematical Sciences, Chennai Dr. Iravatham Mahadevan, Chennai Lawrence Berkeley National Laboratory, USA Madan Puraskar Pustakalaya, Nepal Mrs. Mina Swaminathan Prof. M. S. Swaminathan, Chairman, MSSRF, Chennai Tata Institute of Fundamental Research, Mumbai And all the donors who have generously supported the library 5 Annual Report Narrative The year 2011-2012 proved to be a challenging one for Roja Muthiah Research Library (RMRL). Three major projects conceived by RMRL did not receive funding to date and currently, there are no new projects in hand. -
Tamil Nadu 1
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( E8 F F F ,./0,1 234 #)#)* .#,/0 +#,- < 8425?O#$192##618 46$8$+2#$218?7.2123*7$#2 6+@218$16+2694 234$3)9(17 5476354)5612# 6+ +6194$+6$)+ 9461$@6+4 72#$1#7)84$1$6 6##6##$16826847*2 9766*2+$96<$163 24+6)1 4>2+656.$?6> 66 39 )+* " ,,- & G6 # 2 6 ! %% 2# # 5 46 R! #$ O P R 12 234$ ment issue during the Covid 12 234$ sacrifice anyone to meet his Pradesh gets seven Ministers, era and gave enough fodder to 12 234$ the pandemic. Apart from political and governance objec- including Annupriya Patel of n dropping four top level the foreign media to inflict health, Dr Vardhan also held n a major Cabinet overhaul, tives. Aapna Dal (S), an NDA ally IUnion Ministers — Ravi heavy damage on the Modi e was always at the front- two Ministries — science and Iseen as a mid-term appraisal Despite the slogans of and Gujarat has five represen- Shankar Prasad, Prakash Government . Hline shielding the Modi led technology and earth sciences. of his Ministers and resetting “sabka sath sabka vikash,” the tations in the council of Javadekar, Harsh Vardhan, " The others axed a couple of Government’s Covid-19 man- The resignation is seen by Government’s profile post- Cabinet reshuffle has been Ministers. Karnataka is up by Ramesh Pokhriyal “Nishank” ! # hours before the oath-taking agement and Covid-19 vacci- the Government’s critics as an Covid-19 for the next three- based on caste consideration at four Ministers which includes and eight other Ministers — ceremony of new inductions, nation policy, but it did not admission that the pandemic year term, the Prime Minister every level. -
Group Housing
LIST OF ALLOTED PROPERTIES DEPARTMENT NAME- GROUP HOUSING S# RID PROPERTY NO. APPLICANT NAME AREA 1 60244956 29/1013 SEEMA KAPUR 2,000 2 60191186 25/K-056 CAPT VINOD KUMAR, SAROJ KUMAR 128 3 60232381 61/E-12/3008/RG DINESH KUMAR GARG & SEEMA GARG 154 4 60117917 21/B-036 SUDESH SINGH 200 5 60036547 25/G-033 SUBHASH CH CHOPRA & SHWETA CHOPRA 124 6 60234038 33/146/RV GEETA RANI & ASHOK KUMAR GARG 200 7 60006053 37/1608 ATEET IMPEX PVT. LTD. 55 8 39000209 93A/1473 ATS VI MADHU BALA 163 9 60233999 93A/01/1983/ATS NAMRATA KAPOOR 163 10 39000200 93A/0672/ATS ASHOK SOOD SOOD 0 11 39000208 93A/1453 /14/AT AMIT CHIBBA 163 12 39000218 93A/2174/ATS ARUN YADAV YADAV YADAV 163 13 39000229 93A/P-251/P2/AT MAMTA SAHNI 260 14 39000203 93A/0781/ATS SHASHANK SINGH SINGH 139 15 39000210 93A/1622/ATS RAJEEV KUMAR 0 16 39000220 93A/6-GF-2/ATS SUNEEL GALGOTIA GALGOTIA 228 17 60232078 93A/P-381/ATS PURNIMA GANDHI & MS SHAFALI GA 200 18 60233531 93A/001-262/ATS ATUULL METHA 260 19 39000207 93A/0984/ATS GR RAVINDRA KUMAR TYAGI 163 20 39000212 93A/1834/ATS GR VIJAY AGARWAL 0 21 39000213 93A/2012/1 ATS KUNWAR ADITYA PRAKASH SINGH 139 22 39000211 93A/1652/01/ATS J R MALHOTRA, MRS TEJI MALHOTRA, ADITYA 139 MALHOTRA 23 39000214 93A/2051/ATS SHASHI MADAN VARTI MADAN 139 24 39000202 93A/0761/ATS GR PAWAN JOSHI 139 25 39000223 93A/F-104/ATS RAJESH CHATURVEDI 113 26 60237850 93A/1952/03 RAJIV TOMAR 139 27 39000215 93A/2074 ATS UMA JAITLY 163 28 60237921 93A/722/01 DINESH JOSHI 139 29 60237832 93A/1762/01 SURESH RAINA & RUHI RAINA 139 30 39000217 93A/2152/ATS CHANDER KANTA -
Filmography Dilip Kumar – the Substance and the Shadow
DILIP KUMAR: THE SUBSTANCE AND THE SHADOW Filmography Year Film Heroine Music Director 1944 Jwar Bhata Mridula Anil Biswas 1945 Pratima Swarnlata Arun Kumar 1946 Milan Meera Mishra Anil Biswas 1947 Jugnu Noor Jehan Feroz Nizami 1948 Anokha Pyar Nargis Anil Biswas 1948 Ghar Ki Izzat Mumtaz Shanti Gobindram 1948 Mela Nargis Naushad 1948 Nadiya Ke Par Kamini Kaushal C Ramchandra 1948 Shaheed Kamini Kaushal Ghulam Haider 1949 Andaz Nargis Naushad 1949 Shabnam Kamini Kaushal S D Burman 1950 Arzoo Kamini Kaushal Anil Biswas 1950 Babul Nargis Naushad 1950 Jogan Nargis Bulo C Rani 1951 Deedar Nargis Naushad 1951 Hulchul Nargis Mohd. Shafi and Sajjad Hussain 1951 Tarana Madhubala Anil Biswas 1952 Aan Nimmi and Nadira Naushad 1952 Daag Usha Kiran and Nimmi Shankar Jaikishan 1952 Sangdil Madhubala Sajjad Hussain 1953 Footpath Meena Kumari Khayyam 1953 Shikast Nalini Jaywant Shankar Jaikishan 1954 Amar Madhubala Naushad 1955 Azaad Meena Kumari C Ramchandra 1955 Insaniyat Bina Rai C Ramchandra 1955 Uran Khatola Nimmi Naushad 1955 Devdas Suchitra Sen, Vyjayanti S D Burman Mala 1957 Naya Daur Vyjayantimala O P Nayyar 1957 Musafir Usha Kiran, Suchitra Salil Chaudhury Sen 1 DILIP KUMAR: THE SUBSTANCE AND THE SHADOW 1958 Madhumati Vyjayantimala Salil Chaudhury 1958 Uahudi Meena Kumari Shankar Jaikishan 1959 Paigam Vyjayantimala, B Saroja C Ramchandra Devi 1960 Kohinoor Meena Kumari Naushad 1960 Mughal-e-Azam Madhubala Naushad 1960 Kala Bazaar (Guest Appearance) 1961 Gunga Jumna Vyjayantimala Naushad 1964 Leader Vyjayantimala Naushad 1966 Dil Diya Dara Liya -
Annual Review Research Community Are Invited to Participate, Exchange Ideas and Network in Our Regular Workshops, Lectures and Conferences
Join the SOAS South Asia Institute The SOAS South Asia Institute welcomes people with an interest in South Asia who would like to get involved with our activities. Our offices are located on the 4th floor of the Brunei Gallery and we welcome visitors by appointment. There are many ways of getting involved with the SSAI: Connect with Us: • Study at SOAS: The SSAI has developed a new Email: Receive regular updates from us about events Masters programme in Intensive South Asian Studies. and activities by writing to [email protected] This two-year programme offers comprehensive language-based training across a wide range of Like us on Facebook and join our vibrant disciplines in the humanities and social sciences. community: www.facebook.com/SouthAsia.SOAS All of the Institute’s teaching programmes will provide students with valuable skills that are rarely Follow and interact with us on Twitter: @soas_sai available elsewhere. These include interdisciplinary understandings of South Asian society that are Check our web pages for details about all our theoretically sophisticated and based on deep activities: www.soas.ac.uk/south-asia-institute/ empirical foundations and advanced proficiency in Join in the discussion through the languages such as Bengali, Hindi, Nepali, Sanskrit and Institute’s new blog, South Asia Notes: Urdu. http://blogs.soas.ac.uk/ssai-notes/ • Outreach: Our free seminar series, which is held regularly on a weekly or fortnightly basis is open to Address: the wider public. Our events often host high-level The SOAS South Asia Institute politicians, local and foreign academics and many Room B405, Brunei Gallery SOAS SOUTH ASIA INSTITUTE more. -
Raja Ravi Varma 145
viii PREFACE Preface i When Was Modernism ii PREFACE Preface iii When Was Modernism Essays on Contemporary Cultural Practice in India Geeta Kapur iv PREFACE Published by Tulika 35 A/1 (third floor), Shahpur Jat, New Delhi 110 049, India © Geeta Kapur First published in India (hardback) 2000 First reprint (paperback) 2001 Second reprint 2007 ISBN: 81-89487-24-8 Designed by Alpana Khare, typeset in Sabon and Univers Condensed at Tulika Print Communication Services, processed at Cirrus Repro, and printed at Pauls Press Preface v For Vivan vi PREFACE Preface vii Contents Preface ix Artists and ArtWork 1 Body as Gesture: Women Artists at Work 3 Elegy for an Unclaimed Beloved: Nasreen Mohamedi 1937–1990 61 Mid-Century Ironies: K.G. Subramanyan 87 Representational Dilemmas of a Nineteenth-Century Painter: Raja Ravi Varma 145 Film/Narratives 179 Articulating the Self in History: Ghatak’s Jukti Takko ar Gappo 181 Sovereign Subject: Ray’s Apu 201 Revelation and Doubt in Sant Tukaram and Devi 233 Frames of Reference 265 Detours from the Contemporary 267 National/Modern: Preliminaries 283 When Was Modernism in Indian Art? 297 New Internationalism 325 Globalization: Navigating the Void 339 Dismantled Norms: Apropos an Indian/Asian Avantgarde 365 List of Illustrations 415 Index 430 viii PREFACE Preface ix Preface The core of this book of essays was formed while I held a fellowship at the Nehru Memorial Museum and Library at Teen Murti, New Delhi. The project for the fellowship began with a set of essays on Indian cinema that marked a depar- ture in my own interpretative work on contemporary art. -
Download the Punjab Community Profile
Punjabi Community Profile July 2016 Punjab Background The Punjabis are an ethnic group of Indo-Aryan peoples, originating from the Punjab region, found in Pakistan and northern India. Punjab literally means the land of five waters (Persian: panj (“five”) ab (“waters”)). The name of the region was introduced by the Turko-Persian conquerors of India and more formally popularized during the Mughal Empire. Punjab is often referred to as the breadbasket in both Pakistan and India. The coalescence of the various tribes, castes and the inhabitants of the Punjab into a broader common “Punjabi” identity initiated from the onset of the 18th century CE. Prior to that the sense and perception of a common “Punjabi” ethno-cultural identity and community did not exist, even though the majority of the various communities of the Punjab had long shared linguistic, cultural and racial commonalities. Traditionally, Punjabi identity is primarily linguistic, geographical and cultural. Its identity is independent of historical origin or religion, and refers to those who reside in the Punjab region, or associate with its population, and those who consider the Punjabi language their mother tongue. Integration and assimilation are important parts of Punjabi culture, since Punjabi identity is not based solely on tribal connections. More or less all Punjabis share the same cultural background. Historically, the Punjabi people were a heterogeneous group and were subdivided into a number of clans called biradari (literally meaning “brotherhood”) or tribes, with each person bound to a clan. However, Punjabi identity also included those who did not belong to any of the historical tribes.