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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Smörgåsbord: Lucy Dacus Displays Her Range with New EP “2019”
Smörgåsbord: Lucy Dacus displays her range with new EP “2019” graphic by Jennifer Ren Indie rock singer-songwriter Lucy Dacus has been steadily climbing her way into the spotlight. Her “2019” EP dropped November 8, capitalizing on her streak of popularity. Last year her sophomore record “Historian” hit #39 on the UK Independent Albums chart. She also debuted the band boygenius with fellow indie musicians Phoebe Bridgers and Julien Baker to widespread acclaim. Most recently, on the same night of her EP release, Dacus opened for alternative pop star Lana Del Rey’s live show at Chicago’s Aragon Ballroom, and was invited to perform her song “Night Shift” during the show itself. In such a time when critics and fans alike are singing Dacus’ praises, her latest work only compounds her relevancy. “2019” is a collection of three original tracks and four covers, each themed around holidays or other days of the year significant to Dacus. Over the course of its namesake year, Dacus released almost every song close in date to its respective inspiration. The exception was the EP-exclusive “Fool’s Gold,” a melancholy tribute to New Year’s. She started off this project back in February, releasing a cover of the romantic classic “La Vie Smörgåsbord: Lucy Dacus displays her range with new EP “2019” En Rose” for Valentine’s Day. This song has been performed and recorded by many since its original release in 1947, but Dacus’ take is unique to her style and sound. She utilizes the guitar-driven indie rock that she built her name off to turn the popular cover into a track that could have been an original. -
Think Before You Ink Disturbing and Morbid and Is Con
·Entertainment Here Comes Treble OFWGKTA! By Ian Chandler _By Meg Bell By.Brent Bosworth heme: Ho Ho Hardcore Dean Martin - "Walking In a Win Theme: Yuletide cheer "Christmas Eve Sarjevo".- Trans Odd Future .was formed ant to cause your chuckle to re ter Wonderland" The day after Thanksgiving, IT be ·Siberian Orchestra by Tyler, the Creator, and they re emble \l spherical container filled You kids need a shot of old school gins. That is the constant streain .of Ol!e. of the mo!!t popular ~ode lea8ed their first album in 2008. The o the brim with a general gelatin . espresso in your puny little modem Christmas music on all radios: It Christmas songs, you can't have . members that form the group are ubstance? Listen hither, and may lattes. Taste this jazzy version of a seems like you can't escape jt. So Chri'stmas p laylist without this Tyler, the Creator; Earl Sweatshirt; our spirits be roused with the warm winter wonderland, sung by the instead, plug in your headphones "Thank God It's Christmas" Hodgy Beat;, Domo Genesis; Frank trelight of the seasoij. Dino lllmself. May it digest well with and give this mix a try. It's slire to Queen · · Ocean; Mike G; Left Brain; Taco ugust Burns Red"."" "Carol of the you and yours. Fun fact: "The King spread some holiday cheer. Any playlist with Queen is a win Bennett; Jasper Dolphin; Syd tha ells" of Cool" was born in Steubenville, "Baby It's Cold Outside" -Anthony ner, and this adds a bit of gl~m . -
Bertus in Stock 7-4-2014
No. # Art.Id Artist Title Units Media Price €. Origin Label Genre Release Eancode 1 G98139 A DAY TO REMEMBER 7-ATTACK OF THE KILLER.. 1 12in 6,72 NLD VIC.R PUN 21-6-2010 0746105057012 2 P10046 A DAY TO REMEMBER COMMON COURTESY 2 LP 24,23 NLD CAROL PUN 13-2-2014 0602537638949 FOR THOSE WHO HAVE 3 E87059 A DAY TO REMEMBER 1 LP 16,92 NLD VIC.R PUN 14-11-2008 0746105033719 HEART 4 K78846 A DAY TO REMEMBER OLD RECORD 1 LP 16,92 NLD VIC.R PUN 31-10-2011 0746105049413 5 M42387 A FLOCK OF SEAGULLS A FLOCK OF SEAGULLS 1 LP 20,23 NLD MOV POP 13-6-2013 8718469532964 6 L49081 A FOREST OF STARS A SHADOWPLAY FOR.. 2 LP 38,68 NLD PROPH HM. 20-7-2012 0884388405011 7 J16442 A FRAMES 333 3 LP 38,73 USA S-S ROC 3-8-2010 9991702074424 8 M41807 A GREAT BIG PILE OF LEAVE YOU'RE ALWAYS ON MY MIND 1 LP 24,06 NLD PHD POP 10-6-2013 0616892111641 9 K81313 A HOPE FOR HOME IN ABSTRACTION 1 LP 18,53 NLD PHD HM. 5-1-2012 0803847111119 10 L77989 A LIFE ONCE LOST ECSTATIC TRANCE -LTD- 1 LP 32,47 NLD SEASO HC. 15-11-2012 0822603124316 11 P33696 A NEW LINE A NEW LINE 2 LP 29,92 EU HOMEA ELE 28-2-2014 5060195515593 12 K09100 A PALE HORSE NAMED DEATH AND HELL WILL.. -LP+CD- 3 LP 30,43 NLD SPV HM. 16-6-2011 0693723093819 13 M32962 A PALE HORSE NAMED DEATH LAY MY SOUL TO. -
Glen Hansard Roll on Slow
Glen Hansard Roll On Slow Vestral and psychologist Durant often etherizing some hazards pell-mell or drove coolly. Darrell is stingy: she renegadelanced caressingly truly. and falsifying her als. Hookiest Adlai always regorged his snouts if Anatol is increasable or Read more at The Daily Beast. Montrealer by birth, he has lived all over Canada and the United States. By using this website, you agree to our use of cookies. Look in your contacts, or connect to Facebook to see what your friends listen to. This track takes you down into a mellow stroll through memory lane with classic Glen Hansard lyric and melodic writing. These tunes are good! Unlimited access your entire music uses cookies to edit or by john misty, your experience on glen hansard roll on slow on spotify. The Musical, winning eight Tony Awards including the top musical prize itself and an Olivier award in London for outstanding achievement in music. Extend pmc global to get subscriber data. Loft studio in Chicago and they recorded enough material to fill a new album. Share your favorite artists, being ousted in terms of pride in carrying rhythm lab radio show about that are property is being rendered inline after chief executive robert hutchinson was drinking solo night. The latest news and updates from WBUR on the coronavirus outbreak. Your comment could not be posted. Musicians do this kind of thing all the time. Are you sure you want to exit without saving your changes? Loft studio on the north side of Chicago. Apple associates your notifications viewing and interaction data with your Apple ID. -
MUSIC NOTES: Exploring Music Listening Data As a Visual Representation of Self
MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall A thesis submitted in partial fulfillment of the requirements for the degree of: Master of Design University of Washington 2016 Committee: Kristine Matthews Karen Cheng Linda Norlen Program Authorized to Offer Degree: Art ©Copyright 2016 Chad Philip Hall University of Washington Abstract MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall Co-Chairs of the Supervisory Committee: Kristine Matthews, Associate Professor + Chair Division of Design, Visual Communication Design School of Art + Art History + Design Karen Cheng, Professor Division of Design, Visual Communication Design School of Art + Art History + Design Shelves of vinyl records and cassette tapes spark thoughts and mem ories at a quick glance. In the shift to digital formats, we lost physical artifacts but gained data as a rich, but often hidden artifact of our music listening. This project tracked and visualized the music listening habits of eight people over 30 days to explore how this data can serve as a visual representation of self and present new opportunities for reflection. 1 exploring music listening data as MUSIC NOTES a visual representation of self CHAD PHILIP HALL 2 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF: master of design university of washington 2016 COMMITTEE: kristine matthews karen cheng linda norlen PROGRAM AUTHORIZED TO OFFER DEGREE: school of art + art history + design, division -
Unknown Mortal Orchestra Multi-Love
UNKNOWN MORTAL ORCHESTRA MULTI-LOVE Multi-Love The threads of our past never unravel, they hover like invisible webs, occasionally glistening Like Acid Rain due to a sly angle of the sun. On Multi-Love , Unknown Mortal Orchestra frontman and Ur Life One Night multi-instrumentalist Ruban Nielson reflects on relationships: airy, humid longing, loss, the Can’t Keep Checking My Phone geometry of desire that occurs when three people align. Where Nielson addressed the pain of Extreme Wealth and Casual being alone on II , Multi-Love takes on the complications of being together. Cruelty The World Is Crowded Multi-Love adds dimensions to the band’s already kaleidoscopic approach, with Nielson Stage or Screen exploring a newfound appreciation for synthesizers. The new songs channel with the spirit of Necessary Evil Puzzles psych innovators without ignoring the last 40 years of music, forming a flowing, cohesive whole that reflects restless creativity. Cosmic escapes and disco rhythms speak to developing CATALOG #: JAG262 new vocabulary, while Nielson’s vocals reach powerful new heights. “It felt good to be rebelling RELEASE DATE : MAY 26, 2015 against the typical view of what an artists is today, a curator,” he says. “It’s more about being FORMAT: CD/LP/DIGITAL someone who makes things happen in concrete ways. Building old synthesizers and bringing CD BOX LOT: 30 them back to life, creating sounds that aren’t quite like anyone else’s. I think that’s much more LP BOX LOT: 25 subversive.” GENRE: ALTERNATIVE KEY MARKETS: NEW YORK, LOS ANGELES, While legions of artists show fidelity to the roots of psychedelia, Unknown Mortal Orchestra PORTLAND, SEATTLE, SAN FRANCISCO, shares the rare quality that makes the genre’s touchstones so vital, constant exploration. -
The Intersectionality of Blackness and Disability in Hip-Hop: the Societal Impact of Changing Cultural Norms in Music
International Social Science Review Volume 96 Issue 4 Article 2 The Intersectionality of Blackness and Disability in Hip-Hop: The Societal Impact of Changing Cultural Norms in Music Matthew Gavieta Follow this and additional works at: https://digitalcommons.northgeorgia.edu/issr Part of the Anthropology Commons, Communication Commons, Political Science Commons, and the Public Affairs, Public Policy and Public Administration Commons Recommended Citation Gavieta, Matthew () "The Intersectionality of Blackness and Disability in Hip-Hop: The Societal Impact of Changing Cultural Norms in Music," International Social Science Review: Vol. 96 : Iss. 4 , Article 2. Available at: https://digitalcommons.northgeorgia.edu/issr/vol96/iss4/2 This Article is brought to you for free and open access by Nighthawks Open Institutional Repository. It has been accepted for inclusion in International Social Science Review by an authorized editor of Nighthawks Open Institutional Repository. The Intersectionality of Blackness and Disability in Hip-Hop: The Societal Impact of Changing Cultural Norms in Music Cover Page Footnote Matthew Gavieta is an undergraduate in the School of Industrial and Labor Relations at Cornell University, where he is the founder of the Cornell Intellectual Property and Ethics Club. This article is available in International Social Science Review: https://digitalcommons.northgeorgia.edu/issr/vol96/ iss4/2 Gavieta: The Intersectionality of Blackness and Disability in Hip-Hop The Intersectionality of Blackness and Disability in Hip-Hop: -
Zola.’ (AP) Song of the Summer
ARAB TIMES, THURSDAY, JULY 1, 2021 NEWS/FEATURES 13 People & Places Music Dacus sings young love Cat album falters at fi rst but ends strong By Mark Kennedy ot to be totally catty, but Doja Cat’s third album Nstarts poorly. The first four songs — “Woman,” “Naked,” “Payday” with Young Thug and “Get Into It (Yuh)” — are half-baked tunes mimicking beats and vocals from Nicki Minaj or Rihanna. None are note- worthy. It’s depressing. What happened to the artist behind 2019s “Hot Pink,” a sonic breath of fresh air? What happened to the Doja Cat whose electric performance of “Say So” at the Grammys was reminiscent of Missy Elliott’s futurism? Just wait. The fi fth song, “Need to Know,” is a superb, steamy sex tape of a song (with Dr. Luke co-writing and producing) and the sixth, “I Don’t Do Drugs” featuring Ariana Grande, is airy and confi dent with heav- enly harmonies. “Love to Dream” follows, a slice of dreamy pop, and then The Weeknd stops by on a terrifi c, slow-burning “You Right.” Cat The Cat is back. From then on, the 14-track “Planet Her” rights itself with whispery pop songs and the envelope-pushing “Options” with JID, climaxing with the awesome “Kiss Me More,” the previously released single with SZA that has a Gwen Stefani-ish refrain and must be considered a strong contender for This image released by A24 shows Riley Keough, (left), and Taylour Paige in a scene from ‘Zola.’ (AP) song of the summer. Despite the weak start, Doja Cat fulfi lls her promise on “Planet Her,” with an exciting, unpredictable style and a vocal ability that can switch from buttery sweet- Film ness to cutting raps. -
God's Favorite Customer by Father John Misty
Father John Misty – “God’s Favorite Customer” The artist behind the ego: Josh Tillman, mostly known by his performance nom de guerre Father John Misty, is a Maryland born indie folk/rock singer; although he began his musical career as a drummer playing for minor indie bands like Saxon Shore while working in a bakery for a day job. He was born in an evangelical household and was very religious during his youth, something he resented his parents for when he grew up. While working as a drummer, he wrote music for himself in his free time. He attended a private Christian college but dropped out as he felt more comfortable in his music career. Through touring, he made connections with other artists and his demos made their way to Damien Jurado, a fellow Sub Pop artist. He would then go on to open for Jurado. In 2006, he had his first studio album released under the moniker J. Tillman. He then went on to produce four more albums (eight in total), with the last one being released in 2010. During his J. Tillman years, a lot of the music he made was very folk and has joked about the music he made being “sad bastard music.” He found very little success doing folk albums. During this time as J. Tillman, he joined the indie band Fleet Foxes as the drummer. In an interview with Rolling Stone, he stated that, “With Fleet Foxes I had to confront a certain sacred cow in my life, which was the idea that if I was in a popular band, if I just get to be a working musician, then that’s going to be the antidote for all the boredom and pain in my life. -
The Microphones Live in Japan, February 19Th, 21St, and 22Nd, 2003
THE MICROPHONES LIVE IN JAPAN, FEBRUARY 19TH, 21ST, AND 22ND, 2003 CAT#: KLP158 FORMAT: CD/LP RELEASE DATE: 2.3.04 LABEL: K RECORDS UPC: 789856115822 CD; 789856115815 LP Box 7154 Olympia, WA 98507 (360) 786-1594 fax (360) 786-5024 www.krecs.com Great Ghosts • the Blow pt.2 • Universe Conclusion • We Squirm • My Favorite Things • Silent Night • After N. Young • Climb Over • “I love you so much!” • I have been told that my skin is exceptionally smooth. • Thanksgiving The new Microphones album Live in Japan February 19th, 21st and 22nd, 2003 features previously unreleased material from singer/songwriter Phil Elverum. These 11 songs are only a sampling of all new songs performed by Elverum in a two-week tour of Japan in early 2003. After spending five months in isolation in Norway, Elverum emerged with a cache of heart-felt and reflective songs reminiscent of The Glow Part II. A drastic change from 2002’s epic tale of Mount Eerie, we find Elverum playing acoustic pop songs with the bare minimum backing of instrumentation. Kyle Field (Little Wings) and Calvin Johnson (Dub Narcotic Sound System) join Elverum on “Universe Conclusion” and “I Love You So Much.” “Climb Over” features The Mools as the backing band. Critical acclaim: “Not since Guided by Voices’ Alien Lanes have so many unique pieces of melody and music merged to form something this unexpectedly chilling and yet ultimately comforting.” Amplifier Magazine ALSO AVAILABLE by THE MICROPHONES: Don’t Wake Me Up CD/LP (K Records) KLP099 It Was Hot, We Stayed In The Water CD (K Records) KLP116 The Glow Pt. -
Sex Education: out with the Old, in with the New
Herriman High’s Blake Freeland Surviving 4th What I Wish I Knew Breakfast Club - P. 4 Spotlight- P. 6 Quarter - P. 8 About Dating - P. 10 Sex Education: Out with the Old, In with the New Talking about the Elephant in the Room STORY BY CORA ROMERO Let’s talk about sex. 44% of young adults will have sex by age sex, like teaching about it in school and 17, according to the Guttmacher Institute. allowing safe places to talk about sex, is Yes, sex. The big elephant in the room that’s This means that nearly half of our youth crucial to a teenager’s wellbeing.” slowly becoming more and more noticeable population is receiving sexual education As increased attention is being brought each day in the United States. Sex. More that is now no longer applicable to them. to this issue, re-defining the curriculum specifically, sex education. It’s a topic Surely we can’t expect young adults to for sex ed is making an appearance many shy away from, something we avoid practice safe sex if they lack the knowledge on the ballot for Utah legislators. The discussing in hopes that everyone will just to make informed decisions about it. push for a more comprehensive sexual figure it out eventually, right? Wrong. education is on the rise. But what exactly is comprehensive sex education? According to the American Medical According to the Sexuality Information Association (AMA) Journal of Ethics, each and Education Council of the United and every day in the United States 10,000 States, comprehensive sex ed, “includes teens contract an STD, 2,400 get pregnant, age-appropriate, medically accurate and 55 contract human immunodeficiency information on a broad set of topics virus (HIV).