2010 the Louisville Conference on Literature and Culture Since 1900

Total Page:16

File Type:pdf, Size:1020Kb

2010 the Louisville Conference on Literature and Culture Since 1900 38th annual 2010 The Louisville Conference on Literature and Culture since 1900 February 18- 20 Keynote Speakers Special Guest Speakers Michael Davidson Mary Jo Bang Helena María Viramontes Rita Felski Jacobo Sefamí University of Louisville The Louisville Conference: On Literature & Culture since 1900 invites you to an informal Reception free to all conferees, (with conference badge) WHEN: Thursday Evening, 6:15 - 7:30 pm (following the critical keynote speaker) WHERE: Red Barn (Located Near the Clock Tower) WHAT: Pizza & Jazz WHO: Jamey Aebersold & his Jazz Quartet (School of Music, University of Louisville ) We are honored to have perform for us the internationally known saxophonist and authority on jazz education and improvisation Jamey Aebersold, who is a recipient of the 2007 Indiana Governor’s Arts Award 1 The Louisville Conference on Literature and Culture since 1900 Sponsored by The University of Louisville President: James R. Ramsey Provost: Shirley C. Willihnganz College of Arts and Sciences Dean: J. Blaine Hudson Department of Classical and Modern Languages Chair: Augustus Mastri Department of English Chair: Susan M. Griffin Commonwealth Center for Humanities and Society Director: Thomas Byers English Graduate Organization The EGO Executive Committee Luncheon Committee Latin American and Latino Studies Program Director: Rhonda Buchanan The Conference Committee gratefully acknowledges the cooperation and assistance of the following: Brian J. Leung, University of Louisville; Heather Slomski, Axton Fellow; the staff of University of Louisville campus bookstore; the staff in the Department of Classical and Modern Languages and English Department; and all University personnel who “go beyond the call” to ensure the success of the Conference. 2 General Plan of Activities The Louisville Conference on Literature and Culture Since 1900, February 18-20, 2010 Thursday, February 18 Eastern Standard Time Registration, Bingham Humanities Bldg., Room 300 10:00 am 4:00 pm Opening Presentation, Ekstrom Library, Elaine Chao Auditorium 11:30 am 12:30 pm Mary Jo Bang, Washington University, St. Louis “Poetry Reading” Sectional Meetings A 1:30 pm 3:00 pm Sectional Meetings B 3:15 pm 4:45 pm Keynote Presentation (critical) Ekstrom Library, Elaine Chao Auditorium 5:00 pm 6:00 pm Michael Davidson, University of California, San Diego “‘Closed in Glass’: Oppen’s Class Spectacles” Welcome Reception, Red Barn, UofL Campus 6:15 pm 7:30 pm Jamey Aebersold and his Jazz Quartet, School of Music, UofL Friday, February 19 Registration continues in Bingham Humanities Room 300 8:00 am 4:00 pm Sectional Meetings C 9:00 am 10:30 am Sectional Meetings D 10:45 am 12:15 pm Calvino Prize Winner, Ekstrom Library, Bingham Poetry Room 11:00 am 12:00 pm Michael Agresta, Austin Texas “Dreamhomes” Pre-arranged group luncheons 12:15 pm 1:15 pm Sectional Meetings E 1:30 pm 3:00 pm Sectional Meetings F 3:15 pm 4:45 pm Spanish Keynote Speaker, Ekstrom Library, Elaine Chao Auditorium 3:15 pm 4:30 pm Jacobo Sefamí, University of California, Irvine “Palabras en fuga: Poesía Mexicana en el nuevo milenio” Keynote Presentation (creative) Strickler Hall Auditorium101 5:00 pm 6:00 pm Helena María Viramontes, Cornell University “Cemeteries, Freeways and the Bones of the Forgotten: How Geography Shaped One Writer's Inspiration” Conference Dinner, Brown Hotel Reception (cash bar; all conferees welcome) 6:30 pm Dinner (reservation required) 8:00 pm Saturday, February 20 Registration continues in Bingham Humanities Room 300 9:15 am 2:45 pm Sectional Meetings G 10:15 am 11:45 am Lunch break; pre-ordered boxed lunches Room 300 12 noon Special Performance, (Room 205 Humanities Bldg) 12:15 12:45 pm Sasha Colby, Simon Fraser University Surrey, Canada Sectional Meetings H 1:00 am 2:30pm Sectional Meetings I 2:45 pm 4:15 pm Closing Presentation, Ekstrom Library, Elaine Chao Auditorium 4:30 pm 5:30 pm Rita Felski, University of Virginia "The Demon of Interpretation" 3 Registration Information The Louisville Conference on Literature and Culture since 1900 Thursday, Friday, Saturday - February 19-21 The Conference is held on the main (Belknap) campus of the University of Louisville, Third and Eastern Parkway, Louisville, Kentucky (from Interstate 65 via Exit 133). The Seelbach Hilton, 500 Fourth Avenue (at Muhammed Ali) has been designated as the Conference hotel (tel. 800-333-3399; 502-585-3200). The hotel provides an airport shuttle. The Conference will provide transportation between the Seelbach and the University at regular intervals. See back pages of this program for the hotel-campus-hotel bus schedule. All times shown are Eastern Standard Time. Registration is required of all participants listed in the program. Registration packets and badges will be available in Room 300, Bingham Humanities Building. University of Louisville faculty and students are asked to sign in. The general public is invited to hear the guest speakers. A courtesy coat check will be provided on the 3rd floor of the Humanities Building, Room 300. The coat check will close at 5:00 pm Thursday, 5:00 pm on Friday, and 5:30 pm on Saturday. Refreshments will be served in the registration area on Thursday from10 am - 2:00, on Friday 8:15 - 2:00, and on Saturday from 9:15 - 2:00. A message board for the use of conference participants will be located outside Room 300. Please consult the board regularly for notice of last-minute program changes. Sectional meetings will be held in the classrooms of Bingham Humanities Building. Creative presentations will be given in Room 202 Bingham Humanities Building. Details of date, time and place for the Keynote Speakers and Special Guest are printed in the program. All meeting rooms are accessible to the handicapped. Book vendors will display publications for sale on the second floor of the Bingham Humanities Building. A selection of the Keynote Speakers’ and Special Guests’ books will also be offered for sale at the University of Louisville bookstore. See the back pages of this program for an index of chairs and presenters, a basic map of the campus, a shuttle bus schedule, a list of dining facilities on campus. Flyers announcing Louisville-area events and attractions will be available in the registration area. The Louisville Convention and Visitor Bureau can provide information on local cultural events, entertainment, and lodging: Telephone 1(800) 626-5646. Web site: www.gotolouisville.com Conference evaluation forms are available in room 300. Please complete one before leaving. You may deposit the form in the box in Bingham 300 or mail it in to us. Your comments will help us plan for next year. Corrections and addenda to the program will be available in room 300 and posted on the notice board. Please check the notice board often for last-minute changes. For further conference information, FAX (502) 852-8885, or e-mail: [email protected] or [email protected] 4 Keynote Speakers Michael Davidson Thursday, February 18, 5:00 pm, Ekstrom Library, Chao A uditorium Michael Davidson is Distinguished Professor of Literature at the University of California, San Diego. He is the author of The San Francisco Renaissance: Poetics and Community at Mid-Century (Cambridge U Press, 1989), G hostlier Demarcations: Modern Poetry and the Material W ord (U of California Press, 1997), and G uys Like Us: Citing Masculinity in Cold W ar Poetics (U of Chicago Press, 2003). He has written extensively on disability issues, and his most recent book is Concerto for the Left Hand: Disability and the Defamiliar Body (U of Michigan Press, 2008). He is the editor of the widely acclaimed New Collected Poems of G eorge Oppen (New Directions, 2002), and the author of eight books of poetry, the most recent of which is The A rcades (O Books, 1998). With Lyn Hejinian, Barrett Watten, and Ron Silliman, he co-authored Leningrad (Mercury House Press, 1991). His forthcoming critical work, Outskirts of Form: Practicing Cultural Poetics, will be published in 2011 by Wesleyan University Press. Helena María Viramontes Friday, February 19, 5:00 pm, Ekstrom Library, Chao A uditorium Helena María Viramontes is the author of The Moths and Other Stories (1985) and Under the Feet of Jesus (1995), a novel. Her most recent novel, Their Dogs Came with Them, just published in paperback by Washington Square Press, focuses on the dispossessed, the working poor, the homeless, and the undocumented of East Los Angeles, where Viramontes was born and raised. Her work strives to recreate the visceral sense of a world virtually unknown to mainstream letters and to transform readers through relentlessly compassionate storytelling. In the 1980s, Viramontes became co-coordinator of the Los Angeles Latino Writers Association and literary editor of XhistmeA rte Magazine. Later in the decade, Viramontes helped found Southern California Latino Writers and Filmmakers. In collaboration with feminist scholar Maria Herrera Sobek, she organized three major conferences at UC-Irvine, resulting in two anthologies: Chicana C reativity and C riticism-Charting New Frontiers in A merican Literature (1988) and Chicana W rites: On W ord and Film (1993). Viramontes' work has been included in nearly every anthology of American literature published in the last ten years, including, most recently, The Norton Anthology of Literature by W omen. Named a USA Ford Fellow in Literature for 2007 by United States Artists, she has also received the John Dos Passos Prize for Literature, a Sundance Institute Fellowship, a National Endowment for the Arts Fellowship and the Luis Leal Award. A teacher and mentor to countless young writers, Viramontes is currently Professor of Creative Writing in the Department of English at Cornell University Spanish Keynote Jacobo Sefamí Friday, February 19, 3:15 pm, Ekstrom Library, Chao A uditorium Jacobo Sefamí, from Mexico City, has taught at New York University, and is currently Professor of Spanish at the University of California, Irvine.
Recommended publications
  • Sentimental Appropriations: Contemporary Sympathy In
    SENTIMENTAL APPROPRIATIONS: CONTEMPORARY SYMPATHY IN THE NOVELS OF GRACE LUMPKIN, JOSEPHINE JOHNSON, JOHN STEINBECK, MARGARET WALKER, OCTAVIA BUTLER, AND TONI MORRISON Jennifer A. Williamson A dissertation submitted to the faculty of the University of North Carolina in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English and Comparative Literature Chapel Hill 2011 Approved by: Linda Wagner-Martin William L. Andrews Philip Gura Fred Hobson Wahneema Lubiano © 2011 Jennifer A. Williamson ALL RIGHTS RESERVED ii ABSTRACT JENNIFER A. WILLIAMSON: Sentimental Appropriations: Contemporary Sympathy in the Novels of Grace Lumpkin, Josephine Johnson, John Steinbeck, Margaret Walker, Octavia Butler, and Toni Morrison (Under the direction of Linda Wagner-Martin) This project investigates the appearance of the nineteenth-century American sentimental mode in more recent literature, revealing that the cultural work of sentimentalism continues in the twentieth-century and beyond. By examining working-class literature that adopts the rhetoric of “feeling right” in order to promote a proletarian ideology as well as neo-slave narratives that wrestle with the legacy of slavery, this study explores the ways contemporary authors engage with familiar sentimental tropes and ideals. Despite modernism’s influential assertion that sentimentalism portrays emotion that lacks reality or depth, narrative claims to feeling— particularly those based in common and recognizable forms of suffering—remain popular. It seems clear that such authors as Grace Lumpkin, Josephine Johnson, John Steinbeck, Margaret Walker, Octavia Butler, and Toni Morrison apply the rhetorical methods of sentimentalism to the cultural struggles of their age. Contemporary authors self-consciously struggle with sentimentalism’s gender, class, and race ideals; however, sentimentalism’s dual ability to promote these ideals and extend identification across them makes it an attractive and effective mode for political and social influence.
    [Show full text]
  • The Pulitzer Prize for Fiction Honors a Distinguished Work of Fiction by an American Author, Preferably Dealing with American Life
    Pulitzer Prize Winners Named after Hungarian newspaper publisher Joseph Pulitzer, the Pulitzer Prize for fiction honors a distinguished work of fiction by an American author, preferably dealing with American life. Chosen from a selection of 800 titles by five letter juries since 1918, the award has become one of the most prestigious awards in America for fiction. Holdings found in the library are featured in red. 2017 The Underground Railroad by Colson Whitehead 2016 The Sympathizer by Viet Thanh Nguyen 2015 All the Light we Cannot See by Anthony Doerr 2014 The Goldfinch by Donna Tartt 2013: The Orphan Master’s Son by Adam Johnson 2012: No prize (no majority vote reached) 2011: A visit from the Goon Squad by Jennifer Egan 2010:Tinkers by Paul Harding 2009:Olive Kitteridge by Elizabeth Strout 2008:The Brief and Wondrous Life of Oscar Wao by Junot Diaz 2007:The Road by Cormac McCarthy 2006:March by Geraldine Brooks 2005 Gilead: A Novel, by Marilynne Robinson 2004 The Known World by Edward Jones 2003 Middlesex by Jeffrey Eugenides 2002 Empire Falls by Richard Russo 2001 The Amazing Adventures of Kavalier & Clay by Michael Chabon 2000 Interpreter of Maladies by Jhumpa Lahiri 1999 The Hours by Michael Cunningham 1998 American Pastoral by Philip Roth 1997 Martin Dressler: The Tale of an American Dreamer by Stephan Milhauser 1996 Independence Day by Richard Ford 1995 The Stone Diaries by Carol Shields 1994 The Shipping News by E. Anne Proulx 1993 A Good Scent from a Strange Mountain by Robert Olen Butler 1992 A Thousand Acres by Jane Smiley
    [Show full text]
  • Pulitzer Prize
    1946: no award given 1945: A Bell for Adano by John Hersey 1944: Journey in the Dark by Martin Flavin 1943: Dragon's Teeth by Upton Sinclair Pulitzer 1942: In This Our Life by Ellen Glasgow 1941: no award given 1940: The Grapes of Wrath by John Steinbeck 1939: The Yearling by Marjorie Kinnan Rawlings Prize-Winning 1938: The Late George Apley by John Phillips Marquand 1937: Gone with the Wind by Margaret Mitchell 1936: Honey in the Horn by Harold L. Davis Fiction 1935: Now in November by Josephine Winslow Johnson 1934: Lamb in His Bosom by Caroline Miller 1933: The Store by Thomas Sigismund Stribling 1932: The Good Earth by Pearl S. Buck 1931 : Years of Grace by Margaret Ayer Barnes 1930: Laughing Boy by Oliver La Farge 1929: Scarlet Sister Mary by Julia Peterkin 1928: The Bridge of San Luis Rey by Thornton Wilder 1927: Early Autumn by Louis Bromfield 1926: Arrowsmith by Sinclair Lewis (declined prize) 1925: So Big! by Edna Ferber 1924: The Able McLaughlins by Margaret Wilson 1923: One of Ours by Willa Cather 1922: Alice Adams by Booth Tarkington 1921: The Age of Innocence by Edith Wharton 1920: no award given 1919: The Magnificent Ambersons by Booth Tarkington 1918: His Family by Ernest Poole Deer Park Public Library 44 Lake Avenue Deer Park, NY 11729 (631) 586-3000 2012: no award given 1980: The Executioner's Song by Norman Mailer 2011: Visit from the Goon Squad by Jennifer Egan 1979: The Stories of John Cheever by John Cheever 2010: Tinkers by Paul Harding 1978: Elbow Room by James Alan McPherson 2009: Olive Kitteridge by Elizabeth Strout 1977: No award given 2008: The Brief Wondrous Life of Oscar Wao by Junot Diaz 1976: Humboldt's Gift by Saul Bellow 2007: The Road by Cormac McCarthy 1975: The Killer Angels by Michael Shaara 2006: March by Geraldine Brooks 1974: No award given 2005: Gilead by Marilynne Robinson 1973: The Optimist's Daughter by Eudora Welty 2004: The Known World by Edward P.
    [Show full text]
  • © in This Web Service Cambridge University Press
    Cambridge University Press 978-1-107-00137-4 - The Cambridge History of American Women’s Literature Edited by Dale M. Bauer Index More information Index Notes: Titles of works which receive frequent mention or detailed analysis are indexed under their titles; works receiving only passing reference appear as subheadings under the author’s name. Anonymous works are grouped under ‘Anon’ unless receiving detailed treatment. 1920s fiction (male), overshadowing of later Acker, Kathy writers 503–5 Blood and Guts in High School 541 1920s women’s fiction 422–40 Great Expectations 541 commercial successes 422, 423–4 Ackerman, Diane 306 critical neglect 422–3 actresses, role in Shakespeare studies 151–2 depiction of fractured inner lives Adams, Abigail 96, 106 433–8 Adams, Alice, Careless Love 510 emotional restraint 437–8 Adams, Hannah 103 innovativeness 432–3 Adams, Katherine H. 620 old-fashioned image (of works/writers) Adams, Rachel 603 424 Addams, Jane 151, 623, 642 1930s see Depression-era literature; Great Adorno, Theodor W. 561, 564, 572 Depression advertising 1960s culture/literature 509–14 1920s writers’ use of 426–8, 431 targeting of female consumers 532 “A Conversation with My Father” (Paley) African American autobiographies 282–9 467 authorial claims for 285 Aaron, Daniel, Writers on the Left 477 centrality of male history 284–5 Abboud, Soo Kim, Top of the Class 563 contrasting of public and private history Abel, Elizabeth, “Black Writing, White 288–9 Reading” 565, 638, 650 “great man” approach 285–6 abolitionism 165–6, 273–4 historical significance 286–7, 288–9 literary expressions 83, 168–9, 171–8 inversion of protocols 288–9 oratory 608, 618–19 providential elements 286–7 transatlantic movement 257, 258–62, 263–7, African American (women’s) writing 9, 269–70 273–90, 404–19, 446–56 see also Uncle Tom’s Cabin children’s literature 320–1 About Lyddy Thomas (Wolff) 46–7, 505 collaborations 279–81 Abraham, Pearl, TheRomanceReader 472 contemporary 546 Abrams, M.
    [Show full text]
  • Sentimental Appropriations
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Carolina Digital Repository SENTIMENTAL APPROPRIATIONS: CONTEMPORARY SYMPATHY IN THE NOVELS OF GRACE LUMPKIN, JOSEPHINE JOHNSON, JOHN STEINBECK, MARGARET WALKER, OCTAVIA BUTLER, AND TONI MORRISON Jennifer A. Williamson A dissertation submitted to the faculty of the University of North Carolina in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English and Comparative Literature Chapel Hill 2011 Approved by: Linda Wagner-Martin William L. Andrews Philip Gura Fred Hobson Wahneema Lubiano © 2011 Jennifer A. Williamson ALL RIGHTS RESERVED ii ABSTRACT JENNIFER A. WILLIAMSON: Sentimental Appropriations: Contemporary Sympathy in the Novels of Grace Lumpkin, Josephine Johnson, John Steinbeck, Margaret Walker, Octavia Butler, and Toni Morrison (Under the direction of Linda Wagner-Martin) This project investigates the appearance of the nineteenth-century American sentimental mode in more recent literature, revealing that the cultural work of sentimentalism continues in the twentieth-century and beyond. By examining working-class literature that adopts the rhetoric of “feeling right” in order to promote a proletarian ideology as well as neo-slave narratives that wrestle with the legacy of slavery, this study explores the ways contemporary authors engage with familiar sentimental tropes and ideals. Despite modernism’s influential assertion that sentimentalism portrays emotion that lacks reality or depth, narrative claims to feeling— particularly those based in common and recognizable forms of suffering—remain popular. It seems clear that such authors as Grace Lumpkin, Josephine Johnson, John Steinbeck, Margaret Walker, Octavia Butler, and Toni Morrison apply the rhetorical methods of sentimentalism to the cultural struggles of their age.
    [Show full text]
  • PULITZER PRIZE WINNERS in LETTERS © by Larry James
    PULITZER PRIZE WINNERS IN LETTERS © by Larry James Gianakos Fiction 1917 no award *1918 Ernest Poole, His Family (Macmillan Co.; 320 pgs.; bound in blue cloth boards, gilt stamped on front cover and spine; full [embracing front panel, spine, and back panel] jacket illustration depicting New York City buildings by E. C.Caswell); published May 16, 1917; $1.50; three copies, two with the stunning dust jacket, now almost exotic in its rarity, with the front flap reading: “Just as THE HARBOR was the story of a constantly changing life out upon the fringe of the city, along its wharves, among its ships, so the story of Roger Gale’s family pictures the growth of a generation out of the embers of the old in the ceaselessly changing heart of New York. How Roger’s three daughters grew into the maturity of their several lives, each one so different, Mr. Poole tells with strong and compelling beauty, touching with deep, whole-hearted conviction some of the most vital problems of our modern way of living!the home, motherhood, children, the school; all of them seen through the realization, which Roger’s dying wife made clear to him, that whatever life may bring, ‘we will live on in our children’s lives.’ The old Gale house down-town is a little fragment of a past generation existing somehow beneath the towering apartments and office-buildings of the altered city. Roger will be remembered when other figures in modern literature have been forgotten, gazing out of his window at the lights of some near-by dwelling lifting high above his home, thinking
    [Show full text]
  • Pulitzer Prize Winners and Finalists
    WINNERS AND FINALISTS 1917 TO PRESENT TABLE OF CONTENTS Excerpts from the Plan of Award ..............................................................2 PULITZER PRIZES IN JOURNALISM Public Service ...........................................................................................6 Reporting ...............................................................................................24 Local Reporting .....................................................................................27 Local Reporting, Edition Time ..............................................................32 Local General or Spot News Reporting ..................................................33 General News Reporting ........................................................................36 Spot News Reporting ............................................................................38 Breaking News Reporting .....................................................................39 Local Reporting, No Edition Time .......................................................45 Local Investigative or Specialized Reporting .........................................47 Investigative Reporting ..........................................................................50 Explanatory Journalism .........................................................................61 Explanatory Reporting ...........................................................................64 Specialized Reporting .............................................................................70
    [Show full text]
  • Award Winners
    Award Winners Agatha Awards 1989 Naked Once More by 2000 The Traveling Vampire Show Best Contemporary Novel Elizabeth Peters by Richard Laymon (Formerly Best Novel) 1988 Something Wicked by 1999 Mr. X by Peter Straub Carolyn G. Hart 1998 Bag Of Bones by Stephen 2017 Glass Houses by Louise King Penny Best Historical Novel 1997 Children Of The Dusk by 2016 A Great Reckoning by Louise Janet Berliner Penny 2017 In Farleigh Field by Rhys 1996 The Green Mile by Stephen 2015 Long Upon The Land by Bowen King Margaret Maron 2016 The Reek of Red Herrings 1995 Zombie by Joyce Carol Oates 2014 Truth Be Told by Hank by Catriona McPherson 1994 Dead In the Water by Nancy Philippi Ryan 2015 Dreaming Spies by Laurie R. Holder 2013 The Wrong Girl by Hank King 1993 The Throat by Peter Straub Philippi Ryan 2014 Queen of Hearts by Rhys 1992 Blood Of The Lamb by 2012 The Beautiful Mystery by Bowen Thomas F. Monteleone Louise Penny 2013 A Question of Honor by 1991 Boy’s Life by Robert R. 2011 Three-Day Town by Margaret Charles Todd McCammon Maron 2012 Dandy Gilver and an 1990 Mine by Robert R. 2010 Bury Your Dead by Louise Unsuitable Day for McCammon Penny Murder by Catriona 1989 Carrion Comfort by Dan 2009 The Brutal Telling by Louise McPherson Simmons Penny 2011 Naughty in Nice by Rhys 1988 The Silence Of The Lambs by 2008 The Cruelest Month by Bowen Thomas Harris Louise Penny 1987 Misery by Stephen King 2007 A Fatal Grace by Louise Bram Stoker Award 1986 Swan Song by Robert R.
    [Show full text]
  • 260 Fifth Avenue, New York, N.Y. 10001 (212)889-8772 (212)889-8772 10001 N.Y
    260 Fifth Avenue, New York, N.Y. 10001 (212)889-8772 CONTENTS PACE PACE Anonymous, The Erotic Reader III 41 Kometani, Foumiko, Passover The Libertines 41 Lovesey, Peter, The Black Cabinet . 24 The Oyster ill 41 Parisian Nights 41 Madden, David & Peggy Bach, 33 Satanic Venus 41 Rediscoveries II Beyond Apollo 22 Ball, John, The Kiwi Target 4 Malzberg, Barry, Crossfire 15 Ballard, J.C., delta America 13 Marrs, Jim, Flesh and Blood 26 Ballard. Mignon F., Deadly Promise . 19 Mauriac, Francois. 39 Baixac, Honore de, Beatrix 30 McElroy, Joseph, The Letter Left to Me Tales 10 Beechcroft, William, Pursuit of Fear. 31 O'Mara, Leaky, Great Cat Pattern for Terror 35 Boucher, Anthony, The Compleat Pentecost, Hugh, Werewolf 33 Phillips, Robert, The Triumph of the Night 5 Brand, Christianna, Death In High Heels ,, 6 Redly, John, Marilyn'; Daughter 20 Brown, Fredric, Murder Can Be Fun 27 Rhys, Jean, Quartet 36 Carr, John Dickson, Saul, Bill D.. Animal Immortality 39 28 The De101071illel Sladek, John, The Midler-Fokker Effect 40 Most Secret 14 Stanway, Dr. Andrew, The Art of Sensual Da, Lottie & Jan Alexander, Bad Girls of Loving 13 the Silver Screen 16 Thirkell, Angela, Wild Strawberries . 7 Dolby. Richard, Ghosts for Christina' 18 Thornton, Louise, et al., Touching Fire 25 Dick, Philip K., The Zap Gun 7 van Thal, Herbert, The Mammoth Book of 20 Fitzgerald, Penelope, Innocence Great Detective Stories 12 Freudenberger, Dr. Herbert, Sit ational von Falkensee, Margarete, Blue Angel Anxiety 6 Secrets 21 Carbus, Martin, Traitors and Heroes 26 Watson, Ian, Gilbert, Michael, Chekhoes journey 17 The Doors Open 22 The Embedding 30 14 The 92nd Tiger Waugh, Hillary, Colenbock, Peter, A Death in a Timm How to Win at Rotisserie Baseball 36 Sleep Long, My Love 27 2 Personal Fouls Willeford, Charles, The Woman Chaser 40 Griffiths, John, The Good Spy 32 Wilson, Cohn.
    [Show full text]
  • Taylor Trial Transcript
    Case No. SCSL-2003-01-T THE PROSECUTOR OF THE SPECIAL COURT V. CHARLES GHANKAY TAYLOR TUESDAY, 18 NOVEMBER 2008 9:30 A.M. TRIAL TRIAL CHAMBER II Before the Judges: Justice Teresa Doherty, Presiding Justice Richard Lussick Justice Julia Sebutinde Justice Al Hadji Malick Sow, Alternate For Chambers: Mr William Romans Ms Sidney Thompson For the Registry: Ms Rachel Irura Mr Momodu Tarawallie For the Prosecution: Ms Brenda J Hollis Mr Christopher Santora Ms Maja Dimitrova For the accused Charles Ghankay Mr Terry Munyard Taylor: Mr Morris Anyah CHARLES TAYLOR Page 20464 18 NOVEMBER 2008 OPEN SESSION 1 Tuesday, 18 November 2008 2 [Open session] 3 [The accused present] 4 [Upon commencing at 9.30 a.m.] 09:21:20 5 PRESIDING JUDGE: Good morning. Appearances, Ms Hollis, 6 please. 7 MS HOLLIS: Good morning, Madam President, your Honours, 8 opposing counsel. This morning for the Prosecution Maja 9 Dimitrova and myself, Brenda J Hollis. 09:30:54 10 PRESIDING JUDGE: Thank you. Good morning, Mr Anyah. 11 MR ANYAH: Yes, good morning, Madam President. Good 12 morning, your Honours. Good morning, counsel opposite. 13 Appearing for the Defence this morning is Mr Terry Munyard, 14 myself, Morris Anyah, and Carlin Rosengarten. Mr Rosengarten has 09:31:10 15 been with us before. 16 PRESIDING JUDGE: Thank you. If there are no other matters 17 I will remind the witness of his oath. Good morning, Mr Witness. 18 THE WITNESS: Good morning, ma'am. 19 PRESIDING JUDGE: I remind you again this morning that you 09:31:30 20 have taken the oath to tell the truth, the oath continues to be 21 binding on you and you must answer questions truthfully.
    [Show full text]
  • Pulitzer Lit P 2020
    Laureaci nagrody Pulitzera w dziedzinie literatury pi ęknej Lp. Rok Imi ę i nazwisko Tytuł Przeczytane 1 1918 Ernest Poole His Family 2 1919 Booth Tarkington The Magnificent Ambersons 3 1921 Edith Wharton Wiek niewinno ści (The Age of Innocence) 4 1922 Booth Tarkington Alice Adams 5 1923 Willa Cather One of ours 6 1924 Margaret Wilson The Able McLaughlins 7 1925 Edna Ferber So Big 8 1926 Sinclair Lewis Arrowsmith (Arrowsmith) 9 1927 Louis Bromfield Early Autumn: A Story of a Lady 10 1928 Thornton Wilder Most San Luis Rey (The Bridge of San Luis Rey) 11 1929 Julia Peterkin Scarlet Sister Mary 12 1930 Oliver La Farge Laughing Boy 13 1931 Margaret Ayer Barnes Years of Grace 14 1932 Pearl S. Buck Łaskawa ziemia (The Good Earth) 15 1933 T.S. Stribling The Store 16 1934 Caroline Miller Lamb in His Bosom 17 1935 Josephine Winslow Johnson Now in November 18 1936 H.L. Davis Honey in the Horn 19 1937 Margaret Mitchell Przemin ęło z wiatrem (Gone with the Wind) 20 1938 J.P. Marquand The Late George Apley: A Novel in the Form of a Memoir 21 1939 Marjorie Kinnan Rawlings Roczniak (The Yearling) 22 1940 John Steinbeck Grona gniewu (The Grapes of Wrath) 23 1942 Ellen Glasgow In This Our Life 24 1943 Upton Sinclair Dragon's Teeth 25 1944 Martin Flavin Journey in the Dark 26 1945 John Hersey A Bell for Adano 27 1947 Robert Penn Warren Gubernator (All the King's Men) 28 1948 James Michener Tales of the South Pacific 29 1949 James Gould Cozzens Guard of Honor 30 1950 A.B.
    [Show full text]
  • Black Skies and Gray Matter
    University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2015 Black Skies and Gray Matter Jacquelyn Bennett University of Central Florida Part of the Creative Writing Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Bennett, Jacquelyn, "Black Skies and Gray Matter" (2015). Electronic Theses and Dissertations, 2004-2019. 1328. https://stars.library.ucf.edu/etd/1328 BLACK SKIES AND GRAY MATTER by JACQUELYN BROOK BENNETT B.A. University of Central Florida 2010 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts in the Department of English in the College of Arts and Humanities at the University of Central Florida Orlando, Florida Spring Term 2015 Major Professor: Pat Rushin © 2015 Jacquelyn Brook Bennett ii ABSTRACT Black Skies and Gray Matter is a collection of stories thematically centered on characters that are lonely or lost in the world. These stories explore the characters’ personalities through their interactions with others (strangers, family, friends, and spouses) and the difficulties they face being misunderstood. Their journeys are ones of trying to find happiness and their place in society (or rejecting it). As they face alienation, they must endure the trials of everyday life (some more extreme than others) and, at the same time, search for kindred spirits, a sense of belonging.
    [Show full text]