Researching Science Fiction Basic Guidelines
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Science Fiction in Argentina: Technologies of the Text in A
Revised Pages Science Fiction in Argentina Revised Pages DIGITALCULTUREBOOKS, an imprint of the University of Michigan Press, is dedicated to publishing work in new media studies and the emerging field of digital humanities. Revised Pages Science Fiction in Argentina Technologies of the Text in a Material Multiverse Joanna Page University of Michigan Press Ann Arbor Revised Pages Copyright © 2016 by Joanna Page Some rights reserved This work is licensed under the Creative Commons Attribution- Noncommercial- No Derivative Works 3.0 United States License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-nd/3.0/ or send a letter to Creative Commons, 171 Second Street, Suite 300, San Francisco, California, 94105, USA. Published in the United States of America by the University of Michigan Press Manufactured in the United States of America c Printed on acid- free paper 2019 2018 2017 2016 4 3 2 1 A CIP catalog record for this book is available from the British Library. Library of Congress Cataloging- in- Publication Data Names: Page, Joanna, 1974– author. Title: Science fiction in Argentina : technologies of the text in a material multiverse / Joanna Page. Description: Ann Arbor : University of Michigan Press, [2016] | Includes bibliographical references and index. Identifiers: LCCN 2015044531| ISBN 9780472073108 (hardback : acid- free paper) | ISBN 9780472053100 (paperback : acid- free paper) | ISBN 9780472121878 (e- book) Subjects: LCSH: Science fiction, Argentine— History and criticism. | Literature and technology— Argentina. | Fantasy fiction, Argentine— History and criticism. | BISAC: LITERARY CRITICISM / Science Fiction & Fantasy. | LITERARY CRITICISM / Caribbean & Latin American. Classification: LCC PQ7707.S34 P34 2016 | DDC 860.9/35882— dc23 LC record available at http://lccn.loc.gov/2015044531 http://dx.doi.org/10.3998/dcbooks.13607062.0001.001 Revised Pages To my brother, who came into this world to disrupt my neat ordering of it, a talent I now admire. -
Hugo Award -- Britannica Online Encyclopedia
10/10/2017 Hugo Award -- Britannica Online Encyclopedia Hugo Award Hugo Award, any of several annual awards presented by the World Science Fiction Society (WSFS). The awards are granted for notable achievement in science �ction or science fantasy. Established in 1953, the Hugo Awards were named in honour of Hugo Gernsback, founder of Amazing Stories, the �rst magazine exclusively for science �ction. Hugo Award. This particular award was given at MidAmeriCon II, in Kansas City, Missouri, on August … Michi Trota Pin, in the form of the rocket on the Hugo Award, that is given to the finalists. Michi Trota Hugo Awards https://www.britannica.com/print/article/1055018 1/10 10/10/2017 Hugo Award -- Britannica Online Encyclopedia year category* title author 1946 novel The Mule Isaac Asimov (awarded in 1996) novella "Animal Farm" George Orwell novelette "First Contact" Murray Leinster short story "Uncommon Sense" Hal Clement 1951 novel Farmer in the Sky Robert A. Heinlein (awarded in 2001) novella "The Man Who Sold the Moon" Robert A. Heinlein novelette "The Little Black Bag" C.M. Kornbluth short story "To Serve Man" Damon Knight 1953 novel The Demolished Man Alfred Bester 1954 novel Fahrenheit 451 Ray Bradbury (awarded in 2004) novella "A Case of Conscience" James Blish novelette "Earthman, Come Home" James Blish short story "The Nine Billion Names of God" Arthur C. Clarke 1955 novel They’d Rather Be Right Mark Clifton and Frank Riley novelette "The Darfsteller" Walter M. Miller, Jr. short story "Allamagoosa" Eric Frank Russell 1956 novel Double Star Robert A. Heinlein novelette "Exploration Team" Murray Leinster short story "The Star" Arthur C. -
Copyright 2013 Shawn Patrick Gilmore
Copyright 2013 Shawn Patrick Gilmore THE INVENTION OF THE GRAPHIC NOVEL: UNDERGROUND COMIX AND CORPORATE AESTHETICS BY SHAWN PATRICK GILMORE DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English in the Graduate College of the University of Illinois at Urbana-Champaign, 2013 Urbana, Illinois Doctoral Committee: Professor Michael Rothberg, Chair Professor Cary Nelson Associate Professor James Hansen Associate Professor Stephanie Foote ii Abstract This dissertation explores what I term the invention of the graphic novel, or more specifically, the process by which stories told in comics (or graphic narratives) form became longer, more complex, concerned with deeper themes and symbolism, and formally more coherent, ultimately requiring a new publication format, which came to be known as the graphic novel. This format was invented in fits and starts throughout the twentieth century, and I argue throughout this dissertation that only by examining the nuances of the publishing history of twentieth-century comics can we fully understand the process by which the graphic novel emerged. In particular, I show that previous studies of the history of comics tend to focus on one of two broad genealogies: 1) corporate, commercially-oriented, typically superhero-focused comic books, produced by teams of artists; 2) individually-produced, counter-cultural, typically autobiographical underground comix and their subsequent progeny. In this dissertation, I bring these two genealogies together, demonstrating that we can only truly understand the evolution of comics toward the graphic novel format by considering the movement of artists between these two camps and the works that they produced along the way. -
Counterclock Attempts to Accomodate the Short Variations There Are to Experience in a Small Attention Span of the Next Generation
COUNTERCLCK # 33 Artwork: Wolf von Witting. ”Play for Pegasus” Background: Alien world 1981, acrylic painting, Violinist aquarelle, mar1993, acrylic Pegasus on wooden tile 2015, photoshop-assembly Aug2018. - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - TABLE F CONTENT INTRODUCTIN.............................page 02 Hero, War Hero, Super Hero, Heroine by Wolf von Witting.....................page 03 Comments on SweCon............page 06 by Thomas Recktenwald & Wolf von Witting EuroCon 2018 Amiens report.........page 10 Hello there! I'm back! by Jörg Ritter & Martin Stricker I never saw myself as a rolling stone even though I changed location 6-7 times before I turned 15. SCI FI SHORT PIECES.............page 27 So, it happened that I lived in Stockholm for 32 David Weingart for TAFF!!! years after that. It wasn't all the same. Life at Film reviews school was different from life at college. And life at FuturiCon, EuroCon 2020, in Rijeka...31 college, again, was different from military service. Even 25 years at the railroad were not the same Honey, Where's My Pants? for long. A few years as freshling and train The smoking fresh chapter of a TAFF-report conductor, a few years as train traffic controller by John Purcell...............................page 32 (dispatcher), administrator, instructor and later also railroad bridge warden. Many different tasks LoCol..........................................page 39 and many different experiences. All in the same THE FINAL WRD....................page 42 place. Until it grew weary. - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - After 11 years in Italy, I feel I have exhausted all CounterClock attempts to accomodate the short variations there are to experience in a small attention span of the next generation. Pretend to village. -
Kaiju-Rising-II-Reign-Of-Monsters Preview.Pdf
KAIJU RISING II: Reign of Monsters Outland Entertainment | www.outlandentertainment.com Founder/Creative Director: Jeremy D. Mohler Editor-in-Chief: Alana Joli Abbott Publisher: Melanie R. Meadors Senior Editor: Gwendolyn Nix “Te Ghost in the Machine” © 2018 Jonathan Green “Winter Moon and the Sun Bringer” © 2018 Kane Gilmour “Rancho Nido” © 2018 Guadalupe Garcia McCall “Te Dive” © 2018 Mari Murdock “What Everyone Knows” © 2018 Seanan McGuire “Te Kaiju Counters” © 2018 ML Brennan “Formula 287-f” © 2018 Dan Wells “Titans and Heroes” © 2018 Nick Cole “Te Hunt, Concluded” © 2018 Cullen Bunn “Te Devil in the Details” © 2018 Sabrina Vourvoulias “Morituri” © 2018 Melanie R. Meadors “Maui’s Hook” © 2018 Lee Murray “Soledad” © 2018 Steve Diamond “When a Kaiju Falls in Love” © 2018 Zin E. Rocklyn “ROGUE 57: Home Sweet Home” © 2018 Jeremy Robinson “Te Genius Prize” © 2018 Marie Brennan Te characters and events portrayed in this book are fctitious or fctitious recreations of actual historical persons. Any similarity to real persons, living or dead, is coincidental and not intended by the authors unless otherwise specifed. Tis book or any portion thereof may not be reproduced or used in any manner whatsoever without the express written permission of the publisher except for the use of brief quotations in a book review. Published by Outland Entertainment 5601 NW 25th Street Topeka KS, 66618 Paperback: 978-1-947659-30-8 EPUB: 978-1-947659-31-5 MOBI: 978-1-947659-32-2 PDF-Merchant: 978-1-947659-33-9 Worldwide Rights Created in the United States of America Editor: N.X. Sharps & Alana Abbott Cover Illustration: Tan Ho Sim Interior Illustrations: Frankie B. -
THE 2016 DELL MAGAZINES AWARD This Year’S Trip to the International Conference on the Fantastic in the Arts Was Spent in a Whirl of Activity
EDITORIAL Sheila Williams THE 2016 DELL MAGAZINES AWARD This year’s trip to the International Conference on the Fantastic in the Arts was spent in a whirl of activity. In addition to academic papers, author readings, banquets, and the awards ceremony, it was a celebration of major life events. Thursday night saw a surprise birthday party for well-known SF and fantasy critic Gary K. Wolfe and a compelling memorial for storied editor David G. Hartwell. Sunday morning brought us the beautiful wedding of Rebecca McNulty and Bernie Goodman. Rebecca met Bernie when she was a finalist for our annual Dell Magazines Award for Undergraduate Ex- cellence in Science Fiction and Fantasy Writing several years ago. Other past finalists were also in attendance at the conference. In addition to Re- becca, it was a joy to watch E. Lily Yu, Lara Donnelly, Rich Larson, and Seth Dickin- son welcome a brand new crop of young writers. The winner of this year’s award was Rani Banjarian, a senior at Vanderbilt University. Rani studied at an international school in Beirut, Lebanon, before coming to the U.S. to attend college. Fluent in Arabic and English, he’s also toying with adding French to his toolbox. Rani is graduating with a duel major in physics and writing. His award winning short story, “Lullabies in Arabic” incorporates his fascination with memoir writing along with a newfound interest in science fiction. My co-judge Rick Wilber and I were once again pleased that the International Association for the Fantastic in the Arts and Dell Magazines cosponsored Rani’s expense-paid trip to the conference in Orlando, Florida, and the five hundred dollar prize. -
Monday, 01-July-2019 18Th IEEE International
Page: 1 of 20 18th IEEE International Conference on Smart Tehnologies, EUROCON - 2019 Venue: University of Novi Sad - Central Building, Novi Sad, Serbia www.eurocon2019.org Preliminarni Program / Preliminary Program Updated: June 20, 2019 Time Paper Id Session Paper title / Authors:family Authors: name Affiliation State Monday, 01‐July‐2019 07:30 ‐ 08:45h Registration Entrance hall 09:00h PLENARY Session Opening ceremony and introduction to IEEE EUROCON 2019 in NoviSad, Serbia Amphitheater Chair: prof. dr Boris Dumnić, University of Novi Sad, Faculty of Technical Sciences, Novi Sad, Serbia ‐ Opening ‐ Greetings 09:45h PLENARY Session ‐ KN1 KEY‐NOTE PAPERS Amphitheater Chair: prof. dr Boris Dumnić, University of Novi Sad, Faculty of Technical Sciences, Novi Sad, Serbia 09:45h KN1‐1Integration of Large Scale and Distributed Variable Energy Resources Shirmohammadi Dariush Executive Vice President of GridBright, Inc. and United States Technical director at the California Wind Energy Association (CalWEA) 10:45 ‐ 11:15h Coffee break 11:15h SESSION ‐T1.1 Information, Communication and Technology Multimedia Hall – 1st floor Chair: prof. dr Carl Jame Debono, University of Malta, Faculty of Information & Communication Technology, Msida, Malta 11:15h 00828 T1.1‐1Beam‐Steering in Metamaterials Enhancing Gain of Patch Array Antenna Using Phase Shifters for 5G Application Mingle Solomon University of Birmingham, School of Electronic and Electrical Engineering United Kingdom Hassoun Ihab City University, Faculty of Engineering Lebanon Kamali Walid City -
Mind-Crafting: Anticipatory Critique of Transhumanist Mind-Uploading in German High Modernist Novels Nathan Jensen Bates a Disse
Mind-Crafting: Anticipatory Critique of Transhumanist Mind-Uploading in German High Modernist Novels Nathan Jensen Bates A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2018 Reading Committee: Richard Block, Chair Sabine Wilke Ellwood Wiggins Program Authorized to Offer Degree: Germanics ©Copyright 2018 Nathan Jensen Bates University of Washington Abstract Mind-Crafting: Anticipatory Critique of Transhumanist Mind-Uploading in German High Modernist Novels Nathan Jensen Bates Chair of the Supervisory Committee: Professor Richard Block Germanics This dissertation explores the question of how German modernist novels anticipate and critique the transhumanist theory of mind-uploading in an attempt to avert binary thinking. German modernist novels simulate the mind and expose the indistinct limits of that simulation. Simulation is understood in this study as defined by Jean Baudrillard in Simulacra and Simulation. The novels discussed in this work include Thomas Mann’s Der Zauberberg; Hermann Broch’s Die Schlafwandler; Alfred Döblin’s Berlin Alexanderplatz: Die Geschichte von Franz Biberkopf; and, in the conclusion, Irmgard Keun’s Das Kunstseidene Mädchen is offered as a field of future inquiry. These primary sources disclose at least three aspects of the mind that are resistant to discrete articulation; that is, the uploading or extraction of the mind into a foreign context. A fourth is proposed, but only provisionally, in the conclusion of this work. The aspects resistant to uploading are defined and discussed as situatedness, plurality, and adaptability to ambiguity. Each of these aspects relates to one of the three steps of mind- uploading summarized in Nick Bostrom’s treatment of the subject. -
The Rhetorical Significance of Gojira
UNLV Theses, Dissertations, Professional Papers, and Capstones 5-2010 The Rhetorical Significance of Gojira Shannon Victoria Stevens University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/thesesdissertations Repository Citation Stevens, Shannon Victoria, "The Rhetorical Significance of Gojira" (2010). UNLV Theses, Dissertations, Professional Papers, and Capstones. 371. http://dx.doi.org/10.34917/1606942 This Thesis is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Thesis has been accepted for inclusion in UNLV Theses, Dissertations, Professional Papers, and Capstones by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. THE RHETORICAL SIGNIFICANCE OF GOJIRA by Shannon Victoria Stevens Bachelor of Arts Moravian College and Theological Seminary 1993 A thesis submitted in partial fulfillment of the requirements for the Master of Arts in Communication Studies Department of Communication Studies Greenspun College of Urban Affairs Graduate College University of Nevada, Las Vegas May 2010 Copyright by Shannon Victoria Stevens 2010 All Rights Reserved THE GRADUATE COLLEGE We recommend the thesis prepared under our supervision by Shannon Victoria Stevens entitled The Rhetorical Significance of Gojira be accepted in partial fulfillment of the requirements for the degree of Master of Arts in Communication Studies David Henry, Committee Chair Tara Emmers-Sommer, Committee Co-chair Donovan Conley, Committee Member David Schmoeller, Graduate Faculty Representative Ronald Smith, Ph. -
Asimov's SF, March 2010 by Dell Magazine Authors
Asimov's SF, March 2010 by Dell Magazine Authors Dell Magazines www.dellmagazines.com Copyright ©2010 by Dell Magazines NOTICE: This eBook is licensed to the original purchaser only. Duplication or distribution to any person via email, floppy disk, network, print out, or any other means is a violation of International copyright law and subjects the violator to severe fines and/or imprisonment. This notice overrides the Adobe Reader permissions which are erroneous. This eBook cannot be legally lent or given to others. This eBook is displayed using 100% recycled electrons. 2 Asimov's SF, March 2010 by Dell Magazine Authors Cover art for "The Mechanic" by Donato Giancola 24" x 36" oil on panel © 2009 Donato Giancola 3 Asimov's SF, March 2010 by Dell Magazine Authors CONTENTS Department: EDITORIAL: AFFECTING ETERNITY II by Sheila Williams Department: REFLECTIONS: SHOWING AND TELLING by Robert Silverberg Department: ON THE NET: THE PRICE OF FREE (PART ONE) by James Patrick Kelly Novelette: HELPING THEM TAKE THE OLD MAN DOWN by William Preston Poetry: MARBLE PEOPLE by Bruce Boston Short Stories: CENTAURS by Benjamin Crowell Poetry: CRAZY MAN by Mark Rich Novelette: BLIND CAT DANCE by Alexander Jablokov Short Story: TICKET INSPECTOR GLIDEN BECOMES THE FIRST MARTYR OF THE GLORIOUS HUMAN UPRISING by Derek Zumsteg Poetry: OUR CANINE DEFENSE TEAM by Vincent Miskell Short Story: THE SPEED OF DREAMS by Will Ludwigsen Department: NEXT ISSUE Novelette: THE TOWER by Kristine Kathryn Rusch Department: ON BOOKS by Paul Di Filippo Department: SF CONVENTIONAL CALENDAR by Erwin S. Strauss * * * * Asimov's Science Fiction. ISSN 1065-2698. -
Copyrighted Material
Index affordances 241–2 apps 11, 27–33, 244–5 afterlife 194, 227, 261 Ariely, Dan 28 Agar, Nicholas 15, 162, 313 Aristotle 154, 255 Age of Spiritual Machines, The 47, 54 Arkin, Ronald 64 AGI (Artificial General Intelligence) Armstrong, Stuart 12, 311 61–86, 98–9, 245, 266–7, Arp, Hans/Jean 240–2, 246 298, 311 artificial realities, see virtual reality AGI Nanny 84, 311 Asimov, Isaac 45, 268, 274 aging 61, 207, 222, 225, 259, 315 avatars 73, 76, 201, 244–5, 248–9 AI (artificial intelligence) 3, 9, 12, 22, 30, 35–6, 38–44, 46–58, 72, 91, Banks, Iain M. 235 95, 99, 102, 114–15, 119, 146–7, Barabási, Albert-László 311 150, 153, 157, 198, 284, 305, Barrat, James 22 311, 315 Berger, T.W. 92 non-determinism problem 95–7 Bernal,J.D.264–5 predictions of 46–58, 311 biological naturalism 124–5, 128, 312 altruism 8 biological theories of consciousness 14, Amazon Elastic Compute Cloud 40–1 104–5, 121–6, 194, 312 Andreadis, Athena 223 Blackford, Russell 16–21, 318 androids 44, 131, 194, 197, 235, 244, Blade Runner 21 265, 268–70, 272–5, 315 Block, Ned 117, 265 animal experimentationCOPYRIGHTED 24, 279–81, Blue Brain MATERIAL Project 2, 180, 194, 196 286–8, 292 Bodington, James 16, 316 animal rights 281–2, 285–8, 316 body, attitudes to 4–5, 222–9, 314–15 Anissimov, Michael 12, 311 “Body by Design” 244, 246 Intelligence Unbound: The Future of Uploaded and Machine Minds, First Edition. Edited by Russell Blackford and Damien Broderick. -
The Banksoniain #8 an Iain (M.) Banks Fanzine November 2005
The Banksoniain #8 An Iain (M.) Banks Fanzine November 2005 Editorial Banks’s Next Books Issue #8 marks somewhat of a departure from Details of the 2006 vintage Banks have begun the normal Banksoniain with a new (for us) to become available, with listings starting to writer, Martyn Colebrook, taking up the appear on Amazon and the like as Little, challenge of the book biography centre Brown, the publisher, makes pre-publication spread. information available about the work Untitled The diversity that makes up the Strange Iain Banks. Worlds of Iain (M) Banks is I believe pretty The various ISBNs that are floating about are: much illustrated by the contents of this issue. 0316731056 for the hardback; 0316731064 As well as the book biography focus on Canal for the trade paperback (the one you will find Dreams, we have news of his forthcoming in airport bookshops) and 1405501251 for the books, his Culture novels being a specialist CD audio-book abridgement. These all have subject on the TV quiz show, Mastermind, an the same prospective release date being academic conference being planned about his September 1st 2006, and somehow Amazon work, and more. manage, whilst Iain is still writing the book, There is a fair bit of Banks related Worldcon to claim that it will be 416 pages long. These news to catch up on and we also have a pieces of information should probably be personal view from Iain Banks Forum regular taken in descending order of credibility. Coercri as well as a few thoughts from your The further books of his current three book editor.