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Researching Science Fiction Basic Guidelines RESEARCHING SCIENCE FICTION BASIC GUIDELINES Sara Martín Alegre Universitat Autònoma de Barcelona [email protected] September 2015 From: http://myjetpack.tumblr.com/page/3 1. TO BEGIN WITH… If you’re reading this document, you must be in all likelihood already a reader of science fiction (or SF, or sf). (Or maybe just interested or curious?) To begin with, you might want to consider what we mean by SF, or, as others prefer to call it, ‘speculative fiction.’ My own view is quite simple: SF offers plots which answer a ‘what if?’ question based on technological and scientific speculation. We need to distinguish, thus, between fantasy, which responds to an impossible, magic ‘what if…?’ (‘what if people could fly?’), from SF, which responds to a ‘what if…?’ that might perhaps happen if science and technology advance in a certain direction (‘what if humans could fly to Mars?’) 1 Before embarking on academic work in this field you need to consider the following: *the list of authors/works you have read so far (and in which language): make it! (who’s your favourite, by the way, and why?) *your connections with fandom, if any *why you enjoy this particular genre (try giving yourself 3 reasons) *which media interests you more or most (print, including comics; screen: TV, film, videogames…) *which sub-genre you like best (from: https://www.worldswithoutend.com/resources_sub-genres.asp. Please, note that this is, rather, a list of themes often combined). Also check the list at http://bestsciencefictionbooks.com/ Science Fiction Sub-Genres Alien Invasion Hard SF Singularity Alternate History (SF) Human Development Slipstream Alternate/Parallel Immortality Soft SF Universe Light/Humorous SF Space Exploration Apocalyptic/Post- Military SF Space Opera Apocalyptic Mind Uploading Steampunk Artificial Intelligence Mundane SF Terraforming Colonization Mutants Theological Cyberpunk Mythic Fiction (SF) Time Travel Dying Earth Nanotechnology Uplift Dystopia Near-Future Utopia First Contact Pulp Virtual Reality Galactic Empire Robots/Androids Generation Ship Science-Fantasy Like other so-called popular genres with a still low academic projection, SF has fans who are experts in the field to an extent that very few academics can command. A fan usually has a massive knowledge of names and works based on reading them but needn’t consider aspects such as genre theory or genre history. A scholar, in contrast, must combine reading as much SF as possible with being up-to-date as regards the academic publications in the field. 2. BASIC RESOURCES There are MANY online resources run by fans which an SF scholar MUST learn to use. Check, for starters, the following: The Internet Speculative Fiction Database ISFD, http://www.isfdb.org/cgi-bin/index.cgi Worlds without End, https://www.worldswithoutend.com/ The SF Site, http://www.sfsite.com/ Locus Online, http://www.locusmag.com/ (resources section) 2 The title of the ISFD is self-descriptive. Worlds without End offers among many other items a short list of 62 top authors and another extensive database, with more than 1,000 names. The SF Site has hundreds of reviews and runs a useful newsletter you could subscribe to. The website of the magazine Locus has a truly impressive resource section. All this can be very nicely complemented with the corresponding Wikipedia entry. Wikipedia actually has a Science Fiction Authors list, at http://en.wikipedia.org/wiki/List_of_science_fiction_authors. NOTE: in the four cases, SF is mixed with fantasy and horror. It’s up to you to delimit the list of SF authors/works you’re interested in, always bearing in mind that no genre is ever ‘pure’. To begin finding works that might interest you another useful strategy is checking a book you enjoy at Amazon (US, UK) and see what other books customers have bought; or check an author’s page for the same reason. Amazon carries, as you know, readers’ opinions. Another excellent site in that sense is Goodreads (www.goodreads.com) For SF in Spanish and in Spain, check the extensive database Tercera Fundación at http://www.tercerafundacion.net/ 3. AWARDS The SF ‘canon’, as you can see in Worlds without End, very clearly results from the overlapping of the main awards (adapted from the awards’ websites and Locus online): Hugo - http://www.thehugoawards.org/ (given by fans since 1955, voted at the Worldcon, or World Science Fiction Convention) Nebula - http://www.sfwa.org/nebula-weekend/nebula-awards/ (The Nebula Awards ® are voted on, and presented by, active members of Science Fiction and Fantasy Writers of America, Inc. since 1965) British Science Fiction Association - http://www.bsfa.co.uk/ (The BSFA awards are presented annually by the British Science Fiction Association, founded 1958, based on a vote of BSFA members and–in recent years–members of the British national science fiction convention Eastercon.) Locus Science Fiction - http://www.locusmag.com/ (The Locus Awards are presented to winners of Locus Magazine's annual readers' poll since 1971) John W. Campbell Memorial - http://www2.ku.edu/~sfcenter/campbell.htm (Not to be confused with the John W. Campbell Award for Best New Writer. It is awarded each year to the best SF novel published in the US. It is the first major SF award established after the Hugos and Nebulas, and is distinguished from them by being a judged award, limited to novel). Theodore Sturgeon Memorial Award http://www2.ku.edu/~sfcenter/sturgeon.htm (The short fiction counterpart of the John W. Campbell Memorial Award. Since 1987) Philip K. Dick - http://www.philipkdickaward.org/ (Since 1982, given to the best original paperback published each year in the US. Five judges read submissions from publishers and determine the shortlist, then the winner. Judges choose their own successors, and only writers or academics are eligible to be judges.) 3 Arthur C. Clarke - http://www.clarkeaward.com/ (Given to the best SF novel published each year in the UK, not necessarily by a British writer, by a panel of judges overseen by the Science Fiction Foundation. Originally sponsored by Clarke himself.) There are others like the James Tiptree, Jr. Award, an annual literary prize for “science fiction or fantasy that explores and expands the roles of women and men for work by both women and men”. It's named after Alice B. Sheldon, who wrote under the pseudonym James Tiptree, Jr. for many years before revealing her identity and real name. Since 1992, awarded at Wiscon (the feminist SF convention). Five judges are selected each year, who evaluate recommendations submitted by publishers and by readers. Judges choose a winner, and release a 'shortlist' and sometimes a 'longlist' of other works they feel merit attention, though those lists are not considered to be finalists or runners-up. Website: http://www.tiptree.org/ The website of Locus Magazine, has an extensive list of awards you might want to check: http://www.locusmag.com/SFAwards/index.html The main awards in Spain are: Premio Ignotus (1991, given by Pórtico and the Asociación Española de Fantasía, Ciencia Ficción y Terror). It’s for work published in Spain, also in translation. http://www.aefcft.com/ Premio Minotauro (since 2004, awarded by the publishing house Minotauro [part of Planeta] to an unpublished sf, horror or fantasy novel originally in Spanish), http://www.planetadelibros.com/premios-premio-minotauro-6.html Premio UPC (http://minitecnica.upc.es/cficcio/home/home.asp), for unpublished works in Spanish, Catalan, English or French. Since 1991. 4. CONVENTIONS SF fans meet annually in conventions (‘cons’), the largest of which is the Worldcon (www.worldcon.org) run by the World Science Fiction Society. Eurocon is run by the European Science Fiction Society (http://www.esfs.info/) and in Spain, Hispacon is run by the Asociación Española de Fantasía, Ciencia Ficción y Terror (http://www.aefcft.com/index.html). The Societat Catalana de Ciència-ficció i Fantasia (1997 onwards, http://www.sccff.cat/), runs, rather, academic meetings. You may check the agenda for world-wide conventions here: http://www.locusmag.com/Resources/Conventions.html A convention is NOT an academic meeting (though it may include an academic programme) and it is not particularly valuable for your CV. However, you can always find it useful to join the ranks of the fans or to combine your fandom activities, if you already have them, with your academic work. To be honest, this is not very easy, as SF fans and professionals–writers, publishers, webmasters, etc–tend to be wary of academics, often suspecting us of being snobbish intruders, which might have a point!! My own view is that fans and SF professionals deserve all my respect and I do my best to address my work both to them (us?) and to scholarly specialists. 4 Remember that as a fan you may be as passionate as you wish, but as an academic you need to moderate that passion into sober scholarly work which, of course, can also be very personal and enthusiastic as long as you obey the rules of research and of academic rhetoric. 5. MAGAZINES Magazines are essential to understand how SF works as a genre, for this is where most writers begin (and continue...), by publishing short stories and novellas that have often later become classics (perhaps extended into novels). Don’t forget that most awards carry specific categories for shorter fiction and that novels are by no means the only literary expression of SF. You may check the list of main SF magazines (in English) here: https://www.worldswithoutend.com/resources_magazines.asp. The key ones are (from WWE): Analog - Science Fiction and Fact Analog is often considered the magazine where science fiction grew up. Analog has been home to many of science fiction's foremost writers and stories.
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