The Anchor, Volume 125.09: November 9, 2011
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Amjad Ali Khan & Sharon Isbin
SUMMER 2 0 2 1 Contents 2 Welcome to Caramoor / Letter from the CEO and Chairman 3 Summer 2021 Calendar 8 Eat, Drink, & Listen! 9 Playing to Caramoor’s Strengths by Kathy Schuman 12 Meet Caramoor’s new CEO, Edward J. Lewis III 14 Introducing in“C”, Trimpin’s new sound art sculpture 17 Updating the Rosen House for the 2021 Season by Roanne Wilcox PROGRAM PAGES 20 Highlights from Our Recent Special Events 22 Become a Member 24 Thank You to Our Donors 32 Thank You to Our Volunteers 33 Caramoor Leadership 34 Caramoor Staff Cover Photo: Gabe Palacio ©2021 Caramoor Center for Music & the Arts General Information 914.232.5035 149 Girdle Ridge Road Box Office 914.232.1252 PO Box 816 caramoor.org Katonah, NY 10536 Program Magazine Staff Caramoor Grounds & Performance Photos Laura Schiller, Publications Editor Gabe Palacio Photography, Katonah, NY Adam Neumann, aanstudio.com, Design gabepalacio.com Tahra Delfin,Vice President & Chief Marketing Officer Brittany Laughlin, Director of Marketing & Communications Roslyn Wertheimer, Marketing Manager Sean Jones, Marketing Coordinator Caramoor / 1 Dear Friends, It is with great joy and excitement that we welcome you back to Caramoor for our Summer 2021 season. We are so grateful that you have chosen to join us for the return of live concerts as we reopen our Venetian Theater and beautiful grounds to the public. We are thrilled to present a full summer of 35 live in-person performances – seven weeks of the ‘official’ season followed by two post-season concert series. This season we are proud to showcase our commitment to adventurous programming, including two Caramoor-commissioned world premieres, three U.S. -
KWLC Fall Semester 2011
KWLC Fall Semester 2011 The Fall 2011 schedule is here! From Rock, to Dubstep, Classical to Jazz, KWLC is serving up a bit of everything on the platter of commercial-free radio broadcasting this semester. Shows marked with an asterisk are web-only and stream online at luther.edu/kwlc. Monday Wednesday Friday 8–9 PM: Mike Jungbluth (Rock)* 8 – 9P: Travis Houle (Rock)* *8 – 9P: Peter Jarzyna (Rock) 9-10 PM: Logan Langley and 9 – 10P: Erik Sand and Sam Zook *9 – 10P: Dylan Hinton (Rock) Andrew Meland (Variety Hour)* (Rock/Folk Rock)* 10 – 11P: Josh Bacon and Jamison 10-11 PM: Bianca Lutchen (Rock) 10 – 11P: Joe Thor (Rock) Ash (Rock) 11-12 AM: Cate Anderson (Rock) 11 – 12A: Kelsey Simpkins (Rock) 11 – 12A: Michaela Peterson 12-1 AM: Rahul Patle and Perran 12 – 1A: Carl Sorenson (Rock) (Rock) Wetzel (House/Dubstep) 12 – 1A: Marissa Schuh (Rock) Tuesday Thursday 9–10 PM: Kenza Sahir (Acoustic *9 – 10P: Ryan Castelaz (Rock) Rock)* 10 – 11P: Seth Duin (Rock) 10–11 PM: Quincy Voris (Rock) 11 – 12A: Katherine Mohr (Rock) 11–12 AM: Gunnar Halseth (Rock) 12 – 1A: Michael Crowe (Loud 12–1 AM: Georgia Windhorst Rock) (Rock) The AM | October 7th, 2011 2 KWLC Fall Semester 2011, cont. Saturday Sunday 7 – 8A: Lilli Petsch-Horvath (Classical) 7A – 12P: Sunday Services 8 – 9A: Hannah Strack (Broadway) 12 – 1P: Maren Quanbeck (Classical) 9 – 10A: Thando May (Afro-Pop) 1 – 2P: Alex Robinson (Classical) 10 – 11A: Marin Nycklemoe (Blues) 2 – 3P: Matt Lind (Classical) 11 – 12P: Noah Lange (Bluegrass/Folk) 3 – 4P: Michael Peterson (Classical) 12 – 12:50P: Margaret Yapp (Folk) 4 – 5P: Leif Larson (Jazz) 12:50 – 4:30P: Fall Football Coverage 5 – 6P: Kevin Coughenour (Jazz) 4:30 – 5P: Kyle Holder (Rock) 6 – 7P: Ted Olsen (Jazz) 5 – 6P: Cole Matteson (Folk/Bluegrass) 7 – 8P: Fred Burdine (Jazz) 6 – 7P: Ashley Urspringer (Rock) 8 – 9P: David Clair (Jazz) 7 – 8P: Rose Weselmann (Rock) 9 – 10P: Carl Cooley (Jazz/Rock) 8 – 9P: Gene Halverson (Rock) 10 – 11P: Emily Cochrane (Rock) 9 – 10P: Imsouchivy Suos (World) 11 – 12A: Matt Dickinson (Rock) 10 – 11P: Megan Creasey (Elec. -
Jazzvenue #1 Playlist
Jazzvenue is a weekly two-hour radio show produced in Penticton British Columbia at Peach City Radio (CFUZ-FM). Host Larry Arthur presents jazz new and old from across the globe, focussing occasionally on other idioms that relate to jazz. Jazzvenue has a Facebook page with the episode playlist and pictures of the album covers and/or the original disc label. Episode: #1 Original Air Date: June 13, 2017 TRACKLIST (Artist/Album/Track) *** incomplete track 01 Denys Baptiste Quartet/The Late Trane/After The Rain (7:51)(2017) 02 Kenny Barron Trio/Book Of Intuition/Cook's Bay (6:02)(2016) 03 Larry Willis Trio/MyFunny Valentine/My Shining Hour (6:46)(1988) 04 Poolplayers/Way Below The Surface/Luz (6:38)(2008) CANCON 05 Lars Moller Trio/Divisions/Blues In 5 (7:11)(2013) 06 Francois Houle, Dave Douglas Quartet/The Music Of John Carter/Sticks And Stones (6:43)(1997) CANCON 07 Laurent Coulondre Trio/Schizophrenia/Palma's Waltz (7:15)(2016) 08 Helen Merrill/The Nearness Of You/Just Imagine (3:23)(1957) 09 Hilary Kole, Benny Green/You Are There/Softly, As In A Morning Sunrise (4:12)(2010) CANCON 10 Claudia Acuna, Billy Childs Sextet/Rebirth/Rebirth (7:38)(2015) 11 Christian Sands Trio, Marcus Strickland/Reach/Pointing West (6:07)(2017) 12 Kevin Eubanks Quintet/East West Time Line/Take The Coltrane(6:24)(2017) 13 Lil Green/RCA Records/Why Don't You Do Right (2:53)(1941) 14 Jimmy Rushing, Johnny Otis/Excelsior Records/My Baby's Business (3:05)(1945) 15 Count Basie Sextet/Clef Records/Blue And Sentimental (3:04)(1952) 16 Helen Humes, Buck Clayton/Mercury Records/Jet Propelled Papa (2:45)(1947) 17 Lori Mecham Quartet/April In Paris/Corner Pocket(5:18)(2009) 18 New York Trio/Love You Madly/Jump For Joy (4:46)(2003) 19 Tiziana Ghiglioni/Yet Time/Round Trip (11:30)(1988)*** . -
Stylistic Evolution of Jazz Drummer Ed Blackwell: the Cultural Intersection of New Orleans and West Africa
STYLISTIC EVOLUTION OF JAZZ DRUMMER ED BLACKWELL: THE CULTURAL INTERSECTION OF NEW ORLEANS AND WEST AFRICA David J. Schmalenberger Research Project submitted to the College of Creative Arts at West Virginia University in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in Percussion/World Music Philip Faini, Chair Russell Dean, Ph.D. David Taddie, Ph.D. Christopher Wilkinson, Ph.D. Paschal Younge, Ed.D. Division of Music Morgantown, West Virginia 2000 Keywords: Jazz, Drumset, Blackwell, New Orleans Copyright 2000 David J. Schmalenberger ABSTRACT Stylistic Evolution of Jazz Drummer Ed Blackwell: The Cultural Intersection of New Orleans and West Africa David J. Schmalenberger The two primary functions of a jazz drummer are to maintain a consistent pulse and to support the soloists within the musical group. Throughout the twentieth century, jazz drummers have found creative ways to fulfill or challenge these roles. In the case of Bebop, for example, pioneers Kenny Clarke and Max Roach forged a new drumming style in the 1940’s that was markedly more independent technically, as well as more lyrical in both time-keeping and soloing. The stylistic innovations of Clarke and Roach also helped foster a new attitude: the acceptance of drummers as thoughtful, sensitive musical artists. These developments paved the way for the next generation of jazz drummers, one that would further challenge conventional musical roles in the post-Hard Bop era. One of Max Roach’s most faithful disciples was the New Orleans-born drummer Edward Joseph “Boogie” Blackwell (1929-1992). Ed Blackwell’s playing style at the beginning of his career in the late 1940’s was predominantly influenced by Bebop and the drumming vocabulary of Max Roach. -
Robert Glasper's In
’s ION T T R ESSION ER CLASS S T RO Wynton Marsalis Wayne Wallace Kirk Garrison TRANSCRIP MAS P Brass School » Orbert Davis’ Mission David Hazeltine BLINDFOLD TES » » T GLASPE R JAZZ WAKE-UP CALL JAZZ WAKE-UP ROBE SLAP £3.50 £3.50 U.K. T.COM A Wes Montgomery Christian McBride Wadada Leo Smith Wadada Montgomery Wes Christian McBride DOWNBE APRIL 2012 DOWNBEAT ROBERT GLASPER // WES MONTGOMERY // WADADA LEO SmITH // OrbERT DAVIS // BRASS SCHOOL APRIL 2012 APRIL 2012 VOLume 79 – NumbeR 4 President Kevin Maher Publisher Frank Alkyer Managing Editor Bobby Reed News Editor Hilary Brown Reviews Editor Aaron Cohen Contributing Editors Ed Enright Zach Phillips Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Assistant Theresa Hill 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough Atlanta: Jon Ross; Austin: Michael Point, Kevin Whitehead; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Or- leans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. -
Feltsman Vladimir
LISZT Bénédiction de Dieu VLADIMIR 12 NI6212 FELTSMANNI 6212 1 Franz Liszt Vladimir Feltsman on Nimbus Bénédiction de Dieu J S Bach NI2541 7 Keyboard Concertos, with the Orchestra of St Luke’s NI2549 Art of Fugue Vladimir Feltsman NI2507 Goldberg Variations NI2516 The Well-Tempered Clavier Books 1 & 2 1 Liebesträume, No. 3 in A flat major (1850) 4.53 NI6176 The Six English Suites NI6207 The Six Partitas 2 Ballade No. 2 in B minor (1853) 14.47 Six Consolations (1850) 16.20 Beethoven 3 I Andante con moto 1.11 NI2561 Piano Sonatas Op.106 ‘Hammerklavier’; Op.101 NI2575 Piano Sonatas Op.109; Op.110; Op.111 4 II Un poco piu mosso 3.08 NI6120 Piano Sonatas ‘Pathetique’; ‘Moonlight’; ‘Appassionata’ 5 III Lento placido 4.01 Chopin 6 IV Quasi adagio 2.31 NI6184 The Complete Waltzes & Impromptus 7 V Andantino 2.37 NI6128 Four Ballades; Fantasie in F minor; Polonaise-Fantasie 8 VI Allegretto sempre cantabile 2.52 NI6126 The Complete Nocturnes; Barcarolle; Berceuse 9 Bénédiction de Dieu dans la solitude (1853) 17.26 NI6162 A Tribute to Tchaikovsky 10 Berceuse in F sharp major (1876) 3.34 A programme of short characteristic pieces 11 Elegia (1874) 5.19 NI6148 A Tribute to Rachmaninoff Includes Concerto No.3, conducted by Mikhail Pletnev 12 La lugubre gondola (2nd version) (1885) 8.34 NI6198 A Tribute to Scriabin 13 En rêve, nocturne (1886) 2.25 Includes Sonata no.4 & Vers la flamme Total playing time 73.16 For track list visit www.wyastone.co.uk 2 NI6212 NI 6212 11 A dedicated educator of young musicians, Mr. -
Radio Essentials 2012
Artist Song Series Issue Track 44 When Your Heart Stops BeatingHitz Radio Issue 81 14 112 Dance With Me Hitz Radio Issue 19 12 112 Peaches & Cream Hitz Radio Issue 13 11 311 Don't Tread On Me Hitz Radio Issue 64 8 311 Love Song Hitz Radio Issue 48 5 - Happy Birthday To You Radio Essential IssueSeries 40 Disc 40 21 - Wedding Processional Radio Essential IssueSeries 40 Disc 40 22 - Wedding Recessional Radio Essential IssueSeries 40 Disc 40 23 10 Years Beautiful Hitz Radio Issue 99 6 10 Years Burnout Modern Rock RadioJul-18 10 10 Years Wasteland Hitz Radio Issue 68 4 10,000 Maniacs Because The Night Radio Essential IssueSeries 44 Disc 44 4 1975, The Chocolate Modern Rock RadioDec-13 12 1975, The Girls Mainstream RadioNov-14 8 1975, The Give Yourself A Try Modern Rock RadioSep-18 20 1975, The Love It If We Made It Modern Rock RadioJan-19 16 1975, The Love Me Modern Rock RadioJan-16 10 1975, The Sex Modern Rock RadioMar-14 18 1975, The Somebody Else Modern Rock RadioOct-16 21 1975, The The City Modern Rock RadioFeb-14 12 1975, The The Sound Modern Rock RadioJun-16 10 2 Pac Feat. Dr. Dre California Love Radio Essential IssueSeries 22 Disc 22 4 2 Pistols She Got It Hitz Radio Issue 96 16 2 Unlimited Get Ready For This Radio Essential IssueSeries 23 Disc 23 3 2 Unlimited Twilight Zone Radio Essential IssueSeries 22 Disc 22 16 21 Savage Feat. J. Cole a lot Mainstream RadioMay-19 11 3 Deep Can't Get Over You Hitz Radio Issue 16 6 3 Doors Down Away From The Sun Hitz Radio Issue 46 6 3 Doors Down Be Like That Hitz Radio Issue 16 2 3 Doors Down Behind Those Eyes Hitz Radio Issue 62 16 3 Doors Down Duck And Run Hitz Radio Issue 12 15 3 Doors Down Here Without You Hitz Radio Issue 41 14 3 Doors Down In The Dark Modern Rock RadioMar-16 10 3 Doors Down It's Not My Time Hitz Radio Issue 95 3 3 Doors Down Kryptonite Hitz Radio Issue 3 9 3 Doors Down Let Me Go Hitz Radio Issue 57 15 3 Doors Down One Light Modern Rock RadioJan-13 6 3 Doors Down When I'm Gone Hitz Radio Issue 31 2 3 Doors Down Feat. -
Top 100 Jazz 2016
Top 100 Jazz 2016 Rank Artist Title Label Peak Weeks Spins 1 Gregory Porter Take Me To The Alley Blue Note 1 27 5377 2 Russell Malone All About Melody HighNote 1 26 4764 3 Warren Wolf Convergence Mack Avenue 2 27 4581 4 Kenny Garrett Do Your Dance Mack Avenue 1 26 4371 5 One For All The Third Decade Smoke Sessions 2 26 4336 6 Joey Alexander Countdown Motema 1 16 4116 7 René Marie Sound Of Red Motema 2 25 4098 8 Jim Rotondi Dark Blue Smoke Sessions 1 27 4032 9 Willie Jones III Groundwork WJ3 3 26 3876 10 Cyrus Chestnut Natural Essence HighNote 2 26 3855 11 Steve Turre Colors For The Masters Smoke Sessions 1 20 3836 12 Branford Marsalis & Kurt Elling The Upward Spiral OKeh 2 24 3814 13 Herlin Riley New Direction Mack Avenue 2 27 3812 14 George Coleman A Master Speaks Smoke Sessions 2 26 3757 15 Etienne Charles San Jose Suite Culture Shock Music 2 25 3753 16 Yellowjackets Cohearence Mack Avenue 2 25 3683 17 Renee Rosnes Written In The Rocks Smoke Sessions 1 27 3661 18 Dr. Lonnie Smith Evolution Blue Note 1 25 3559 19 Ken Fowser Standing Tall Posi-Tone 1 26 3505 20 Dave Stryker Eight Track II Strikezone 2 16 3498 21 Jae Sinnett Zero To 60 J-Nett Music 1 25 3442 22 John Beasley Presents MONK’estra Vol. 1 Mack Avenue 3 21 3360 23 Peter Bernstein Let Loose Smoke Sessions 4 26 3291 24 Brian Bromberg Full Circle Artistry Music 6 26 3239 25 Benny Golson Horizon Ahead HighNote 5 26 3235 26 Cyrille Aimée Let’s Get Lost Mack Avenue 1 28 3200 27 Jeremy Pelt #JIVECULTURE HighNote 2 26 3178 28 Eric Hargett w/ Joey D and Gerry Gibbs Steppin’ Up Whaling -
View Annual Report
1 natura report #11 FULL GRI VERSION natura report # 11 2 1. OUR ESSENCE 3 Reason for Being 3 Vision 3 Beliefs 4 Culture Drivers 2. WHERE WE ARE 4. WHO WE WORK WITH 5 Message from the Chairmen of the Board 31 Relationship quality 7 Message from the Executive Committee 33 Ombudsman’s Offi ce 9 Natura 35 Employees 10 Highlights of the year 47 Consultants and NCAs 10 Awards and Recognitions 53 Consumers 12 Our market 56 Suppliers 12 Progress in Our Commitments 58 Suppliers’ communities 62 Surrounding communities 14 Governance 65 Shareholders 14 Board of Directors 67 Government 16 Executive Governance 19 Risk Management 19 Internal Audit 5. WHAT FOOTPRINT WE LEAVE 19 Senior Management Compensation 22 Natura Management System 74 Natura Value Chain 75 Generating Environmental Value 75 Carbon Neutral 82 Solid Waste management 3. WHAT WE AIM FOR 83 Water and effl uents 23 Strategy and Prospects 86 Generating Social Value 24 Infrastructure to support growth 86 Instituto Natura 24 Managing sustainability 87 Support and sponsorship 25 Priority topics 90 Generating Economic Value 25 Water 25 Education 26 Sustainable entrepreneurship 93 Financial Statements 26 Climate change 126 About this Report 27 Relationship quality 127 Global Compact 27 Solid waste 128 Assurance Declaration 28 Sociobiodiversity 130 Remissive Index 29 Innovating innovation 134 Credits natura report # 11 3 1. our essence reason for being Our Reason for Being is to create and sell products and services that promote well-being/being well. WELL-BEING is the harmonious and pleasant relationship of a person with one’s body. -
All Wiz Khalifa Songs Free Download 100% Free Wiz Khalifa Albums, Music and Songs
all wiz khalifa songs free download 100% Free Wiz Khalifa Albums, Music and Songs. Wiz Khalifa or Cameron Jibril Thomaz was born on September 8th, 1987 in Minot, North Dakota. Both of Khalifa’s parents were stationed there while in the military. At a very young age, his parents divorced and he was bounced between a few different areas of the world because he was living with parents who were in the military. This caused Khalifa to move around frequently, he lived in Germany, England, and Japan before he was able to finally settle down in the Pittsburgh area and go to school. This was a lot of movement for a young man, but through it all, he managed to make music a part of his life. For Khalifa, he got his name from two different things. As a child, he was actually nicknamed the “young Wiz” because he was good at everything. He also had a Muslim uncle that my have been the reason why he picked Khalifa, which in Arabic means successor and wisdom. This name seems to fit him well as he really has started to gain popularity in the music industry. He was about to see growth and see success in the thing that he really loved, his music. The first thing that Wiz Khalifa did in the music industry was to release a mixtape that was called Prince of the City: Welcome to Pistolvania . This was released in 2005 and actually was the reason why he was able to produce and release his first full length album in 2006 that was called Show and Prove . -
“Virtual Cloning” Shannon Flynn Smith
3 3 9 v irtual Cloning: tr anSfor M ation or iMitation? Reforming the Saderup Court’s transformative Use test for Rights of Publicity S H a nnon f ly n n S m i t H * Introduction upac Shakur, dead nearly sixteen years, rose up slowly from beneath T the stage at the 2012 Coachella Valley Music & Arts Festival in Indio, California to rouse the crowd and perform his songs 2 of Amerikaz Most Wanted and Hail Mary alongside rap artists Snoop Dogg and Dr. Dre.1 Ce- line Dion and Elvis Presley belted If I Can Dream together in a duet on the hit performance show American Idol in 2007,2 thirty years after Presley’s This paper was awarded third place in the California Supreme Court Historical Society’s 2014 CSCHS Selma Moidel Smith Law Student Writing Competition in California Legal History. * J.D., 2014, Michigan State University College of Law; B.A. (Journalism), 2011, Uni- versity of Wyoming. She is now a member of the Colorado State Bar. The author would like to thank Adam Candeub for his thoughtful assistance in developing this article. 1 Claire Suddath, How Tupac Became a Hologram (Is Elvis Next?), Businessweek (Apr. 16, 2012), http://www.businessweek.com/articles/2012-04-16/how-tupac-became-a- hologram-plus-is-elvis-next; Tupac Hologram Snoop Dogg and Dr. Dre Perform Coachella Live 2012, YouTube (Apr. 17, 2012), http://www.youtube.com/watch?v=TGbrFmPBV0Y [hereinafter Tupac Live Hologram]. 2 American Idol Elvis & Celine Dion “If I Can Dream,” YouTube (Jan. 8, 2010), http://www.youtube.com/watch?v=p1HtPG6eMIo. -
THE PHOENIX LIBERATOR, July 7, 1992
THEPHOENIX. LIBERATOR“THE TRUTH WILL SET YOU FREE P? JULY 7,1992 VOLUME 19, #12 Sobering Thoughts On The Fourth. Of Julv J 714192 #l HATONN Moreover, this day you are held de&o&’ by geologists and How so for they are totally bank- total hostage to “events” of meteorologists. I guess not- rupt? Easy-blackmail. Let (Editor’s note: Between this run- technology powerful enough to THEY ARE MANMADE. them in or your planet will sim- down of ufrontpage” news and destroy your nation in fifteen Moreover, all the rocket launches ply be a pile of rubble! SO, COY the Iittle matter of a few secret minutes without firing a single from your nation this week are as kittens, Bush pushes for G- underground buses we outlay “bullet”. Blackmail is being in an attempt to stop what is 8 (to help the Russians get on starting on page 2, it might be a used against you from every going on. Interestingly enough, their feet and recognized). The good idea for us all to stop and direction -from your President the original plan was to bring Russians, meanwhile, insist on think Q bit on just what it is we to foreign nations with more the West into subservience with full permanent status-AND, to are celebrating anymore on the “power technologically” than earth upheavals via the “grid” repudiate their DEBT for a mini- 4th of July.) have you! system established by your Elite mum of TWO YEARS (by the G- and prana wave pulses. But, 7 nations). Believe me, it WILL INDEPENDENCE DAY? ROCKETS RED GLARE you got “had” and now, one happen.