PRINCETON D SPRING 2006 Princeton Day School
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Examining the Magazine Industry Standard
POINT OF VIEW: EXAMINING THE MAGAZINE INDUSTRY STANDARD A Thesis presented to the Faculty of the Graduate School at the University of Missouri In Partial Fulfillment of the Requirements for the Degree Master of Arts by CRISTINA DAGLAS John Fennell, Thesis Supervisor MAY 2009 © Copyright by Cristina Daglas 2009 All Rights Reserved The undersigned, appointed by the dean of the Graduate School, have examined the thesis entitled POINT OF VIEW : EXAMINING THE MAGAZINE INDUSTRY STANDARD presented by Cristina Daglas, a candidate for the degree of master of arts, and hereby certify that, in their opinion, it is worthy of acceptance. Professor John Fennell Professor Jennifer Rowe Professor Amanda Hinnant Professor Maureen Stanton ACKNOWLEDGEMENTS I am immensely grateful to my thesis chair, John Fennell, who believed in both the necessity for and the feasibility of this research. When many doubted the ability to interview prominent magazine professionals, John provided support and guidance while always keeping setbacks and successes in perspective. John has been a mentor from first semester of graduate school when I enrolled in his writing course, and I am so pleased that I could pursue a topic I am incredibly passionate about with his guidance. However, this research would naturally not be what it is without the rest of my fabulous committee. Jennifer Rowe, my other mentor, adviser and friend, was an invaluable resource, as she provided big-picture edits, line edits and, most importantly, support. Amanda Hinnant provided advice in the earliest days of thesis conception as well as the scholarly perspective necessary in any academic work. Maureen Stanton was also a wonderful resource, imparting an outside, nonfiction mindset that added another dimension to this journalistic thesis. -
“Economic Inequality: Causes and Consequences”
November 6, 2013 “Economic Inequality: Causes and Consequences” Charles Murray, American Enterprise Institute Charles Murray is a political scientist, author, columnist, and pundit currently working as a fellow at the American Enterprise Institute. Murray earned his B.A. from Harvard University and his PhD from Massachusetts Institute of Technology. He is best known for his controversial book The Bell Curve, co-authored with Richard Herrnstein in 1994. He first became well known for his Losing Ground: American Social Policy 1950–1980 (1984), which discussed the American welfare system. Murray has also written In Pursuit: Of Happiness and Good Government (1993), What It Means to be a Libertarian: A Personal Interpretation (1997), Human Accomplishment: The Pursuit of Excellence in the Arts and Sciences, 800 B.C. to 1950 (2003), and In Our Hands: A Plan to Replace the Welfare State (2006). He published Real Education: Four Simple Truths for Bringing America's Schools Back to Reality in 2008. Murray's articles have appeared in Commentary Magazine, The New Criterion,The Weekly Standard, The Washington Post, Wall Street Journal, and The New York Times. Timothy Noah, MSNBC Timothy Noah writes twice weekly for MSNBC's Web site, tv.msnbc.com, and twice monthly for Remapping Debate (remappingdebate.org). Noah earned his B.A. from Harvard University. Previously he was a senior editor at the New Republic, where he wrote the "TRB From Washington" column, and for a dozen years before that he was a senior writer at Slate, where he wrote the "Chatterbox" column, among other duties. Prior to that he was a Washington-based reporter for the Wall Street Journal, an assistant managing editor for U.S. -
First Ladies As Political Women
ABSTRACT Title of Disserta tion: FIRST LADIES AS POLITICAL WOMEN: PRESS FRAMING OF PRESIDENTIAL WIVES, 1900 – 2001 Lisa M. Burns, Doctor of Philosophy, 2004 Dissertation directed by: Professor Shawn J. Parry -Giles Department of Communication University of Maryland This project contends that press framing of the U.S. first lady institution throughout the twentieth century positioned presidential wives as important public women who were presented as models of American womanhood. An analysis of the print news coverage reveals that the first lady institution serves as a site of ideological contestation over women’s public and political roles, reflecting the intersection of gender, publicity, and power at particular historical mome nts. The press practice of gendered framing draws on often competing ideologies of American womanhood, and in doing so shapes the content of news narratives. The subjects of the stories often become representatives of social gender norms. I call this pract ice personification framing, which is the positioning of a well -known individual as the embodiment of a particular ideology. A personification frame serves as an ideological short cut used by journalists to simplify, in the case of first ladies, the comple xities of gender role performance, making such discussions easier to insert into the limited space of a single news story . An outgrowth of personification framing is the emergence of first ladies as public women , gendered celebrities , political activists , and political interlopers , positioning that reflects press representations of women’s public and political roles at various points in U.S. history. The publicity and scrutiny surrounding gendered performances of the first lady position construct boundarie s of empowerment and containment that help to normalize women’s public activity and domestic empowerment while challenging women’s public and private political influence. -
An Analysis of Media Coverage of First Ladies
FIRST IMPRESSIONS: AN ANALYSIS OF MEDIA COVERAGE OF FIRST LADIES AND THEIR INAUGURAL GOWNS FROM JACKIE KENNEDY IN 1961 TO MICHELLE OBAMA IN 2009 by AMY SULLIVAN DIANNE BRAGG, COMMITTEE CHAIR CHRIS ROBERTS, COMMITTEE CO-CHAIR AMANDA THOMPSON A THESIS Submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Journalism and Creative Media in the Graduate School of The University of Alabama TUSCALOOSA, ALABAMA 2018 Copyright Amy Sullivan 2018 ALL RIGHTS RESERVED ABSTRACT The Presidential Inaugural Ball is a special moment for every president’s wife because it is her first official public appearance as first lady of the United States. Historically, the manner in which the first lady presents herself in the way she dresses often contributes to her public image. Scrutiny from the media includes a focus on what she wears to the inauguration, as well as examination and analysis of her inaugural ball gown that evening. The gowns have a tradition of setting the tone for the first lady in the new administration as well as providing glimpses of a first lady’s personality. The gown gives the world a look at her personal style and a glimpse at her potential influence on fashion trends. Most first ladies recognize and understand the expectations of the role and what it means to the public. Some, however, have questioned why their appearance should matter so long as they are true to themselves. In positions of power, though, appearances are important because the media can use fashion as a lens to filter and interpret information to the public. -
Slate.Com Table of Contents Explainer West Virginia, Incest Virginia?
Slate.com Table of Contents explainer West Virginia, Incest Virginia? explainer Advanced Search Who's in the Junta? art family Industrial-Strength Art Is This Tantrum on the Record? chatterbox family Bill Clinton Lucks Out We Are (All) Family chatterbox family Hillary and the City On a Short Leash Convictions fighting words Weighing the Climate Bill A Tale of Two Tell-Alls corrections food Corrections There Will Be Chicken Blood culture gabfest foreigners The Culture Gabfest, Grown-Up Edition McCain, Obama, and American Power culturebox foreigners Being John Cusack Food Fight culturebox history lesson How To Win the New Yorker Cartoon Caption Contest After the Assassination dear prudence hot document I Just Called To Say … Never Mind Bill Murray's Pre-nup Deathwatch human nature The Hillary Deathwatch Saturated Fat Deathwatch im The Hillary Deathwatch Spoiling Sex and the City Deathwatch jurisprudence The Hillary Deathwatch Lose That Lawyer dispatches map the candidates Dispatches From the R. Kelly Trial Victory Lap dispatches medical examiner China's SAT Your Health This Week dvd extras moneybox I Spy a Progressive Racial Fantasy … People Who Buy Glass Houses election scorecard other magazines Dead Heat The Tyranny of the Toddler explainer philanthropy Fear of Trembling The Best Poverty-Fighting Bet explainer poem Jumbo Jet for Sale "The Names" Copyright 2008 Washingtonpost.Newsweek Interactive Co. LLC 1/105 politics the audio book club Slate's Delegate Calculator The Audio Book Club on Anna Karenina politics the book club Obama Claims the Big Win The Age of Reagan politics the chat room It's Your Party Now The Feminine Mistake politics the dismal science Clinton's Time Machine The $100 Distraction Device politics the green lantern Waiting for the Flood Good News From the South Pole? press box the undercover economist Fox News 1.0 A Secret Tax on Teenagers press box today's blogs Hillary Didn't Lose. -
11072008.Pdf
Slate.com Table of Contents family Embarrassing Obama Kids fighting words Advanced Search McCain's Shameful Slur art foreigners Joan Miró's Wild Decade The Obama Advantage books foreigners Slouching Towards Santa Teresa The Surprising Absence of an October Surprise chatterbox foreigners The Uncabinet Learning From Experience chatterbox foreigners Why Don't War Heroes Win? Voter Beware corrections history lesson Corrections McCain Ran the Sleaziest Campaign in History? culture gabfest hot document The Culture Gabfest, Wow Edition Mormons for Traditional Marriage! day to day hot document Great Expectations Where To Dump the Kids dear prudence human nature Sex Is a Sore Subject Call Off Your Drones dialogues jurisprudence The Conservative Crackup Left at the Altar dispatches low concept There's No Place Like Home Election Day's Nine Worst Press Releases dispatches map the candidates The Undecided Amish The End election scorecard medical examiner Presidential Race High Expectations election scorecard moneybox Pennsylvania Shifts The Fierce Urgency of Now explainer moneybox What Happens to All the Ballots From Election Day? Sept. 24, 2008 explainer movies The Presidential Transition FAQ Role Models explainer movies Is Free Coffee Against the Law? Jean-Claude Van Damme Made Me Cry explainer music box Voting From the Hospital Ladies! I Can't Hear You! No, Really, I Can't Hear You! faith-based other magazines Does Religion Make You Nice? To the Left, to the Left Copyright 2007 Washingtonpost.Newsweek Interactive Co. LLC 1/101 other magazines -
A Readers Guide to Topics for Discussion
A Readers Guide to Topics for Discussion 1. In the Introduction to the book Marjorie’s husband, Timothy Noah, admits to subverting Randall Jarrell’s meaning by casting Marjorie as “The Woman at the Washington Zoo.” How is Marjorie like and unlike the woman of the poem’s title? 2. Also in the Introduction, Tim describes Marjorie’s “unrelenting refusal to accept fraudulent surface reality and her remarkable skill at finding the hidden truth that lay beneath.” How does this sensibility reveal itself in her portrait of Richard Darman? Of Barbara Bush? 3. Marjorie’s subject matter evolves throughout the book—from Washington personalities to marriage, family and illness and finally, to Marjorie herself. How does your view of the author change as the book progresses? 4. In “Entomophobia” Marjorie defines the “physics of motherhood” as the opposing forces of “maddening disorder, the constant unexamined fear” on the one side, and the “blessedly equal force of …wonder” on the other. How does this tension play out in the last section of the book? How does it play out in your own life? 5. Marjorie argues that most American women foster the hope that there is “An Answer” to the dilemma of work and family. But she accepts that there is a fundamental, irresolvable tension in working motherhood, writing: “guilt, I now think, is the tribute that autonomy pays to love.” Do you agree? 6. In “The Alchemist” Marjorie paints a portrait of her mother as self‐ denying. How is her mother also, to some extent, selfish? How did Marjorie chose to live her life differently? How are these two life views illustrated through their relationships with food? 7.