Le Programme December 2017 – January 2018 02 Contents/Highlights

Total Page:16

File Type:pdf, Size:1020Kb

Le Programme December 2017 – January 2018 02 Contents/Highlights Le Programme December 2017 – January 2018 02 Contents/Highlights Ciné Lumière 3–16 Talks & Music 17 Night of Ideas 18–19 Happy End Best of 2017 C’est Noël ! Before the Night 20–22 1 – 18 Dec 5 – 18 Jan 16 Dec p.3 pp.9-11 p.23 Kids & Families 23 La Médiathèque / Culturethèque 25 We Support 26 We Recommend 27 © Erik Damiano Before the Night Night of Ideas The London International Mime French Courses 29 19 – 24 Jan 25 Jan Festival pp.20-22 pp.18-19 10 Jan – 3 Feb p.26 General Information 33 various venues in London front cover image: Thomas Pesquet, Space Correspondent by Jürgen Hansen & Pierre-Emmanuel Le Goff Programme design by dothtm Ciné Lumière New Releases Marie Curie: The Happy End Lost in Paris Courage of Knowledge FRA/AUT/DEU | 2017 | 108 mins | dir. Michael Haneke, with Paris pieds nus Jean-Louis Trintignant, Isabelle Huppert, Mathieu Kassovitz FRA/BEL | 2017 | 83 mins | dir. Fiona Gordon & Dominique Marie Curie cert. 15 | in French & English with EN subs Abel, with Emmanuelle Riva, Fiona Gordon, Dominique Abel, POL/DEU/FRA | 2015 | 100 mins | dir. Marie Noëlle, with Pierre Richard | cert. 12 | in French & English with EN subs Karolina Gruszka, Sabin Tambrea, Charles Berling, Arieh Master auteur Michael Haneke (Amour, The White Ribbon, Worthalter | cert. tbc | in French, German, English & Polish Hidden) returns with a biting satire on bourgeois family Fiona, a small town Canadian librarian, receives a with EN subs values set in the shadow of the European refugee crisis, letter of distress from her 88-year-old Aunt Martha and featuring a cast of top acting talents. When her (Emmanuelle Riva) living in Paris. Fiona hops on the first Marie Noëlle depicts the most turbulent years in the life mother falls ill under mysterious circumstances, young plane only to discover that Martha has disappeared. In an of a genious woman, Marie Curie. First woman to receive, Eve is sent to live with her estranged relatives in Calais, avalanche of spectacular disasters, she meets Dom, a not only one, but two Nobel prizes, she challenged the wealthy, neurotic and self-obsessed Laurent family. seductive egotistical homeless guy who won’t leave her France’s male-dominated academic establishment both But trouble is brewing, as a series of intergenerational alone. A fun and hectic tale of three peculiar people lost as a scientist and a woman and changed the face of the back-stabbings threaten to tear the family apart. in Paris. world forever. Fri 1 Dec 6.30pm Sat 9 Dec 6.15pm Sun 3 Dec 8.50pm Fri 1 Dec 4pm 8.50pm 8.40pm Thu 7 Dec 6.30pm Sat 2 Dec 6pm Sat 2 Dec 8.15pm Sun 10 Dec 6.40pm Tue 5 Dec 8.50pm Sun 3 Dec 6.30pm Mon 11 Dec 6.30pm Mon 4 Dec 9pm 8.50pm Tue 5 Dec 6.30pm Tue 12 Dec 8.40pm Wed 6 Dec 6.30pm Wed 13 Dec 4pm 8.45pm 8.40pm Thu 7 Dec 8.30pm Mon 18 Dec 8.40pm Fri 8 Dec 8.50pm 03 04 Ciné Lumière New Releases Les Hommes du feu The Prince of Gauguin FRA | 2017 | 90 mins | dir. Pierre Jolivet, with Roschdy Zem, Nothingwood FRA | 2017 | 102 mins | dir. Edouard Deluc, with Vincent Emilie Dequenne, Michaël Abiteboul, Guillaume Labbé Cassel, Pernille Bergendorff, Tuheï Adams | cert. 15 cert. 15 | in French with EN subs Nothingwood in French with EN subs FRA/DEU | 2016 | 85 mins | dir. Sonia Kronlund, with Qurban Les Hommes du feu is a powerful homage to the men Ali, Sonia Kronlund, Salim Shaheen | doc | cert. 15 | in French, 1891. Gauguin has exiled himself to Tahiti. He wants to and women who risk their lives daily to protect civilians Dari & English with EN subs rediscover his painting, as a free, wild man, far from the from the dangers of summer fires and arson. Bénédicte moral, political, and aesthetic codes of civilised Europe. (Emilie Dequenne) has just been transferred to a small French radio journalist Sonia Kronlund had been covering Going deeper into the jungle, coping with solitude, poverty, fire brigade led by Philippe (Roshdy Zem), when her the atrocities of war in Afghanistan for 20 years when she and sickness, he makes the encounter of Tehura, who will aptitudes as a female firefighter are put to test as a came across Salim Shaheen, the Prince of Nothingwood, become his wife, and the subject of his greatest paintings. violent car crash occurs. Pierre Jolivet’s intense feature a larger than life Afghani actor greeted by adoring fans Edouard Deluc’s film portrays the artist - in the flesh of proves that heroism has no gender. wherever he goes. This joyous and rousing portrait actor Vincent Cassel – on a quest for absolute and freedom. offers a fascinating behind-the-scenes account on the Sat 9 Dec 4pm art of filmmaking in a war zone, and the ultimate act of Tue 12 Dec 6.30pm* Thu 4 Jan 9pm Sun 10 Dec 8.50pm resistance of this Ed Wood-esque character. Fri 15 Dec 4pm Fri 5 Jan 4pm Thu 14 Dec 4pm Sun 17 Dec 6.45pm Sat 6 Jan 6.30pm, 8.40pm Wed 20 Dec 8.50pm Wed 13 Dec 6.30pm Mon 18 Dec 6.30pm Sun 7 Jan 4pm Fri 15 Dec 6.20pm Wed 20 Dec 4pm Mon 8 Jan 6.30pm FRENCHFILMFIRST Tue 19 Dec 8.50pm Thu 21 Dec 8.40pm Wed 10 Jan 6.30pm EXCLUSIVE Thu 21 Dec 4pm Tue 2 Jan 6.30pm Thu 11 Jan 4pm, 8.40pm * preview screening FRENCHFILMFIRST EXCLUSIVE Ciné Lumière New Releases A Woman’s Life Lover for a Day The Final Year Une vie L'Amant d'un jour USA | 2017 | 89 mins | dir. Greg Barker, with John Kerry, FRA/BEL | 2016 | 119 mins | dir. Stéphane Brizé, with Judith FRA | 2017 | 76 mins | dir. Philippe Garrel, with Éric Caravaca, Barack Obama, Samantha Power | cert. tbc | doc | in English Chemla, Jean-Pierre Darroussin, Yolande Moreau, Swann Esther Garrel, Louise Chevillotte | cert. 15 | in French with Arlaud | cert. 12 | in French with EN subs EN subs Shot over 90 days in 21 countries, The Final Year is a unique insiders' account on President Barack Obama and Judith Chemla offers an unmissable performance Having just separated from her boyfriend, heartbroken his foreign policy team from Secretary of State John Kerry in Stéphane Brizé’s compelling adaptation of Guy de Jeanne knocks on her father’s door. But her warm welcome to US Ambassador to the UN, Samantha Power, during Maupassant’s classic, Une vie. She plays Jeanne, a is matched by a baffling discovery: her father’s young new their last year in office. Greg Barker’s documentary offers young woman full of childish dreams and innocence who and passionate girlfriend is his student, and Jeanne’s age. an uncompromising view on the mechanics of power marries fresh out of the convent. Her husband Julien With this swift, touching ode to lovers with heart-breaking, behind the Obama Administration. soon reveals to be a miserly and unfaithful man. Little by irreconcilable differences, Philippe Garrel has produced a little, Jeanne’s illusions are stripped away. casual, bittersweet, and intoxicating study of relationships. Mon 22 Jan 8.45pm* Tue 23 Jan 6.30pm* Fri 12 Jan 8.50pm Wed 17 Jan 6.30pm* Sun 28 Jan 4.30pm Sat 27 Jan 8.30pm Sat 13 Jan 8.50pm Fri 19 Jan 4pm 6.30pm Mon 29 Jan 6.30pm Sun 14 Jan 6.15pm Sat 20 Jan 6.30pm Mon 29 Jan 8.30pm Thu 1 Feb 4pm Wed 17 Jan 4pm Sun 21 Jan 4.45pm Tue 30 Jan 8.50pm Thu 18 Jan 4pm 6.30pm Wed 31 Jan 6.30pm *Screenings as part of Fri 19 Jan 6.20pm Fri 26 Jan 6.30pm 8.30pm Fri 26 Jan 4pm 8.30pm Thu 1 Feb 6.30pm Sun 28 Jan 8.15pm Sat 27 Jan 4.15pm 8.30pm Wed 31 Jan 4pm 6.15pm *preview screening 05 06 Ciné Lumière Special Screenings Les Valseuses 8 Women Becoming Cary See You Up There FRA | 1974 | 115 mins | dir. Bertrand Blier, Huit Femmes Grant Au revoir là-haut with Gérard Depardieu, Miou-Miou, Patrick FRA | 2002 | 111 mins | dir. François Ozon, FRA | 2017 | 115 mins | dir. Albert Dupontel, Dewaere, Jeanne Moreau | cert. 18 with Catherine Deneuve, Isabelle Huppert, FRA | 2017 | 85 mins | dir. Mark Kidel, with with Nahuel Pérez Biscayart, Albert in French with EN subs Emmanuelle Béart, Fanny Ardant, Virginie Judy Balaban, Mark Glancy, Barbara Jaynes, Dupontel, Laurent Lafitte, Niels Arestrup, Ledoyen, Danielle Darrieux, Ludivine Sagnier, David Thomson | voice: Jonathan Pryce Emilie Dequenne, Mélanie Thierry | cert. tbc Les Valseuses features Gérard Depardieu Firmine Richard | cert. 15 | in French with cert. 12 | doc | in English in French with EN subs | UK Premiere and Patrick Dewaere as a pair of EN subs sociopaths wending their way across Becoming Cary Grant is a treasure-trove of In November 1918, before the Armistice, France. The two men break into houses, Isolated in a snow bound house where archives, film extracts and home movies Edouard Pericourt, a gifted artist, saves but largely as a prelude to seducing a man has been murdered, all are that evocatively reflect the ups and downs the life of Albert Maillard, a humble and exploiting women. No morals, no suspects… and all of them have a chance of his inner journey, from the damaged bookkeeper. The two men have nothing judgement, and no retribution interferes to sing! Ozon beautifully describes this Bristol-born Archie Leach to the Golden in common apart from their experience with the unfolding of events in Blier’s furnace of feminine charm, decadence era of Hollywood icon, Cary Grant.
Recommended publications
  • Supplemental Movies and Movie Clips
    Peters Township School District Movies & Movie Clips Utilized to Supplement Curriculum Peters Township High School (Revised August 2019) Movie Rating of Movie Course or Movie Clip American History Academic & Forrest Gump PG-13 AP US History Scenes 9:00 – 9:45, 27:45 – 29:25, 35:45 – 38:00, 1:06:50, 1:31:15 – 1:30:45, 1:50:30 – 1:51:00 are omitted. American History Academic & Selma PG-13 Honors Scenes 3:45-8:40; 9:40-13:30; 25:50-39:50; 58:30-1:00:50; 1:07:50-1:22; 1:48:54- ClearPlayUsed 2:01 American History Academic Pleasantville PG-13 Selected Scenes 25 minutes American History Academic The Right Stuff PG Approximately 30 minutes, Chapters 11-12 39:24-49:44 Chuck Yeager breaking sound barrier, IKE and LBJ meeting in Washington to discuss Sputnik, Chapters 20-22 1:1715-1:30:51 Press conference with Mercury 7 astronauts, then rocket tests in 1960, Chapter 24-30 1:37-1:58 Astronauts wanting revisions on the capsule, Soviets beating us again, US sends chimp then finally Alan Sheppard becomes first US man into space American History Academic Thirteen Days PG-13 Approximately 30 minutes, Chapter 3 10:00-13:00 EXCOM meeting to debate options, Chapter 10 38:00-41:30 options laid out for president, Chapter 14 50:20-52:20 need to get OAS to approve quarantine of Cuba, shows the fear spreading through nation, Chapters 17-18 1:05-1:20 shows night before and day of ships reaching quarantine, Chapter 29 2:05-2:12 Negotiations with RFK and Soviet ambassador to resolve crisis American History Academic Hidden Figures PG Scenes Chapter 9 (32:38-35:05);
    [Show full text]
  • Download Press Notes
    Strand Releasing presents CECILE DE FRANCE - PATRICK BRUEL - LUDIVINE SAGNIER JULIE DEPARDIEU - MATHIEU AMALRIC A SECRET A FILM BY CLAUDE MILLER Based on the Philippe Grimbert novel "Un Secret" (Grasset & Fasquelle), English translation : "Memory, A Novel" (Simon and Schuster) Winner : 2008 César Award for Julie Depardieu (Best Actress in a Supporting Role) Grand Prix des Amériques, 2007 Montreal World Film Festival In French with English subtitles 35mm/1.85/Color/Dolby DTS/110 min NY/National Press Contact: LA/National Press Contact: Sophie Gluck / Sylvia Savadjian Michael Berlin / Marcus Hu Sophie Gluck & Associates Strand Releasing phone: 212.595.2432 phone: 310.836.7500 [email protected] [email protected] [email protected] [email protected] Please download photos from our website: www.strandreleasing.com/pressroom/pressroom.asp 2 CAST Tania Cécile DE FRANCE Maxime Patrick BRUEL Hannah Ludivine SAGNIER Louise Julie DEPARDIEU 37-year-old François Mathieu AMALRIC Esther Nathalie BOUTEFEU Georges Yves VERHOEVEN Commander Beraud Yves JACQUES Joseph Sam GARBARSKI 7-year-old Simon Orlando NICOLETTI 7-year-old François Valentin VIGOURT 14-year-old François Quentin DUBUIS Robert Robert PLAGNOL Hannah's mother Myriam FUKS Hannah's father Michel ISRAEL Rebecca Justine JOUXTEL Paul Timothée LAISSARD Mathilde Annie SAVARIN Sly pupil Arthur MAZET Serge Klarsfeld Eric GODON Smuggler Philippe GRIMBERT 2 3 CREW Directed by Claude MILLER Screenplay, adaptation, dialogues by Claude MILLER and Natalie CARTER Based on the Philippe
    [Show full text]
  • Working-Class Cinema in the Age of Digital Capitalism
    WORKING-CLASS CINEMA IN THE AGE OF DIGITAL CAPITALISM MASSIMILIANO MOLLONA he story of cinema starts with workers. The film Workers Leaving The TLumière Factory In Lyon (La Sortie des Usines Lumière à Lyon, 1895) by the brothers Louis and Auguste Lumière, 45 seconds long, shows the approximately 100 workers at a factory for photographic goods in Lyon- Montplaisir leaving through two gates and exiting the frame to both sides. But why does the story of cinema begin with the end of work? Is it because, as has been suggested, it is impossible to represent work from the perspective of labour but only from the point of view of capital, because the revolutionary horizon of the working class coincides with the end of work?1 After all, the early revolutionary art avant-garde had an ambiguous relationship with capitalism: it provided both a critique of commodification whilst also reproducing the commodity form.2 Even the cinema of Eisenstein, which so subverted the bourgeois sense of space, time, and personhood, at the same time standardized and commodified working-class reality with techniques of framing and editing that moulded images on the commodity form.3 Such dialectics between art and the commodity form continue to be played out in today’s digital capitalism, as exemplified by so-called ‘debt- artists’, like the hackers collective, Robin Hood, who appropriate the techniques and modes of sociality of financial capitalism to generate spaces of reciprocity and cooperation with the aim of disrupting their commodity logic, but which in fact end up reproducing it.4 The tension between critique and commodification is no less in play as the digital medium erases the specificity of cinema, the relation between its material bases and its poetics, opening up as it does to other relations – intertextual, lateral, and cross-media – that recall the synchronic aesthetics of the avant-garde.
    [Show full text]
  • Before the Forties
    Before The Forties director title genre year major cast USA Browning, Tod Freaks HORROR 1932 Wallace Ford Capra, Frank Lady for a day DRAMA 1933 May Robson, Warren William Capra, Frank Mr. Smith Goes to Washington DRAMA 1939 James Stewart Chaplin, Charlie Modern Times (the tramp) COMEDY 1936 Charlie Chaplin Chaplin, Charlie City Lights (the tramp) DRAMA 1931 Charlie Chaplin Chaplin, Charlie Gold Rush( the tramp ) COMEDY 1925 Charlie Chaplin Dwann, Alan Heidi FAMILY 1937 Shirley Temple Fleming, Victor The Wizard of Oz MUSICAL 1939 Judy Garland Fleming, Victor Gone With the Wind EPIC 1939 Clark Gable, Vivien Leigh Ford, John Stagecoach WESTERN 1939 John Wayne Griffith, D.W. Intolerance DRAMA 1916 Mae Marsh Griffith, D.W. Birth of a Nation DRAMA 1915 Lillian Gish Hathaway, Henry Peter Ibbetson DRAMA 1935 Gary Cooper Hawks, Howard Bringing Up Baby COMEDY 1938 Katharine Hepburn, Cary Grant Lloyd, Frank Mutiny on the Bounty ADVENTURE 1935 Charles Laughton, Clark Gable Lubitsch, Ernst Ninotchka COMEDY 1935 Greta Garbo, Melvin Douglas Mamoulian, Rouben Queen Christina HISTORICAL DRAMA 1933 Greta Garbo, John Gilbert McCarey, Leo Duck Soup COMEDY 1939 Marx Brothers Newmeyer, Fred Safety Last COMEDY 1923 Buster Keaton Shoedsack, Ernest The Most Dangerous Game ADVENTURE 1933 Leslie Banks, Fay Wray Shoedsack, Ernest King Kong ADVENTURE 1933 Fay Wray Stahl, John M. Imitation of Life DRAMA 1933 Claudette Colbert, Warren Williams Van Dyke, W.S. Tarzan, the Ape Man ADVENTURE 1923 Johnny Weissmuller, Maureen O'Sullivan Wood, Sam A Night at the Opera COMEDY
    [Show full text]
  • Jeder Tag Ist Ein Geschenk«
    »Jeder Tag ist ein Geschenk« Menschen | Zum Tod der großen Schauspielerin Jeanne Moreau 2003 hatte Jeanne Moreau (halb im Scherz) einen künstlerischen Wunsch geäußert, der sich allerdings nie erfüllt hat: »Shakespeares Lear. Den spiele ich, wenn ich achtzig bin!« Von PETER MOHR Mit dem ›Lear‹ ist es zwar nichts geworden, doch die Blitzlichter der Fotografen zog sie bis ins hohe Alter immer noch beinahe magisch an, wie etwa bei ihrem Kurzauftritt als Ehrengast bei der Europäischen Filmpreisgala im Jahr 2007 in Berlin. Sie war nicht nur eine der wirklich großen Schauspielerinnen, sondern war auch der Schwarm einer ganzen Männergeneration, ihr Name wird in einem Atemzug mit Marlene Dietrich und Greta Garbo genannt, vom liebeshungrigen Luder bis zur rachsüchtigen Ehefrau hat sie alles verkörpert, und ihre eigene Vita würde genug Stoff für einen abendfüllenden Kinofilm hergeben. Jeanne Moreau, die am 23. Januar 1928 in Paris als Tochter eines Hoteliers geboren und als 20-jährige bereits in die ehrwürdige Comédie-Française aufgenommen wurde, hat als Schauspielerin nicht nur die großen Regisseure, sondern auch als Privatperson viele Prominente fasziniert: Louis Malle, Orson Welles, John Frankenheimer, Jean-Louis Richard (aus der Ehe stammt Sohn Jérome, der heute ein erfolgreicher Maler ist), Modeschöpfer Pierre Cardin, der 14 Jahre jüngere Schriftsteller Peter Handke, und der Regisseur Tony Richardson (die Affäre führte zu seiner Scheidung von Vanessa Redgrave) waren ihre Lebensgefährten. Zwar hatte Jeanne Moreau Anfang der 1950er Jahre auf der Theaterbühne unter der Regie von Peter Brook in Tennessee Willliams‘ ›Die Katze auf dem heißen Blechdach‹ und an der Seite von Lino Ventura und Jean Gabin als Luder Josy in ›Wenn es Nacht wird in Paris‹ (1953) für Furore gesorgt, doch der große Durchbruch gelang ihr ausgerechnet unter der Regie eines Debütanten – in Louis Malles ›Fahrstuhl zum Schafott‹ (1957).
    [Show full text]
  • Download the List of History Films and Videos (PDF)
    Video List in Alphabetical Order Department of History # Title of Video Description Producer/Dir Year 532 1984 Who controls the past controls the future Istanb ul Int. 1984 Film 540 12 Years a Slave In 1841, Northup an accomplished, free citizen of New Dolby 2013 York, is kidnapped and sold into slavery. Stripped of his identity and deprived of dignity, Northup is ultimately purchased by ruthless plantation owner Edwin Epps and must find the strength to survive. Approx. 134 mins., color. 460 4 Months, 3 Weeks and Two college roommates have 24 hours to make the IFC Films 2 Days 235 500 Nations Story of America’s original inhabitants; filmed at actual TIG 2004 locations from jungles of Central American to the Productions Canadian Artic. Color; 372 mins. 166 Abraham Lincoln (2 This intimate portrait of Lincoln, using authentic stills of Simitar 1994 tapes) the time, will help in understanding the complexities of our Entertainment 16th President of the United States. (94 min.) 402 Abe Lincoln in Illinois “Handsome, dignified, human and moving. WB 2009 (DVD) 430 Afghan Star This timely and moving film follows the dramatic stories Zeitgest video 2009 of your young finalists—two men and two very brave women—as they hazard everything to become the nation’s favorite performer. By observing the Afghani people’s relationship to their pop culture. Afghan Star is the perfect window into a country’s tenuous, ongoing struggle for modernity. What Americans consider frivolous entertainment is downright revolutionary in this embattled part of the world. Approx. 88 min. Color with English subtitles 369 Africa 4 DVDs This epic series presents Africa through the eyes of its National 2001 Episode 1 Episode people, conveying the diversity and beauty of the land and Geographic 5 the compelling personal stories of the people who shape Episode 2 Episode its future.
    [Show full text]
  • JEANNE MOREAU: NOUVELLE VAGUE and BEYOND February 25 - March 18, 1994
    The Museum of Modern Art For Immediate Release February 1994 JEANNE MOREAU: NOUVELLE VAGUE AND BEYOND February 25 - March 18, 1994 A film retrospective of the legendary French actress Jeanne Moreau, spanning her remarkable forty-five year career, opens at The Museum of Modern Art on February 25, 1994. JEANNE MOREAU: NOUVELLE VAGUE AND BEYOND traces the actress's steady rise from the French cinema of the 1950s and international renown as muse and icon of the New Wave movement to the present. On view through March 18, the exhibition shows Moreau to be one of the few performing artists who both epitomize and transcend their eras by the originality of their work. The retrospective comprises thirty films, including three that Moreau directed. Two films in the series are United States premieres: The Old Woman Mho Wades in the Sea (1991, Laurent Heynemann), and her most recent film, A Foreign Field (1993, Charles Sturridge), in which Moreau stars with Lauren Bacall and Alec Guinness. Other highlights include The Queen Margot (1953, Jean Dreville), which has not been shown in the United States since its original release; the uncut version of Eva (1962, Joseph Losey); the rarely seen Mata Hari, Agent H 21 (1964, Jean-Louis Richard), and Joanna Francesa (1973, Carlos Diegues). Alternately playful, seductive, or somber, Moreau brought something truly modern to the screen -- a compelling but ultimately elusive persona. After perfecting her craft as a principal member of the Comedie Frangaise and the Theatre National Populaire, she appeared in such films as Louis Malle's Elevator to the Gallows (1957) and The Lovers (1958), the latter of which she created a scandal with her portrayal of an adultress.
    [Show full text]
  • Al Pacino Receives Bfi Fellowship
    AL PACINO RECEIVES BFI FELLOWSHIP LONDON – 22:30, Wednesday 24 September 2014: Leading lights from the worlds of film, theatre and television gathered at the Corinthia Hotel London this evening to see legendary actor and director, Al Pacino receive a BFI Fellowship – the highest accolade the UK’s lead organisation for film can award. One of the world’s most popular and iconic stars of stage and screen, Pacino receives a BFI Fellowship in recognition of his outstanding achievement in film. The presentation was made this evening during an exclusive dinner hosted by BFI Chair, Greg Dyke and BFI CEO, Amanda Nevill, sponsored by Corinthia Hotel London and supported by Moët & Chandon, the official champagne partner of the Al Pacino BFI Fellowship Award Dinner. Speaking during the presentation, Al Pacino said: “This is such a great honour... the BFI is a wonderful thing, how it keeps films alive… it’s an honour to be here and receive this. I’m overwhelmed – people I’ve adored have received this award. I appreciate this so much, thank you.” BFI Chair, Greg Dyke said: “A true icon, Al Pacino is one of the greatest actors the world has ever seen, and a visionary director of stage and screen. His extraordinary body of work has made him one of the most recognisable and best-loved stars of the big screen, whose films enthral and delight audiences across the globe. We are thrilled to honour such a legend of cinema, and we thank the Corinthia Hotel London and Moët & Chandon for supporting this very special occasion.” Alongside BFI Chair Greg Dyke and BFI CEO Amanda Nevill, the Corinthia’s magnificent Ballroom was packed with talent from the worlds of film, theatre and television for Al Pacino’s BFI Fellowship presentation.
    [Show full text]
  • Programme 2013 / 2014 Films Shown Monthly September to April
    Films are shown in Appleby Magna Church Hall usually on the second Friday of the month: Appleby Magna Matinee: 2.30 pm Refreshments available during the interval and subtitles for the hard of hearing. Film Society Evening: 8.00 pm No interval. To join the Film Society Come along to a showing or contact Sonia Liff Programme 2013 / 2014 Tel. 01530 272327 Email: [email protected] Films shown monthly Annual Membership: £29 (£24 for over 60’s) for eight films Guests: £6 (£5 for over 60’s) per film September to April Members must be 16 years or over Friday afternoons at 2.30 pm New members are made very welcome. and Disabled Access: The Church hall is only accessible via four steep steps Friday evenings at 8.00 pm with a handrail on an upward sloping tarmac path. The Committee reserve the right to amend the programme if unavoidable. Appleby Magna Church Hall, Church Street, Appleby Magna DE 12 7BB (Opposite the Church) Appleby Magna Film Society is a not-for-profit club run by volunteers 13th September 2013 10th January 2014 ‘SONG FOR MARION’ UK 2012 Cert.PG13 (93 min.) ‘QUARTET’ UK 2012 Cert. PG12A (99 min.) Stars: Terence Stamp, Vanessa Redgrave, Gemma Arterton, Stars: Maggie Smith, Tom Courtnenay, Billy Connolly, Pauline Collins, Michael Gambon Director: Paul Andrew Williams Director: Dustin Hoffman A heart-warming story of a loving marriage between grumpy pensioner, Arthur (Terence Bittersweet tale of ageing former opera stars who reunite for one performance to fundraise Stamp) and the ever cheerful Marion (Vanessa Redgrave).
    [Show full text]
  • 6-Jeudis-De- Lodeon.Pdf
    L’ODÉON VOUS PROPOSE DES SOIRÉES CLÉ EN MAIN Accueil personnalisé pour vos invités dans le hall du théâtre Places réservées et groupées en première catégorie Espace de réception partiellement ou entièrement privatisé Remise des programmes de spectacle à l’arrivée de vos invités Service de vestiaire Orientation et filtrage des invités au moment de la réception par l’équipe d’accueil Prise en charge de l’organisation et de la logistique de votre réception Terrasse du Théâtre de l’Odéon 6e © Benjamin Chelly NOS FORMULES Formule champagne Une coupe de champagne, avant, à l’entracte ou après la représentation 90 euros TTC / personne dans un espace partiellement privatisé 120 euros TTC / personne dans un espace entièrement privatisé Formule cocktail Cocktail 12 pièces et coupe de champagne avant ou après la représentation 190 euros TTC / personne dans un espace partiellement privatisé 250 euros TTC / personne dans un espace entièrement privatisé Richard III de William Shakespeare, mis en scène par Thomas Ostermeier © Arno Declair L’ODÉON-THÉÂTRE DE L’EUROPE DEUX SALLES POUR RECEVOIR VOS INVITÉS Le Théâtre de l’Odéon / 6e Inauguré en 1782 par Marie-Antoinette, le Théâtre de l’Odéon est le plus ancien théâtre-monument de Paris. LE GRAND FOYER Situé au cœur du théâtre, ce lieu est idéal pour partager une coupe de champagne avec vos invités dans un espace partiellement privatisé. De 10 à 20 personnes LES STUDIOS GÉMIER, SERREAU ET LA TERRASSE Espaces de répétition pour les artistes, les deux studios sont situés au troisième niveau du théâtre. Séparés l’un de l’autre par une vue plongeante sur le grand foyer, ils donnent accès à la terrasse du théâtre, offrant une vue imprenable sur la place de l’Odéon.
    [Show full text]
  • Film Film Film Film
    City of Darkness, City of Light is the first ever book-length study of the cinematic represen- tation of Paris in the films of the émigré film- PHILLIPS CITY OF LIGHT ALASTAIR CITY OF DARKNESS, makers, who found the capital a first refuge from FILM FILMFILM Hitler. In coming to Paris – a privileged site in terms of production, exhibition and the cine- CULTURE CULTURE matic imaginary of French film culture – these IN TRANSITION IN TRANSITION experienced film professionals also encounter- ed a darker side: hostility towards Germans, anti-Semitism and boycotts from French indus- try personnel, afraid of losing their jobs to for- eigners. The book juxtaposes the cinematic por- trayal of Paris in the films of Robert Siodmak, Billy Wilder, Fritz Lang, Anatole Litvak and others with wider social and cultural debates about the city in cinema. Alastair Phillips lectures in Film Stud- ies in the Department of Film, Theatre & Television at the University of Reading, UK. CITY OF Darkness CITY OF ISBN 90-5356-634-1 Light ÉMIGRÉ FILMMAKERS IN PARIS 1929-1939 9 789053 566343 ALASTAIR PHILLIPS Amsterdam University Press Amsterdam University Press WWW.AUP.NL City of Darkness, City of Light City of Darkness, City of Light Émigré Filmmakers in Paris 1929-1939 Alastair Phillips Amsterdam University Press For my mother and father, and in memory of my auntie and uncle Cover design: Kok Korpershoek, Amsterdam Lay-out: japes, Amsterdam isbn 90 5356 633 3 (hardback) isbn 90 5356 634 1 (paperback) nur 674 © Amsterdam University Press, Amsterdam, 2004 All rights reserved. Without limiting the rights under copyright reserved above, no part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, me- chanical, photocopying, recording or otherwise) without the written permis- sion of both the copyright owner and the author of the book.
    [Show full text]
  • Here Was Obviously No Way to Imagine the Event Taking Place Anywhere Else
    New theatre, new dates, new profile, new partners: WELCOME TO THE 23rd AND REVAMPED VERSION OF COLCOA! COLCOA’s first edition took place in April 1997, eight Finally, the high profile and exclusive 23rd program, years after the DGA theaters were inaugurated. For 22 including North American and U.S Premieres of films years we have had the privilege to premiere French from the recent Cannes and Venice Film Festivals, is films in the most prestigious theater complex in proof that COLCOA has become a major event for Hollywood. professionals in France and in Hollywood. When the Directors Guild of America (co-creator This year, our schedule has been improved in order to of COLCOA with the MPA, La Sacem and the WGA see more films during the day and have more choices West) decided to upgrade both sound and projection between different films offered in our three theatres. As systems in their main theater last year, the FACF board an example, evening screenings in the Renoir theater made the logical decision to postpone the event from will start earlier and give you the opportunity to attend April to September. The DGA building has become part screenings in other theatres after 10:00 p.m. of the festival’s DNA and there was obviously no way to imagine the event taking place anywhere else. All our popular series are back (Film Noir Series, French NeWave 2.0, After 10, World Cinema, documentaries Today, your patience is fully rewarded. First, you will and classics, Focus on a filmmaker and on a composer, rediscover your favorite festival in a very unique and TV series) as well as our educational program, exclusive way: You will be the very first audience to supported by ELMA and offered to 3,000 high school enjoy the most optimal theatrical viewing experience in students.
    [Show full text]