REPERTOIRE by COMPOSER, 1873–Present
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UNIVERSITY of CALIFORNIA RIVERSIDE Los Angeles and the 1984 Olympic Games
UNIVERSITY OF CALIFORNIA RIVERSIDE Los Angeles and the 1984 Olympic Games: Cultural Commodification, Corporate Sponsorship, and the Cold War A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in History by Josh R. Lieser December 2014 Dissertation Committee: Dr. Catherine Gudis, Chairperson Dr. Molly McGarry Dr. Kiril Tomoff Copyright by Josh R. Lieser 2014 The Dissertation of Josh R. Lieser is approved: Committee Chairperson University of California, Riverside ABSTRACT OF THE DISSERTATION Los Angeles and the 1984 Olympic Games: Cultural Commodification, Corporate Sponsorship, and the Cold War by Josh R. Lieser Doctor of Philosophy, Graduate Program in History University of California, Riverside, December 2014 Dr. Catherine Gudis, Chairperson The 1984 Olympics offer an unprecedented opportunity to consider the way that sports were used as cultural and ideological warfare or soft power in the late stages of the Cold War era. Despite the Soviet Union’s decision to boycott the Olympics in Los Angeles in 1984, the 1984 Los Angeles Olympics were a claimed “victory” by President Ronald Reagan in the Cultural Cold War between the United States and the Soviet Union. Los Angeles won the right to host the games, and was a politically prudent choice for the United States within the context of the Cultural Cold War. The complicated history of Los Angeles and its constructed post-WWII identity are important elements to the choice of Los Angeles as host city. The Soviet boycott of the 1984 Olympic Games by the Soviet Union is central to the buildup to 1984, but due to the financial success of the Games the Soviet absence was not the crisis that many predicted. -
Composition Catalog
1 LEONARD BERNSTEIN AT 100 New York Content & Review Boosey & Hawkes, Inc. Marie Carter Table of Contents 229 West 28th St, 11th Floor Trudy Chan New York, NY 10001 Patrick Gullo 2 A Welcoming USA Steven Lankenau +1 (212) 358-5300 4 Introduction (English) [email protected] Introduction 8 Introduction (Español) www.boosey.com Carol J. Oja 11 Introduction (Deutsch) The Leonard Bernstein Office, Inc. Translations 14 A Leonard Bernstein Timeline 121 West 27th St, Suite 1104 Straker Translations New York, NY 10001 Jens Luckwaldt 16 Orchestras Conducted by Bernstein USA Dr. Kerstin Schüssler-Bach 18 Abbreviations +1 (212) 315-0640 Sebastián Zubieta [email protected] 21 Works www.leonardbernstein.com Art Direction & Design 22 Stage Kristin Spix Design 36 Ballet London Iris A. Brown Design Boosey & Hawkes Music Publishers Limited 36 Full Orchestra Aldwych House Printing & Packaging 38 Solo Instrument(s) & Orchestra 71-91 Aldwych UNIMAC Graphics London, WC2B 4HN 40 Voice(s) & Orchestra UK Cover Photograph 42 Ensemble & Chamber without Voice(s) +44 (20) 7054 7200 Alfred Eisenstaedt [email protected] 43 Ensemble & Chamber with Voice(s) www.boosey.com Special thanks to The Leonard Bernstein 45 Chorus & Orchestra Office, The Craig Urquhart Office, and the Berlin Library of Congress 46 Piano(s) Boosey & Hawkes • Bote & Bock GmbH 46 Band Lützowufer 26 The “g-clef in letter B” logo is a trademark of 47 Songs in a Theatrical Style 10787 Berlin Amberson Holdings LLC. Deutschland 47 Songs Written for Shows +49 (30) 2500 13-0 2015 & © Boosey & Hawkes, Inc. 48 Vocal [email protected] www.boosey.de 48 Choral 49 Instrumental 50 Chronological List of Compositions 52 CD Track Listing LEONARD BERNSTEIN AT 100 2 3 LEONARD BERNSTEIN AT 100 A Welcoming Leonard Bernstein’s essential approach to music was one of celebration; it was about making the most of all that was beautiful in sound. -
Leonard Bernstein
chamber music with a modernist edge. His Piano Sonata (1938) reflected his Leonard Bernstein ties to Copland, with links also to the music of Hindemith and Stravinsky, and his Sonata for Clarinet and Piano (1942) was similarly grounded in a neoclassical aesthetic. The composer Paul Bowles praised the clarinet sonata as having a "tender, sharp, singing quality," as being "alive, tough, integrated." It was a prescient assessment, which ultimately applied to Bernstein’s music in all genres. Bernstein’s professional breakthrough came with exceptional force and visibility, establishing him as a stunning new talent. In 1943, at age twenty-five, he made his debut with the New York Philharmonic, replacing Bruno Walter at the last minute and inspiring a front-page story in the New York Times. In rapid succession, Bernstein Leonard Bernstein photo © Susech Batah, Berlin (DG) produced a major series of compositions, some drawing on his own Jewish heritage, as in his Symphony No. 1, "Jeremiah," which had its first Leonard Bernstein—celebrated as one of the most influential musicians of the performance with the composer conducting the Pittsburgh Symphony in 20th century—ushered in an era of major cultural and technological transition. January 1944. "Lamentation," its final movement, features a mezzo-soprano He led the way in advocating an open attitude about what constituted "good" delivering Hebrew texts from the Book of Lamentations. In April of that year, music, actively bridging the gap between classical music, Broadway musicals, Bernstein’s Fancy Free was unveiled by Ballet Theatre, with choreography by jazz, and rock, and he seized new media for its potential to reach diverse the young Jerome Robbins. -
Könyvek / Books
Könyvek / Books Sorszám Szerző / Cím Cím / Title Ár (HUF) Kiadás helye 1 Albet, Montserrat: História de la Música Catalana 5000 n. a. 2 Allison, John: The Pocket Companion to Opera 1500 London, Mitchell Beazley 3 Arnold, Denis: Monteverdi Church Music 1200 London, British Broadcasting Corporation 4 Arnold, Denis: Monteverdi. Madrigals 1200 London, British Broadcasting Corporation 5 Bárdos Lajos: Hangzatgyakorló I. könyv 1200 Budapest, Zeneműkiadó 6 Bárdos Lajos: Írások a népzenénkről 1500 Budapest, Tankönyvkiadó 7 Bárdos Lajos: Liszt Ferenc a jövő zenésze 2500 Budapest, Akadémiai Kiadó 8 Bárdos Lajos: Modális harmóniák 3000 Budapest, Zeneműkiadó 9 Bárdos Lajos: Tíz újabb írás 1500 Budapest, Zeneműkiadó 10 Barford, Philip: Bruckner. Symphonies 1200 London, British Broadcasting Corporation 11 Barford, Philip: Mahler Symphonies and Songs 1200 London, British Broadcasting Corporation 12 Barna István (vál.): Örök muzsika 1200 Budapest, Zeneműkiadó 13 Bartha Dénes, Tóth Aladár (szerk.): Zenei lexikon I-III 3000 Budapest, Zeneműkiadó 14 Bartók Béla ifj.: Apám életének krónikája 1500 Budapest, Helikon 15 Bartók Béla: Cantata Profana 1500 Budapest, Zeneműkiadó 16 Bartók Béla: Miért és hogyan gyűjtsünk népzenét? 2500 Budapest, Somló Béla Könyvkiadó 17 Bartók Béla: Önéletrajz, írások a zenéről 800 Budapest, Egyetemi Nyomda 18 Berlioz, Hector: The Art of the Conductor 1200 London, William Reeves 19 Berlioz, Hector; Strauss, Richard: Treatise on Instrumentation 15000 New York, Kalmus 20 Blaukopf, Kurt: Gustav Mahler 1200 Budapest, Gondolat Kiadó 21 Bodon Pál: Az intonálás iskolája 2500 Budapest, Zeneműkiadó 22 Bónis Ferenc (szerk.): Magyar Zenetörténeti tanulmányok Erkel Ferencről, Kodály Zoltánról2500 Budapest, és korunkr Püskiól Kiadó 23 Bónis Ferenc (szerk.): Magyar Zenetörténeti tanulmányok Kodály Zoltán emlékére 3000 Budapest, Zeneműkiadó 24 Bónis Ferenc (szerk.): Magyar Zenetörténeti tanulmányok Szabolcsi Bence 70. -
César Franck'ın "Prelüd, Koral Ve Füg" Eserinin Incelenmesi
Hacettepe Üniversitesi Güzel Sanatlar Enstitüsü Piyano Anasanat Dalı CÉSAR FRANCK’IN “PRELÜD, KORAL VE FÜG” ESERİNİN İNCELENMESİ Begümhan Gençgönül Yüksek Lisans Sanat Çalışması Raporu Ankara, 2015 CÉSAR FRANCK’IN “PRELÜD, KORAL VE FÜG” ESERİNİN İNCELENMESİ Begümhan Gencgönül Hacettepe Üniversitesi Güzel Sanatlar Enstitüsü Piyano Anasanat Dalı Yüksek Lisans Sanat Çalışması Raporu Ankara, 2015 iii TEŞEKKÜR Bu çalışmamı hazırlarken engin deneyim ve bilgisiyle bana yol gösteren Sn.Prof. Güherdal ÇAKIRSOY’a, Konservatuvar’a girdiğim günden itibaren her an yanımda olup beni destekleyen hocam ve danışmanım Sn.Yrd.Doç. İrem BOZKURT’a, son olarak da bu süreçte hiçbir yardımdan kaçınmayan sevgili ailem ve arkadaşlarıma teşekkürlerimi sunmayı borç bilirim. iv ÖZET GENÇGÖNÜL, Begümhan. César Franck’ın Prelüd, Koral ve Füg eserinin incelenmesi, Yüksek Lisans Sanat Çalışması Raporu, Ankara, 2015. 19. yüzyılın ikinci yarısında Fransız Müziği’nin önde gelen isimlerinden ve usta orgcularından biri olan César Franck, piyanoda benimsediği org anlayışı ile döneminin en ilgi çekici bestecilerindendir. Piyano enstrümanıyla org etkisi yarattığı eserleri ile Debussy ve Ravel gibi diğer öncü bestecileri etkiler. Eserlerinde, enstrümantal fikirleri polifonik anlayış ile birleştirerek yoğun bir atmosfer oluşturur. “Prelüd, Koral ve Füg”, zengin armonik yapısı, piyanonun her türlü imkanının sonuna kadar kullanılması, Franck’ın duyumsal ve dindar kişiliğinden gelen mistik öğeleri sağlam bir form anlayışıyla dengelemesi nedeniyle piyano literatürünün anlaşılması en zor ve değerli eserlerinden biridir. Bu çalışmada, bestecinin hayatı, eserleri ve içinde bulunduğu kültürel ortamla ilgili bilgi verilmiş, esere adını veren üç form ve tekrarlı biçim ayrıntılı olarak açıklanmıştır. Son bölümde de eserin form analizi yapılmıştır. Anahtar Sözcükler Franck, Prelüd, Koral, Füg, Tekrarlı Biçim. v ABSTRACT GENÇGÖNÜL, Begümhan. The Examination of the piece 'Prelude, Chorale and Fugue' by César Franck Master's Thesis, Ankara, 2015. -
Roger Quilter
ROGER QUILTER 1877-1953 HIS LIFE, TIMES AND MUSIC by VALERIE GAIL LANGFIELD A thesis submitted to The University of Birmingham for the degree of DOCTOR OF PHILOSOPHY Department of Music School of Humanities The University of Birmingham February 2004 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT Roger Quilter is best known for his elegant and refined songs, which are rooted in late Victorian parlour-song, and are staples of the English artsong repertoire. This thesis has two aims: to explore his output beyond the canon of about twenty-five songs which overshadows the rest of his work; and to counter an often disparaging view of his music, arising from his refusal to work in large-scale forms, the polished assurance of his work, and his education other than in an English musical establishment. These aims are achieved by presenting biographical material, which places him in his social and musical context as a wealthy, upper-class, Edwardian gentleman composer, followed by an examination of his music. Various aspects of his solo and partsong œuvre are considered; his incidental music for the play Where the Rainbow Ends and its contribution to the play’s West End success are examined fully; a chapter on his light opera sheds light on his collaborative working practices, and traces the development of the several versions of the work; and his piano, instrumental and orchestral works are discussed within their function as light music. -
Boston Symphony Orchestra Concert Programs, Season 123, 2003-2004
2003-2004 SEASON \ % BOSTON SYMPHONY ORCHESTRA it*"/* «* JAMES LEVINE MUSIC DIRECTOR DESIGNATE BERNARD HAITINK PRINCIPAL GUEST CONDUCTOR SEIJI OZAWA MUSIC DIRECTOR LAUREATE Invite the entire string section for cocktails. With floor plans from 2,300 to over Phase One of this 5,000 square feet, you can entertain magnificent property is in grand style at Longyear. 100% sold and occupied. Enjoy 24-hour concierge service, Phase Two is now under con- single-floor condominium living struction and being offered by at its absolute finest, all Sotheby's International Realty & harmoniously located on Hammond Residential Real Estate an extraordinary eight- GMAC. Priced from $1,500,000. acre gated community atop prestigious Call Hammond at (617) 731-4644, Fisher Hill ext. 410. LONGYEAK at Lrisner Jlill BROOKLINE Hammond PROPERTIES PNC. International :^BT/f j * &jj£ ,**%\r I >f w r! 1 4 m antil $ -* . - g&S«*5 "*-. >_ "--.*' oo %.." N Landry&Arcari ORIENTAL RUGS & CARPETING Your Source for Knowledge, Inspiration & Value Boston Since 1938 Salem 333 Stuart St. www.landryandarcari.com Route 1A 617-399-6500 Open 7 Days 800-649-5909 Founding member of the NCI DANA-FARBER/HARVARD CANCER CENTER /"VY"1 A Comprehensive Cancer Center Clinic Institute Affiliated with W)) Joslin i££g Designated by the National Cancer Official hospital of the Boston Red Sox ^^ James Levine, Music Director Designate Bernard Haitink, Principal Guest Conductor Seiji Ozawa, Music Director Laureate 123rd Season, 2003-2004 Trustees of the Boston Symphony Orchestra, Inc. Peter A. Brooke, Chairman John F. Cogan, Jr., Vice- Chairman Robert P. O'Block, Vice-Chairman Nina L. -
May 2018 Volume 46, No
May 2018 Volume 46, No. 4 Spring Orgy® Period 95.3 FM N WHRB PROGRAM GUIDE Wednesday, May 2 noon COMMONWEALTH HIP HOP Spring Orgy® Period Hip hop is the defining trend in modern world music. But world rap music is, at present, divided. Commonwealth nations have an enduring history of English, and this colors their music May, 2018 to a substantial degree. Nations never colonized by the English Empire make hip hop that sounds substantially different. We explore the hip hop traditions of countries like Jamaica, Canada, Tuesday, May 1 India, South Africa, Northern Ireland and Nigeria. In some cases, this will involve examining the way American rap music 12:00 am ORCHID TAPES and foreign rap cultures influenced each other. In others, it means 5:00 am THE DISCOGRAPHY OF FRED HERSCH Fred Hersch is one of the greatest jazz pianists of his taking a closer look at how the English language has shaped generation. Yet what makes him especially interesting is his world history, even for songs and artists using other languages. extraordinary versatility. With collaborators including Stan Getz, 5:00 am PROFESSOR LONGHAIR AND THE Bill Frisell, Dawn Upshaw, Joshua Bell, and Audra McDonald, NEW ORLEANS BLUES Hersch refuses to limit himself and his playing to one genre. We Down in New Orleans, the Blues is done differently. explore many of Hersch’s solo albums, as well as albums he has Certainly, any one alive can tell you what it is to have the Blues, collaborated on, in a celebration of his virtuosic and technical but it takes a different kind of touch to weave the feeling with abilities rhumba, paint it bold with calypso and lay it down with mambo. -
Spring/Summer 2002
PRELUDE, FUGUE News for Friends of Leonard Bernstein RIFFS Spring/Summer 2002 YOUNG PEOPLE'S CONCERTS Return to TV by Martin Steinberg Reprinted with permission of The Associated Press. EW YORK (AP) - The images are in black and white and from another Nera, mothers in fancy hats accompanying their sons in suits and ties and daughters in dresses and patent-leather shoes as they rush into Carnegie Hall to watch a nearly all-male orchestra yet the ideas ... are as meaningful today as during Eisenhower's America in 1958. Forty-four years after Leonard Bernstein's YOUNG PEOPLE'S CONCERTS first aired, they are returning to television. [Ed. Note, began on March 15] ... USA Cable-affiliated Trio, which has 14.3 million subscribers, bills itself as a popular arts channel. Its programs include "Rowan & Martin's Laugh-In," movies, fash ion and concerts from Bjork to the Doors. With these performances featuring Bernstein and the [New York] Philharmonic, the station is venturing into the difficult sell of classical music. "When we went back and looked at them, we found them to be riveting, exciting, somehow fresh, new and relevant to what is happening today," Chris Slava said. [Trio's vice president of acquisitions and scheduling] To help, Trio enlisted three stars - entertainers Whoopi Goldberg and John Lithgow and violinist (continued on page 2) In this issue ... LB Discography: New on the Web ... page 6 YOUNG PEOPLE'S CONCERTS Return to TV, continued To Our Readers (continued from page 1) sort of put clothes on them so Joshua Bell. They introduce the that they could go out into topic of the day, such as "What is the world. -
Spring/Summer 2008 the Best of All Possible Worlds
PRELUDE, FUGUE News for Friends of Leonard Bernstein RIFFS Spring/Summer 2008 The Best of All Possible Worlds by Craig Urquhart arnegie Hall and the New York Philharmonic will join forces in a CNew York City - wide festival, Bernstein: The Best of A ll Possible Worlds. The festiva l will commemorate the 90th anniver sary of Bernstein's birth as well as the 50th anniversary of his appointment as M usic Director of the New York Philharmonic. Beginning on September 24 and running through December 13, 2008, the festival will fea ture more than 30 events at Carnegie Hall, Avery Fisher Hall, New York City Center, and other venues throughout the city. The celebration will include concerts, recitals, musical theater, lectures and film screenings, as well as educational programming. "All of us at Carnegie Hall are very proud to be presenting jointl y, with his great orchestra, the New York Philharmonic, this special celebration of Leonard Bernstein," said Carnegie Hall's Executive and Artistic Director Cli ve Gillinson. "Lenny appeared on Carnegie Hall's stage more than 400 times in his career, with audiences experiencing his talents as performer, composer, and master educator. Well beyond our walls, he inspired an entire (continued on page 2) 3 The 90th Worldwide 4 Spring Break in Snow 7 Leonard Bernstein: Inside ... Proves To Be Education American Original 8 In the News 10 Selected Performan'ces 14 Looking Ahead The Best of All Possible Worlds, continued To Our generation, bringing music to Thomas and the San Francisco the center of people's lives all Symphony Orchestra will be Readers around the world. -
Program Notes
April 14-15, 2018, page 1 programBY DR. RICHARD E. RODDA notes the war.] I was all for honoring the com- Fanfare for the Common mon man at income tax time. I later used Man for Brass and Percussion the Fanfare in the final movement of my (1942) Third Symphony.” AARON COPLAND ■ 1900-1990 In the first volume of his autobiography Porgy and Bess: A Concert in (Copland, 1900 through 1942, St. Mar- Songs for Soprano, Baritone and tin’s/Marek, 1984), Copland recounted Chorus the genesis of his popular Fanfare for GEORGE GERSHWIN ■ 1898-1937 the Common Man: “Eugene Goossens, conductor of the Cincinnati Symphony ARRANGED BY ROBERT RUSSELL Orchestra, had written to me at the BENNETT ■ 1894-1981 end of August [1942] about an idea he Gershwin’s music drama about the wanted to put into action for the 1942-43 crippled African-American Porgy and concert season. During World War I, his determined love for Bess is among he had asked British composers for a the most popular and widely performed fanfare to begin each orchestral concert. of all American operas. “This, Gersh- It had been so successful that he thought win’s last serious work,” wrote David to repeat the procedure in World War Ewen, “possesses that richness, vital- II with American composers. [Goos- ity and variety of melody, that vigor of sens’ additional requests inspired a total rhythm, that spontaneity and freshness of ten fanfares from such other notable we associate with Gershwin’s best music. musicians as Creston, Cowell, Piston, Of all Gershwin’s serious works, it is the Thomson, Milhaud and Gould.] Goos- only one to reveal compassion, human- sens wrote: ‘It is my idea to make these ity and a profound dramatic instinct. -
Naxos Catalog07
CONTENTS Foreword by Klaus Heymann . 3 Alphabetical List of Works by Composer . 5 Collections . 105 Alphorn 105 Easy Listening 113 Operetta 120 American Classics 105 Flute 113 Orchestral 120 American Jewish Music 105 Funeral Music 114 Organ 122 Ballet 105 Glass Harmonica 114 Piano 124 Baroque 106 Guitar 114 Russian 125 Bassoon 106 Gypsy 117 Saxophone 125 Best Of series 106 Harp 117 Timpani 126 British Music 107 Harpsichord 117 Trombone 126 Cello 107 Horn 117 Trumpet 126 Chamber Music 107 Light Classics 117 Tuba 126 Chill With 107 Lute 118 Very Best Of series 126 Christmas 108 Mandolin 118 Viennese 127 Cinema Classics 109 Music for Meditation 118 Violin 127 Clarinet 109 Oboe 118 Vocal and Choral 127 Early Music 110 Ondes Martenot 119 Wedding Music 129 Easter 113 Operatic 119 Wind 129 Naxos Historical . 130 Naxos Nostalgia . 144 Naxos Jazz Legends . 146 Naxos Musicals . 148 Naxos Blues Legends . 148 Naxos Folk Legends . 148 Naxos Gospel Legends . 148 Naxos Jazz . 149 Naxos World . 149 Naxos Educational . 150 Naxos Super Audio CD . 151 Naxos DVD Audio . 152 Naxos DVD . 152 List of Naxos Distributors . 153 Naxos Website: www.naxos.com Symbols used in this catalogue # New release not listed in 2006 Catalogue $ Recording scheduled to be released before 31 March, 2007 ♦ Titles transferred from LP † Please note that not all titles are available in all territories. Check with your local distributor for availability. Reviews and Ratings Over the years, Naxos recordings have received outstanding critical acclaim in virtually every specialized and general-interest publication around the world. In this catalogue we are only listing ratings which summarize a more detailed review in a single number or a single rating.