Christy Gray ARTDIRECTOR & GRAPHICDESIGNER

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Christy Gray ART DIRECTOR & GRAPHIC DESIGNER Film: “FREE GUY”—GRAPHIC DESIGNER 20TH CENTURY FOX / Beat Frutiger, Supervising Art Director (Boston, 2019) “RUN SWEETHEART RUN”—GRAPHIC DESIGNER UNIVERSAL / BLUMHOUSE PRODUCTIONS / Page Buckner, Production Designer (LA, 2019) “LITTLE”—ART DIRECTOR & ASST. ART DIRECTOR UNIVERSAL / WILL PACKER PRODUCTIONS / Keith Brian Burns, Production Designer (ATL, 2019) “ANT-MAN & THE WASP”—GRAPHIC DESIGNER MARVEL / Shepherd Frankel, Production Designer (ATL, 2018) “NIGHT SCHOOL”—GRAPHIC DESIGNER UNIVERSAL / WILL PACKER PRODUCTIONS / Keith Brian Burns, Production Designer (ATL, 2018) “GIRLS TRIP”—GRAPHIC DESIGNER UNIVERSAL / WILL PACKER PRODUCTIONS / Keith Brian Burns, Production Designer (LA, 2017) “FIFTY SHADES OF BLACK”—ASST. ART DIRECTOR FEATURE FILM / Ermanno Di Febo-Orsini, Production Designer (LA, 2015) “THE MAN WHO SHOOK THE HAND OF VICENTE FERNANDEZ”—GRAPHIC DESIGNER INDEPENDENT FEATURE / Curt Beech, Production Designer (LA, 2011) “CARS 2”—GRAPHICS INTERN PIXAR ANIMATION STUDIOS / Harley Jessup, Production Designer (2011) Television: “SUE HECK PROJECT (THE MIDDLE SPIN-OFF PILOT)”—ASST. ART DIRECTOR ABC / Randy Ser, Production Designer, Pilot (2019) “THE CONTENDER”—ASST. ART DIRECTOR & SET DESIGNER FX / Stuart Frossell, Production Designer, Season 5 (2018) “STUCK IN THE MIDDLE”—ASST. ART DIRECTOR DISNEY CHANNEL / Sharon Busse, Production Designer, Season 2, Ep. 14-17 (2017) “MADTV”—ASST. ART DIRECTOR CW / Nicole Elespuru, Production Designer, Season 15 (2016) “GOLIATH”—GRAPHIC DESIGNER AMAZON STUDIOS/ Michael Wylie, Production Designer, Season 1, Ep. 1-3 (2015) “THE AMAZING RACE”—GRAPHIC DESIGNER CBS / J.R. Meyer, Production Designer, Season 25-27 (2014-2015) “THE QUEST”—SET DESIGNER & GRAPHIC DESIGNER ABC / Stuart Frossell, Production Designer, (2013) Abilities: • Graphic Design, Logo Design, Branding, Package Design, Advertising • Animation, Sketching, 3D modeling, Pre-Visualization, Photo Retouching • Experience working in California, Boston, Texas, Georgia, New York, Hawaii Education: MFA PRODUCTION DESIGN — CHAPMAN UNIVERSITY BFA COMMUNICATION ARTS — TEXAS STATE UNIVERSITY Union: LA LOCAL 800, ART DIRECTOR, GRAPHIC DESIGNER, ASST. ART DIRECTOR References: Shepherd Frankel - Production Designer - 310.592.3711 - [email protected] Jay Pelissier - Art Director - 323-821-1507 - [email protected] Stuart Frossell - Production Designer - 310.894.2321 - [email protected] [email protected] | www.christy–gray.com .

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2015 Annual Report
2015 ANNUAL REPORT 2015 ANNUAL ONS UTI SOL Chrysalis is a nonprofit organization dedicated to creating a pathway to self-sufficiency for homeless and low-income individuals by providing the resources and support needed to find and retain employment. 1 CHRYSALIS • 2015 Annual Report 2015 ANNUAL REPORT Dear Friend, Our work at Chrysalis is like trying to solve a puzzle. We’ve also partnered with other leaders in the No two clients walk through our doors with the same community to help get LA back to work. Whether it’s life experiences and challenges. Like puzzle pieces, we our leadership in the Los Angeles Regional Initiative arrange just the right combination of programs, supports, for Social Enterprise (LA:RISE), announced by Mayor encouragement, and training to help our clients find a Garcetti at our downtown office this past summer, or job—and make a beautiful picture come to life. our collaboration with the Department of Probation and other service providers on the Breaking Barriers project, This year we helped over 2,100 courageous men and we will do whatever it takes to ensure our clients have women get back on the path to self-sufficiency through the best shot at a brighter future. employment. And while the economy has improved for many, our clients are the ones with the most significant The pages that follow illustrate some of the key barriers to employment: lack of education or training, aspects of our work. We are truly excited about the inconsistent job histories, and felony convictions. That opportunities that lie ahead, and thank you for being a is why our staff is working harder and more creatively part of our success.
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"/Title/Tt3702160/": {"Director": [["Kimberly Jessy"]], "Plot": ["\Nbeautiful D Anger Is an Animated 3D Made for TV/Short Film
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Mark Schwartzbard
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DONNA LANGLEY the Complete Pioneer of the Year Tribute Journal Will Be Available for Download on Our Website
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SURVIVAL MOVIES. a THEOLOGICAL PERSPECTIVE – Phd THESIS –
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First Look Program 2021
WELCOME to FIRST LOOK 2021 Welcome to the First Look Festival of 2021! One of my great pleasures as Dean of the School of Cinematic Arts is being able to introduce our festival films each year, and congratulate all the deserving students who contributed to them. This year I am especially proud of the determination and dedication inherent in these projects, as they were completed within the limitations of Covid 19 protocols. Despite this, the work you will see here is of the highest quality, and many will go on to tour the film festival circuit and win awards in the year ahead. They will also serve as calling cards for the talented young professionals who are graduating from the School and launching careers as filmmakers. Our students always depend on their family and friends to help them through their programs. Filmmaking is a challenging endeavor, and it takes a village of encouragement to have the confidence needed to bring a project to fruition. This year our students truly needed support, as our campus was shut down and many of them had to return home. Despite not being able to meet in person, the filmmakers found ways to collaborate. And as their films will attest, did so brilliantly! So please enjoy this year’s festival. And congratulations to all the students whose names appear in the end credits of these films. Elizabeth M. Daley Steven J. Ross/Time Warner Professor and Dean USC School of Cinematic Arts I firmly believe that film has been the major art form of the 20th century, and will continue to have a powerful influence on our culture and society.
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Media Advisory
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Emily Abbott '19 Executive Development Assistant, Sony
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ID Name 112495 1 AMERICA 100003 1 EYED DOG LTD 104562 10 BY
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Nena Erb, ACE Editor
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Feature Pitch Memo 4.26.19
WGA Weekly Feature Memo – April 26, 2019 We are excited to send you this inaugural edition of the WGA Weekly Feature Memo for your consideration. Each Friday's memo will present log lines for available specs and pitches submitted by WGA writers. If you'd like to read a spec, hear a pitch or set a general meeting, click the link to a writer’s profile. There you will find their authorized representatives and a link to “contact the writer” directly. We are thrilled to be off to a great start, with hundreds of submissions and hundreds of subscribers. Since our first edition is longer than we expect the typical Memo to be, for one time only we’ll also be doing a bonus edition this coming Tuesday! Starting next Friday, we’ll settle into our weekly routine. You can also check out features writers on Twitter under the hashtags #WGAWeeklyMemo and #WGAFeatureBoost Please forward this email to other feature producers and development executives who may want to receive the Memo. They can subscribe here. Concepts remain the property of the writers submitting them FEATURE SPECS 21st C. Sci-Fi/Gothic Horror Writer: Seth Lochhead (Profile) Title: SOMNIUM Targets: A24, Focus Features, Fox Searchlight Logline: Set in an isolated mining facility in the far north of Alaska, SOMNIUM is the story of Karin Anderrson whose dream to become an astronaut slowly turns into a nightmare. Ex Machina/The Thing meets Frankenstein. Action Writer: Don Perez (Profile) Title: The Invincibles Logline: A team of four superheroes from around the globe (America, China, Africa, India) unite to combat a supervillian and his army of shapeshifting warrior monks who seek a weapon that will grant immortality.
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For Immediate Release No Studios Launches Oct. 12–14
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