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Conversazioni I Cantatas from a Cardinal’S Court
Key: CTP Template: CD_1PD2 CTP Template: CD_1PD2 COLOURS No text area Compact Disc Booklet: Single Facing Page Compact Disc Booklet: Single Facing Page CYAN MAGENTA Customer Customer YELLOW Bleed Catalogue No. Catalogue No. BLACK Trim Job Title Page No. BC Job Title Page No. 1 Fold Also available from Avie… CONVERSAZIONI I Cantatas from a Cardinal’s Court 119.5 Andrew Radley countertenor Julian Perkins director Ingenious Jestings Eight Harpsichord Setts by James Nares played by Julian Perkins av2152 120.5 PLEASE NOTE THIS TEMPLATE HAS BEEN CREATED USING SPECIFIC CO-ORDINATES REQUIRED FOR PLEASE NOTE THIS TEMPLATE HAS BEEN CREATED USING SPECIFIC CO-ORDINATES REQUIRED FOR COMPUTER TO PLATE IMAGING AND IS NOT TO BE ALTERED, MOVED OR THE DOCUMENT SIZE CHANGED. COMPUTER TO PLATE IMAGING AND IS NOT TO BE ALTERED, MOVED OR THE DOCUMENT SIZE CHANGED. ALL DIMENSIONS ARE IN MILLIMETRES. BLEED ALLOWANCE OF 3MM ON TRIMMED EDGES ALL DIMENSIONS ARE IN MILLIMETRES. BLEED ALLOWANCE OF 3MM ON TRIMMED EDGES Key: CTP Template: CD_1PD2 CTP Template: CD_1PD2 COLOURS No text area Compact Disc Booklet: Single Facing Page Compact Disc Booklet: Single Facing Page CYAN MAGENTA Customer Customer YELLOW Bleed Catalogue No. Catalogue No. BLACK Trim Job Title Page No. BC2 Job Title Page No. 13 Fold ONVERSAZIONI Antonio Caldara (c1670–1736) C I Clori, mia bella Clori 19:03 Cantatas from a Cardinal’s Court 1 Sinfonia Largo – Allegro – Minuet 2:53 2 Recitativo 1:03 3 Aria Larghetto 5:25 countertenor Andrew Radley 4 Recitativo 0:31 Julian Perkins harpsichord and director -
Jonathan Summers B) CATEGORY: Opera Singer / Baritone C) POSITION: Freelance
1a) NAME: Jonathan Summers b) CATEGORY: Opera singer / baritone c) POSITION: Freelance 2a) PERSONAL DETAILS: date of birth / place / country 2nd October, 1946; Melbourne; Australia b) MARITAL STATUS: date of marriage / name of spouse / number of children 29th March 1969, Melbourne Australia; Lesley; 3 children 3) PREVIOUS OCCUPATIONS: dates / occupation 1965-1974 Freelance singer/concert artist 1970-1974 Technical operator/recording engineer Australian Broadcasting Commission, Melbourne 4) EDUCATION: dates / institution / city / teacher Secondary : Melbourne; Macleod High School Tertiary : Melbourne; Prahran Technical College (Art School) 1964-1974 Melbourne; Bettine McCaughan, voice teacher 1972-1973 Melbourne;National Theatre Opera School 1974-1980 London; Otakar Kraus, voice teacher 5) PROFESSIONAL DEBUT: date / opera company / role / opera / cast Nov 1975; Kent Opera; title role in Verdi's Rigoletto; Congress Theater, Eastbourne, UK; producer: Jonathan Miller; conductor: Roger Norrington; David Hillman (Duke), Meryl Drower (Gilda), Sarah Walker (Maddalena), Malcolm King (Sparafucile) 6) EARLY CAREER WITH BRIEF RESUME: dates / opera house or company / role / opera Feb 1976; University College London Opera; title role in Macbeth (orig. 1847 version); producer: John Moody; conductor: George Badachoni Sep 1976; Glyndebourne Touring Opera; title role in Falstaff; producer: Jean-Pierre Ponnelle; conductor: Kenneth Montgomery Oct 1976; joined the Royal Opera House, Covent Garden, London, as a company principal Nov 1976; English National Opera -
View and Escape the Intense Bahamas Sun
9NT Southeast Coast & Bermuda Cruise August 14 -23, 2022 Bahamas Beach INCLUDED FEATURES PRICING Free parking with roundtrip transfers to New York City Stateroom Double Rate Per Single Rate Per cruise port Category Person Person Nine nights aboard the NORWEGIAN JOY® BA Balcony $2,699 $4,659 All onboard meals and entertainment (specialty IA Inside $2,089 $3,429 restaurants may have nominal fees) AAA Onboard Cocktail Reception All non-members must add $60 to the above rate. $50.00 onboard credit per stateroom Rates are subject to availability at time of booking and include Baggage handling taxes, fees and fuel surcharges which are subject to change. All Services of a Discoveries Journey Manager pricing and included features are based on a minimum of 20 full- fare passengers. USS Wisconsin, Norfolk Virginia HIGHLIGHTS Norfolk, Virginia Norfolk is home to the world’s largest navel base, along with being a busy international port with beautiful historic districts. Waterways abound in this city, with stretches of lake, river, and bay fronts. There are endless sight-seeing opportunities. Fun Things to Do: Visit the battleship U.S.S. Wisconsin and the Hampton Roads Naval Museum for insights into the cities long naval history. Stroll the pedestrian-centric downtown waterfront area to see docked ships, sailboats and tugboats. Port Canaveral, Florida Cape Canaveral is the launching point for all-out adventure in Central Florida. Explore America’s astronaut legacy at Kennedy Space Center for a day of inspiring and educational exhibits. Soak up the sand and sun along Space Coast beaches. Trace the region’s roots at the Orange County Regional History Museum. -
George Frideric Handel Cc 9127 George Frideric Handel
GEORGE FRIDERIC HANDEL CC 9127 GEORGE FRIDERIC HANDEL male lead in The Bear for Hemsley, who played it under the composer on BBC Television in George Frideric Handel (1685-1759) 1970. His book Singing and Imagination is a lucid guide to his finely-honed art. = `çåÅÉêíç=áå=_JÑä~í=ets=OVQ=léK=Q=kçK=S=ENTPSF= NNKNN Geraint Jones (1917-98). The son of a Glamorgan minister, Jones studied at the Royal 1-3 I Andante allegro 3.53 2 II Larghetto 4.31 3 III Allegro moderato 2.53 Academy of Music before being rejected for World War II service on grounds of poor health. Osian Ellis, harp. The Boyd Neel Orchestra directed by Thurston Dart Determined to ‘do his bit’, he made his debut as a harpsichordist in 1940 at one of Myra Hess’s A BBC studio broadcast, 26 February 1957 National Gallery concerts, later touring widely with his wife, the violinist Winifred Roberts. After the war he became highly influential in the ‘authentic’ baroque movement, forming his own = ^éçääç=É=a~ÑåÉ=ets=NOO=ENTNMF= QPKMR orchestra for the acclaimed performances at London’s Mermaid Theatre in 1951 of Dido and Aeneas, with Kirsten Flagstad and Thomas Hemsley. Jones’s many recordings included Dido 4 Recitative and Aria Apollo ‘La terra è liberata … Pende il ben dell’universo’ 5.18 (The earth is set free … The good of the universe) with those singers (plus Elisabeth Schwarzkopf as Belinda and Arda Mandikian as the 5 Recitative and Aria Apollo 3.54 Sorceress) as well as music by Bach, Handel and Mozart. -
A Countertenor's Reference Guide to Operatic Repertoire
A COUNTERTENOR’S REFERENCE GUIDE TO OPERATIC REPERTOIRE Brad Morris A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF MUSIC May 2019 Committee: Christopher Scholl, Advisor Kevin Bylsma Eftychia Papanikolaou © 2019 Brad Morris All Rights Reserved iii ABSTRACT Christopher Scholl, Advisor There are few resources available for countertenors to find operatic repertoire. The purpose of the thesis is to provide an operatic repertoire guide for countertenors, and teachers with countertenors as students. Arias were selected based on the premise that the original singer was a castrato, the original singer was a countertenor, or the role is commonly performed by countertenors of today. Information about the composer, information about the opera, and the pedagogical significance of each aria is listed within each section. Study sheets are provided after each aria to list additional resources for countertenors and teachers with countertenors as students. It is the goal that any countertenor or male soprano can find usable repertoire in this guide. iv I dedicate this thesis to all of the music educators who encouraged me on my countertenor journey and who pushed me to find my own path in this field. v PREFACE One of the hardships while working on my Master of Music degree was determining the lack of resources available to countertenors. While there are opera repertoire books for sopranos, mezzo-sopranos, tenors, baritones, and basses, none is readily available for countertenors. Although there are online resources, it requires a great deal of research to verify the validity of those sources. -
The Cable November 2017
1993 - 2017 IUSS / CAESAR The Cable Official Newsletter of the IUSS CAESAR Alumni Association Alumni Association NOVEMBER 2017 ONE LAST DIRECTOR’S CORNER WARM GREETINGS TO ALL IUSS ALUMNI! Jim Donovan, CAPT, USN (Ret) Becky Badders, LCDR, USN (Ret) What an incredible “System” of Navy professionals and patriots I have come to be associated with over these past 45 years. And to Please allow me as your new Alumni think, we’re still organized and contributing! I have Association Director to introduce myself. I am been honored to be Director of the IUSS CAESAR Lieutenant Commander Rebecca “Becky (Harper)” Alumni Association for the past 10 years when I Badders, United States Navy (Retired), and I spent relieved Ed Dalrymple who held the post since its 1984 through 1997 as an IUSS Officer. Beginning inception for an amazing 15 years. Ed, you’re still with my Midshipman Cruise on USS John Rodgers my hero! DD 983 in CIC, I was fascinated by IUSS!! After I was commissioned, I served on temporary duty at But like all good things this too must come to an NOPF Dam Neck in the summer of 1984, attended end. It’s time for me to move on to allow someone FLEASWTRACEN in Norfolk, OWO training at else, someone with fresh ideas and experiences the Readiness Training Facility at Centerville Beach, opportunity to take over the helm of the IUSSCAA. CA (As part of the last officer class to pass through We have found that individual in LCDR Becky those illustrious doors) and then served my first Badders, USN (Ret). -
THE DELLER CONSORT ~ F MEANY HALL OCTOBER 3, 1964 F 8:30 P.M
· .' UNIVERSITY OF WASHINGTON OFFICE OF LECTURES AND CONCERTS AND FRIENDS OF MUSIC present THE DELLER CONSORT ~ f MEANY HALL OCTOBER 3, 1964 f 8:30 p.m. ~~----~~~~--~----== " .. == ROLAND DELASSUS ...... Mon coeur se recommande a vous THE DELLER CONSORT (1530- 94) o let me look on thee once more, since that my heart full sorely acheth, HONOR SHEPPARD. Soprano SALLY LESAGE. Soprano And spite of watching envious eyes, listen while my love its farewell taketh. ALFRED DELLER, Counter-tenor My lips which once smiled on thee gladly. and told my love with tender grace, MAX WORTHLEY, Tenor MAURICE BEVAN, Baritone Now alas are used but in cursing those who banish me from thy face o let me look on thee once more .... ,~ GUILLAUME COSTE LEY ... Allon gay, bergeres (1531-1606) Let us go merrily, Nymphs, let us go merrily. be light. Follow me THOMAS WEELKES Hark, all ye lovely saints above Let us go and see the King, who from Heaven, is born on earth. ( -1623) o care. thou wilt despatch me Merry, merryl Let us go merrily, Nymphs, Hence, care, thou art too cruel Let us go merrily, be light, Follow me. The nightingale A beautiful present shall I make him, Of this flageolet I have, I have so merry. Let us go merry nymphs. THOMAS MORLEY Fire. fire, my heart A cake shall I give himl Merry, merry I (1557-1603) Let us go merrily, be light, the King is drinking! JOHN DOWLAND Fine knacks for ladies (1563-1626) Me, me and none but me ROLAND DELASSUS ...... Bonjour, mon coeur Wilt thou unkind thus reave me Hello, my heart, hello my tender life; Sleep wayward thoughts Hello, my eye, hello my tender friend. -
Mario Ferraro 00
City Research Online City, University of London Institutional Repository Citation: Ferraro Jr., Mario (2011). Contemporary opera in Britain, 1970-2010. (Unpublished Doctoral thesis, City University London) This is the unspecified version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/1279/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] CONTEMPORARY OPERA IN BRITAIN, 1970-2010 MARIO JACINTO FERRARO JR PHD in Music – Composition City University, London School of Arts Department of Creative Practice and Enterprise Centre for Music Studies October 2011 CONTEMPORARY OPERA IN BRITAIN, 1970-2010 Contents Page Acknowledgements Declaration Abstract Preface i Introduction ii Chapter 1. Creating an Opera 1 1. Theatre/Opera: Historical Background 1 2. New Approaches to Narrative 5 2. The Libretto 13 3. The Music 29 4. Stage Direction 39 Chapter 2. Operas written after 1970, their composers and premieres by 45 opera companies in Britain 1. -
The Status and Location of the Military Installations of the Member States of the European Union
BRIEFING PAPER Policy Department External Policies THE STATUS AND LOCATION OF THE MILITARY INSTALLATIONS OF THE MEMBER STATES OF THE EUROPEAN UNION AND THEIR POTENTIAL ROLE FOR THE EUROPEAN SECURITY AND DEFENCE POLICY (ESDP) SECURITY AND DEFENCE February 2009 JANUARY 2004 EN This briefing paper was requested by the European Parliament's Subcommittee on Security and Defence. It is published in the following language: English Authors: James Rogers and Luis Simón James Rogers is D.R.S. Scholar at Pembroke College, University of Cambridge and Luis Simón is Thomas Holloway Scholar and Fellow of the E.F.S.P.S Programme at Royal Holloway, University of London. Mr. Rogers was a Visiting Fellow at the European Union Institute for Security Studies during Autumn 2008, while Mr. Simón was a Visiting Fellow at the European Policy Centre during Spring 2008. Both are completing their Ph.D.s with a focus on European Security and Defence Pol- icy. Responsible Official: Dr Gerrard Quille Directorate‐General for External Policies of the Union Policy Department WIB 06M081 rue Wiertz B‐1047 Brussels E‐mail: [email protected] Publisher European Parliament Manuscript completed on 19 February 2009. The briefing paper is available on the Internet at http://www.europarl.europa.eu/activities/committees/studies.do?language=EN If you are unable to download the information you require, please request a paper copy by e‐mail : xp‐[email protected] Brussels: European Parliament, 2009. Any opinions expressed in this document are the sole responsibility of the author and do not necessar‐ ily represent the official position of the European Parliament. -
Bermuda Cruise
"No-Fly" Bermuda Cruise "No-Fly" Bermuda Cruise (10 days) Join your Host, Richard Arnold, and travel by motorcoach to/from Halifax and Boston to board Norwegian Pearl and find your own slice of paradise in Bermuda. With two overnights and three full days at the Royal Naval Dockyard, you have plenty of time to explore this small island that's big on relaxation. Located at the tip of Bermuda's West End, Royal Naval Dockyard is home to exceptional shopping and pristine beaches. Quaint boutiques, a crafts market and a fascinating maritime museum all await! Dates May 05 - May 14, 2022 | 8 Day Cruise + Travel to/from Boston Highlights Fully Escorted by Professional Tour Director Transportation by Modern Motorcoach to/from Boston 9 Nights' Accommodation 8 Day / 7 Night Bermuda Cruise aboard Norwegian Pearl (docked at Royal Navy Dockyard for 3 Days / 2 Nights) 24 Meals: 8 Dinners, 7 Lunches; 9 Breakfasts Premium Beverage Package including Gratuities $50 Shore Excursion Credit Per Cabin not including Gratuities $100 Onboard Credit Per Cabin not including Gratuities 250 minutes free WIFI Per Cabin Itinerary Day 1 - Halifax, NS to Portland, NS Travel from Halifax to Portland with pickups en route; Enjoy a special Welcome Reception and Dinner (Dinner) Day 2 - Portland to Boston, MA Travel from Bangor to Boston, MA; board Norwegian Pearl; cruise the Atlantic Ocean. (Breakfast, Dinner) Depart Boston: 4:00PM Day 3 - At Sea Cruising the Atlantic Ocean (Breakfast, Lunch, Dinner) Day 4 - Arrive Bermuda ; Dock Royal Naval Dockyard Explore on your own or join an organized shore excursion for an additional cost. -
Naval Dockyards Society
20TH CENTURY NAVAL DOCKYARDS: DEVONPORT AND PORTSMOUTH CHARACTERISATION REPORT Naval Dockyards Society Devonport Dockyard Portsmouth Dockyard Title page picture acknowledgements Top left: Devonport HM Dockyard 1951 (TNA, WORK 69/19), courtesy The National Archives. Top right: J270/09/64. Photograph of Outmuster at Portsmouth Unicorn Gate (23 Oct 1964). Reproduced by permission of Historic England. Bottom left: Devonport NAAFI (TNA, CM 20/80 September 1979), courtesy The National Archives. Bottom right: Portsmouth Round Tower (1843–48, 1868, 3/262) from the north, with the adjoining rich red brick Offices (1979, 3/261). A. Coats 2013. Reproduced with the permission of the MoD. Commissioned by The Historic Buildings and Monuments Commission for England of 1 Waterhouse Square, 138-142 Holborn, London, EC1N 2ST, ‘English Heritage’, known after 1 April 2015 as Historic England. Part of the NATIONAL HERITAGE PROTECTION COMMISSIONS PROGRAMME PROJECT NAME: 20th Century Naval Dockyards Devonport and Portsmouth (4A3.203) Project Number 6265 dated 7 December 2012 Fund Name: ARCH Contractor: 9865 Naval Dockyards Society, 44 Lindley Avenue, Southsea, PO4 9NU Jonathan Coad Project adviser Dr Ann Coats Editor, project manager and Portsmouth researcher Dr David Davies Editor and reviewer, project executive and Portsmouth researcher Dr David Evans Devonport researcher David Jenkins Project finance officer Professor Ray Riley Portsmouth researcher Sponsored by the National Museum of the Royal Navy Published by The Naval Dockyards Society 44 Lindley Avenue, Portsmouth, Hampshire, PO4 9NU, England navaldockyards.org First published 2015 Copyright © The Naval Dockyards Society 2015 The Contractor grants to English Heritage a non-exclusive, transferable, sub-licensable, perpetual, irrevocable and royalty-free licence to use, copy, reproduce, adapt, modify, enhance, create derivative works and/or commercially exploit the Materials for any purpose required by Historic England. -
Boston Symphony Orchestra Concert Programs, Season 113, 1993-1994
Boston Symphony Orchestra Twentieth Anniversary Season 19 9 3-94 *,* 'K> ye €B€L the architects of ti m e beluQO Soft and elegant. Hand sculpted in Switzerland exclusively in 18 karat gold. Water resistant Five year international limited warranty. Intelligently priced. E.B. HORN Jewelers Since 1839 Positively The Best Value In Jewelry 429 WASHINGTON ST BOSTON 02108 ALL MAJOR CREDIT CARDS ACCEPTED • BUDGET TERMS MAIL OR PHONE ORDERS 542-3902 • OPEN MON. AND THURS. TIL 7 Seiji Ozawa, Music Director One Hundred and Thirteenth Season, 1993-94 Trustees of the Boston Symphony Orchestra, Inc. J. P. Barger, Chairman George H. Kidder, President Mrs. Lewis S. Dabney, Vice-Chairman Nicholas T. Zervas, Vice-Chairman Mrs. John H. Fitzpatrick, Vice-Chairman William J. Poorvu, Vice-Chairman andTreasurer David B. Arnold, Jr. Nina L. Doggett George Krupp Peter A. Brooke Dean Freed R. Willis Leith, Jr. James F. Cleary Avram J. Goldberg Mrs. August R. Meyer John F. Cogan, Jr. Thelma E. Goldberg Molly Beals Millman Julian Cohen Julian T. Houston Mrs. Robert B. Newman William F. Connell Mrs. BelaT. Kalman Peter C. Read William M. Crozier, Jr. Allen Z. Kluchman Richard A. Smith Deborah B. Davis Harvey Chet Krentzman Ray Stata Trustees Emeriti Vernon R. Alden Archie C. Epps Irving W. Rabb Philip K. Allen Mrs. Harris Fahnestock Mrs. George Lee Sargent Allen G. Barry Mrs. John L. Grandin Sidney Stoneman Leo L. Beranek Mrs. George I. Kaplan John Hoyt Stookey AbramT. Collier Albert L. Nickerson John L. Thorndike Nelson J. Darling, Jr. Thomas D. Perry, Jr. Other Officers of the Corporation John Ex Rodgers, Assistant Treasurer Michael G.