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April 12, 2002 Issue
April 12, 2002 Volume 16 Issue '89 $6.00 ASHANTI IF it COMES FROM the HEART, THENyouKNOW that IT'S TRUE... theCOLORofLOVE "The guys went back to the formula that works...with Babyface producing it and the greatest voices in music behind it ...it's a smash..." Cat Thomas KLUC/Las Vegas "Vintage Boyz II Men, you can't sleep on it...a no brainer sound that always works...Babyface and Boyz II Men a perfect combination..." Byron Kennedy KSFM/Sacramento "Boyz II Men is definitely bringin that `Boyz II Men' flava back...Gonna break through like a monster!" Eman KPWR/Los Angeles PRODUCED by BABYFACE XN SII - fur Sao 1 III\ \\Es.It iti viNA! ARM&SNykx,aristo.coni421111211.1.ta Itccoi ds. loc., a unit of RIG Foicrtainlocni. 1i -r by Q \Mil I April 12, 2002 Volume 16 Issue 789 DENNIS LAVINTHAL Publisher ISLAND HOPPING LENNY BEER Editor In Chief No man is an Island, but this woman is more than up to the task. TONI PROFERA Island President Julie Greenwald has been working with IDJ ruler Executive Editor Lyor Cohen so long, the two have become a tag team. This week, KAREN GLAUBER they've pinned the charts with the #1 debut of Ashanti's self -titled bow, President, HITS Magazine three other IDJ titles in the Top 10 (0 Brother, Ludcaris and Jay-Z/R. TODD HENSLEY President, HITS Online Ventures Kelly), and two more in the Top 20 (Nickelback and Ja Rule). Now all she has to do is live down this HITS Contents appearance. -
Generation Kill and the New Screen Combat Magdalena Yüksel and Colleen Kennedy-Karpat
15 Generation Kill and the New Screen Combat Magdalena Yüksel and Colleen Kennedy-Karpat No one could accuse the American cultural industries of giving the Iraq War the silent treatment. Between the 24-hour news cycle and fictionalized enter- tainment, war narratives have played a significant and evolving role in the media landscape since the declaration of war in 2003. Iraq War films, on the whole, have failed to impress audiences and critics, with notable exceptions like Kathryn Bigelow’s The Hurt Locker (2008), which won the Oscar for Best Picture, and her follow-up Zero Dark Thirty (2012), which tripled its budget in worldwide box office intake.1 Television, however, has fared better as a vehicle for profitable, war-inspired entertainment, which is perhaps best exemplified by the nine seasons of Fox’s 24 (2001–2010). Situated squarely between these two formats lies the television miniseries, combining seriality with the closed narrative of feature filmmaking to bring to the small screen— and, probably more significantly, to the DVD market—a time-limited story that cultivates a broader and deeper narrative development than a single film, yet maintains a coherent thematic and creative agenda. As a pioneer in both the miniseries format and the more nebulous category of quality television, HBO has taken fresh approaches to representing combat as it unfolds in the twenty-first century.2 These innovations build on yet also depart from the precedent set by Band of Brothers (2001), Steven Spielberg’s WWII project that established HBO’s interest in war-themed miniseries, and the subsequent companion project, The Pacific (2010).3 Stylistically, both Band of Brothers and The Pacific depict WWII combat in ways that recall Spielberg’s blockbuster Saving Private Ryan (1998). -
Rules of Engagement: Performance and Identity in the War on Terror
RULES OF ENGAGEMENT: PERFORMANCE AND IDENTITY IN THE WAR ON TERROR A Thesis by EMILY JO PIEPENBRINK Submitted to the Office of Graduate Studies of Texas A&M University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2012 Major Subject: Performance Studies Rules of Engagement: Performance and Identity in the War on Terror Copyright 2012 Emily Jo Piepenbrink RULES OF ENGAGEMENT: PERFORMANCE AND IDENTITY IN THE WAR ON TERROR A Thesis by EMILY JO PIEPENBRINK Submitted to the Office of Graduate Studies of Texas A&M University in partial fulfillment of the requirements for the degree of MASTER OF ARTS Approved by: Chair of Committee, Kirsten Pullen Committee Members, Judith Hamera Joseph G. Dawson Head of Department, Judith Hamera May 2012 Major Subject: Performance Studies iii ABSTRACT Rules of Engagement: Performance and Identity in the War on Terror. (May 2012) Emily Jo Piepenbrink, B.A., Texas A&M University Chair of Advisory Committee: Dr. Kirsten Pullen War and war-fighters have become immortalized through performance; generations of service-men and women are defined by actions on the battlefield artfully altered on stage and screen. This reciprocal relationship, whether war-fighters intentionally participate or not, has imbued the entertainment industry with the power to characterize war-fighters in lasting ways. Performance enters the military in other ways as well: war-fighters reenact moments from war films; combat training takes on theatrical tactics and rhetoric; war-fighters of the War on Terror record and stage their own war performances. We accept that current war performances will inevitably affect the perception and reputation of war-fighters, not only for the duration of the war but for decades afterward, but do we fully understand the cost of the relationship between today’s war-fighters and performance’s role in the military? In this MA thesis, based on ethnographic fieldwork with veterans of the War on Terror, I explore the intersection between war-fighters, war, and performance. -
Postmodernism in Anglo-American Fiction
i Table of Contents Christophe Den Tandt Professor Université Libre de Bruxelles Postmodernism in Anglo-American Fiction VOL II: First-Generation Postmodernism: Thomas Pynchon; Kurt Vonnegut, Jr.; Julian Barnes v Table of Contents 0.1 Online Information ............................................................................................................................... vii 0.2 Scope of the Present Notes ................................................................................................................... vii 0.3 Bibliographical Sources ....................................................................................................................... vii 0.4 Formatting and Style Sheet .................................................................................................................. vii 2.3 First-Generation Postmodernist Fiction ........................................................................................ 114 2.3.1 US Fiction from the 1950 to the '70s ............................................................................................... 114 2.3.2 Thomas Pynchon (1937-) ............................................................................................................. 119 2.3.2.1 Biography .................................................................................................................................... 119 2.3.2.2 Pynchon’s Works ....................................................................................................................... -
PC Is Back in South Park: Framing Social Issues Through Satire
Colloquy Vol. 12, Fall 2016, pp. 101-114 PC Is Back in South Park: Framing Social Issues through Satire Alex Dejean Abstract This study takes an extensive look at the television program South Park episode “Stunning and Brave.” There is limited research that explores the use of satire to create social discourse on concepts related to political correctness. I use framing theory as a primary variable to understand the messages “Stunning and Brave” attempts to convey. Framing theory originated from the theory of agenda setting. Agenda setting explains how media depictions affect how people think about the world. Framing is an aspect of agenda setting that details the organization and structure of a narrative or story. Framing is such an important variable to agenda setting that research on framing has become its own field of study. Existing literature of framing theory, comedy, and television has shown how audiences perceive issues once they have been exposed to media messages. The purpose of this research will review relevant literature explored in this area to examine satirical criticism on the social issue of political correctness. It seems almost unnecessary to point out the effect media has on us every day. Media is a broad term for the collective entities and structures through which messages are created and transmitted to an audience. As noted by Semmel (1983), “Almost everyone agrees that the mass media shape the world around us” (p. 718). The media tells us what life is or what we need for a better life. We have been bombarded with messages about what is better. -
Guest Host: Pitbull Show Date: Weekend of July 6-7, 2013 Disc One/Hour One Opening Billboard: None Seg
Show Code: #13-27 INTERNATIONAL Guest Host: Pitbull Show Date: Weekend of July 6-7, 2013 Disc One/Hour One Opening Billboard: None Seg. 1 Content: #40 “COME & GET IT” – Selena Gomez #39 “SHOULD'VE GONE TO BED” – Plain White T's #38 “SOMEBODY THAT I USED TO KNOW” – Gotye Outcue: JINGLE OUT Segment Time: 11:36 Local Break 2:00 Seg. 2 Content: #37 “TOO CLOSE” – Alex Clare #36 “OUR SONG” – Matchbox Twenty #35 “EVERYBODY TALKS” – Neon Trees #34 “ONE MORE NIGHT” – Maroon 5 Outcue: JINGLE OUT Segment Time: 14:37 Local Break 2:00 Seg. 3 Content: #33 “HERE'S TO NEVER GROWING UP” – Avril Lavigne Extra: “WE RUN THE NIGHT” – Havana Brown f/Pitbull #32 “I KNEW YOU WERE TROUBLE.” – Taylor Swift #31 “LOCKED OUT OF HEAVEN” – Bruno Mars On The Verge: “IT’S A BEAUTIFUL DAY” – Michael Bublé Outcue: JINGLE OUT Segment Time: 20:07 Local Break 1:00 Seg. 4 ***This is an optional cut - Stations can opt to drop song for local inventory*** Content: AT40 Extra: “TAKE A BOW” – Rihanna Outcue: “…to everybody in Brazil, [Spanish], ha ha.” (sfx) Segment Time: 3:21 Hour 1 Total Time: 49:41 END OF DISC ONE Show Code: #13-27 INTERNATIONAL Show Date: Weekend of July 6-7, 2013 Disc Two/Hour Two Opening Billboard: None Seg. 1 Content: #30 “IT'S TIME” – Imagine Dragons #29 “MY SONGS KNOW WHAT YOU DID IN THE DARK (LIGHT EM UP)” – Fall Out Boy On The Verge: “GET LUCKY” – Daft Punk f/Pharrell Williams #28 “SOME NIGHTS” – fun. Outcue: JINGLE OUT Segment Time: 16:06 Local Break 2:00 Seg. -
St. Ignatius Collegian, Vol. 4 (1904-1905) Students of St
Loyola University Chicago Loyola eCommons St. Ignatius Collegian University Archives & Special Collections 1905 St. Ignatius Collegian, Vol. 4 (1904-1905) Students of St. Ignatius College Recommended Citation Students of St. Ignatius College, "St. Ignatius Collegian, Vol. 4 (1904-1905)" (1905). St. Ignatius Collegian. Book 2. http://ecommons.luc.edu/st_ignatius_collegian/2 This Article is brought to you for free and open access by the University Archives & Special Collections at Loyola eCommons. It has been accepted for inclusion in St. Ignatius Collegian by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. m '•c\<e:?^m^^^>; NON ^'^'ir ^ikm %;MiU»>^ >v. ; t. Jgnatius Collegkn Vol. IV Chicago, 111., Nov., 1904 No. 1 Ci)e (tontetnplation of Autumn. BOUNTEOUS nature has given to mortals a soulful love for A what is beautiful. The faculty exists in every human being, whether civilized or savage; but the degree of its develop- ment in any man may be said to determine the culture, in fact, the very civilization of the individual in question. It is born in every- one ; but in some, it is destined like the seed of the Scriptural para- ble, to die for want of nourishment. In others, it reaches, not per- fect maturity—for such an outcome is beyond the dwarfed capa- bility of humanity—but a sufficient degree of development to render its possessors genial and broad-minded men—a bulwark of morality and a credit to society in general. -
Why Every Show Needs to Be More Like the Wire (“Not Just the Facts, Ma’Am”)
DIALOGUE WHY EVERY SHOW NEEDS TO BE MORE LIKE THE WIRE (“NOT JUST THE FACTS, MA’AM”) NEIL LANDAU University of California, Los Angeles (UCLA) The Wire (HBO, 2002-2008) upends the traditional po- ed the cop-drama universe. It was a pioneering season-long lice procedural by moving past basic plot points and “twists” procedural. Here are my top 10 reasons why Every Show in the case, diving deep into the lives of both the cops and Needs to Be More Like The Wire. the criminals they pursue. It comments on today’s America, employing characters who defy stereotype. In the words of — creator David Simon: 1. “THIS AMERICA, MAN” The grand theme here is nothing less than a nation- al existentialism: It is a police story set amid the As David Simon explains: dysfunction and indifference of an urban depart- ment—one that has failed to come to terms with In the first story arc, the episodes begin what the permanent nature of urban drug culture, one would seem to be the straightforward, albeit pro- in which thinking cops, and thinking street players, tracted, pursuit of a violent drug crew that controls must make their way independent of simple expla- a high-rise housing project. But within a brief span nations (Simon 2000: 2). of time, the officers who undertake the pursuit are forced to acknowledge truths about their de- Given the current political climate in the US and interna- partment, their role, the drug war and the city as tionally, it is timely to revisit the The Wire and how it expand- a whole. -
Radio Essentials 2012
Artist Song Series Issue Track 44 When Your Heart Stops BeatingHitz Radio Issue 81 14 112 Dance With Me Hitz Radio Issue 19 12 112 Peaches & Cream Hitz Radio Issue 13 11 311 Don't Tread On Me Hitz Radio Issue 64 8 311 Love Song Hitz Radio Issue 48 5 - Happy Birthday To You Radio Essential IssueSeries 40 Disc 40 21 - Wedding Processional Radio Essential IssueSeries 40 Disc 40 22 - Wedding Recessional Radio Essential IssueSeries 40 Disc 40 23 10 Years Beautiful Hitz Radio Issue 99 6 10 Years Burnout Modern Rock RadioJul-18 10 10 Years Wasteland Hitz Radio Issue 68 4 10,000 Maniacs Because The Night Radio Essential IssueSeries 44 Disc 44 4 1975, The Chocolate Modern Rock RadioDec-13 12 1975, The Girls Mainstream RadioNov-14 8 1975, The Give Yourself A Try Modern Rock RadioSep-18 20 1975, The Love It If We Made It Modern Rock RadioJan-19 16 1975, The Love Me Modern Rock RadioJan-16 10 1975, The Sex Modern Rock RadioMar-14 18 1975, The Somebody Else Modern Rock RadioOct-16 21 1975, The The City Modern Rock RadioFeb-14 12 1975, The The Sound Modern Rock RadioJun-16 10 2 Pac Feat. Dr. Dre California Love Radio Essential IssueSeries 22 Disc 22 4 2 Pistols She Got It Hitz Radio Issue 96 16 2 Unlimited Get Ready For This Radio Essential IssueSeries 23 Disc 23 3 2 Unlimited Twilight Zone Radio Essential IssueSeries 22 Disc 22 16 21 Savage Feat. J. Cole a lot Mainstream RadioMay-19 11 3 Deep Can't Get Over You Hitz Radio Issue 16 6 3 Doors Down Away From The Sun Hitz Radio Issue 46 6 3 Doors Down Be Like That Hitz Radio Issue 16 2 3 Doors Down Behind Those Eyes Hitz Radio Issue 62 16 3 Doors Down Duck And Run Hitz Radio Issue 12 15 3 Doors Down Here Without You Hitz Radio Issue 41 14 3 Doors Down In The Dark Modern Rock RadioMar-16 10 3 Doors Down It's Not My Time Hitz Radio Issue 95 3 3 Doors Down Kryptonite Hitz Radio Issue 3 9 3 Doors Down Let Me Go Hitz Radio Issue 57 15 3 Doors Down One Light Modern Rock RadioJan-13 6 3 Doors Down When I'm Gone Hitz Radio Issue 31 2 3 Doors Down Feat. -
The Wire the Complete Guide
The Wire The Complete Guide PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Tue, 29 Jan 2013 02:03:03 UTC Contents Articles Overview 1 The Wire 1 David Simon 24 Writers and directors 36 Awards and nominations 38 Seasons and episodes 42 List of The Wire episodes 42 Season 1 46 Season 2 54 Season 3 61 Season 4 70 Season 5 79 Characters 86 List of The Wire characters 86 Police 95 Police of The Wire 95 Jimmy McNulty 118 Kima Greggs 124 Bunk Moreland 128 Lester Freamon 131 Herc Hauk 135 Roland Pryzbylewski 138 Ellis Carver 141 Leander Sydnor 145 Beadie Russell 147 Cedric Daniels 150 William Rawls 156 Ervin Burrell 160 Stanislaus Valchek 165 Jay Landsman 168 Law enforcement 172 Law enforcement characters of The Wire 172 Rhonda Pearlman 178 Maurice Levy 181 Street-level characters 184 Street-level characters of The Wire 184 Omar Little 190 Bubbles 196 Dennis "Cutty" Wise 199 Stringer Bell 202 Avon Barksdale 206 Marlo Stanfield 212 Proposition Joe 218 Spiros Vondas 222 The Greek 224 Chris Partlow 226 Snoop (The Wire) 230 Wee-Bey Brice 232 Bodie Broadus 235 Poot Carr 239 D'Angelo Barksdale 242 Cheese Wagstaff 245 Wallace 247 Docks 249 Characters from the docks of The Wire 249 Frank Sobotka 254 Nick Sobotka 256 Ziggy Sobotka 258 Sergei Malatov 261 Politicians 263 Politicians of The Wire 263 Tommy Carcetti 271 Clarence Royce 275 Clay Davis 279 Norman Wilson 282 School 284 School system of The Wire 284 Howard "Bunny" Colvin 290 Michael Lee 293 Duquan "Dukie" Weems 296 Namond Brice 298 Randy Wagstaff 301 Journalists 304 Journalists of The Wire 304 Augustus Haynes 309 Scott Templeton 312 Alma Gutierrez 315 Miscellany 317 And All the Pieces Matter — Five Years of Music from The Wire 317 References Article Sources and Contributors 320 Image Sources, Licenses and Contributors 324 Article Licenses License 325 1 Overview The Wire The Wire Second season intertitle Genre Crime drama Format Serial drama Created by David Simon Starring Dominic West John Doman Idris Elba Frankie Faison Larry Gilliard, Jr. -
The Eastern Mail (Vol. 10, No. 10): September 18, 1856
Colby College Digital Commons @ Colby The Eastern Mail (Waterville, Maine) Waterville Materials 9-18-1856 The Eastern Mail (Vol. 10, No. 10): September 18, 1856 Ephraim Maxham Daniel Ripley Wing Follow this and additional works at: https://digitalcommons.colby.edu/eastern_mail Part of the Agriculture Commons, American Popular Culture Commons, Journalism Studies Commons, and the United States History Commons Recommended Citation Maxham, Ephraim and Wing, Daniel Ripley, "The Eastern Mail (Vol. 10, No. 10): September 18, 1856" (1856). The Eastern Mail (Waterville, Maine). 477. https://digitalcommons.colby.edu/eastern_mail/477 This Newspaper is brought to you for free and open access by the Waterville Materials at Digital Commons @ Colby. It has been accepted for inclusion in The Eastern Mail (Waterville, Maine) by an authorized administrator of Digital Commons @ Colby. T itttgcdlattL). peaceable Insirttmenlalilics gudrflntied by tha Const lution nnd tho laws of the land. In onf judgment, therefore, this, afld Ihi* almost ex. THE MY-STIO BELL. cldsively, Is the question which the hundreds 61 thousands of honest voters shotlld, in (he TBK OP AKDBESIW. present crisis, answer by their ballots, viz Toward err.ning, in the narrow streets of a How can the free principles and the fm msti* iargtt town, just as the sun was sinking, and the iiiiions—the true IJeraocrncy of the Nbrtli— elouds used to glitter Uke gold between the nut the geugrnpliicnl, sectional Nol'lh, btll the cbimflieti, a singular sound, like that of a church North iliflt t-cpt-csents the national AiM^oan bell, was often heard—sometimes by one, ilome- iih-a—be best sustained and extended t Clear times by another; but it only lasted a minute, ly that idea is in perj], Thcreis ho danger of for there was such a rumbling of carts, and’ a dissolution of the Union, biit there is dawger such a din of voicdKt thht slighter noises were I l.at liberty—without which the form hf • fft- drowned. -
8123 Songs, 21 Days, 63.83 GB
Page 1 of 247 Music 8123 songs, 21 days, 63.83 GB Name Artist The A Team Ed Sheeran A-List (Radio Edit) XMIXR Sisqo feat. Waka Flocka Flame A.D.I.D.A.S. (Clean Edit) Killer Mike ft Big Boi Aaroma (Bonus Version) Pru About A Girl The Academy Is... About The Money (Radio Edit) XMIXR T.I. feat. Young Thug About The Money (Remix) (Radio Edit) XMIXR T.I. feat. Young Thug, Lil Wayne & Jeezy About Us [Pop Edit] Brooke Hogan ft. Paul Wall Absolute Zero (Radio Edit) XMIXR Stone Sour Absolutely (Story Of A Girl) Ninedays Absolution Calling (Radio Edit) XMIXR Incubus Acapella Karmin Acapella Kelis Acapella (Radio Edit) XMIXR Karmin Accidentally in Love Counting Crows According To You (Top 40 Edit) Orianthi Act Right (Promo Only Clean Edit) Yo Gotti Feat. Young Jeezy & YG Act Right (Radio Edit) XMIXR Yo Gotti ft Jeezy & YG Actin Crazy (Radio Edit) XMIXR Action Bronson Actin' Up (Clean) Wale & Meek Mill f./French Montana Actin' Up (Radio Edit) XMIXR Wale & Meek Mill ft French Montana Action Man Hafdís Huld Addicted Ace Young Addicted Enrique Iglsias Addicted Saving abel Addicted Simple Plan Addicted To Bass Puretone Addicted To Pain (Radio Edit) XMIXR Alter Bridge Addicted To You (Radio Edit) XMIXR Avicii Addiction Ryan Leslie Feat. Cassie & Fabolous Music Page 2 of 247 Name Artist Addresses (Radio Edit) XMIXR T.I. Adore You (Radio Edit) XMIXR Miley Cyrus Adorn Miguel Adorn Miguel Adorn (Radio Edit) XMIXR Miguel Adorn (Remix) Miguel f./Wiz Khalifa Adorn (Remix) (Radio Edit) XMIXR Miguel ft Wiz Khalifa Adrenaline (Radio Edit) XMIXR Shinedown Adrienne Calling, The Adult Swim (Radio Edit) XMIXR DJ Spinking feat.