DOCSLIB.ORG

C NTENT 18-31 May 2020 L

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
C NTENT 18-31 May 2020 L C NTENT 18-31 May 2020 www.contentasia.tv l www.contentasiasummit.com Disney+ Hotstar Production resumes in pockets across Asia could top 100m Broadcasters pile into quarantine-friendly content paying subs MPA analysis puts subs revenue between US$418m and US$778m by 2025 Disney’s India streaming platform, Dis- ney+ Hotstar, has the potential to scale up to 100 million paying subs and US$1 billion in revenue over the next five years, according to a newly released report by Media Partners Asia (MPA). The full story is on page 4 q Commencement ceremony for TVB’s new drama, (Seven Princesses) Brakes on StarHub 七公主 Broadcasters across Asia have resumed production continues as scheduled, ex- subs losses various levels of production following cluding shows with live audiences. Q1 exits lowest since 2017 months of lockdowns and Covid-19 con- “All weekly entertainment reality shows, tainment measures. such as Home Alone, weekly singing con- StarHub’s pay-TV subscriber base contin- Regular production is back on track at test show, King of the Masked Singer, and ues to slide along with ARPU, hitting three China’s Hunan TV, while in Hong Kong, all drama series were filmed every week year lows at the end of Q1 2020. But, the local broadcast giant TVB has already regardless of the Covid-19 situation” and quarterly pay-TV subs decrease is by far started filming two dramas – 七公主 with strict precautions, says Jean Hur, the lowest since the beginning of 2017, (Seven Princesses, working title) and 超能 MBC’s international relations director. with a loss of 2,000 subs in the first three 使者 – this month. A third drama, 刑偵日記, In Ulaanbaatar, it has been business months of this year, and StarHub bosses starts in early June. as usual for Mongolian broadcaster NTV are clearly hoping that they’ve seen off TVB says precautionary measures are since April after a month’s pause in March. the worst of cord-cutting. being taken on set, including wearing NTV premiered entertainment pro- masks in recording studios, observing gramme My Wife Rules (12x45 mins, 6pm The full story is on page 3 hand hygiene and increased cleaning Sunday) on 26 April and Little Master and disinfection in studios. (12x60 mins) on 25 April, says Shinetsetseg Also in Hong Kong, PCCW Media- Jargalsaikhan, NTV’s head of program- q owned free-TV broadcaster, ViuTV, says ming. Plus... production is back on track and work has Broadcasters across the region are ex- • Mongolia ramps up game show formats resumed on Ladies in the City (working ploring alternative formats, including vir- • Shine comes of Korea’s star writer title), Ink at Taiping and We are the Littles. tual events with stronger online elements, • Game shows win in Vietnam Like the rest of the production indus- and story lines that incorporate new so- • Long-running faves tops in Korea try, back-to-work measures include the cial realities. • #ContentAsiaRecommends full range of precautions, including tem- Hong Kong TVB, for instance, is taking ... and a whole lot more perature screening and minimising head- its annual Miss Hong Kong Pageant into count on set. In Korea, free-TV broadcaster MBC says More on page 6 FROM THE SCREEN TO THE SOFA staying home? then stay entertained! Celebrity THE QUIZ SHOW IN YOUR OWN HOME Call Centre Everyday problems, extraordinary solutions @all3media_int all3mediainternational.com 18-31 May 2020 page 2. C NTENTASIA 18-31 MaY 2020 Page 3. Mongolian StarHub subs losses screech to a halt broadcasters Q1 churn the lowest by far in 13 quarters ramp up game StarHub’s pay-TV base continues to slide The biggest loss in the last 13 quar- along with average revenue per user, hit- ters was in Q3 2019, when the platform show formats ting three year lows at the end of Q1 2020. dropped 27,000 subs in three months. Cash rules in new BUT (and it’s a big one), the quarterly This followed a 20,000 loss in in Q2 2019. pay-TV subs decrease is by far the lowest Two more quarters of losses brought the commissions of since the beginning of 2017, with a loss annual total shrinkage last year to 80,000 Cash Mob, Cash Cab, of 2,000 subs in the first three months of – a 32.5% jump from the 54,000 subs lost this year. in 2018. Cash at Your Door And bosses at what was once Singa- Despite a decline in subs numbers, Star- pore’s-dominant pay TV platform are Hub kept ARPU stable at around S$51 Mongolian broadcasters TV9 and EduTV taking this as a good sign. through 2017 and 2018 (with a bump to have picked up format rights for the first From end March 2017 to end March S$53 in the second quarter of 2018). local versions of entertainment formats this year, StarHub’s subscriber base has From 2019, ARPU started dropping. The Cash Mob and Cash Cab from global dropped 33%, from 487,000 to 327,000. biggest loss was in this latest quarter, with indie all3media international. ARPU is down from S$51/US$36 to S$38/ a fall from S$44 at end Dec to $38 at end Twenty half-hour episodes of Cash Mob US$27 – a drop of just under 26%. March. will be created by Hulegu Pictures for free-TV broadcaster Edu TV. The broadcaster has also ordered a StarHubSubscribers Subscribers ('000) ‘000 second season of Matar Productions 600 gameshow Cash at Your Door. The new season of 25 half-hour episodes will also 500 be produced by Hulegu. Free-TV broadcaster TV9 has commis- 400 sioned the first 12-episodes of Lion Televi- sion’s quiz show format Cash Cab. TV9 300 will produce the series in-house. 200 Production/broadcast dates for the new commissions have not yet been 100 confirmed. The new formats deals coincide with 0 Mongol TV’s 10th anniversary of Studio Lambert’s Gogglebox Mongolia. Seven new episodes of the entertainment series have been scheduled from this month. q StarHubARPU ARPU S$ S$ Malaysian producers beg 60 for filming clearance 50 40 Malaysia’s Film Directors Association (FDAM) is begging authorities to allow 30 film and TV companies to pick up pro- duction before the Muslim holiday of 20 Hari Raya Aidilfitri. National news agency 10 Bernama quoted association president Ahmad Ibrahim as saying this would al- 0 low producers to earn some money be- fore the celebrations. Covid-19 safe film- ing guidelines have already been issued by film development body, Finas. Source: StarHub financials C NTENTASIA 18-31 MaY 2020 Page 4. Disney+ Hotstar could top 100m paying subs in five years MPA analysis puts subs revenue between US$418m and US$778m by 2025 Source: Media Partners Asia Disney’s India streaming platform, Disney+ for investors and stakeholders in India’s vestment in product innovation, content Hotstar, has the potential to scale up to media industry – “probably more so than creation and acquisitions as well as re- 100 million paying subs and US$1 billion in at any other time in the media sector’s taining key sports rights; developing new revenue over the next five years, accord- modern history after the first phase of In- features and services, including gaming ing to a newly released report by Media dia’s economic liberalisation in 1991”. and aggregating more local live and Partners Asia (MPA). “Content creation and distribution, al- on-demand content; and expanding its Growth of the country’s largest premi- ready disrupted and democratised by tech and potentially the brand to South- um digital video platform will be driven the growth of mobile broadband con- east Asia, including large-scale emerging by sports, Disney+, Indian originals, Holly- nectivity, is now entering into a period of markets such as Indonesia and Thailand. wood entertainment and a super aggre- rapid change with all eyes on how India’s MPA’s base case analysis indicates gator strategy, the report, Disney+ Hotstar: US$1.4 billion online video market will de- that Disney+ Hotstar could reach 93 mil- The Future of India’s Largest Premium Digi- velop,” MPA continued. lion paying subs by 2025 at monthly AR- tal Video Platform, says. MPA has revised its projections for India’s PUs under US$1. This equates to US$587 The direct-to-consumer and subscrip- online video sector upwards as it sees the million in subscription revenue by 2025 tion strategy is “emerging as a key driver market scaling to US$4 billion in revenue while advertising sales could reach of value creation”, the report says, noting by 2025. US$314 million. less reliance on telco deals. SVOD will contribute a greater share as The bull case scenario calls for 102 Future value creation may come from it reaches more than US$1.5 billion, while million paying subs in 2025 at margin- gaming and expansion into Southeast advertising grows to US$2.5 billion. ally higher ARPUs, equating to more than Asia. “In this context, Disney+ Hotstar is a US$1.2 billion in revenue with US$778 mil- The report also highlights key risks, in- major agent of positive change with lion in subscription revenue and US$429 cluding macro disruption and the ability potential for significant future growth,” million in advertising. to retain marquee sports rights as well as MPA says. MPA’s bear case scenario calls for 74 to accelerate the pace of investment in MPA’s projections indicate Disney+ Hot- million paying subs in 2025 at marginally originals and content acquisitions against star could have 25% of the total online vid- lower ARPUs.
Load more

Recommended publications
  • TRULY GLOBAL Worldscreen.Com *LIST 1218 ALT2 LIS 1006 LISTINGS 11/21/18 11:19 AM Page 2
    *LIST_1218_ALT2_LIS_1006_LISTINGS 11/21/18 11:19 AM Page 1 WWW.WORLDSCREENINGS.COM DECEMBER 2018 ASIA TV FORUM EDITION TVLISTINGS THE LEADING SOURCE FOR PROGRAM INFORMATION TRULY GLOBAL WorldScreen.com *LIST_1218_ALT2_LIS_1006_LISTINGS 11/21/18 11:19 AM Page 2 2 TV LISTINGS ASIA TV FORUM EXHIBITOR DIRECTORY COMPLETE LISTINGS FOR THE COMPANIES IN BOLD CAN BE FOUND IN THIS EDITION OF TV LISTINGS. 108 Media L28 Five Star Production C28 NHC Media J10 9 Story Distribution International J30 Fixed Stars Multimedia D10 NHK Enterprises B10-18 A+E Networks G20 Flame Distribution L05 Nippon Animation B10-14 ABC Commercial L05 Fortune Star Media G26 Nippon TV B10-19 About Premium Content F10 FOX Networks Group D18 NPO Sales H36 ABS-CBN Corporation J18 FranceTV Distribution F10 NTV Broadcasting Company H27 ADK/NAS/D-Rights B10-15 Fred Media L05 Oak 3 Films E08/H08 AK Entertainment H10 Fremantle E20 Ocon Studios H32 Albatross World Sales L30 Fuji Creative Corporation B10-9 Off The Fence J23 Alfred Haber Distribution F30 GAD F10 Omens Studios E08/H08 all3media international K08 Gala Television Corporation D10 One Animation E08/H08 Alpha Group L10/N10 Gaumont H33 One Life Studios J04 Ampersand F10 Global Agency E27 One Take Media J28 Anima Istanbul N08 Globo K24 Only Distrib F10 Animasia Studio M28 Gloob Participants Lounge Parade Media Group H08-01 Animonsta Studios M28 GMA Worldwide J01 Paramount Pictures Suite 5201 Animoon J25 GO-N International F10 PGS Entertainment F10 Aniplex B27 GoldBee H34 Phoenix Satellite Television G24 Antares International
    [Show full text]
  • Annual Returns to the Communications Authority Annual
    Annual Returns to the Communications Authority Annual report on programming commitments of Year 2020 INDEX Independent local productions Annex 1 Independent local productions (All Channels) {5 pages) Total hours: 994.8 I Total hours of independent local productions: 994.8 Local productions Annex 2 Jade Channel {16 pages) Total hours: 4003.8 Annex 3 J2 Channel {3 pages) Total hours: 534.8 Annex4 TVB Finance & Information Channel (7 pages) Total hours: 2882.3 Annex 5 TVB News Channel {1 page) Total hours: 8784 Annex 6 Pearl Channel {2 pages) Total hours: 3890.2 ITotal hours of local productions: 20095.1 Independent I ,ocal Production (All Channels) Annex 1 Channel Title Airdate Duration Total Total in mins Episodes Hour Jade Joseph Koo Concert 20 12 2020/02/01 120 1 2.0 ;~~tl1tk§ffi ~~ gl$}~0§\ ~ Jimmy Lo 2016 Concert 2020/02/08 105 1 1.8 0 ~"',.OJ*§ffi~~fr!JfF=/\ii0 1lii" 1 [][]//,::mos s -&zra Lisa Wang, Adam Cheng, Kitaro 2011 Concert 2020/02/15 120 1 2.0 ~GJ>f)c · )J:BJJ¥: · ~~e~fJT~cJt)~o§~ Teresa Cheung Live 2020/02/22 120 1 2.0 ~)tH~~~___e;~~t~5~o§ ~ Lui Fong Live in Concert 2007 2020/02/29 120 1 2.0 g :JJ~:r~r:ey~x5~o§§ ~ 2020 Sam Hui Online Concert 2020/04112 60 1 1.0 2020§'f)tf{~[DJ#~~Online Concert ChiLam in Concert 2020/04/25 120 1 2.0 j~'=& ~P*'f\<;{*:9fs fyf;: / \ '.3:::. sA Rosanne Lui Live Orchestra Concert 2020/05/02 120 1 2.0 §i;3j(:§&~ijJi!Ji7(f§ 8 fffi}Xrg§t;~~U§ ~ Aaron Kwok Cheer Up & Dance Online Charity Concert 2020 2020/05/09 60 1 1.0 ¥~~tw§}~otJJ/lli3R:o~~___e~ og)~o§§ ~ Donald Cheung In Concert 2020/05/09 105
    [Show full text]
  • Drama Report 2013/2014
    Drama Report Production of feature films and TV drama in Australia 2013/14 Highlights $837 million total production expenditure Up 11 per cent on last year 35 Australian features $297 million Up 18 per cent on last year 49 Australian TV dramas $343 million Down 8 per cent on last year 26 foreign projects $197 million Up 50 per cent on last year Producer Offset total value $137 million © Screen Australia 2014 ISBN: 978-1-920998-29-5 The text in this report is released subject to a Creative Commons BY licence (Licence). This means, in summary, that you may reproduce, transmit and distribute the text, provided that you do not do so for commercial purposes, and provided that you attribute the text as extracted from Screen Australia’s Drama Report 2013/14. You must not alter, transform or build upon the text in this report. Your rights under the Licence are in addition to any fair dealing rights which you have under the Copyright Act 1968 (Cwlth). For further terms of the Licence, please see http://creativecommons.org/ licenses/by-nc-nd/3.0/ Screen Australia is grateful to all those who contributed data to the compilation of this report. The data provided has been drawn from a number of sources. While Screen Australia has undertaken all reasonable measures to ensure its accuracy, we cannot accept responsibility for inaccuracies and omissions. Cover image: The Code Contents Key terms 4 OVERVIEW 5 ALL DRAMA PRODUCTION 6 AUSTRALIAN FEATURE SLATE – DOMESTIC AND CO-PRODUCTION TITLES 8 Feature budget ranges 8 Sources of finance for Australian features 9 AUSTRALIAN TV DRAMA SLATE – DOMESTIC AND CO-PRODUCTION TITLES 10 Programs for adults 12 Programs for children 13 Sources of finance for Australian TV drama 14 FOREIGN PRODUCTION 15 Features 15 TV drama 15 DRAMA PRODUCTION BY LOCATION 16 Expenditure by state 16 Location of production company 17 TITLES IN THE 2013/14 SLATE 18 PDV SERVICES – FOR FEATURES AND TV DRAMA PRODUCTION 21 METHODOLOGY 25 ABOUT THE REPORT activity in Australia and the Offset’s Australia.
    [Show full text]
  • ZERO STRESS 2 Bay Mare (Branded Nr Sh
    On Account of OAKLYN STUD, Willow Tree (As Agent) Lot 1 ZERO STRESS 2 Bay mare (Branded nr sh. off sh.) Foaled 2009 9 Danzig............................. by Northern Dancer........ (SIRE) Danehill (USA) ................ Razyana .......................... by His Majesty ................ DANZERO ..................... Kaoru Star....................... by Star Kingdom (Ire)..... Confidentially.................. Idesa (NZ)....................... by Idomeneo (GB).......... (DAM) Crown Jester................... by Baguette.................... Rory's Jester ................... SEAMSTRESS............... Rory's Rocket (GB).......... by Roan Rocket .............. 2003 Straight Strike (USA)....... by Mr. Prospector ........... Dangerous Seam (NZ).... Miss Hazard..................... by Biscay......................... DANZERO (AUS) (1991). 4 wins, STC Golden Slipper S., Gr.1. Sire of 1000 rnrs, 634 wnrs, 40 SW, inc. Niconero (VRC Australian Cup, Gr.1), Dance Hero, etc. Sire of the dams of 762 rnrs, 441 wnrs, 15 SW, inc. December Draw, Dalarua, Forjatt, Psychologist, Miss Darcey, McClintock, Nigelissima, Discreet, Miss Upstart, Viana, Scenic Fair, Distant Melody, Illuminates, Kengrande, Vintner, SP Burnt Orange, Hill Spy, Hi Son, Appiel, C'Mon Cuba, Above All, etc. 1st Dam SEAMSTRESS, by Rory's Jester. 2 wins at 1000m. Sister to REAL JESTER, SEIDNAZAR. Dam of 3 named foals, 2 to race, 1 winner, inc:- All Sewn Up (f by Choisir). Placed at 2 in 2013-14, 2d MRC Desiree Gill Tribute S., L, SAJC Magic Millions Adelaide 2YO Classic, Marsh 2YO P. Wild Fire (g by Sebring). 2 wins at 1217m in 2013-14. 2nd Dam DANGEROUS SEAM (NZ), by Straight Strike (USA). 5 wins–2 at 2–900 to 1200m, $160,610, AJC Keith Mackay H., L, VRC Maribyrnong Trial S., L, SAJC Peggy Sue H., We're in the Money H., Handpainted Ornamental H., 2d VRC Dalgety Bloodstock S.H., L, 3d GCTC Magic Millions 2YO Fillies Classic S., RL.
    [Show full text]
  • Reportage-Around-ASEAN-Issues-Tip-Sheet-Web-Final.Pdf
    REPORTAGE AROUND ASEAN-RELATED ISSUES a tip sheet REPORTING ASEAN Johanna Son NEWS 1 ‘Reportage Around ASEAN-related Issues: A Tip Sheet’ was written by Johanna Son. Its layout was done by Winnie Dobbs. It is also available in translations in several ASEAN languages - Burmese, Khmer, Lao, Vietnamese and Thai. It is the second knowledge output produced under the CLMV Integration Series 2018-9 of the Reporting ASEAN program. The first one is ´How Do Newsrooms Handle Coverage of ASEAN-related Issues? Views from Cambodia, Lao PDR, Myanmar and Vietnam‘, which is the report on the results of a survey conducted by Reporting ASEAN. The Reporting ASEAN program’s organizational host is Probe Media Foundation Inc. Our thanks to the Lower Mekong Initiative regional program of the US Department of State and the Heinrich Böll Stiftung Southeast Asia for their support for the CLMV Integration Series of Reporting ASEAN. REPORTING ASEAN CLMV INTEGRATION SERIES 2019 NEWS 2 FOREWORD In July of 1992, I assumed the position of Secretary of Foreign Affairs in Manila after three years in Brussels as Philippine Ambassador to Belgium, Luxembourg and Commission of the European Communities. The 25th ASEAN Ministerial Meeting, had just concluded in Manila. There, Philippine President Fidel V Ramos called for “a common vision of regional security and enhanced economic cooperation for its own sake, for a better life for ASEAN peoples and for greater political stability”. This was the first time I was exposed to ASEAN. Since my work involved constant interaction with the EC headquarters in Brussels, I had assumed that transitioning to ASEAN was going to be easy.
    [Show full text]
  • 2016 Annual Report
    FINANCIAL HIGHLIGHTS Revenue and Prot Attributable to 2016 2015 Change Equity Holders of the Company Revenue (Continuing operations) Prot Attributable to Equity Holders of the Company Performance 6,000 Earnings per share HK$1.14 HK$3.04 -62% Dividends per share 5,000 - Interim HK$0.60 HK$0.60 – - Final – HK$2.00 -100% 4,000 HK$0.60 HK$2.60 -77% 3,000 HK$’mil HK$’mil HK$’ million HK$’ Revenue 2,000 - Hong Kong TV broadcasting 2,707 3,105 -13% - Hong Kong digital new media 1,000 business 230 170 35% - Programme licensing and 0 distribution 1,019 951 7% 2012 2013 2014 2015 2016 - Overseas pay TV operations 169 186 -9% YEAR - Channel operations 90 105 -14% Earnings & Dividends# Per Share - Other activities 191 129 48% - Inter-segment elimination (196) (191) 2% Earnings per Share Dividends# per Share 4,210 4,455 -5% 4.5 HK$’mil HK$’mil 4 Segment (loss)/profit* 3.5 - Hong Kong TV broadcasting (71) 551 N/A 3 - Hong Kong digital new media business (29) 41 N/A 2.5 - Programme licensing and HK$ 2 distribution 444 410 8% - Overseas pay TV operations (40) (30) 31% 1.5 - Channel operations 2 18 -87% 1 - Other activities 27 11 151% 0.5 - Corporate support (33) – N/A - Inter-segment elimination 1 (1) N/A 0 2012 2013 2014 2015 2016 301 1,000 -70% YEAR # excluding special dividend Total expenses∆ 3,888 3,439 13% 2016 Revenue by Operating Segment Profit attributable to equity holders 500 1,331 -62% % relating to 2015 are shown in brackets 31 December 31 December Hong Kong TV 2016 2015 broadcasting HK$’mil HK$’mil 63% (69%) Total assets 12,357 9,113 36%
    [Show full text]
  • Gabrielle Mckinlay
    GABRIELLE MCKINLAY ( (04)19 675 006 * [email protected] PRODUCER/DIRECTOR/WRITER With a proven track record in the Film and TV industry, I exhibit an "up for anything” attitude, an excellent eye for detail and a great ability to work well under pressure. I possess the knowledge and skills that is gained through experience and provide new and creative solutions to any problems or issues that a production may face. I am conscientious, hard working and have a sunny disposition. Forever passionate about the journey that is Film and TV Production, I am always eager to find challenging roles that utilize my talents and skill set. KEY SKILLS ASSESSMENT Production 4 Controlling budget and allocating resources. 4 Building and developing a network of contacts. 4 Shooter/Producer & Producer/Director 4 Location sourcing/scouting/permits as required. 4 Talent sourcing & casting. 4 Troubleshooting as required. 4 Fantastic eye for detail 4 Excellent Communication Skills 4 Great Creative Vision Communication 4 Utilises the computer programs Microsoft Word, Excel and MYOB. PROFESSIONAL EXPERIENCE Producer Credits ITV 2017 ‘Keeping Australia Safe’• Observational Documentary • Story - Self-Defence • Executive Producer - Elle Gibbons • Training in Post-Producing ITV 2017 (TBA Working Title) • Pilot for Observational Documentary Series • Producer/Director of Sizzle Reel-Teaser BAY FILMS 2015 ‘The Closet’ Pilot for Reality Television Series • Producer/Co-Director RUBY SNOW FILMS ‘All Or Nothing’ Pilot for Comedy Television Series • Producer/Director 2015 AMVI 2012 ‘Share A Lunch’ TVC • Salvation Army • Directed by Lucy Hayes • Producer JDTV Worked with ‘Jewellery Direct Television’ (on Channel 9’s Shopping Channel & TVSN) • Producer/Director • Vision Switcher Roles.
    [Show full text]
  • C Ntent Page 4 L
    #GreatJobs C NTENT page 4 www.contentasia.tv l www.contentasiasummit.com Kids Online platforms’ TIFFCOM opens plans in Asia to record highs @TIFFCOM Booth #A1-C8 50 buyers, record 371 TIFFCOM 2017 SPECIAL ISSUE exhibitors in Tokyo, organisers say C NTENT This year’s sixth annual Japan Con- tent Showcase (JCS/TIFFCOM) market バランス オブ パワー フ ォ ー マ ッ ト アジアで 最 も人 気 が 子供 オ ン ラ イ ン プ ラ ッ opened in Tokyo Tuesday morning (24 ハ リ ウ ッ ド 対 ア ジ ア あるフォーマット、ジャンル トフォームのアジア戦略 Oct) with record exhibitors, an uptick in buyers, a focus on the state of Japanese animation and a look at entertainment innovation and marketing. Key animation trends included the rise in short easy-to-produce/broadcast anime and fantasy animation, Hiromichi Masuda, vice chairman of The Associa- tion of Japanese Animations business committee, told delegates at the open- ing seminar on the current state of Japa- nese animation. Anime-based musicals and live con- certs were also on the rise, said Naofumi アカデミー賞受賞者 J・K・シモンズ Ito, Asatsu-DK Inc’s department director, ACADEMY AWARD® WINNER J.K. SIMMONS The rest of the story is on page five Asia outreach A NEW ONE-HOUR DRAMA SERIES peaks at MIPCOM Visit the Sony Pictures Entertainment booth (C12) Local co’s bump up partnership efforts This year’s MIPCOM market closed in Cannes on 19 October with unprece- dented interest from Asian companies in global relationships and outreach. This is not just because Korean compa- nies continue their frantic search to fill the ©2018 MRC II Distribution Company, LP.
    [Show full text]
  • Updated As of 22 June 2020 RESTRICTED, NON-SENSITIVE ANNEX A
    Updated as of 22 June 2020 RESTRICTED, NON-SENSITIVE ANNEX A SUGGESTED ACTIVITIES THAT SENIORS CAN DO AT HOME Activity Name Description Website Link Remarks New Resources Activity Booklet 1 – These activity booklets each contain 16 http://aic.buzz/activity- Makan Time fun arts-based activities and puzzles with booklets key COVID-19 information in Activity Booklet 2 English/Chinese combined. It also has –My Home, My some resources available in 4 languages. Kampong The activities are varied in complexity and are intended to a wide range of Activity Booklet 3 community dwelling seniors Centres. –Rolling Good Times Depending on their abilities, the activities *NEW* can either be completed individually or with assistance from caregivers and other loved ones. Yoga Sitting and floor exercises by Bonson Chan Mandarin and Hokkien: *NEW* https://youtu.be/rxice1mZ1 qg ActiveSG 健 身晨运 A series of low impact strength and Mandarin: 系列 conditioning exercises suitable for seniors go.gov.sg/activemasterswor to exercise in the comfort of their home. kout-mandarin *NEW* Channel 8 series: 乐 Learn Together With Me. A full length Mandarin: 学每疫刻 public education TV programme targeted at the seniors in our society. It includes https://www.mewatch.sg/en Learn Together With messages on how important it is to be /series/learn-together-with- Me safe during this period as well as how to me/ep1/935559 improve our physical and mental well- Malay: *NEW* being. https://www.mewatch.sg/en The series on meWATCH is originally in /series/learn-together-with- Mandarin and there are now Malay and me-kekal-sihat-sentiasa- Tamil versions as well.
    [Show full text]
  • Situation Analysis and Needs Assessment Report 1
    SITUATION ANALYSIS AND NEEDS ASSESSMENT REPORT 1 SITUATION ANALYSIS AND NEEDS ASSESSMENT REPORT EKXANG VILLAGE A Selected Climate Smart Vientiane Province, Lao PDR Village Site July 2015 Angela Grant, Soytavanh Mienmany, Anousith Keophoxay, Khamphamy Khodyhotha, Silivong Phonevisay, Chantha Souvannaxayyavong, Phetsamone Toummavong, Saythong Chidvilaphone, Jerome Villanueva, Neeny Khamkhosy, Paul Pavelic, Lilao Bouapao, Palikone Thalongsengchanh, Alice Joan Ferrer, Bui Tan Yen, and Leocadio Sebastian 2 EKXANG VILLAGE, VIENTIANE PROVINCE, LAO PDR Suggested citation Grant A, Mienmany S, Keophoxay A, Khodyhotha K, Phonevisay S, Souvannaxayyavong C, Toummavong P, Chidvilaphone S, Villanueva J, Khamkhosy N, Pavelic P, Bouapao L, Thalongsengchanh P, Ferrer AJ, Yen BT, and Sebastian LS. 2015. Situation Analysis and Needs Assessment Report for Ekxang Village, Lao PDR. CGIAR Research Program on Climate Change, Agriculture and Food Security (CCAFS), Copenhagen, Denmark. Titles in this series aim to disseminate interim climate change, agriculture and food security research and practices and stimulate feedback from the scientific community. Published by the CGIAR Research Program on Climate Change, Agriculture and Food Security (CCAFS). CCAFS Coordinating Unit - Department of Agriculture and Ecology, Faculty of Life Sciences, University of Copenhagen, Rolighedsvej 21, DK-1958 Frederiksberg C, Denmark. Tel: +45 35331046; Email: ccafs@cgiar. org Creative Commons License The paper is licensed under a Creative Commons Attribution – NonCommercial–NoDerivs 3.0 Unported License. Articles appearing in this publication may be freely quoted and reproduced provided the source is acknowledged. No use of this publication may be made for resale or other commercial purposes. The tools and guidelines used for implementation of the village baseline study across all CCAFS sites, as well as the mapping outputs at a higher resolution can be accessed on our website (http://ccafs.cgiar.org/ resources/baseline-surveys).
    [Show full text]
  • Toggles Download
    Toggles download CLICK TO DOWNLOAD · Download Power Toggles apk for Android. An advanced power control widget. FREE and No ADS8/10(2). · download power toggles android, power toggles android, power toggles android download free. Download last version Power Toggles for Android by direct link from our own server, free of viruses and trojans. · Download Power Toggles for Android on Aptoide right now! No extra costs. User rating for Power Toggles: ★4,2/5(25). · скачать quick settings - toggles android, quick settings - toggles android, quick settings - toggles android скачать бесплатно. unduh power toggles android, power toggles android, power toggles android unduh gratis. Toggles button Icons - Download Free Toggles button icons - Page 6 @ IconArchive. Search more than , icons for Web & Desktop here. download toggle android, toggle android, toggle android download free. meWATCH (Previously Toggle), a video service offering free access to local/made-in-Singapore on-demand dramas, entertainment, news, sports and LIVE programmes. Content from partners like beIN Sports, HBO GO, HOOQ and tvN Movies are also available with a subscription. Enjoy these and more on your mobile device, Smart TV, tablet and computer.3,3/5(20,2K). Power Toggles APK Apps Full Free Download For PC Windows 7,8,10,XP. Power Toggles APK Latest Download For PC Windows Full renuzap.podarokideal.ru Toggles APK Apps Full Version Download for renuzap.podarokideal.ruad Power Toggles APK Latest Version for PC,Laptop,renuzap.podarokideal.ru advanced power control renuzap.podarokideal.ru and No ads. · Replay Video Capture. For renuzap.podarokideal.ru you are going to want to use our screen capture program.
    [Show full text]
  • Chef Specials What Defines Success? the Secret Ingredients Breaking New Ground the SPIRIT of “NEVER DONE BEFORE”
    Chef Specials What defines success? The Secret Ingredients Breaking New Ground THE SPIRIT OF “NEVER DONE BEFORE” ANIMATRONICS MULTI-LINGUAL NEW GENRES M18 Stories with Strong Appeal GRIPPING STORIES | HIGH PRODUCTION VALUES High Viewership Recognized by Industry Experts *Top local drama FY20/21 Scale EXPANDING THE IP UNIVERSE Scale LANGUAGING | REVERSIONING FOR NEW AUDIENCES • Filmed in English, dubbed in Mandarin • Filmed in English & Malay • Released on meWATCH, YouTube, Ch5, • Released on meWATCH, YouTube, Ch5 & Ch8 & Suria What’s The Appetite? What are we looking for? Broad Evaluation Criteria 40% 30% 20% 10% CREATIVITY ENGAGEMENT BUDGET KEY CREATIVES How unique and What about your concept Do the demands of the Who are the key innovative is your concept will keep the audience concept execution justify creatives/personnel who and treatment? glued to their screens? the proposed budget? will be central to delivering the desired outcome? Are the characters distinct? Will it appeal to your primary target audience? Will the cast resonate with the audience? Do you have twists and cliff hangers that will leave the audience wanting more? Create Your Own Story We want Scripted BOLD | Inventive | Limitlesssss STORY No returning seasons of past content YOUR So… think big.. think new.. OWN YOU PROPOSE BUDGETS FORMAT* CONTENT CLASSIFICATION RATING* PLATFORM* LANGUAGE* TARGET AUDIENCE *reversions may be required CREATE Choose Your Base TARGET AUDIENCE: 01 MASS | YOUTH: STUDENTS [13-24] | MILLENNIALS: YOUNG WORKING ADULTS [25- 39] | MATURE: GEN X
    [Show full text]