Complete List of Songs Songs As Written Or Played by Section 1 - TRADITIONAL JAZZ Alexander’S Ragtime Band

Total Page：16

File Type：pdf, Size：1020Kb

Complete List Of Songs Songs As written or played by Section 1 - TRADITIONAL JAZZ Alexander’s Ragtime Band . various artists Bill Bailey, Won’t You Please Come Home? . various artists The Birth Of The Blues . various artists St. Louis Blues . various artists When It’s Sleepy Time Down South . Louis Armstrong Section 2 - SWING/BIG BAND ERA Flying Home . Lionel Hampton Night Train . various artists Opus One . various artists Perdido . various artisis Poinciana . Ahmad Jamal Robbin’s Nest . Illinois Jacquet So Rare . various artists Things Ain’t What They Used To Be . Duke Ellington When Lights Are Low . Benny Carter Section 3 - CLASSIC BEBOP Au Privave. Charlie Parker My Little Suede Shoes . Charlie Parker Now’s The Time . Charlie Parker Red Cross . Charlie Parker Rifftide . Coleman Hawkins/Stan Getz Social Call . Gigi Gryce/Jon Hendricks Things Are Getting Better . Cannonball Adderley/Eddie Jefferson Section 4 - WEST COAST JAZZ (1950s) Bernie’s Tune . Gerry Mulligan/Chet Baker Line For Lyons . Gerry Mulligan/Chet Baker Look For The Silver Lining . Jerome Kern/Chet Baker Nights At The Turntable . Gerry Mulligan/Chet Baker Take Five . Paul Desmond/Dave Brubeck Section 5 - THE BLUE NOTE ERA (1958-1968) Blue Train . John Coltrane The Cape Verdean Blues . Horace Silver Foot Pattin’ Time . Lou Donaldson Idle Moments . Grant Green Impressions . John Coltrane Lazy Bird . John Coltrane Sayonara Blues . Horace Silver Speedball . Lee Morgan Streamlined Stanley . Sonny Stitt Section 6 - CONTEMPORARY JAZZ (1970s to now) Highway 14 . Alan Pasqua In Your Own Sweet Way . Dave Brubeck Little O In The Sky . Salvatore Bonafede Simone . Frank Foster Stand For Jazz . Jimmy Heath Sweet Georgia Bright . Charles Lloyd/Cannonball Adderley Three And One . Thad Jones Up Jumped Spring . Freddie Hubbard Section 8 - ‘GROOVE” JAZZ Eighty One . Ron Carter/Miles Davis I’ll Take Les . John Scoﬁeld Sister Cheryl . Tony Williams Spring Song . Mongo Santamaria These Times . Mike Stern This Masquerade . George Benson Unchain My Heart . Ray Charles Yeah, Yeah, Yeah . Eddie Harris Section 8 - BRAZILIAN JAZZ Favela . Antonio Carlos Jobim Fotograﬁa . Antonio Carlos Jobim Minha Saudade . Cannonball Adderley Não Me Diga Adeus . Oscar Castro-Neves Saudade . Cannonball Adderley Si Señora . Jerry Bergonzi Section 8 - AFRO-CUBAN JAZZ Brisa . Poncho Sanchez Chile Con Soul . Poncho Sanchez Linda Chicana . Mark Levine Nadie . Wayne Wallace Quindembo . Poncho Sanchez Yellow Days . various artists.

Copy Link

Recommended publications

Lou Donaldson
BIO LOU DONALDSON --------------------------------------- "My first impulse is always to describe Lou Donaldson as the greatest alto saxophonist in the world." -- Will Friedwald, New York Sun Jazz critics agree that “Sweet Poppa Lou” Donaldson is one of the greatest alto saxophonists of all time. He began his career as a bandleader with Blue Note Records in 1952 and, already at age 25, he had found his sound, though it would continue to sweeten over the years -- earning him his famed nickname -- “Sweet Poppa Lou.” He made a series of classic records for Blue Note in the 50’s, and takes pride in having showcased many musicians who made their first records as sidemen for him: Horace Silver, Clifford Brown, Grant Green, Blue Mitchell, Donald Byrd, Horace Parlan, and others. After also making some excellent recordings for Cadet and Argo Records in the early 60s, Lou’s return to Blue Note in 1967 was marked by one of his most famous recordings, Alligator Bogaloo. Lou was awarded an honorary Doctorate of Letters by North Carolina A & T University and a scholarship was established in his name that is awarded to the most gifted jazz musician at North Carolina A & T University each year. He was inducted into the International Jazz Hall of Fame, is an NEA Jazz Master – our nation’s highest award bestowed upon jazz artists, and is the recipient of countless other honors and awards for his outstanding contributions to jazz, America’s “classical music.” Lou was born in Badin, North Carolina on November 1, 1926 -- the second of 4 children born to father Andrew, a minister and graduate of Livingstone College, and mother, Lucy, graduate of Cheney University who was a teacher, music director and concert pianist who recognized Lou’s expert ear for music and introduced him to the clarinet.
[Show full text]
John Pizzarelli and Freddy Cole: Celebrating the Centenary of Nat
TD Jazz Concerts John Pizzarelli and Freddy Cole: Celebrating the centenary of Nat King Cole @ 100 Thursday, February 14, 2019 at 8:00pm Pre-concert Talk at 7:00pm This is the 913th concert in Koerner Hall John Pizzarelli, vocals & guitar Mike Karn, bass Konrad Paszkudzki, piano Freddy Cole, piano & vocals Elias Bailey, bass Randy Napoleon, guitar Quentin Baxtor, drums John Pizzarelli World-renowned guitarist and singer John Pizzarelli, established as one of the prime contemporary interpreters of the Great American Songbook, has expanded that repertoire by including the music of Paul McCartney, Joni Mitchell, Neil Young, Tom Waits, Antônio Carlos Jobim, and The Beatles. Having concentrated on the music of Paul McCartney, Johnny Mercer, and Frank Sinatra over the last two years, Pizzarelli has returned to the bossa nova of Jobim with his 2017 release Sinatra & Jobim @ 50. With co- vocalist Daniel Jobim, grandson of the legendary Brazilian composer, the two explore songs Sinatra and Jobim recorded, as well as add new songs flavoured with the spirit of the classic Francis Albert Sinatra and Antonio Carlos Jobim album. Pizzarelli has toured North America, South America, Asia, and Europe, performing shows centered on Frank Sinatra’s centennial, the songs of Johnny Mercer, and a McCartney program, in which his quartet is joined by strings and a horn section. He also tours on a double bill with pianist Ramsey Lewis. While plenty of jazz greats influenced his work, Nat King Cole has been Pizzarelli’s hero and foundation over the last 25 years. He devoted two albums to his music, Dear Mr.
[Show full text]
Lou Donaldson the Natural Soul Mp3, Flac, Wma
Lou Donaldson The Natural Soul mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: The Natural Soul Country: US Released: 1986 Style: Soul-Jazz, Hard Bop MP3 version RAR size: 1767 mb FLAC version RAR size: 1621 mb WMA version RAR size: 1543 mb Rating: 4.2 Votes: 259 Other Formats: MP3 VOC WMA MP4 DTS DXD AA Tracklist Hide Credits Funky Mama A1 9:05 Written-By – John Patton Love Walked In A2 5:10 Written-By – George & Ira Gershwin Spaceman Twist A3 5:35 Written-By – Lou Donaldson Sow Belly Blues B1 10:11 Written-By – Lou Donaldson That's All B2 5:33 Written-By – Alan Brandt, Bob Haymes Nice 'N Greasy B3 5:24 Written-By – Johnny Acea Companies, etc. Copyright (c) – Manhattan Records Phonographic Copyright (p) – Manhattan Records Recorded At – Van Gelder Studio, Englewood Cliffs, New Jersey Credits Alto Saxophone – Lou Donaldson Design [Cover] – Reid Miles Drums – Ben Dixon Guitar – Grant Green Liner Notes – Del Shields Organ – John Patton Photography By [Cover Photo] – Ronnie Brathwaite Producer – Alfred Lion Recorded By [Recording By] – Rudy Van Gelder Trumpet – Tommy Turrentine Notes Recorded on May 9, 1962. 1986 Manhattan Records, a division of Capitol Records, Inc. Other versions Category Artist Title (Format) Label Category Country Year The Natural Soul (LP, BLP 4108 Lou Donaldson Blue Note BLP 4108 US 1963 Album, Mono) The Natural Soul (CD, CDP 7 84108 2 Lou Donaldson Blue Note CDP 7 84108 2 US 1989 Album, RE) TOCJ-7176, The Natural Soul (CD, Blue Note, TOCJ-7176, Lou Donaldson Japan 2008 BST-84108 Album, RE) Blue Note BST-84108 The Natural Soul 4BN 84108 Lou Donaldson Blue Note 4BN 84108 US 1986 (Cass, Album, RM) The Natural Soul (LP, BST-84108 Lou Donaldson Blue Note BST-84108 US 1973 Album, RE) Related Music albums to The Natural Soul by Lou Donaldson Lou Donaldson - Mr.
[Show full text]
Gerry Mulligan Discography
GERRY MULLIGAN DISCOGRAPHY GERRY MULLIGAN RECORDINGS, CONCERTS AND WHEREABOUTS by Gérard Dugelay, France and Kenneth Hallqvist, Sweden January 2011 Gerry Mulligan DISCOGRAPHY - Recordings, Concerts and Whereabouts by Gérard Dugelay & Kenneth Hallqvist - page No. 1 PREFACE BY GERARD DUGELAY I fell in love when I was younger I was a young jazz fan, when I discovered the music of Gerry Mulligan through a birthday gift from my father. This album was “Gerry Mulligan & Astor Piazzolla”. But it was through “Song for Strayhorn” (Carnegie Hall concert CTI album) I fell in love with the music of Gerry Mulligan. My impressions were: “How great this man is to be able to compose so nicely!, to improvise so marvellously! and to give us such feelings!” Step by step my interest for the music increased I bought regularly his albums and I became crazy from the Concert Jazz Band LPs. Then I appreciated the pianoless Quartets with Bob Brookmeyer (The Pleyel Concerts, which are easily available in France) and with Chet Baker. Just married with Danielle, I spent some days of our honey moon at Antwerp (Belgium) and I had the chance to see the Gerry Mulligan Orchestra in concert. After the concert my wife said: “During some songs I had lost you, you were with the music of Gerry Mulligan!!!” During these 30 years of travel in the music of Jeru, I bought many bootleg albums. One was very important, because it gave me a new direction in my passion: the discographical part. This was the album “Gerry Mulligan – Vol. 2, Live in Stockholm, May 1957”.
[Show full text]
Bebopnet: Deep Neural Models for Personalized Jazz Improvisations - Supplementary Material
BEBOPNET: DEEP NEURAL MODELS FOR PERSONALIZED JAZZ IMPROVISATIONS - SUPPLEMENTARY MATERIAL 1. SUPPLEMENTARY MUSIC SAMPLES We provide a variety of MP3 ﬁles of generated solos in: https://shunithaviv.github.io/bebopnet Each sample starts with the melody of the jazz stan- dard, followed by an improvisation whose duration is one chorus. Sections BebopNet in sample and BebopNet out of sample contain solos of Bebop- Net without beam search over chord progressions in and out of the imitation training set, respectively. Section Diversity contains multiple solos over the same stan- Figure 1. Digital CRDI controlled by a user to provide dard to demonstrate the diversity of the model for user- continuous preference feedback. 4. Section Personalized Improvisations con- tain solos following the entire personalization pipeline for the four different users. Section Harmony Guided Improvisations contain solos generated with a har- monic coherence score instead of the user preference score, as described in Section 3.2. Section Pop songs contains solos over the popular non-jazz song. Some of our favorite improvisations by BebopNet are presented in the ﬁrst sec- Algorithm 1: Score-based beam search tion, Our Favorite Jazz Improvisations. Input: jazz model fθ; score model gφ; batch size b; beam size k; update interval δ; input in τ sequence Xτ = x1··· xτ 2 X 2. METHODS τ+T Output: sequence Xτ+T = x1··· xτ+T 2 X in in in τ×b 2.1 Dataset Details Vb = [Xτ ;Xτ ; :::; Xτ ] 2 X ; | {z } A list of the solos included in our dataset is included in b times scores = [−1; −1; :::; −1] 2 Rb section 4.
[Show full text]
COMPLETE CATALOG with All Information
Available Pat Martino transcription books: PM #1 € 9,95/$ 15,95 Pat Martino: Solos 1968-1974 Bebop & Beyond: Sideman Years I (40 pages) PM #2 € 9,95/$ 15,95 Pat Martino: Solos 1963-1964 Swing To Bop: Sideman Years II (42 pages) PM #3 € 9,95/$ 15,95 Pat Martino: Solos 1964/1965 More Swing To Bop: Sideman Years III (38 pages) PM #4 € 9,95/$ 15,95 Pat Martino: Solos 1965 - 1967 Organ Standards: Sideman Years IV (41 pages) PM #5 € 9,95/$ 15,95 Pat Martino: Solos 1973-1977 In The Seventies: Sideman Years V (43 pages) PM #6 € 9,95/$ 15,95 Pat Martino: EL HOMBRE [1967] (34 pages) PM #7 € 9,95/$ 15,95 Pat Martino: STRINGS! [1967] (27 pages) PM #8 € 9,95/$ 15,95 Pat Martino: EAST! [1968] (35 pages) PM #9 € 9,95/$ 15,95 Pat Martino: FOOTPRINTS [1972] (36 pages) PM #10 € 9,95/$ 15,95 Pat Martino: LIVE! [1972] (29 pages) PM #11 € 9,95/$ 15,95 Pat Martino: CONSCIOUSNESS [1974] (38 pages) PM #12 € 9,95/$ 15,95 Pat Martino: WE'LL BE TOGETHER AGAIN [1976] (34 pages) PM #13 € 9,95/$ 15,95 Pat Martino: JOYOUS LAKE [1976] (32 pages) PM #14 € 14,95/$ 22,95 Pat Martino: THE RETURN [1987] (58 pages) PM #15 € 5,95/$ 8,95 P.M.'s solos on Bob Kenmotsu's BRONX TALE [1994] (17 pages) PM #16 € 9,95/$ 15,95 Pat Martino: INTERCHANGE [1994] (44 pages) PM #17 € 9,95/$ 15,95 Pat Martino: NIGHTWINGS [1994] (32 pages) PM #18 € 9,95/$ 15,95 Pat Martino: THE MAKER [1994] (32 pages) PM #19 € 9,95/$ 15,95 Pat Martino: STONE BLUE [1998] (36 pages) PM #20 € 9,95/$ 15,95 Pat Martino: EXIT [1976] (35 pages) PM #21 € 19,95/$30,95 Pat Martino: LIVE AT YOSHI's [2000] (70 pages) PM
[Show full text]
1993 February 24, 25, 26 & 27, 1993
dF Universitycrldaho LIoNEL HmPToN/CHEVRoN JnzzFrsrr\Al 1993 February 24, 25, 26 & 27, 1993 t./¡ /ìl DR. LYNN J. SKtNNER, Jazz Festival Executive Director VtcKt KtNc, Program Coordinator BRTNoR CAtN, Program Coordinator J ¡i SusnN EHRSTINE, Assistant Coordinator ltl ñ 2 o o = Concert Producer: I É Lionel Hampton, J F assisted by Bill Titone and Dr. Lynn J. Skinner tr t_9!Ð3 ü This project is supported in part by a grant from the National Endowment for the Arts We Dedicate this 1993 Lionel Hømpton/Chevron Jøzz Festivül to Lionel's 65 Years of Devotion to the World of Juzz Page 2 6 9 ll t3 r3 t4 l3 37 Collcgc/Univcrsity Compctition Schcdulc - Thursday, Feh. 25, 1993 43 Vocal Enserrrbles & Vocal Conrbos................ Harnpton Music Bldg. Recital Hall ...................... 44 45 46 47 Vocal Compctition Schcrlulc - Fridav, Fcli. 2ó, 1993 AA"AA/AA/Middle School Ensenrbles ..... Adrrrin. Auditoriunr 5l Idaho Is OurTenitory. 52 Horizon Air has more flights to more Northwest cities A/Jr. High/.Ir. Secondary Ensenrbles ........ Hampton Music Blclg. Recital Hall ...............,...... 53 than any other airline. 54 From our Boise hub, we serve the Idaho cities of Sun 55 56 Valley, Idaho Falls, Lewiston, MoscowÆullman, Pocatello and AA/A/B/JHS/MIDS/JR.SEC. Soloists ....... North Carnpus Cenrer ll ................. 57 Twin Falls. And there's frequent direct service to Portland, lnstrurncntal Corupctilion'Schcrlulc - Saturday, Fcll. 27, 1993 Salt Lake City, Spokane and Seattle as well. We also offer 6l low-cost Sun Valley winter 8,{. {ÀtûåRY 62 and summer vacation vt('8a*" å.t. 63 packages, including fOFT 64 airfare and lodging.
[Show full text]
Big Band Sundays at Vina Robles
For Immediate Release Contact: Marc Laderriere February 9, 2010 (805) 227-4812 [email protected] Swing & Dance into Spring with Vina Robles Winery Monthly “BIG BAND Sundays” Concert Series Begins on March 7—Red Holloway to Perform with the Cal Poly Jazz, Blues and Boogie Big Band under the direction of Paul Rinzler Paso Robles, CA—Springtime is swing time as Vina Robles Winery launches its new “Big Band Sundays” concert series on March 7 from 3:00 p.m. to 5:30 p.m. at the winery’s hospitality center in Paso Robles. The cost is $20 per person. The inaugural concert will feature legendary saxophonist Red Holloway performing big band classics with the Cal Poly Jazz, Blues and Boogie Big Band. Holloway, a Cambria resident, is renowned for his smooth, soulful touch. Over the past five decades he has performed with Billie Holiday, Aretha Franklin, Muddy Waters, Sonny Rowlands, Lionel Hampton and many others. The Vina Robles Big Band Sunday series will continue with concerts on April 11, May 2 and June 6. Each concert will showcase a different lead performer along with the Cal Poly Jazz, Blues and Boogie Big Band. The Cal Poly Jazz, Blues and Boogie Big Band is comprised of leading jazz musicians from the Cal Poly student body. The band is led by Paul Rinzler, the university’s director of jazz studies. Guests are encouraged to dress in vintage big band-era attire. A large dance floor will beckon veteran swing dancers and novices alike. Wine tasting and wines by the glass will be available for purchase.
[Show full text]
Harris.Pdf (194.4Kb)
Interview No. SAS4.02.02 Mr. Charles P. Harris Interviewer: Elizabeth Schaaf Location: Baltimore, Maryland Date: April 2, 2002 Edited by: Elizabeth Schaaf Q: Were you born here in Baltimore? Harris: No. I was born at Alexandria, Virginia. Q: And how long were you in Alexandria? Harris: I think I was brought here when I was very, very young. In fact, I can’t remember anything about it that much, you know. Q: So you started your music training here in Baltimore? Harris: Oh yes. Q: Who was your first teacher? Harris: Oh, on the violin my first teacher was Lucien Odendh’al. In fact, I was introduced to him by a teacher up at Douglass High School, the music teacher. Q: Is that Mr. [W. Llewellyn] Wilson? Harris: Mr. Wilson, yes. Way back there. It’s been a good little while. Names evade me a little bit now, but I’m doing pretty well. Q: I think so. Mr. Wilson I think taught everybody who is anybody. Harris: That’s right. In the music field, yes. He was very, very, very good. He started me off, and I worked with him for a year, a year and a half, and he said, I can’t go any further with you. I will have to get a teacher. And so he got in touch with Lucien Odendh’al, and he started to teach me. And he was a very nice man to go to. Q: How did you and the bass get to be a pair? Harris: Well, in high school, in those days, they didn’t have too many musicians that played the bass and what not.
[Show full text]
Vision of USC for 2018 T&F Guide.Indd
WWelcomeelcome ttoo TTroy...roy... Did You Know? · The USC School of Cinema c Arts (above) was proud to both celebrate its 80th anniversary during the 2009-10 academic year, and open the doors on the fi rst two buildings in its new Cinema c Arts complex, which pays homage to the cinema c history of Southern California and USC. The new Cinema c Arts complex was built, thanks to a $175 million dona on by USC alumnus George Lucas. The now-completed complex includes an anima on building, soundstages and a produc on center. In February 2010, the Princeton Review ranked USC's Interac ve Media division as the No. 1 video-game design program in North America. Game design formally got its start at USC in 2002, when the USC School of Cinema c Arts launched its MFA in interac ve media, although a core game-design workshop had been in place since 1999. In 2004, the school unveiled the Game Innova on Lab, a state-of-the-art research space and think tank for game design and crea on. A B.A. in interac ve entertainment was fi rst off ered in 2005. Today, USC off ers four degrees in video-game development at the undergraduate and graduate levels. For the game-play design-focused, the USC School of Cinema c Arts off ers the Master of Fine Arts in interac ve media and the Bachelor of Arts in interac ve entertainment. For the more engineering-oriented, the USC Viterbi School off ers the Bachelor of Science in computer science (games) and the Master of Science in computer science (game development).
[Show full text]
Lou Donaldson Blues Walk Mp3, Flac, Wma
Lou Donaldson Blues Walk mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Blues Walk Country: US Released: 1966 Style: Bop, Hard Bop MP3 version RAR size: 1850 mb FLAC version RAR size: 1407 mb WMA version RAR size: 1616 mb Rating: 4.9 Votes: 394 Other Formats: AA DMF APE DTS WMA MPC DXD Tracklist Hide Credits Blues Walk 1 6:40 Written-By – Lou Donaldson Move 2 5:50 Written-By – Denzil Best The Masquerade Is Over 3 5:50 Written-By – Wrubel*, Magidson* Play Ray 4 5:29 Written-By – Lou Donaldson Autumn Nocturne 5 4:51 Written-By – J. Myrow*, K. Gannon* Callin' All Cats 6 5:10 Written-By – Lou Donaldson Companies, etc. Copyright (c) – Manhattan Records Phonographic Copyright (p) – Manhattan Records Manufactured By – Capitol Records, Inc. Manufactured For – Manhattan Records Recorded At – Van Gelder Studio, Hackensack, New Jersey Credits Alto Saxophone – Lou Donaldson Bass – 'Peck' Morrison* Congas [Conga] – Ray Barretto Drums – Dave Bailey Liner Notes – Ira Gitler Photography By [Cover Photo] – Francis Wolff Piano – Herman Foster Producer – Alfred Lion Recorded By – Rudy Van Gelder Transferred By [Digital Transfer] – Ron McMaster Notes Recorded on July 28, 1958 On CD: Made in U.S.A. P C 1985 Manhattan Records, a division of Capitol Records, Inc. On back cover: © ℗ 1987 Manhattan Records, a division of Capitol Records, Inc. Printed un U.S.A. This reissue, probably released circa 2008-2009. Barcode and Other Identifiers Barcode (Text): 0 7777-46525-2 0 Matrix / Runout: A02 DIDX-223563 2 Mastering SID Code: IFPI L328 Mould SID Code:
[Show full text]
How to Incorporate Bebop Into Your Improvisation by Austin Vickrey Discussion Topics
How to Incorporate Bebop into Your Improvisation By Austin Vickrey Discussion Topics • Bebop Characteristics & Style • Scales & Arpeggios • Exercises & Patterns • Articulations & Accents • Listening Bebop Characteristics & Style • Developed in the early to mid 1940’s • Medium to fast tempos • Rapid chord progressions / changes • Instrumental “virtuosity” • Simple to complex harmony - altered chords / substitutions • Dominant syncopation of rhythms • New melodies over existing chord changes - Contrafacts Scales & Arpeggios • Scales and arpeggios are the building blocks for harmony • Use of the half-step interval and rapid arpeggiation are characteristic of bebop playing • Because bebop is often played at a fast tempo with rapidly changing chords, it’s crucial to practice your scales and arpeggios in ALL KEYS! Scales & Arpeggios • Scales you should be familiar with: • Major Scale - Pentatonic: 1, 2, 3, 5, 6 • Minor Scales - Pentatonic: 1, b3, 4, 5, b7; Natural Minor, Dorian Minor, Harmonic Minor, Melodic Minor • Dominant Scales - Mixolydian Mode, Bebop Scales, 5th Mode of Harmonic Minor (V7b9), Altered Dominant / Diminished Whole Tone (V7alt, b9#9b13), Dominant Diminished / Diminished starting with a half step (V7b9#9 with #11, 13) • Half-diminished scale - min7b5 (7th mode of major scale) • Diminished Scale - Starting with a whole step (WHWHWHWH) Scales & Arpeggios • Chords and Arpeggios to work in all keys: • Major triad, Maj6/9, Maj7, Maj9, Maj9#11 • Minor triad, m6/9, m7, m9, m11, minMaj7 • Dominant 7ths • Natural extensions - 9th, 13th
[Show full text]