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Myth, Metatext, Continuity and Cataclysm in Dc Comics’ Crisis on Infinite Earths
WORLDS WILL LIVE, WORLDS WILL DIE: MYTH, METATEXT, CONTINUITY AND CATACLYSM IN DC COMICS’ CRISIS ON INFINITE EARTHS Adam C. Murdough A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2006 Committee: Angela Nelson, Advisor Marilyn Motz Jeremy Wallach ii ABSTRACT Angela Nelson, Advisor In 1985-86, DC Comics launched an extensive campaign to revamp and revise its most important superhero characters for a new era. In many cases, this involved streamlining, retouching, or completely overhauling the characters’ fictional back-stories, while similarly renovating the shared fictional context in which their adventures take place, “the DC Universe.” To accomplish this act of revisionist history, DC resorted to a text-based performative gesture, Crisis on Infinite Earths. This thesis analyzes the impact of this singular text and the phenomena it inspired on the comic-book industry and the DC Comics fan community. The first chapter explains the nature and importance of the convention of “continuity” (i.e., intertextual diegetic storytelling, unfolding progressively over time) in superhero comics, identifying superhero fans’ attachment to continuity as a source of reading pleasure and cultural expressivity as the key factor informing the creation of the Crisis on Infinite Earths text. The second chapter consists of an eschatological reading of the text itself, in which it is argued that Crisis on Infinite Earths combines self-reflexive metafiction with the ideologically inflected symbolic language of apocalypse myth to provide DC Comics fans with a textual "rite of transition," to win their acceptance for DC’s mid-1980s project of self- rehistoricization and renewal. -
“Why So Serious?” Comics, Film and Politics, Or the Comic Book Film As the Answer to the Question of Identity and Narrative in a Post-9/11 World
ABSTRACT “WHY SO SERIOUS?” COMICS, FILM AND POLITICS, OR THE COMIC BOOK FILM AS THE ANSWER TO THE QUESTION OF IDENTITY AND NARRATIVE IN A POST-9/11 WORLD by Kyle Andrew Moody This thesis analyzes a trend in a subgenre of motion pictures that are designed to not only entertain, but also provide a message for the modern world after the terrorist attacks of September 11, 2001. The analysis provides a critical look at three different films as artifacts of post-9/11 culture, showing how the integration of certain elements made them allegorical works regarding the status of the United States in the aftermath of the attacks. Jean Baudrillard‟s postmodern theory of simulation and simulacra was utilized to provide a context for the films that tap into themes reflecting post-9/11 reality. The results were analyzed by critically examining the source material, with a cultural criticism emerging regarding the progression of this subgenre of motion pictures as meaningful work. “WHY SO SERIOUS?” COMICS, FILM AND POLITICS, OR THE COMIC BOOK FILM AS THE ANSWER TO THE QUESTION OF IDENTITY AND NARRATIVE IN A POST-9/11 WORLD A Thesis Submitted to the Faculty of Miami University in partial fulfillment of the requirements for the degree of Master of Arts Department of Communications Mass Communications Area by Kyle Andrew Moody Miami University Oxford, Ohio 2009 Advisor ___________________ Dr. Bruce Drushel Reader ___________________ Dr. Ronald Scott Reader ___________________ Dr. David Sholle TABLE OF CONTENTS ACKNOWLEDGMENTS .......................................................................................................................... III CHAPTER ONE: COMIC BOOK MOVIES AND THE REAL WORLD ............................................. 1 PURPOSE OF STUDY ................................................................................................................................... -
Dragon-Con-2019-Comics-Pop-Art
FOR IMMEDIATE RELEASE: Contact: Dan Carroll, Director, Media Engagement Phone: 404 692 1958 Email: [email protected] URL: www.dragoncon.org DRAGON CON’S COMICS & POP ART TRACK EXPANDS TO WELCOME FANS OF ALL AGES. Comic & Pop Artist Alley Boasts a Guest Roster of Industry Veterans and New Talent, Workshops for Children and Adults, and Amplified Kids Programming at Dragon Con. ATLANTA – July 24, 2019 – Dragon Con, Atlanta’s internaonally-known pop culture, fantasy, science ficon, and gaming convenon, will be broadening its Comics & Pop Art programming to encourage art and comic enthusiasts of all ages. In addion to a dream team of Bronze Age and Modern Age comics writers and arsts, the convenon’s tradional strength, the convenon has added workshops and other programming designed to help aspiring comics creators and to encourage greater interest from today’s younger generaons. Marv Wolfman, Roy Thomas, and Fabien Nicieza lead this year’s guest list. Thomas, a legendary writer and editor in his own right, is best recognized as Stan Lee’s first successor as editor-in-chief of Marvel Comics. Nicieza's work includes wring and eding for Marvel, DC, and Dark Horse comics, but fans will also know him as the co-creator of Deadpool. Writer and co-creator of The New Teen Titans , Wolfman also joins George Pérez, his work partner of over 40 years, at this year’s convenon. Other top guests include Colleen Doran, Jill Thompson, and Afua Richardson. Doran, an Eisner, Harvey, and Internaonal Horror Guild Award-winning illustrator, is a New York Times bestselling arst for her work on Neil Gaiman’s graphic novel Troll Bridge and Stan Lee’s autobiography A mazing, Fantastic, Incredible Stan Lee. -
BERNARD BAILY Vol
Roy Thomas’ Star-Bedecked $ Comics Fanzine JUST WHEN YOU THOUGHT 8.95 YOU KNEW EVERYTHING THERE In the USA WAS TO KNOW ABOUT THE No.109 May JUSTICE 2012 SOCIETY ofAMERICA!™ 5 0 5 3 6 7 7 2 8 5 Art © DC Comics; Justice Society of America TM & © 2012 DC Comics. Plus: SPECTRE & HOUR-MAN 6 2 8 Co-Creator 1 BERNARD BAILY Vol. 3, No. 109 / April 2012 Editor Roy Thomas Associate Editors Bill Schelly Jim Amash Design & Layout Jon B. Cooke Consulting Editor John Morrow FCA Editor P.C. Hamerlinck AT LAST! Comic Crypt Editor ALL IN Michael T. Gilbert Editorial Honor Roll COLOR FOR $8.95! Jerry G. Bails (founder) Ronn Foss, Biljo White Mike Friedrich Proofreader Rob Smentek Cover Artist Contents George Pérez Writer/Editorial: An All-Star Cast—Of Mind. 2 Cover Colorist Bernard Baily: The Early Years . 3 Tom Ziuko With Special Thanks to: Ken Quattro examines the career of the artist who co-created The Spectre and Hour-Man. “Fairytales Can Come True…” . 17 Rob Allen Roger Hill The Roy Thomas/Michael Bair 1980s JSA retro-series that didn’t quite happen! Heidi Amash Allan Holtz Dave Armstrong Carmine Infantino What If All-Star Comics Had Sported A Variant Line-up? . 25 Amy Baily William B. Jones, Jr. Eugene Baily Jim Kealy Hurricane Heeran imagines different 1940s JSA memberships—and rivals! Jill Baily Kirk Kimball “Will” Power. 33 Regina Baily Paul Levitz Stephen Baily Mark Lewis Pages from that legendary “lost” Golden Age JSA epic—in color for the first time ever! Michael Bair Bob Lubbers “I Absolutely Love What I’m Doing!” . -
SUPERGIRL “End Title”
SUPERGIRL “End Title” Music by Jerry Goldsmith -Supergirl (1984) ** [music ****] http://www.amazon.com/Supergirl-Limited-Helen- Slater/dp/6305842027/ref=sr_1_2?s=dvd&ie=UTF8&qid=1293764295&sr=1-2 [NOTE: This document was cut & pasted here from my very long DVD Collection analyses] Here is my YouTube video on the End Title that I created December 22, 2016: https://youtu.be/4hw9taS_5wE While the movie itself is a bit of super-stretched nonsensical entertainment, the music itself by Jerry Goldsmith deserved super-sized praise! I’ll later delineate some of the End Title cue. I am very happy Goldsmith had a chance to enter the Superman universe in terms of providing a score to compare with Williams’ excellent Superman score. Imagine if there was an alternate score to that movie (Goldsmith composing it) instead of the inferior Supergirl. It would be one of those probable realities that I wish I could enter and experience. Of course we already have a five-star super score by Goldsmith from the esteemed Star Trek universe (Star Trek:TMP) and it is difficult to 1 imagine Goldsmith coming up with an even better score for, say, Superman, but we will never know! The movie itself is pretty laughable, campy, kidsy and silly—but it has a certain degree of oh-what-the-heck fun! You really have to suspend any sense of logic in this film. For instance, when Kara (Supergirl, played by cute Helen Slater) rides the inter- dimensional vehicle Zalthar (Peter O’Toole) created to enter the outer reality of Earth, she was wearing her rather floral, flowing outfit. -
The Cw Arrowverse and Myth-Making, Or the Commodification of Transmedia Franchising
PRODUCTIONS / MARKETS / STRATEGIES THE CW ARROWVERSE AND MYTH-MAKING, OR THE COMMODIFICATION OF TRANSMEDIA FRANCHISING CHARLES JOSEPH Name Charles Joseph Arrowverse, a shared narrative space based on DC-inspired Academic centre University of Rennes 2 original series which provided the network with a fertile E-mail address [email protected] groundwork to build upon. The CW did not hesitate to capitalize on its not-so-newfound superhero brand to KEYWORDS induce a circulation of myth, relying on these larger-than- The CW; DC comics; Arrowverse; transmedia; convergence; life characters at the heart of American pop culture to superhero; myth. fortify its cultural and historical bedrock and earn its seat along the rest of the Big 4. This paper aims to decipher how The CW pioneered new technology-based tools ABSTRACT which ultimately changed the American media-industrial The CW’s influence over the American network television landscape of the early 2010s, putting these tools to the landscape has never ceased to grow since its creation test with the network’s superhero series. It will thus also in 2006. The network’s audience composition reflects address how the Arrowverse set of characters has triggered The CW’s strategies to improve its original content as cross-media and transmedia experimentations, how The well as diversifying it, moving away from its image as a CW stimulated rapport with its strong fan base, as well network for teenage girls. One of the key elements which as how the network has been able to capitalize on the has supported this shift was the development of the superhero genre’s evocative capacities. -
This Is a Test
‘ROCK THE HOUSE’ CAST BIOS JACK COLEMAN (Max) – Jack Coleman stars in NBC’s Emmy-nominated ensemble drama series “Heroes” as the mysterious Noah Bennett. Seemingly an unassuming family man as father to Claire, played by Hayden Panettiere, Bennett is also a man of mystery who has an interest in people with special abilities. Coleman has performed on Broadway, off-Broadway, in film and on television. Series roles include “Dynasty,” “Nightmare Café,” “Oh Baby” and “Steven King’s Kingdom Hospital.” Recently, he has been featured on such programs as “Entourage,” “Nip/Tuck,” “Without a Trace” and “CSI Miami.” On stage, Coleman starred on Broadway in Bill Cain’s Stand-Up Tragedy in a part he originated at the Mark Taper Forum. He was nominated for a Los Angeles Drama Critics’ Circle Award for his performance. He reprised the role in San Francisco at the Marines Memorial Theater and in Connecticut at The Hartford Stage Company before opening in New York. Coleman won a Los Angeles Drama Critics’ Circle Award for his performance in John Godber’s Bouncers at the Tiffany Theater and also starred off-Broadway in Simon Gray’s The Common Pursuit. Coleman has also appeared in regional theaters across the country, playing Danny Zuko in Grease from Long Island, New York to Odessa, Texas (where his character in “Heroes” resides), and performing Othello and Loves’ Labours Lost at the Globe of the Great Southwest. Coleman wrote, produced and starred in a short film entitled “Studio City,” an audience favorite at such film festivals as the Los Angeles International Short Film Festival and the New Orleans Media Experience. -
Starlog Magazine Issue
'ne Interview Mel 1 THE SCIENCE FICTION UNIVERSE Brooks UGUST INNERSPACE #121 Joe Dante's fantastic voyage with Steven Spielberg 08 John Lithgow Peter Weller '71896H9112 1 ALIENS -v> The Motion Picture GROUP, ! CANNON INC.*sra ,GOLAN-GLOBUS..K?mEDWARO R. PRESSMAN FILM CORPORATION .GARY G0D0ARO™ DOLPH LUNOGREN • PRANK fANGELLA MASTERS OF THE UNIVERSE the MOTION ORE ™»COURTENEY COX • JAMES TOIKAN • CHRISTINA PICKLES,* MEG FOSTERS V "SBILL CONTIgS JULIE WEISS Z ANNE V. COATES, ACE. SK RICHARD EDLUND7K WILLIAM STOUT SMNIA BAER B EDWARD R PRESSMAN»™,„ ELLIOT SCHICK -S DAVID ODEll^MENAHEM GOUNJfOMM GLOBUS^TGARY GOODARD *B«xw*H<*-*mm i;-* poiBYsriniol CANNON HJ I COMING TO EARTH THIS AUGUST AUGUST 1987 NUMBER 121 THE SCIENCE FICTION UNIVERSE Christopher Reeve—Page 37 beJohn Uthgow—Page 16 Galaxy Rangers—Page 65 MEL BROOKS SPACEBALLS: THE DIRECTOR The master of genre spoofs cant even give the "Star wars" saga an even break Karen Allen—Page 23 Peter weller—Page 45 14 DAVID CERROLD'S GENERATIONS A view from the bridge at those 37 CHRISTOPHER REEVE who serve behind "Star Trek: The THE MAN INSIDE Next Generation" "SUPERMAN IV" 16 ACTING! GENIUS! in this fourth film flight, the Man JOHN LITHGOW! of Steel regains his humanity Planet 10's favorite loony is 45 PETER WELLER just wild about "Harry & the CODENAME: ROBOCOP Hendersons" The "Buckaroo Banzai" star strikes 20 OF SHARKS & "STAR TREK" back as a cyborg centurion in search of heart "Corbomite Maneuver" & a "Colossus" director Joseph 50 TRIBUTE Sargent puts the bite on Remembering Ray Bolger, "Jaws: -
Yokai Invasion!
Yokai Invasion! July 30-Aug 1, 2021 Coralville, Iowa Coralville Marriott Hotel and Conference Center Visit The AnimeIowa Inari Shrine! Ready for a change of pace from the convention chaos? Looking for a unique photo spot? Need to offer a special prayer to a higher power? Please join the yōkai in our peaceful Japanese garden. But beneath this idyllic setting, does the shrine harbor an ancient secret? Stop by our Marketplace location to nd out! This attraction is free to visit, but all shrine donations will benet the Iowa Asian Alliance. ~ Sponsored by AnimeIowa Labs ~ July 30-Aug 1, 2021 “Yokai Invasion!” Table of Contents Registration 03 Art Show 21 Convention Rules and Information Charity Project 21 General Behavior 04 Photoshoots 22 Harassment 04 Paneling Safety and Heath Measures 05 Schedule 23 Volunteers 06 Descriptions Accessibility 07 GoH Panels 26 Info Desk 07 Friday 27 Sponsors 08 Saturday 28 Honored Guests 09 Sunday 30 Programming Video Rooms Tabletop Gaming 15 Schedule 31 Video Gaming 17 Descriptions 33 Family Programming 18 Staff 40 Cosplay Marketplace Hall Cosplay 19 Listings 41 Masquerade Cosplay 20 Map 42 Hours of Operation Convention Hours Friday Noon - Midnight Anime Marketplace Friday 3pm - 8pm Saturday 8 am - Midnight & Artists Alley Saturday 10am - 6pm Sunday 8 am - 6 pm Sunday 10am - 4pm Opening Ceremonies Friday 1 pm - 2 pm Cosplay Central Friday 12pm - 8pm Closing Ceremonies Sunday 4 pm - 5 pm Saturday 10am - 4pm Sunday 10am - 4pm Registration Thursday 5:30 pm - 8:30 pm Masquerade Saturday 6:30pm - 9pm Friday 9:00 am - 8:00 pm At-The-Door Sat Only Available Saturday 9:00 am - 4:00 pm Reg for AI 2022 Sunday 9:00 am - 4:30 pm A Special THANK YOU to the Mindbridge Foundation You are invited to the Mindbridge Foundation is a not-for-prot corporation organized to provide a resource Mindbridge Panel on group for those interested in Science Fiction, Fantasy, and related areas. -
Marvelcomicsinthe70spreview.Pdf
Contents Introduction: The Twilight Years . 5 PART I: 1968-1970 . 9 PART II: 1970-1974 . 46 PART III: 1974-1976 . 155 PART IV: 1976-1979 . 203 Creator Spotlights : Roy Thomas . 10 Gene Colan . 16 Neal Adams . 31 Gil Kane . 52 Joe Sinnott . 54 Gerry Conway . 90 Marv Wolfman . 143 Jim Starlin . 150 Jim Shooter . 197 John Byrne . 210 Frank Miller . 218 Key Marvel Moments : Marvel Con . 175 Marvel Comics in the 1970s 3 Introduction: The Twilight Years n volume one, Marvel Comics in the 1960s , it was mix, vaulting Marvel Comics into a pop-culture Ishown how the development of the company’s new movement that threatened to overwhelm established line of super-hero books introduced in that decade notions of art and its role in society. As a result, Lee could be broken up into four distinct phases: the came to be seen as Marvel’s front man, and through a Formative Years, the Years of Consolidation, the combination of speech making, magazine interviews, Grandiose Years, and the Twilight Years. Led by and his often inspiring comic book scripts, he became editor Stan Lee, who was allied with some of the a sort of pop guru to many of his youthful readers. best artists in the business including Jack Kirby, However, by 1968, Marvel Comics had reached its Steve Ditko, Don Heck, John Romita, John Buscema, zenith in terms of its development and sheer creative Jim Steranko, and Gene Colan, Marvel moved quickly power. Soon after came an expansion of the company’s from its early years when concepts involving continuity line of titles and a commensurate dilution of the and characterization were intro - duced to new features with little thought given to their revolu - tionary impact on the industry to the Years of Consolidation when concepts of characteriza - tion, continuity, and realism began to be actively applied. -
Kirby Letterhead
SUPERGIRL IN THE BRONZE AGE! October 2015 No.84 $ 8 . 9 5 Supergirl TM & © DC Comics. All Rights Reserved. 0 9 Pre-Crisis Supergirl I Death of Supergirl I Rebirths of Supergirl I Superwoman ALAN BRENNERT interview I HELEN SLATER Supergirl movie & more super-stuff! 1 82658 27762 8 Volume 1, Number 84 October 2015 EDITOR-IN-CHIEF Michael Eury Comics’ Bronze Age and Beyond! PUBLISHER John Morrow TM DESIGNER Rich Fowlks COVER ARTISTS Karl Heitmueller, Jr., with Stephen DeStefano Bob Fingerman Dean Haspiel Kristen McCabe Jon Morris Jackson Publick COVER DESIGNER Michael Kronenberg PROOFREADER John Morrow SPECIAL THANKS Cary Bates Elliot S. Maggin Alan Brennert Andy Mangels ByrneRobotics.com Franck Martini BACK SEAT DRIVER: Editorial by Michael Eury . .2 Glen Cadigan Jerry Ordway FLASHBACK: Supergirl in Bronze . .3 and The Legion George Pérez The Maid of Might in the ’70s and ’80s Companion Ilya Salkind Shaun Clancy Anthony Snyder PRINCE STREET NEWS: The Sartorial Story of the Sundry Supergirls . .24 Gary Colabuono Roger Stern Oh, what to wear, what to wear? Fred Danvers Jeannot Szwarc DC Comics Steven Thompson THE TOY BOX: Material (Super) Girl: Pre-Crisis Supergirl Merchandise . .26 Jim Ford Jim Tyler Dust off some shelf space, ’cause you’re gonna want this stuff Chris Franklin Orlando Watkins FLASHBACK: Who is Superwoman? . .31 Grand Comics John Wells Database Marv Wolfman Elliot Maggin’s Miracle Monday heroine, Kristen Wells Robert Greenberger BACKSTAGE PASS: Adventure Runs in the Family: The Saga of the Supergirl Movie . .35 Karl Heitmueller, Jr. Hollywood’s Ilya Salkind and Jeannot Szwarc take us behind the scenes Heritage Comics Auctions FLASHBACK: Crisis on Infinite Earths #7 . -
In the USA Characters TM & © Marvel Characters, Inc. Cover Art by Gil
Characters TM & © Marvel Characters, Inc. 1 82658 00046 2 ™ Cover art byGilKane &KlausJanson $ in theUSA 8.95 A TwoMorrows A TwoMorrows Publication Winter 2016 • Voice of the Comics Medium • Number 11 TABLE OF CONTENTS Ye Ed’s Rant: ACE was not the place and Ye Ed’s upcoming projects ............................. 2 WOODY LANTERN COMICS CHATTER CBC mascot by J.D. KING An Enthusiastic Man: Talking to those who loved and cherished the gentleman, ©2015 J.D. King. we ask the family and friends of the late, lamented Herbert William Trimpe to About Our share their memories of and affections for the legendary comic book creator ......... 3 Cover Incoming: Roy Thomas talks about faked alien invasions, Evertson Zell enlightens Pencils by GI L KANE us about the fanzine Yandro, and reader complaints about our interview style ....... 8 Inks by KLAUS JANSON Hembeck’s Dateline: Our Man Fred talks about how the great comic book artist Colors by GLENN and celebrated raconteur Gilbert Eli Kane changed his life ..................................... 13 WHITMORE Eisner’s Enduring Esprit: A short interview with Paul Levitz, author of the new book Will Eisner: Champion of the Graphic Novel ........................................... 14 Comics in the Library: Explaining what libraries need from comic publishers ........... 19 THE MAIN EVENT The Invention of Gil Kane: CBC takes a comprehensive look at the life and times of the man born Eli Kacz. From a childhood growing up on the mean streets of Brooklyn and early entry into the nascent comics field, we chronicle his years as DC Comics’ stalwart and witness an epiphanous breakthrough that transforms his work and ambitions into becoming among the first graphic novelists.