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Greek Art/Roman Eyes
Greek Art/Roman Eyes: The Reception of Greek Art in the Private Sphere in Ancient Italy A Symposium at the Los Angeles County Museum of Art and the Getty Villa Thursday, Friday, and Saturday, June 4-6, 2009 Program schedule as of May 19, 2009; subject to change. THURSDAY, JUNE 4, 2009 – LOS ANGELES COUNTY MUSEUM OF ART, LEO S. BING THEATER 5905 Wilshire Blvd., Los Angeles, CA 90036 7:00 p.m. Keynote address The Roman Home Transformed: Greek Art and Roman Luxury Andrew Wallace-Hadrill, British School at Rome 8:00 p.m. Pompeii and the Roman Villa: Art and Culture Around the Bay of Naples Exhibtition viewing until 9:30 p.m. FRIDAY, JUNE 5, 2009 – GETTY VILLA, AUDITORIUM 17985 Pacific Coast Highway, Pacific Palisades, CA 90272 8:45 a.m. Check-in opens 9:30 a.m. Welcome: Kenneth Lapatin, J. Paul Getty Museum SESSION ONE: Greeks and Etruscans Moderator: François Lissarrague, Centre Louis Gernet/Getty Research Institute Banquets, Games, Parades, or Something Else? Ideology, Commissions, and Cultural Interaction in Etruscan Regiae Luca Cerchiai, Università degli Studi di Salerno Greek Drinking in Ancient Etruria: Practice and Images Maurizio Harari, Università di Pavia Break Loving Children and the Power of Women: Greek Myths on Etruscan Mirrors Francesco de Angelis, Columbia University Lost in Translation? Greek Myths in Etruscan Painting in the Classical Period Agnès Rouveret, CNRS/Université Paris Ouest Nanterre La Défense Discussion 1:00 p.m. Lunch break and museum visit © 2009 J. Paul Getty Trust Page 1 of 3 3:30 p.m. SESSION TWO: Encounters between Greeks and Italians Moderator: Carol C. -
Malibu 90265 Introduction
Malibu 90265 Introduction by Taylor Coffman FROM THE SANTA MONICA PIER, it’s a six-mile drive up Pacific Coast Highway to Tuna Canyon Road. Not far along this northwest-to- westerly route lies the site of the Beach House, as William Randolph Hearst and Marion Davies called their grand mansion of the 1920s and ’30s, once the film colony’s most palatial home. Past that, in Pacific Palisades, lies the Bel-Air Bay Club; and then PCH reaches Sunset Boulevard, the world’s only street so-named. On the ocean side is the fish restaurant known as Gladstone’s Malibu. But it’s a false start: the border of that famous town lies almost a mile ahead still. Thelma Todd’s house and the section of Pacific Palisades called Castellammare are next; tucked away nearby, invisible from the main road, is the Getty Villa (J. Paul Getty greatly admired Hearst). Then comes the more working-class enclave of Sunset Mesa, or Parker Mesa. Right past it is the last part of what, overall, amounts to outlying Los Angeles and its coveted Westside, namely, the place where Topanga Canyon Boulevard reaches Topanga State Beach, once a Bohemian seaside haunt but now a bittersweet memory. Go another half mile, past the City of Malibu sign, and watch for a larger sign next to Tuna Canyon Road. It announces “Malibu 27 Miles of Scenic Beauty.” Years ago, in this same spirit of local pride, the old Malibu Township was often said to extend for twenty-six miles. In reality, twenty-nine miles (and even closer to thirty) is more like it in embracing the total Malibu coastline, the long shorefront of what I like to call greater Malibu, the storied land of postal ZIP code 90265. -
Doggin' America's Beaches
Doggin’ America’s Beaches A Traveler’s Guide To Dog-Friendly Beaches - (and those that aren’t) Doug Gelbert illustrations by Andrew Chesworth Cruden Bay Books There is always something for an active dog to look forward to at the beach... DOGGIN’ AMERICA’S BEACHES Copyright 2007 by Cruden Bay Books All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording or by any information storage and retrieval system without permission in writing from the Publisher. Cruden Bay Books PO Box 467 Montchanin, DE 19710 www.hikewithyourdog.com International Standard Book Number 978-0-9797074-4-5 “Dogs are our link to paradise...to sit with a dog on a hillside on a glorious afternoon is to be back in Eden, where doing nothing was not boring - it was peace.” - Milan Kundera Ahead On The Trail Your Dog On The Atlantic Ocean Beaches 7 Your Dog On The Gulf Of Mexico Beaches 6 Your Dog On The Pacific Ocean Beaches 7 Your Dog On The Great Lakes Beaches 0 Also... Tips For Taking Your Dog To The Beach 6 Doggin’ The Chesapeake Bay 4 Introduction It is hard to imagine any place a dog is happier than at a beach. Whether running around on the sand, jumping in the water or just lying in the sun, every dog deserves a day at the beach. But all too often dog owners stopping at a sandy stretch of beach are met with signs designed to make hearts - human and canine alike - droop: NO DOGS ON BEACH. -
Travel Summary
Travel Summary – All Trips and Day Trips Retirement 2016-2020 Trips (28) • Relatives 2016-A (R16A), September 30-October 20, 2016, 21 days, 441 photos • Anza-Borrego Desert 2016-A (A16A), November 13-18, 2016, 6 days, 711 photos • Arizona 2017-A (A17A), March 19-24, 2017, 6 days, 692 photos • Utah 2017-A (U17A), April 8-23, 2017, 16 days, 2214 photos • Tonopah 2017-A (T17A), May 14-19, 2017, 6 days, 820 photos • Nevada 2017-A (N17A), June 25-28, 2017, 4 days, 515 photos • New Mexico 2017-A (M17A), July 13-26, 2017, 14 days, 1834 photos • Great Basin 2017-A (B17A), August 13-21, 2017, 9 days, 974 photos • Kanab 2017-A (K17A), August 27-29, 2017, 3 days, 172 photos • Fort Worth 2017-A (F17A), September 16-29, 2017, 14 days, 977 photos • Relatives 2017-A (R17A), October 7-27, 2017, 21 days, 861 photos • Arizona 2018-A (A18A), February 12-17, 2018, 6 days, 403 photos • Mojave Desert 2018-A (M18A), March 14-19, 2018, 6 days, 682 photos • Utah 2018-A (U18A), April 11-27, 2018, 17 days, 1684 photos • Europe 2018-A (E18A), June 27-July 25, 2018, 29 days, 3800 photos • Kanab 2018-A (K18A), August 6-8, 2018, 3 days, 28 photos • California 2018-A (C18A), September 5-15, 2018, 11 days, 913 photos • Relatives 2018-A (R18A), October 1-19, 2018, 19 days, 698 photos • Arizona 2019-A (A19A), February 18-20, 2019, 3 days, 127 photos • Texas 2019-A (T19A), March 18-April 1, 2019, 15 days, 973 photos • Death Valley 2019-A (D19A), April 4-5, 2019, 2 days, 177 photos • Utah 2019-A (U19A), April 19-May 3, 2019, 15 days, 1482 photos • Europe 2019-A (E19A), July -
2020 Pacific Coast Winter Window Survey Results
2020 Winter Window Survey for Snowy Plovers on U.S. Pacific Coast with 2013-2020 Results for Comparison. Note: blanks indicate no survey was conducted. REGION SITE OWNER 2017 2018 2019 2020 2020 Date Primary Observer(s) Gray's Harbor Copalis Spit State Parks 0 0 0 0 28-Jan C. Sundstrum Conner Creek State Parks 0 0 0 0 28-Jan C. Sundstrum, W. Michaelis Damon Point WDNR 0 0 0 0 30-Jan C. Sundstrum Oyhut Spit WDNR 0 0 0 0 30-Jan C. Sundstrum Ocean Shores to Ocean City 4 10 0 9 28-Jan C. Sundstrum, W. Michaelis County Total 4 10 0 9 Pacific Midway Beach Private, State Parks 22 28 58 66 27-Jan C. Sundstrum, W. Michaelis Graveyard Spit Shoalwater Indian Tribe 0 0 0 0 30-Jan C. Sundstrum, R. Ashley Leadbetter Point NWR USFWS, State Parks 34 3 15 0 11-Feb W. Ritchie South Long Beach Private 6 0 7 0 10-Feb W. Ritchie Benson Beach State Parks 0 0 0 0 20-Jan W. Ritchie County Total 62 31 80 66 Washington Total 66 41 80 75 Clatsop Fort Stevens State Park (Clatsop Spit) ACOE, OPRD 10 19 21 20-Jan T. Pyle, D. Osis DeLaura Beach OPRD No survey Camp Rilea DOD 0 0 0 No survey Sunset Beach OPRD 0 No survey Del Rio Beach OPRD 0 No survey Necanicum Spit OPRD 0 0 0 20-Jan J. Everett, S. Everett Gearhart Beach OPRD 0 No survey Columbia R-Necanicum R. OPRD No survey County Total 0 10 19 21 Tillamook Nehalem Spit OPRD 0 17 26 19-Jan D. -
The German/American Exchange on Nazi-Era Art Provenance Research
2017 PREP Exchanges The Metropolitan Museum of Art, New York (February 5–10) Stiftung Preußischer Kulturbesitz, Staatliche Museen zu Berlin (September 24–29) 2018 PREP Exchanges The Getty Research Institute, Los Angeles (February 25–March 2) Zentralinstitut für Kunstgeschichte, Munich (October 8–12) 2019 PREP Exchanges Staatliche Kunstsammlungen Dresden (Spring) Smithsonian Institution, Provenance Research Initiative, Washington, D.C. (Fall) Major support for the German/American Provenance Research Exchange Program comes from The German Program for Transatlantic Encounters, financed by the European Recovery Program through Germany's Federal Ministry for Economic Affairs and Energy, and its Commissioner for Culture and the Media Additional funding comes from the PREP Partner Institutions, The German/American Exchange on the Smithsonian Women's Committee, James P. Hayes, Nazi-Era Art Provenance Research Suzanne and Norman Cohn, and the Ferdinand-Möller-Stiftung, Berlin 3RD PREP Exchange in Los Angeles February 25 — March 2, 2018 Front cover: Photos and auction catalogs from the 1910s in the Getty Research Institute’s provenance research holdings The Getty Research Institute 1200 Getty Center Drive Los Angeles, CA 90049 © 2018Paul J.Getty Trust ORGANIZING PARTNERS Smithsonian Provenance Research Initiative, Smithsonian Institution Washington, D.C. Stiftung Preußischer Kulturbesitz—Staatliche Museen zu Berlin (Prussian Cultural Heritage Foundation—National Museums in Berlin) PARTNERS The Metropolitan Museum of Art, New York The Getty Research -
Cult Statue of a Goddess
On July 31, 2007, the Italian Ministry of Culture and the Getty Trust reached an agreement to return forty objects from the Museum’s antiq uities collection to Italy. Among these is the Cult Statue of a Goddess. This agreement was formally signed in Rome on September 25, 2007. Under the terms of the agreement, the statue will remain on view at the Getty Villa until the end of 2010. Cult Statue of a Goddess Summary of Proceedings from a Workshop Held at The Getty Villa May 9, 2007 i © 2007 The J. Paul Getty Trust Published on www.getty.edu in 2007 by The J. Paul Getty Museum Getty Publications 1200 Getty Center Drive, Suite 500 Los Angeles, California 900491682 www.getty.edu Mark Greenberg, Editor in Chief Benedicte Gilman, Editor Diane Franco, Typography ISBN 9780892369287 This publication may be downloaded and printed in its entirety. It may be reproduced, and copies distributed, for noncommercial, educational purposes only. Please properly attribute the material to its respective authors. For any other uses, please refer to the J. Paul Getty Trust’s Terms of Use. ii Cult Statue of a Goddess Summary of Proceedings from a Workshop Held at the Getty Villa, May 9, 2007 Schedule of Proceedings iii Introduction, Michael Brand 1 Acrolithic and Pseudoacrolithic Sculpture in Archaic and Classical Greece and the Provenance of the Getty Goddess Clemente Marconi 4 Observations on the Cult Statue Malcolm Bell, III 14 Petrographic and Micropalaeontological Data in Support of a Sicilian Origin for the Statue of Aphrodite Rosario Alaimo, Renato Giarrusso, Giuseppe Montana, and Patrick Quinn 23 Soil Residues Survey for the Getty Acrolithic Cult Statue of a Goddess John Twilley 29 Preliminary Pollen Analysis of a Soil Associated with the Cult Statue of a Goddess Pamela I. -
Pacific Coast SNPL 2012 Breeding Survey with WA OR CA
2012 Summer Window Survey for Snowy Plovers on U.S. Pacific Coast with 2005-2011 Results for Comparison. Note: blanks indicate no survey was conducted. Total Adults 2012 Adult Breakdown REGION SITE OWNER 2005 2006 2007 2008 2009 2010 2011 2012 male fem. sex? Grays Harbor Copalis Spit State Parks 00000 00 00 0 Conner Creek State Parks 00000 00 00 0 Damon Point/Oyhut S. Parks, D. Nat R. F & W 500000 00 00 0 County Total 500000 00 00 0 Pacific Midway Beach Private, State Parks 23 25 22 12 16 18 22 11 65 0 Graveyard Shoalwater Indian Tribe 10 0 0 2 11 0 Leadbetter Point NWR USFWS, State Parks 9 42282926201215 10 4 1 South Long Beach Private 00000 County Total 32 67 50 42 42 38 34 28 17 10 1 Washington Total 37 67 50 42 42 38 34 28 17 10 1 Clatsop Fort Stevens State Park (Clatsop Spit) ACOE, OPRD 0 0 0 0 1 00 1 Necanicum Spit OPRD 0000 0 01 00 1 County Total 000000 02 00 2 Tillamook Nehalem Spit OPRD 0 0 0 0 0 0 0 00 0 Bayocean Spit ACOE 00000 00 00 0 Netarts Spit OPRD 000000 00 00 0 Sand Lake Spit (S) USFS 000000 00 00 0 Nestucca Spit OPRD 0000 0 0 00 0 County Total 000000 00 00 0 Lane Baker Beach/Sutton Creek USFS 0200 1 00 00 0 Sutton Cr./Siuslaw River N Jetty USFS 0 0 0 0 00 0 Siuslaw River S Jetty to Siltcoos USFS 4 40 0 Siltcoos Spits N & S USFS 11 18 16 11 17 18 18 22 11 10 1 County Total 11 20 16 11 17 19 18 26 15 10 1 Douglas Siltcoos-Tahkenitch (Dunes Overlook) USFS 9 2 19 7 6 19 39 42 22 20 0 Tahkenitch Spit N & S USFS 515035132716 11 0 Umpqua River S Jetty to Tenmile Spit USFS 0 11 10 12 57 0 County Total 14 3 24 7 20 24 62 81 43 38 0 Coos Tenmile Spits USFS 13 15 27 24 24 36 13 16 88 0 Coos Bay N Spit BLM, ACOE 27 27 26 30 41 38 39 52 35 17 0 Whiskey Run to Coquille River OPRD 0000 00 00 0 Bandon State Park to New River OPRD, Private, BLM 22 12 15 8 14 40 16 14 95 0 County Total 62 54 68 62 79 114 68 82 52 30 0 Curry New River to Floras Lake BLM, Private, County 13 14 17 25 24 1 20 15 96 0 Blacklock Point to Sixes River (C. -
National Register of Historic Places Registration Form
NPS Form 10-900 OMB No. 1024-0018 United States Department of the Interior National Park Service National Register of Historic Places Registration Form This form is for use in nominating or requesting determinations for individual properties and districts. See instructions in National Register Bulletin, How to Complete the National Register of Historic Places Registration Form. If any item does not apply to the property being documented, enter "N/A" for "not applicable." For functions, architectural classification, materials, and areas of significance, enter only categories and subcategories from the instructions. 1. Name of Property Historic name: __Bay Street Beach Historic District ______________________________ Other names/site number: __The Inkwell; The Ink Well ___________________________ Name of related multiple property listing: __N/A_________________________________________________________ (Enter "N/A" if property is not part of a multiple property listing ____________________________________________________________________________ 2. Location Street & number: __ See verbal boundary description ______________________________ City or town: _Santa Monica__ State: _California__ County: _Los Angeles_ Not For Publication: Vicinity: ____________________________________________________________________________ 3. State/Federal Agency Certification As the designated authority under the National Historic Preservation Act, as amended, I hereby certify that this nomination ___ request for determination of eligibility meets the documentation -
The Art of Ancient Greek Theater LOS ANGELES—The Art of Ancient
DATE: June 9, 2010 FOR IMMEDIATE RELEASE GETTY MUSEUM EXHIBITION FOCUSES ON THE REPRESENTATION OF THEATRICAL PERFORMANCE IN ANCIENT GREECE The Art of Ancient Greek Theater At the J. Paul Getty Museum, the Getty Villa August 26, 2010–January 3, 2011 Mixing Vessel with Dionysos and Comic Actors, Greek, About 390 – 380 B.C., Red-figured volute krater attributed to the Pronomos Painter. Terracotta. Lent by the Cleveland Museum of Art, John L. Severance Fund. LOS ANGELES—The Art of Ancient Greek Theater, on view at the Getty Villa from August 26, 2010 – January 3, 2011, is the first exhibition in the United States in over fifty years to focus on the artistic representation of theatrical performance in ancient Greece. Assembling international loans of antiquities from many museums and private collections, the exhibition illustrates the ways in which dramatic performance was depicted in the visual arts of ancient Greece between the fifth and the first centuries B.C. The exhibition is being presented in conjunction with the Getty Villa’s annual outdoor theater performance, Sophocles’ Elektra. “Ancient art and theater share a strong and enduring connection–one that is inspired by mythology and the social, cultural, and political realities of life in ancient Greece and Rome,” says David Bomford, acting director of the J. Paul Getty Museum. “With this exhibition and our annual production in the outdoor theater, we are delighted to bring ancient theater alive at the Getty Villa and invite our visitors to join us and discover how those themes found in ancient times persist today.” -more- Page 2 The Art of Ancient Greek Theater spans centuries of artistic production throughout the cities of the Mediterranean. -
Ability Guidebook: I Am Going to the J Paul Getty Museum
Ability Guidebooks presents Explore Los Angeles! r k c i l F n o i r E " a J k a b o B y b o t o h P I Am Going To The Getty Villa! A Step-by-Step Guide On How To Visit This Amazing Museum. By Brett Bigham The J. Paul Getty Villa is a famous museum in Los Angeles. People come from all over the world to visit. r k c i l F n o i r E " a J k a b o B y b o t o h P The building is a copy of a Roman villa and has many pieces of art made by Ancient Greeks, Romans and Etruscans! The museum is very big so it is important to stay with your group. After you leave the parking lot you walk up to the entry of the Getty Villa. r k c i l F n o z c i w o d j a Z d a h T y B o t o h P Let's stay together! This is where you enter the museum. Remember, the museum is a serious place. You have to use a quiet voice. l e n n a h C g n i h c a e T e h T y B o t o h P It is free to visit the museum but you have to sign up for a time on the museum website or by calling ahead. You can follow the stairs or take an elevator to get to the front doors of the museum. -
Regional Parks Service Area Map City of Los Angeles, California Current Recommended Guideline of 8.0 Acres Per 1,000 Residents
Regional Parks Service Area Map City of Los Angeles, California Current Recommended Guideline of 8.0 Acres per 1,000 Residents ¦¨§14 THE CASCADES GOLF CLUB 1 WILSON CANYON PARK THE CASCADES GOLF CLUB 2 EL CARISO REGIONAL COUNTY PARK O'MELVENY PARK EL CARISO GOLF COURSE Recreation LIMEKILN CANYON PARK KNOLLWOOD COUNTY GOLF COURSE and Parks BROWNS CREEK PARK ALISO CANYON PARK Ventura Department 118 ¦¨§ ANGELES NATIONAL FOREST Needs Assessment SANTA SUSANA PASS STATE HISTORIC PARK HANSEN DAM QUARRY LAKE HANSEN DAM RECREATION AREA CHATSWORTH PARK, SOUTH HANSEN DAM GOLF COURSE DEUKMEJIAN WILDERNESS PARK North Valley APC CHATSWORTH RESERVOIR SITE ¦¨§210 LA TUNA CANYON PARK VERDUGO MOUNTAIN PARK BELL CANYON OPEN SPACE 1 BELL CANYON PARK EL ESCORPION PARK ¦¨§170 KNAPP RANCH PARK VALLEY PLAZA PARK BEILENSON (ANTHONY C.) PARK BALBOA SPORTS CENTER WOODLEY AVENUE PARK BALBOA GOLF COURSE South Valley APC ¦¨§101 ENCINO GOLF COURSE LOS ENCINOS STATE HISTORIC PARK NORTH HOLLYWOOD PARK GRIFFITH PARK: L.A. EQUESTRIAN CENTER VAN NUYS ‐ SHERMAN OAKS PARK ¦¨§134 NATIONAL PARK SERVICE HARDING GOLF COURSE STATE PARK LAND 10 WILSON GOLF COURSE 5 STATE PARK LAND 8 ¦¨§ WESTRIDGE CANYONBACK PARK 1 FOSSIL RIDGE PARK WILACRE PARK GRIFFITH PARK DIXIE CANYON PARKSTATE PARK LAND 7 SEPULVEDA PASS OPEN SPACE 2SEPULVEDA PASS OPEN SPACE 1 STATE PARK LAND 4 GRIFFITH PARK: BRONSON CANYON FRYMAN CANYON PARK ROOSEVELT GOLF COURSE BEVERLY GLEN PARK WESTRIDGE CANYONBACK PARK 2 STATE PARK LAND 1 RUNYON CANYON PARK ARROYO SECO PARK STATE PARK LAND 5 STATE PARK LAND 2 ELYSIAN VALLEY