Foo Fighters Albums in Order
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Indie Mixtape 20 Q&A Is with Proper., Who Can Sing All the Words to Every Kanye and Say Anything Album (Even the Bad Ones)
:: View email as a web page :: Chuck Klosterman once observed that every straight American man “has at least one transitionary period in his life when he believes Led Zeppelin is the only good band that ever existed.” Typically, this “Zeppelin phase” occurs in one’s teens, when a band that sings lasciviously about squeezing lemons while contemplating hobbits aligns with the surging hormones of the listener. But what about when you hit your early 30s? Is there a band that corresponds with graying beards and an encroaching sense of mortality? We believe, based on anecdotal evidence, that this band is the Grateful Dead. So many people who weren’t Dead fans when Jerry Garcia was alive have come to embrace the band, including many people in the indie-rock community, whether it’s Ezra Koenig of Vampire Weekend, Jim James of My Morning Jacket, or scores of others. Check out this piece on why the Dead is so popular now, even as the 25th anniversary of Garcia’s death looms, and let us know why you like them on Twitter. -- Steven Hyden, Uproxx Cultural Critic and author of This Isn't Happening: Radiohead's "Kid A" And The Beginning Of The 21st Century PS: Was this email forwarded to you? Join the band here. In case you missed it... Our YouTube channel just added a swath official music videos from Tori Amos and Faith No More. After a handful of delays, we now have an official release date for the new album from The Killers, as well as a new song. -
“Grunge Killed Glam Metal” Narrative by Holly Johnson
The Interplay of Authority, Masculinity, and Signification in the “Grunge Killed Glam Metal” Narrative by Holly Johnson A thesis submitted to the Faculty of Graduate and Postdoctoral Affairs in partial fulfillment of the requirements for the degree of Master of Arts in Music and Culture Carleton University Ottawa, Ontario © 2014, Holly Johnson ii Abstract This thesis will deconstruct the "grunge killed '80s metal” narrative, to reveal the idealization by certain critics and musicians of that which is deemed to be authentic, honest, and natural subculture. The central theme is an analysis of the conflicting masculinities of glam metal and grunge music, and how these gender roles are developed and reproduced. I will also demonstrate how, although the idealized authentic subculture is positioned in opposition to the mainstream, it does not in actuality exist outside of the system of commercialism. The problematic nature of this idealization will be examined with regard to the layers of complexity involved in popular rock music genre evolution, involving the inevitable progression from a subculture to the mainstream that occurred with both glam metal and grunge. I will illustrate the ways in which the process of signification functions within rock music to construct masculinities and within subcultures to negotiate authenticity. iii Acknowledgements I would like to thank firstly my academic advisor Dr. William Echard for his continued patience with me during the thesis writing process and for his invaluable guidance. I also would like to send a big thank you to Dr. James Deaville, the head of Music and Culture program, who has given me much assistance along the way. -
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Ich Habe Genügend Von Ihren Entwürfen
„Ich habe genügend von ihren Entwürfen und Produktionsplänen gesehen, um eines sagen zu können: Wäre es den Deutschen gelungen, den Krieg nur ein paar Monate hinauszuziehen, wären wir mit einer ganzen Reihe völlig neuartiger und tödlicher Luftkampfwaffen konfrontiert worden." Sir Roy Feddon Inspekteur des britischen Flugzeugbauministeriums INHALT Vorwort und notwendige Vorbemerkungen 11 Einleitung 23 WUNDERWAFFEN 27 Fieseier Fi 103 (V 1) 34 Henschel „Zitterrochen" 38 Ballistische Flugkörper 38 Nurflügel-Konstruktionen 43 Flugscheiben-Teil 1 46 Die fehlende Verbindung 60 Geisterjäger und „Motorstoppmittel" 78 Flugscheiben - Teil 2: Und sie flogen doch! 99 Die Flugscheiben des Joseph Andreas Epp 104 GEHEIMTECHNOLOGIEN 113 Gab es das Sonderbüro 13 wirklich? 115 Hochtechnologiezone Jonastal-Ohrdruf 125 Was sucht man im Jonastal? 145 DIE IRDISCHEN FACETTEN DES UFO-PHÄNOMENS 191 Ein kurzer Abriß 193 Die ersten Sichtungen der Moderne 196 Der Fall Mantell 200 UFO-Angriff auf Washington? 202 Der Condon-Report 205 Entführungen? 235 Neuen Antriebsverfahren auf der Spur 240 Townsend Brown und seine schwebenden Scheiben 242 UFO-Strahlen- und Lichtphänomene ansatzweise erklärbar 256 UFOs und Geheimhaltung 268 Die Frage nach dem Standort 281 Das Roswell-Ereignis 290 Die übersehenen Experimente in Area-51 296 Biomedizinische Geheimexperimente 301 Viehverstümmelungen 314 Quellen und Literatur 325 VORWORT UND NOTWENDIGE VORBEMERKUNGEN Sind Sie offen für neue Denkkategorien? Falls nicht, sollten Sie dieses Buch besser nicht lesen. Denn möglicherweise werden einige liebgewonnene Vorstellungen nach der Lektüre dieses Werkes nicht mehr das sein, was sie einmal waren ... Worum es geht? Um militärisch relevante Hochtechnologie- fintwicklungen, deren Verschleppung und sehr wahrscheinliche Perfektionierung durch eine Großmacht der Erde, die dies aller- dings niemals, zumindest in vollem Umfang, zugeben würde. -
Foo Fighters ‘All My Life’
Tracks Foo Fighters ‘All My Life’ Foo Fighters SONG TITLE: ALL MY LIFE ALBUM: ONE BY ONE RELEASED: 2002 LABEL: RCA GENRE: ROCK PERSONNEL: DAVE GROHL (GTR + VOX) CHRIS SHIFLET (GTR) NATE MENDEL (BASS) TAYLOR HAWKINS (DRUMS) UK CHART PEAK: 1 US CHART PEAK: 43 BACKGROUND INFO NOTES ‘All My Life’ is the last single off the Grammy Texan Taylor Hawkins started his career as a Award winning Foo Fighters’ album One by One. drummer-for-hire and before landing the Foo This driving rock performance comes courtesy of Fighters’ gig was, amongst other things, the touring drummer Taylor Hawkins. The track starts with 30 drummer for Alanis Morissette in her Jagged Little seconds of Dave Grohl singing and playing solo guitar Pill period. Grohl originally contacted Hawkins before the rest of the band comes in at breakneck for advice on the best person to fill the drum slot in speed. The drum groove features displaced snare 1997 and was surprised to hear that he was willing hits and other syncopations that give the verses a see- to do the job himself. Hawkins professes himself to saw sense of motion. By contrast, the choruses are be a big fan of Queen’s Roger Taylor and played with straight-ahead rock. him at Live Earth in 2007 along with Chad Smith of the Red Hot Chili Peppers. He also toured as Brian May’s drummer. At one point when the Foo Fighters THE BIGGER PICTURE supported May, he played both the support and headline slots! This album heralds the start of a period of rejuvenation for the Foo Fighters. -
Prefab Compilation Album It's a Prefab World!
Contact: PreFab International Productions email: [email protected] web: prefabgroup.com PreFab compilation album It’s a PreFab World! released May 2012 American record label PreFab International Records is pleased to announce the release of it’s first compilation album It’s a PreFab World! The label, primarily known as a home for the recording projects of musician Phil Gammage, has assembled a stellar collection that highlights some of the best songs of the past few years from it’s catalog. What sets this compilation apart from the competition though, is the wealth of rare and previously unreleased tracks that make the bulk of the content. Featured songs from previous PreFab albums include “In Love Again” from The Scarlet Dukes (used in a 2008 Walmart commercial), Claudia’s version of Lou Reed’s “I’ll Be Your Mirror” from her debut CD single, downtown legends Certain General with their classic “Maximum G” from the essential Live at the Public Theatre, and Phil’s “Nueva York” from his jazz instrumental collection Tracks of Sound The rare and previously unreleased music from these artists that appear on It’s a PreFab World! are as strong or exceed the featured songs from their other PreFab albums. Certain General scores with the moody “I’ll Behave”. Songstress Claudia showcases her talents with her unique versions of Nirvana’s “About a Girl” and label-mates Certain General’s composition “Heathcliff Skies”. Gammage stretches out on guitar in the instrumental workouts “Third Avenue Wind Tunnel” and “Stacey Says”. And Phil’s neo-lounge project Voodoo Martini re-emerges with a new lineup and their first new recordings in over a decade (!?) with “Naked in the Rain”, “I Kissed My Girl”, and others. -
Download This Issue
Volume 8 Issue 11 Sonic Highways Tour mobile production monthly 1 THE GTO LINE ARRAY FAMILY GTO GTO DF GTO LOW GTO SUB Super High Output from Dual 12” Lows, four x 6.5” Mids, and 2 x 3” HF Compression Drivers delivering an astounding 140 dB SPL (single unit). Power and far- eld performance from our Patented V-Power Concept (US D500,306 S) and D.P.R.W.G. Wave Guide (EP1532839). Extremely compact package: H 14.3” (363 mm) - W 44.3” (1126 mm) - D 25.8” (655 mm). Very low weight: 160 lb (72.5 kg). E-Z RIG - Lightweight Ergal Aluminum Exoskeletal Rigging System rst used on the full sized GTO: adds the strength of steel, but keeps weight to a minimum. Same foot print as the full sized GTO - makes all hardware and accessories fully compatible. Single point y frame with one Ton motor rigs up to 12 GTO C-12’s for weight restricted venues. OUTLINE. THE PASSIONATE PURSUIT OF PERFECTING PRO AUDIO SINCE 1973 OUTLINE ITALY SRL - Tel.: +39 030 35.81.341 - mail to: [email protected] OUTLINE NORTH AMERICA LLC - Tel.: 516 249 0013 - mail to: [email protected] www.outline.it 2 mobile production monthly CONTENTS Volume 8 Issue 11 Cover pg Features FOO FIGHTERS CREW KICKs Ass on “THE BROKEN LEG Tour” 6 IT’S A BIRD! IT’S A PLANE! IT’S… 20 AN AIRORB! 9 FOCUSRITE REDNET AND DANTE PERFECTLY SERVE THE FOO FIGHTERS’ MAJOR ROCK TOUR 15 Delicate PRODUCTIONS – YoUR ONE STOP SHOP 20 FOO FIGHTERS CREW KICKS ASS ON “THE BROKEN LEG Tour” 30 THE JUDDS “GIRLS NIGHT OUT” THE JUDDS, LAS VEGAS, 2015 32 FOCUSRITE LAUNCHES REDNET AM2 STEREO AUDIO MONITORING UNIT THE GTO LINE ARRAY FAMILY 34 BEHIND THE SCENES WITH THE DEF Leppard CREW 36 BEHIND THE SCENES: JUST A BUNCH OF GTO GTO DF GTO LOW GTO SUB ROADIES IN THE INCUBUS CREW Super High Output from Dual 12” Lows, four x 6.5” Mids, and 2 x 3” HF Compression Drivers delivering an astounding 140 dB SPL (single unit). -
How to Share Music in Many Complicated Steps
HOW TO SHARE MUSIC IN MANY COMPLICATED STEPS Songwriter Gives permission to Music Publisher Gives permission to use song in film or tv use song in Accepts transferred copyright in dramatic work SYNCHRONIZATION exchange for paying royalties RIGHTS GRAND RIGHTS Contracts with: Mechanical Rights Company Performing Rights Society (ie: Harry Fox Agency) (ie: ASCAP, BMI) Control permission to make and License use of the recording for radio, distribute the recording of a song store background, ringtones, etc PERFORMANCE RIGHTS MECHANICAL RIGHTS OR the song itself to sing in public SMALL RIGHTS Recording Company (ie: Arista Records) Gives permission to Create original “professional” use recording in film recording or single or album or tv Gets permission to make album MASTER USE RIGHTS –pays royalty for album sales -makes available to performing rights society HOW TO SHARE MUSIC IN MANY COMPLICATED STEPS Definitions Synchronization Rights: The right to use the music in timed relations with other visual elements in a film, video, television show/commercial, or other audio/visual production. In other words, the right to use the music as a soundtrack with visual images. Synchronization licenses are obtained from the publisher (or composer if no publisher) or the music library. Master Use Rights: When you hear music in a film or on TV, this recording is known in the music industry as the "master recording". This is what is produced after all the musicians have played their parts and these parts have been "mixed" together for release. The recording of the master is also protected by copyright. A record label or music library owns this copyright, and can grant the right to use the recording in a compilation album, film soundtrack or other Audio/Visual medium. -
The Musicares Foundation® 3402 Pico Boulevard, Santa Monica, CA 90405
The MusiCares Foundation® 3402 Pico Boulevard, Santa Monica, CA 90405 ***TIP SHEET FOR FRIDAY, MAY 9, 2008*** BLIND MELON AND CAMP FREDDY — WITH SPECIAL GUESTS CHESTER BENNINGTON, WAYNE KRAMER, DUFF MCKAGAN, CHAD SMITH, STEVEN TYLER AND ROBIN ZANDER — TO PERFORM AT FOURTH ANNUAL MUSICARES MAP FUNDSM BENEFIT CONCERT ON MAY 9 HONORING ALICE COOPER AND SLASH Sold-Out Concert Event — Sponsored In Part By Gibson Foundation — At The Music Box @ Fonda Will Raise Funds For MusiCares® Addiction Recovery Services WHO: Honorees: Legendary artist Alice Cooper to receive the Stevie Ray Vaughan Award and GRAMMY®-winning guitarist Slash to receive the MusiCares® From the Heart Award. Host: Actor, stand-up comedian, musician and singer Tommy Davidson. Presenters: Bernie Taupin will present the Stevie Ray Vaughan Award to honoree Alice Cooper; Steven Tyler will present the MusiCares® From the Heart Award to honoree Slash. Performers: Blind Melon (Glen Graham, Brad Smith, Rogers Stevens, Christopher Thorn and Travis Warren) and Camp Freddy (Chris Chaney, Donovan Leitch, Billy Morrison and Matt Sorum) with Slash on guitar, along with special guests Chester Bennington (Linkin Park), Wayne Kramer (MC5), Duff McKagan (Velvet Revolver), Chad Smith (Red Hot Chili Peppers), Steven Tyler (Aerosmith) and Robin Zander (Cheap Trick). The evening will also feature special performances by Alice Cooper and Slash. Attendees: MusiCares Foundation Board Chair John Branca; Gilby Clarke (Guns N' Roses); Bob Forrest (Celebrity Rehab); Anthony Kiedis (Red Hot Chili Peppers); Dave Kushner (Velvet Revolver); Martyn LeNoble (Jane's Addiction and Porno For Pyros); and President/CEO of The Recording Academy® and President of the MusiCares Foundation Neil Portnow. -
Images of Aggression and Substance Abuse in Music Videos : a Content Analysis
San Jose State University SJSU ScholarWorks Master's Theses Master's Theses and Graduate Research 2009 Images of aggression and substance abuse in music videos : a content analysis Monica M. Escobedo San Jose State University Follow this and additional works at: https://scholarworks.sjsu.edu/etd_theses Recommended Citation Escobedo, Monica M., "Images of aggression and substance abuse in music videos : a content analysis" (2009). Master's Theses. 3654. DOI: https://doi.org/10.31979/etd.qtjr-frz7 https://scholarworks.sjsu.edu/etd_theses/3654 This Thesis is brought to you for free and open access by the Master's Theses and Graduate Research at SJSU ScholarWorks. It has been accepted for inclusion in Master's Theses by an authorized administrator of SJSU ScholarWorks. For more information, please contact [email protected]. IMAGES OF AGGRESSION AND SUBSTANCE USE IN MUSIC VIDEOS: A CONTENT ANALYSIS A Thesis Presented to The Faculty of the School of Journalism and Mass Communications San Jose State University In Partial Fulfillment of the Requirements for the Degree Master of Science by Monica M. Escobedo May 2009 UMI Number: 1470983 Copyright 2009 by Escobedo, Monica M. INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed-through, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. -
Audio + Video 6/8/10 Audio & Video Releases *Click on the Artist Names to Be Taken Directly to the Sell Sheet
New Releases WEA.CoM iSSUE 11 JUNE 8 + JUNE 15 , 2010 LABELS / PARTNERS Atlantic Records Asylum Bad Boy Records Bigger Picture Curb Records Elektra Fueled By Ramen Nonesuch Rhino Records Roadrunner Records Time Life Top Sail Warner Bros. Records Warner Music Latina Word audio + video 6/8/10 Audio & Video Releases *Click on the Artist Names to be taken directly to the Sell Sheet. Click on the Artist Name in the Order Due Date Sell Sheet to be taken back to the Recap Page Street Date CD- WB 522739 AGAINST ME! White Crosses $13.99 6/8/10 N/A CD- White Crosses (Limited WB 524438 AGAINST ME! Edition) $13.99 6/8/10 5/19/10 White Crosses (Vinyl WB A-522739 AGAINST ME! w/Download Card) $18.98 6/8/10 5/19/10 CD- CUR 78977 BRICE, LEE Love Like Crazy $18.98 6/8/10 5/19/10 DV- WRN 523924 CUMMINS, DAN Crazy With A Capital F (DVD) $16.95 6/8/10 5/12/10 WB A-46269 FAILURE Fantastic Planet (2LP) $24.98 6/8/10 5/19/10 Selections From The Original Broadway Cast Recording CD- 'American Idiot' Featuring REP 524521 GREEN DAY Green Day $18.98 6/8/10 5/19/10 CD- RRR 177972 HAIL THE VILLAIN Population: Declining $13.99 6/8/10 5/19/10 CD- REP 519905 IYAZ Replay $9.94 6/8/10 5/19/10 CD- FBY 524007 MCCOY, TRAVIE Lazarus $13.99 6/8/10 5/19/10 CD- FBY 524670 MCCOY, TRAVIE Lazarus (Amended) $13.99 6/8/10 5/19/10 CD- ATL 522495 PLIES Goon Affiliated $18.98 6/8/10 5/19/10 CD- ATL 522497 PLIES Goon Affiliated (Amended) $18.98 6/8/10 5/19/10 The Twilight Saga: Eclipse CD- Original Motion Picture ATL 523836 VARIOUS ARTISTS Soundtrack $18.98 6/8/10 5/19/10 The Twilight Saga: -
Cathy Grier & the Troublemakers I'm All Burn CG
ad - funky biscuit … Frank Bang | Crazy Uncle Mikes Photo: Chris Schmitt 4 | www.SFLMusic.com 6 | www.SFLMusic.com Turnstiles | The Funky Biscuit Photo: Jay Skolnick Oct/Nov 2020 4. FRANK BANG 8. MONDAY JAM Issue #97 10. KEVIN BURT PUBLISHERS Jay Skolnick 12. DAYRIDE RITUAL [email protected] 18. VANESSA COLLIER Gary Skolnick [email protected] 22. SAMANTHA RUSSELL BAND EDITOR IN CHIEF Sean McCloskey 24. RED VOODOO [email protected] 28. CATHY GRIER SENIOR EDITOR Todd McFliker 30. LISA MANN [email protected] DISTRIBUTION MANAGER 32. LAURA GREEN Gary Skolnick [email protected] 34. MUSIC & COVID OPERATIONS MAGAGER 48. MONTE MELNICK Jessica Delgadillo [email protected] 56. TYLER BRYANT & THE SHAKEDOWN ADVERTISING [email protected] 60. SOCIALLY RESPONSIBLE FUN CONTRIBUTORS 62. THE REIS BROTHERS Brad Stevens Ray Anton • Debbie Brautman Message to our readers and advertisers Lori Smerilson Carson • Tom Craig Jessie Finkelstein As SFL Music Magazine adjusts to the events transpiring over the last several Peter “Blewzzman” Lauro weeks we have decided to put out the April issue, online only. We believe that Alex Liscio • Janine Mangini there is a need to continue to communicate what is happening in the music Audrey Michelle • Larry Marano community we love so dearly and want to be here for all of you, our readers Romy Santos • David Shaw and fellow concert goers and live music attendees, musicians, venues, clubs, Darla Skolnick and all the people who make the music industry what it is. SFL is dependent on its advertisers to bring you our “in print” all music maga- COVER PHOTO zine here in South Florida every month.