(Mining) Construction & Siege
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Roodstown Castle Video Script
Roodstown Castle Adèle Commins and Daithí Kearney Roodstown Castle is a prominent feature of the built heritage of Co. Louth. Its excellent state of preservation gives it added stature and it provides an excellent example of a tower house in Ireland. National records provide an interesting account of the change of name of the townland of Roodstown since 1301. Over the years the following variants of the name existed: Rotheston (1301), Routheston (1305), Rotheston (1582), Roothstowne (1635), Roothtowne (1655), Roothestowne (1658), Roods towne (1659), Rootstowne (1664), Roodestowne (1666), Roodstowne (1667), Roothstowne (1670), Roothtown (1685), Rootstown (1777), Roodstown (1836). At this time it was noted that Rooth was a family name.1 The 1837 Topographical Dictionary of Ireland noted that the townland contained 25 houses at the time with 148 inhabitants and described it as a village.2 This dictionary also suggested that the townland was called Rootstown or Ruthstown. In the Barony of Ardee and Civil Parish of Stabannan, the townland of Roodstown is surrounded by a number of other townlands including Gudderstown, Rock, Broadlough, Drumcashel, Philibenstown and Irishtown. Roodstown Castle is the most prominent structure today in the townland. The castle overlooks the N33 and the River Dee and is an imposing feature in the landscape visible today from a number of surrounding roads including the N52 and N33. Roodstown Castle is positioned on the roadside at a junction. To the right of the castle is Ardee and to the left of the castle is Stabannan. In days gone by this was the main road from Ardee to Castlebellingham. -
Medieval Castle
The Language of Autbority: The Expression of Status in the Scottish Medieval Castle M. Justin McGrail Deparment of Art History McGilI University Montréal March 1995 "A rhesis submitted to the Faculty of Graduate Studies and Research in partial fu[filment of the requirements of the degree of Masters of Am" O M. Justin McGrail. 1995 National Library Bibliothèque nationale 1*u of Canada du Canada Aquisitions and Acquisitions et Bibliographie SeMces seMces bibliographiques 395 Wellingîon Street 395, nie Wellingtm ûîtawaON K1AON4 OitawaON K1AON4 Canada Canada The author has granted a non- L'auteur a accordé une Licence non exclusive Licence dowing the exclusive permettant à la National Library of Canada to Bibliothèque nationale du Canada de reproduce, loan, distribute or sell reproduire, prêter, distniuer ou copies of this thesis in microfonn, vendre des copies de cette thèse sous papet or electronic formats. la forme de microfiche/film, de reproduction sur papier ou sur format électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts fkom it Ni la thèse ni des extraits substantiels rnay be printed or otherwise de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation. I would like to express my sincere gratitude to Dr. H. J. B6ker for his perserverance and guidance in the preparation and completion of this thesis. I would also like to recognise the tremendous support given by my family and friends over the course of this degree. -
Soldier Illness and Environment in the War of 1812
The University of Maine DigitalCommons@UMaine Electronic Theses and Dissertations Fogler Library Spring 5-8-2020 "The Men Were Sick of the Place" : Soldier Illness and Environment in the War of 1812 Joseph R. Miller University of Maine, [email protected] Follow this and additional works at: https://digitalcommons.library.umaine.edu/etd Part of the Canadian History Commons, Military History Commons, and the United States History Commons Recommended Citation Miller, Joseph R., ""The Men Were Sick of the Place" : Soldier Illness and Environment in the War of 1812" (2020). Electronic Theses and Dissertations. 3208. https://digitalcommons.library.umaine.edu/etd/3208 This Open-Access Thesis is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of DigitalCommons@UMaine. For more information, please contact [email protected]. “THE MEN WERE SICK OF THE PLACE”: SOLDIER ILLNESS AND ENVIRONMENT IN THE WAR OF 1812 By Joseph R. Miller B.A. North Georgia University, 2003 M.A. University of Maine, 2012 A DISSERTATION Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy (in History) The Graduate School The University of Maine May 2020 Advisory Committee: Scott W. See, Professor Emeritus of History, Co-advisor Jacques Ferland, Associate Professor of History, Co-advisor Liam Riordan, Professor of History Kathryn Shively, Associate Professor of History, Virginia Commonwealth University James Campbell, Professor of Joint, Air War College, Brigadier General (ret) Michael Robbins, Associate Research Professor of Psychology Copyright 2020 Joseph R. -
December 1904
tlbe VOL XVI. DECEMBER, 1904. No. 6. CHANTILLY CASTLE. 'X every country there are a certain number of resi- dences palaces or castles which are known to all, whose names are bound up with the nation's story, and which are representative, if I may use the term, of the different periods of civilization through which they have come down to us. The picturesque outlines of their towers, balustrades and terraces illus- trate and embellish the pages of history. They tell us of the private life of those who for a short while have occupied the world's stage, showing us what were those persons' ideas of comfort and luxury, their artistic tastes, how they built their habitations and laid out their parks and gardens. Thus these edifices belong to the history of architecture using this word not in its strict meaning of con- struction, but in that of mother and protectress of all the plastic arts. They evoke a vanished past, a past, however, of which we are the outcome. One cannot look without emotion upon such ancient and historical edifices as those at Blois, Fontainebleau, Versailles and Chantilly, not to mention others. Ibis article proposes to deal with Chantilly Castle, in order to show the parts it has successively played in French history during the last four hundred years. Chantilly was never a royal residence. In the sixteenth century it belonged to one of the leading families of France, the Montmorencys, and from the seventeenth to a ;'younger branch of the royal family, viz., the Conde branch. Its 'history is as dramatic as the history of France itself, being, in fact, 'an epitome of the latter. -
Castle Caulfield Lisnamonaghan Co
Centre for Archaeological Fieldwork School of Geography, Archaeology and Palaeoecology Queen‟s University Belfast CAF Data Structure Report No. 74 (preliminary report) Excavations at Castle Caulfield Lisnamonaghan Co. Tyrone AE/11/75 Investigations at Castle Caulfield Lisnamonaghan Co. Tyrone Preliminary report submitted to NIEA Naomi Carver and Colm Donnelly CAF DSR 074 Licence Number: AE/11/75 SMR No: TYR 054:001 Grid Ref: H 7551 6259 Contents List of Figures I List of Plates II List of Tables IV 1. Summary 1 1.1 Background 1 1.2 Objectives 1 1.4 Geophysical survey 2 1.3 Excavation 2 1.5 Discussion 3 1.6 Recommendations 4 2. Introduction 6 2.1 General 6 2.2 Background 6 2.3 Historical background 7 2.4 Place-name evidence 10 2.5 Cartographic evidence 11 2.6 Site description 14 2.7 Sites of archaeological interest 29 2.8 Previous excavations 30 2.9 Geological background 30 2.10 Reason for Excavation and Research Objectives 30 2.11 Archiving 31 2.12 Credits and Acknowledgements 31 3. Geophysical survey 32 3.1 Introduction 32 3.2 Methodology 32 3.3 Survey results and interpretation 33 4. Excavation 38 4.1 Methodology 38 4.2 Account of the Excavations 38 4.3 Trench 1 38 4.4 Trench 2 51 4.5 Trench 3 59 4.6 Trench 4 69 4.7 Trench 5 69 5. Discussion 73 6. Recommendations 79 5.1 Introduction 79 5.2 Building survey 79 5.3 Programme of radiocarbon dating 79 5.4 Animal bone and shell 80 5.5 Macrofossil analysis 80 5.6 Analysis of building material 80 5.7 Ceramic assemblage 80 5.8 Clay pipes 80 5.9 Glass 80 5.10 Metal artefacts and slag 81 Bibliography -
Fortification of the Medieval Fort Isar – Shtip
Trajče NACEV Fortification of the Medieval Fort Isar – Shtip UDK 94:623.1(497.731)”653” University “Goce Delcev” Stip [email protected]; [email protected] Abstract: The medieval fort Isar, which was built on top of the ruins of the antique town of Astibo, is located on the hill with a North-South orientation in the central city core. The fortification had its largest increase during the 14th century and from this period we have the best preserved architectonic remains of the fortification. The entire fort is surrounded by fortification walls, with the main entrance in their eastern portion. The suburbs are located on the eastern and southern slopes of the Isar hill. At the highest part (the acropolis) there was another, smaller fortification, probably a feudal residence with a remarkable main tower (Donjon). The article reviews the fortification in the context of the results from the 2001 – 2002 and 2008 – 2010 excavation campaigns. During the first campaign, one of the most significant discoveries was the second tower, a counterpart to the main Donjon tower, and the entrance to the main part of the acropolis positioned between them. With the second 2008 – 2010 campaign, the entire eastern fortification wall of the Isar fort was uncovered. Key words: fortification, fort, curtain wall, tower. The medieval fort Isar (Fig. 1) (Pl. 1) that sprouted on the ruins of the ancient city Astibo, is located on a dominant hill between the Bregalnica river from the north and west and Otinja from the south and east, in the downtown core, in the north –south direction. -
Raid 06, the Samurai Capture a King
THE SAMURAI CAPTURE A KING Okinawa 1609 STEPHEN TURNBULL First published in 2009 by Osprey Publishing THE WOODLAND TRUST Midland House, West Way, Botley, Oxford OX2 0PH, UK 443 Park Avenue South, New York, NY 10016, USA Osprey Publishing are supporting the Woodland Trust, the UK's leading E-mail: [email protected] woodland conservation charity, by funding the dedication of trees. © 2009 Osprey Publishing Limited ARTIST’S NOTE All rights reserved. Apart from any fair dealing for the purpose of private Readers may care to note that the original paintings from which the study, research, criticism or review, as permitted under the Copyright, colour plates of the figures, the ships and the battlescene in this book Designs and Patents Act, 1988, no part of this publication may be were prepared are available for private sale. All reproduction copyright reproduced, stored in a retrieval system, or transmitted in any form or by whatsoever is retained by the Publishers. All enquiries should be any means, electronic, electrical, chemical, mechanical, optical, addressed to: photocopying, recording or otherwise, without the prior written permission of the copyright owner. Enquiries should be addressed to the Publishers. Scorpio Gallery, PO Box 475, Hailsham, East Sussex, BN27 2SL, UK Print ISBN: 978 1 84603 442 8 The Publishers regret that they can enter into no correspondence upon PDF e-book ISBN: 978 1 84908 131 3 this matter. Page layout by: Bounford.com, Cambridge, UK Index by Peter Finn AUTHOR’S DEDICATION Typeset in Sabon Maps by Bounford.com To my two good friends and fellow scholars, Anthony Jenkins and Till Originated by PPS Grasmere Ltd, Leeds, UK Weber, without whose knowledge and support this book could not have Printed in China through Worldprint been written. -
1812; the War, and Its Moral : a Canadian Chronicle
'^^ **7tv»* ^^ / ^^^^T^\/ %*^-'%p^ ^<>.*^7^\/ ^o^*- "o /Vi^/\ co^i^^.% Atii^/^-^^ /.' .*'% y A-^ ; .O*^ . <f,r*^.o^" X'^'^^V %--f.T*\o^^ V^^^^\<^ •^ 4.^ tri * -0 a5 «4q il1 »"^^ 11E ^ ^ THE WAR, AND ITS MORAL CANADIAN CHRONICLE. BY WILLIAM F?"C0FFIN, Esquire, FORMERLT SHERIFF OF THE DISTRICT OF MONTREAI,, LIEUT.-COLONKL, STAFF, ACIITB POROB, CANADA, AND H. M. AGENT FOR THE MANAGEMENT OF THE ORDNANCE ESTATES, CANADA. PRINTED BY JOHN LOVELL, ST. NICHOLAS STREET. 1864. E354 C^y 2. Entered, according to the Act of the Provincial Parliament, in the year one thousand eight hundred and sixty-four, by William F. Coffin, in the OfBce of the Registrar of the Province of Canada. Ea t\}t J^igfjt pjonourable ^ir (SbmtmtJ SSalhtr f cab, iarond, ^er Pajtstg's Post '§ononmbk ^ribg Council, ^nU late ffiobernor ©cneral anli C0mmanKcr4tt=(H;fjicf of IBxitislj Nortfj America, ©Ws (jrattatlinw (!>Uv0uicU 0f the ^m of I8I2 is rcspcctftillp tirtitcatEU, fig fjis fattfjful anU grateful .Scrfaant, WILLIAM P. COFFIN. Ottawa, 2nd January, 1864, TO THE RIGHT HONORABLE SIR EDMUND WALKER HEAD, BARONET. My dear Sir,—^I venture to appeal to your respected name as the best introduction for the little work which I" do myself the honour to dedicate to you. To you, indeed, it owes its existence. You conferred upon me the appointment I have the honour to hold under the Crown in Canada, and that appointment has given life to an idea, long cherished in embryo. The management of the Ordnance Lands in this Province has thrown me upon the scenes of the most notable events of the late war. -
Mise En Page 1
The Anaarchyrchy RULES OF PLAY © Buxeria & HisToric’One édiTions - v.1.0 - 2015 The Anarchy Civil War in England – 1139-1153 ‘The Anarchy' is The name given by English scholars To The civil war which Tore England aparT in The middle of The 12Th CenTury. The conflicT was a succession of sieges, To The poinT ThaT Jim Bradbury named This period “The CasTle War”. AfTer GUISCARD and DIEX AÏE, iT is naTural ThaT The Third insTalmenT of The NORMAN SAGA series address This period, when The grand-children of William The Conqueror were aT war wiTh one anoTher. IT is also an opporTuniTy To revisiT The siege rules, which were only lighTly addressed in The firsT Two games. These rules inTroduce new concepTs like The use of hoardings, mines and The deploymenT of larger-size siege engines, which are more realisTic Than Those proposed 30 years ago in The SIEGE game of The CRY HAVOC series. THE ANARCHY is an exTension and noT a compleTe game. DeTailed rules for combaT and shooTing are noT addressed. Simply refer To The rules included wiTh GUISCARD or DIEX AÏE, available as a free download from www.cryhavocfan.org/eng/ if you don’T have Them. This ediTorial choice was driven by The sheer size of The siege rules. Including everyThing in a single bookleT would have been Too much To manage (as well as Too heavy To ship…) and we prefer To provide more new game componenTs. NoTe, however, ThaT we do include compleTe TacTical play sheeTs. THE ANARCHY also includes a campaign game whose rules are similar To Those included wiTh DIEX AÏE, adapTed To The new seTTing. -
Montjoie V2.0
MONTJOIE Extension for CRY HAVOC, SIEGE, CROISADES and VIKINGS This collection of additional rules for the games in the Cry Havoc series enables an enrichment of the tactical possibilities of the game. I hope that you will gain as much pleasure in using them as I have had in thinking them up. Thanks to Errol Flynn and Robert Taylor for invaluable contributions. Thanks even more to Bob Gingell for translating the original edition of 1994, suggesting many clever enhancements and proof-reading the various additions of the 2004 version. Montjoie Additional Rules – version 2.0 - 1992/2003 1 Table of Contents 1 Tactical Factors..................................................................................................................................................4 1.1 The Weather ..............................................................................................................................................4 1.2 The Trees....................................................................................................................................................4 1.2.1 Climbing into a tree and down ............................................................................................................4 1.2.2 Tactical factors.....................................................................................................................................5 1.2.3 Shooting from up a tree .......................................................................................................................6 1.2.4 -
PRESS Graphic Designer
© 2021 MARVEL CAST Natasha Romanoff /Black Widow . SCARLETT JOHANSSON Yelena Belova . .FLORENCE PUGH Melina . RACHEL WEISZ Alexei . .DAVID HARBOUR Dreykov . .RAY WINSTONE Young Natasha . .EVER ANDERSON MARVEL STUDIOS Young Yelena . .VIOLET MCGRAW presents Mason . O-T FAGBENLE Secretary Ross . .WILLIAM HURT Antonia/Taskmaster . OLGA KURYLENKO Young Antonia . RYAN KIERA ARMSTRONG Lerato . .LIANI SAMUEL Oksana . .MICHELLE LEE Scientist Morocco 1 . .LEWIS YOUNG Scientist Morocco 2 . CC SMIFF Ingrid . NANNA BLONDELL Widows . SIMONA ZIVKOVSKA ERIN JAMESON SHAINA WEST YOLANDA LYNES Directed by . .CATE SHORTLAND CLAUDIA HEINZ Screenplay by . ERIC PEARSON FATOU BAH Story by . JAC SCHAEFFER JADE MA and NED BENSON JADE XU Produced by . KEVIN FEIGE, p.g.a. LUCY JAYNE MURRAY Executive Producer . LOUIS D’ESPOSITO LUCY CORK Executive Producer . VICTORIA ALONSO ENIKO FULOP Executive Producer . BRAD WINDERBAUM LAUREN OKADIGBO Executive Producer . .NIGEL GOSTELOW AURELIA AGEL Executive Producer . SCARLETT JOHANSSON ZHANE SAMUELS Co-Producer . BRIAN CHAPEK SHAWARAH BATTLES Co-Producer . MITCH BELL TABBY BOND Based on the MADELEINE NICHOLLS MARVEL COMICS YASMIN RILEY Director of Photography . .GABRIEL BERISTAIN, ASC FIONA GRIFFITHS Production Designer . CHARLES WOOD GEORGIA CURTIS Edited by . LEIGH FOLSOM BOYD, ACE SVETLANA CONSTANTINE MATTHEW SCHMIDT IONE BUTLER Costume Designer . JANY TEMIME AUBREY CLELAND Visual Eff ects Supervisor . GEOFFREY BAUMANN Ross Lieutenant . KURT YUE Music by . LORNE BALFE Ohio Agent . DOUG ROBSON Music Supervisor . DAVE JORDAN Budapest Clerk . .ZOLTAN NAGY Casting by . SARAH HALLEY FINN, CSA Man In BMW . .MARCEL DORIAN Second Unit Director . DARRIN PRESCOTT Mechanic . .LIRAN NATHAN Unit Production Manager . SIOBHAN LYONS Mechanic’s Wife . JUDIT VARGA-SZATHMARY First Assistant Director/ Mechanic’s Child . .NOEL KRISZTIAN KOZAK Associate Producer . -
Superhuman Ethics Class with the Avengers Prime
PART ON E WHAT WOULD AN AVENGER DO? COPYRIGHTED MATERIAL cc01.indd01.indd 3 225/01/125/01/12 22:55:55 PPMM cc01.indd01.indd 4 225/01/125/01/12 22:55:55 PPMM SUPERHUMAN ETHICS CLASS WITH THE AVENGERS PRIME Mark D. White At Avengers Academy, where veterans like Hank Pym and Tigra teach younger heroes in the ways of Avengerdom, one of the required courses is Superhuman Ethics Class. In this class, superpupils are presented with ethical dilemmas that crop up in the day-to-day “routine” of an Avenger, and then they are asked how they would handle them and why. We may recoil at the thought of Hank Pym teaching this class—the poster child for “Do what I say, not as I’ve done myself time and time again”— but such a class is essential to teach young heroes how to exercise the great responsibility that comes with great power.1 If you ask me, the most obvious teachers for Superhuman Ethics Class would be Captain America, Iron Man, and Thor, who were christened the “Avengers Prime” in a recent miniseries.2 I’m not claiming that these three are necessarily the most 5 cc01.indd01.indd 5 225/01/125/01/12 22:55:55 PPMM 6 MARK D. WHITE ethical Avengers, but they do serve as examples of the three most popular systems of ethics: utilitarianism, deontology, and virtue ethics. While each of these three classic heroes exem- plifi es his particular moral compass in his solo adventures, it is through their interactions—especially their confl icts— within the Avengers that they best illustrate their different ethical approaches.