Lawrences Auctioneers of Crewkerne The Linen Yard South Street Crewkerne Fine Art Sale - Pictures, Furniture, Clocks & Rugs Somerset TA18 8AB Started 13 Oct 2017 10:00 BST United Kingdom

Lot Description

JOSEPH ANTOINE COCHET (1630-1678) & JOHANNES POPELS (1590-1663) CREPUNDIA MORALISATA Twenty eight etchings 1421 (including the frontispiece etched by Pieter Huybrechts), in six frames Each image 12 x 22cm. approx. (6 frames) ++ Generally rather foxed and stained; a few with more extensive damages

WILLIAM HOGARTH (1697-1764) BEER STREET Engraving, published 1751 35.5 x 29.75cm.; with `Pit Ticket: The Cockpit` by the 1422 same hand, published c.1759, 29.5 x 37cm. (2) ++ Each with some foxing and/or staining; the latter also cropped and with some discoloration

EDWARD CALVERT (1799-1883) THE FLOOD (Lister 10) Process print (derived from a lithograph of 1829), as published in the Memoir 1423 edition, 1893, on pale cream India paper with margins, unframed 3.9 x 7.3cm. ++ Good condition

FIVE MARINE PRINTS to comprise `A Frigate with a View of the Needles` [see illus.] and `A Cutter, with a View of South Sea Castle`, 1424 aquatints by Clark & Hamble after D. Serres, 1806; `The RYS Cutter Heroine..`, lithograph by Day & Haghe after J. Lynn; `The Schooner Yacht Anaconda` by Day & Haghe aft ...[more]

SAMUEL (1696-1779) & NATHANIEL BUCK (d.1759/74) THE NORTH WEST PROSPECT OF THE CITY OF WELLS; THE WEST 1425 PROSPECT OF THE CITY OF EXETER Two, engravings, published by the artists, 1736, from `Cities, Sea-ports and Capital Towns`, with hand colouring Each 31 x 79.5cm.; with `The South-West Prospect of t ...[more]

WILLIAM LIONEL WYLLIE, RA (1851-1931) WHITE WINGS; SCAPA FLOW; HMS PROBUS ENGAGING A SUBMARINE Three, 1426 etchings, each signed in pencil 18 x 22.5cm.; 8.5 x 33cm.; and 15 x 22.5cm. (3) ++ Each in good condition; slight time-staining of paper

WILLIAM LIONEL WYLLIE, RA (1851-1931) THE TOWER OF LONDON FROM ACROSS THE THAMES Etching, on wove, signed, 1427 unframed 35 x 25cm. ++ Gum stains at top edge of sheet; mount burn in margins; slight handling creases

ALIDA WITHOOS (1660-1715) ROSES AND WILD STRAWBERRIES IN A BOWL Inscribed indistinctly lower right, with No69 lower 1428 centre, gouache on blue paper, on washline support sheet Sheet 27 x 21cm.; sight 36 x 29cm. Provenance: The collection of the late Ruth, Lady Fermoy ++Slight water stain on left edge; ...[more]

FRANCOIS NICOLAS MARTINET (c.1725-1804) 226 GENRE 14e CORBEAU, CORNEILLE, CHOUCAS (CHOUCAS DU CAP DE 1429 BONNE ESPERANCE); GENRE 10e VAUTOUR (VAUTOUR DE NORWEGE) Two, each inscribed or bears inscription as titles, watercolour and pencil Each (sight) 27 x 19cm. approx. (2) Illustrated: Georges Louis ...[more]

NEAPOLITAN SCHOOL, 19th CENTURY A QUIET HARBOUR SCENE ON THE ITALIAN COAST Gouache 41.5 x 61.5cm. ++ Some 1430 slight creases/rubbing within the sky; details in generally good condition

FOLLOWER OF HUBERT ROBERT (1733-1808) ITALIANATE CAPRICCI A pair, watercolour with pen and ink, circular Each 10cm 1431 diam. (2) ++ Generally good condition; each gummed onto an old support sheet

CIRCLE OF HENRI LEVEQUE (1769-1832) A VIEW OF A MEDITERRANEAN COASTAL TOWN; A MEDITERRANEAN COASTAL 1432 SCENE WITH FIGURES AND BOATS A pair, watercolour and pencil Each 52.5 x 75cm approx. (2) ++ Each faded and foxed; other scattered damages; a few holes etc VINCENZO D'ESPOSITO (1886-1946) A MALTESE FELUCCA Signed, gouache 44 x 22.5cm. ++ Some wear and flaking near lower 1433 edge; good colour

CAMILLO DE VITO (19th CENTURY) VESUVIUS: ERUZIONE DEL 1822 Inscribed ERUZ. DEL 1822 in the margin, gouache Image 1434 27.5 x 40cm.; sight 36 x 47.5cm. ++ Generally good condition

WILLIAM PAYNE (1760-1830) A WEST COUNTRY VILLAGE LANDSCAPE Watercolour 27.5 x 38cm. ++ A few minor marks and fading 1436 in the sky

JOHN MASEY WRIGHT (1777-1866) VILLAGE MERRIMENT (recto); A LITTLE TOO MUCH MEAT IN THE SOUP (verso) Signed 1437 verso, watercolour and pencil, twin glazed 54 x 73cm. ++ Some fading, foxing etc

CLARKSON STANFIELD, RA (1793-1867) STUDIES OF GROYNES, DOVER Two, watercolour and pencil, sketches Each 16 x 23cm 1438 aprox. (2) Provenance: London, Christies, The Artist's Studio Sale, May 8th-14th 1868, probably lots 293 and 296 (original catalogue cuttings on old backboards; newly reframed but with o ...[more]

C. JOHN M. WHICHELO (1784-1865) ALUM BAY CHINE, THE ISLE OF WIGHT; THE ARCH AND STAGG ROCKS, FRESHWATER 1439 GATE (ISLE OF WIGHT) A pair, the latter inscribed with title and also signed and inscribed verso, watercolour and pencil Each 23.5 x 34cm. (2) ++ Each a little faded and/or slightly discoloured

ATTRIBUTED TO NICHOLAS CONDY (1793-1857) VESSELS IN A HARBOUR (PLYMOUTH?) Watercolour and bodycolour 10.5 x 1440 15.5cm. ++ Slight time-toning of the paper; good colour

WILLIAM PRINSEP (1794-1874) CONCENTRATION OF LIGHT - LESSON FROM CHINNERY Signed with initials, bears title on 1441 support sheet, watercolour 8 x 12.5cm.; with a scene of an ancient temple, also by Prinsep, 11.5 x 17.5cm. (2) ++ The former The former a little foxed and faded; the latter more faded

FOLLOWER OF HERCULES BRABAZON BRABAZON (1821-1906) A FOLIO OF NINETEEN WATERCOLOURS some subjects 1442 entitled `L'Embarquement pour La Cythere`, `The Sussex Shore`, `Venice`, `Santa Maria della Salute`, `The River Eure, Chartres` on the support sheets and other subjects to include cornfields, coastal sc ...[more]

EDWARD DUNCAN, RWS (1803-1882) FIGURES ON A RUSTIC BRIDGE IN A WOODED LANDSCAPE Signed and dated 1865, 1443 watercolour and pencil 16.5 x 27.5cm. ++ Good condition

WILLIAM JAMES MULLER (1812-1845) COTTAGE IN A WOOD Watercolour and pencil 36 x 51.5cm. Exhibited: Brussels, Exhibition of 1444 Retrospective British Art, 1929 (no.37?); Bucharest, Exhibition of British Drawings, 1935-1936 (organised by the Dept of Overseas Trade); Vienna, April 1936; Prague, May 1936 (or ...[more]

EDWARD DUNCAN, RWS (1803-1882) FEEDING THE DUCKS Signed and dated 1862 (on the mainsail), watercolour and pencil 1445 heightened with scratching out 73.5 x 64cm. ++ Some superficial nicks and grazes; slight light-staining

HENRY BARLOW CARTER (1803-1868) FISHERFOLK BY THE SHORE ON A WINDY DAY Watercolour 16 x 23cm.; with a 1446 watercolour by William Henry Pyne, `View near Whitby`, 37 x 48cm; and a watercolour attributed to Francis Grose, `Milkhouse Street`, 14.5 x 18.5cm. (3) * Milkhouse Street is a hamlet near Cranbrook, ...[more]

FOLLOWER OF JOHN HENRY MOLE (1814-1886) CHILDREN ABOVE A SANDY BAY Watercolour 52 x 69cm. ++ Two rubbed areas 1447 in the sky; grazes near lower left edge

ANTHONY DEVIS (1729-1817) LANDSCAPE WITH SHEEP AND GOATS Charcoal, pencil and wash with pen and ink 22 x 31cm. ++ 1448 Good condition THOMAS SHOTTER BOYS (1803-1874) COTTAGES BY A HIGHLAND RIVER Watercolour and pencil 25 x 19cm. Provenance: 1449 London, Christies, June 14th 1983, lot 105 and November 17th 1987, lot 182 ++ Some fading

HERCULES BRABAZON BRABAZON (1821-1906) LANDSCAPE SKETCH Signed with initials, graphite and pastels on pale grey paper 1450 15.5 x 20.5cm.; with three further works to include a study of a fishwife by George Morland, 20 x 12.5cm. (ex Richard Ivor); a Turneresque study, possibly by Brabazon, 13 x 17.5cm.; ...[more]

ALBERT GOODWIN, RWS (1845-1932) FIGURE STUDIES Signed faintly lower right, pencil with watercolour and pastel on buff paper 1451 22 x 28cm. Exhibited: Bolton, Museum and Art Gallery, 1981-1982, no.113 (lent by Ruskin Galleries, Bembridge School, Isle of Wight) ++ A little foxing

MYLES BIRKET FOSTER, RWS (1825-1899) THE CARRIER'S CART; THE WINDMILL Two, watercolour heightened with bodycolour 6 1452 x 10.5cm.; and 9.5 x 13cm. (2) Provenance: London, The Fine Art Society Ltd, June 1949, nos.136, 137 (from Mrs William Foster's collection. William Foster was the artist's second son) ...[more]

ISAAC COOKE (1846-1922) THE SUMMIT OF HELVELLYN FROM RED TARN Signed, also signed and inscribed on a label on the 1453 backboard, watercolour 49 x 75cm. ++ Good condition; original gilt mount and frame

CHARLES DIXON (1872-1934) FIDDLER'S REACH Signed, inscribed with title and dated 1912, watercolour with pen and ink 9.5 x 1454 36cm. * Fiddler's Reach (or St Clement's Reach) lies on the Thames east of Dartford, near Swanscombe ++ Faded

FREDERICK WILLIAM SCARBROUGH (1860-1939) THE THAMES AT GREENWICH Signed, watercolour and bodycolour 24.5 x 1455 35cm. ++ Good condition overall; slight foxing in the water

ATTRIBUTED TO WILLIAM MINSHALL BIRCHALL (1884-1941) OFF DUNKIRK Bears a monogram and title, watercolour and pencil 1456 heightened with white 25 x 73.5cm. ++ A little fading

WILLIAM EWART LOCKHART, RSA (1846-1900) A VIEW OF THE ALHAMBRA FROM SACROMONTE Signed and indistinctly dated 1457 (possibly 18/6 or 1876), watercolour and pencil 46 x 69.5cm. ++ Needs a light clean

1458 FREDERICK JOHN WIDGERY (1861-1942) CHAPMAN BURROWS Signed, gouache 16 x 26cm. ++ Good condition

FREDERICK JOHN WIDGERY (1861-1942) BELL TOR FROM THE ROAD TO WIDECOMBE, DARTMOOR Signed, gouache 25.5 x 1459 35.5cm. ++ Good condition

A VICTORIAN BOOK OF SKETCHES, Circa 1853-1860 possibly compiled or owned by Rosa Woodward, 1854, containing mainly figure 1460 and animal studies, cartoons and character sketches, some copies after John Leech, Erskine Nicol, George Cruikshank and similar hands, also some prints, all items pasted in, som ...[more]

WILLIAM HENRY MILLAIS (1828-1899) A VIEW NEAR BAKEWELL WITH A HERDSWOMAN; A LAKE LANDSCAPE; A RIVER 1461 LANDSCAPE WITH A FIGURE BY A BRIDGE; A RIVER LANDSCAPE Four, one signed, inscribed Bakewell and dated 1867, watercolour 35.5 x 51cm and smaller (4) ++ Two with fading and/or light-staining

ARTHUR RACKHAM, VPRWS (1867-1939) A POPPY FIELD ON THE COAST Signed and dated 1890, watercolour 18.5 x 37cm. ++ 1462 Slight fading; needs a clean to remove some brown mat staining

WALTER H. GOLDSMITH (1860-1930) GARDEN SCENES AT MOTCOMBE HOUSE, DORSET Three, two signed and dated 1919, 1463 watercolour 35 x 51cm.; 51.5 x 35cm.; and 39.5 x 68cm. (3) Provenance: Formerly at Motcombe House, Shaftesbury, Dorset, once the home of the Barons Stalbridge (cousins of the Duke of Westminste ...[more] STYLE OF ROBERT HAWTHORNE KITSON (1873-1947) THE HASSAN TOWER, RABAT, MOROCCO Watercolour with some pen 1464 and black ink 50.5 x 45.5cm. ++ Good colour; pale blemishes at right edge; sandwich mounted

ROBERT ANNING BELL, RA (1863-1933) KNEELING FIGURE Charcoal and red chalk 35.5 x 22cm. Provenance: London, The Fine Art 1465 Society Ltd, May 1934, no.97 (label on backboard) ++ Good condition

•HAROLD EDWARD HUGHES NELSON (1871-1948) UNDINE AND THE KNIGHT Signed with initials HN and dated 1922, inscribed on 1466 a label on the backboard, watercolour 24 x 21.5cm. Exhibited: London, The Royal Academy, 1927, no. 813, bought by Captain R. Glynn ++ Good condition; slightly faded

•SALOMON VAN ABBE (1883-1955) THIRTY ASSORTED ILLUSTRATIONS FOR `TANGLEWOOD TALES` Each signed, pen and 1467 black ink; with nine illustrations by Dora Curtis, two by G. P. Mickewright, and twenty one pencil studies or ink sketches by other minor hands, various sizes, unframed (a lot) ++ Many of the Van ...[more]

THOMAS GREENHALGH (1848-1906) STREET IN WINDSOR, NEAR ETON COLLEGE Signed and dated 1881, watercolour 38.5 x 1468 54.5cm. ++ Good condition; slightly pale

•HENRY JOHN SYLVESTER STANNARD (1870-1951) LATE AFTERNOON IN A BEDFORDSHIRE LANE Signed, watercolour and 1469 pencil 22.5 x 33.5cm.; with a watercolour of a village scene by Charles Wilkinson, signed, 24 x 34.5cm.; and two further drawings by various hands, one unframed (4) ++ Stannard in good condition; ...[more]

CHARLES EDWARD WILSON (1854-1941) BETWEEN SCHOOL HOURS Signed, also signed and inscribed on a label on the 1470 backboard, watercolour 26 x 38cm. Exhibited: London, The Royal Academy, 1910, no.853 ++ Good condition

EDGAR BUNDY, ARA (1862-1922) "AFTER" Signed, watercolour 53.5 x 76.5cm. ++ A little foxing; colours good good; fine original gilt 1471 mount and frame

MANNER OF FRANCOIS CLOUET (c.1510-1572) PORTRAIT OF LOUISE OF SAVOY (1476-1531) With inscription Louife de Sauoy 1472 upper left, oil on panel 25 x 19cm. * The sitter was a French noblewoman, Regent and mother of King Francis I ++ Craquelure and retouching; probably 17th Century

FOLLOWER OF JACOB GERRITSZ. CUYP (1594-1652) PORTRAIT OF A BOY Bust length, wearing a striped tunic and white collar, oil 1473 on canvas, in an associated ripple-moulded frame 29 x 20.5cm. ++ Lined and on later stretchers; worn and damaged; craquelure and retouching; some flaked losses

FOLLOWER OF HENRIK VERSCHURING (1627-1690) A BATTLE SCENE Bears a signature, oil on panel 18.5 x 16cm. ++ Scattered 1474 retouching

FOLLOWER OF JAKOB BOGDANI (1658-1724) STILL LIFE OF FRUITS ON A LEDGE Oil on canvas 32 x 59.5cm. ++ Old lining; 1475 craquelure; some retouching, noticeably on the grapes left of centre; needs a clean

MANNER OF REMBRANDT HARMENSZ. VAN RIJN (1606-1669) PORTRAIT STUDY OF AN OLD WOMAN Oil on canvas 55.5 x 1476 45cm. ++ Lined; retouching throughout

FOLLOWER OF GERARD VAN EDEMA (c.1652-c.1700) A RIVER LANDSCAPE WITH FIGURES, SPORTSMEN AND BOATS BY A 1477 TOWN Oil on canvas 62 x 75cm. ++ Old lining; scattered retouching and some old, repaired damages; needs a clean

FOLLOWER OF FRANCISQUE MILLET (1642-1679) FIGURES WITH ANIMALS IN A MOUNTAINOUS WOODED LANDSCAPE Oil on 1478 canvas 62 x 78.5cm. ++ Lined; damage in sky upper centre; craquelure; scattered retouching; needs a clean CIRCLE OF PIETER BOUTS (c.1658-c.1719) MEN FISHING IN A WOODED RIVER Oil on panel 29.5 x 44.5cm. ++ A little scattered 1479 retouching; some faint craquelure; needs a clean

AFTER CLAUDE GELLEE, LE LORRAIN (1604/5-1682) CLASSICAL LANDSCAPE SCENES Three, each oil on paper affixed to the 1480 verso of glass, gilt frames Each 12 x 17cm. (3) ++ Each needs a clean; each with some `lifting` from the glass; two in otherwise generally satisfactory condition but one with flaking

HISPANO-FLEMISH SCHOOL (?), 18th CENTURY A SUITE OF FOUR SUBJECTS: A SOLDIER BEFORE A NOBLEWOMAN; TWO 1481 MEN AT THE DOOR OF A NOBLEMAN; A HORSE DRAWN PROCESSION; COUPLE IN A BEDCHAMBER Four, each with Spanish (?) inscriptions, oil on canvas, unframed Each 64 x 54cm. approx. (4) ++ Each lined; assoc ...[more]

GERMAN SCHOOL, 18th CENTURY PORTRAIT OF A BOY; AND A GIRL A pair, each long half length, he wearing a blue coat with fur 1482 trim over a red suit, holding a hat, horseman beyond; she wearing a russet dress with lace decoration, finches in a tree behind her, each bears signature and date R. Worings 1737, ...[more]

MANNER OF TITIAN (c.1485-1576) VENUS AND CUPID Oil on canvas, recently laid on board 113 x 86.5cm. ++ Very worn and 1483 damaged with flaked losses and old retouching

AFTER NICOLAS POUSSIN (1594-1665) THE MARTYRDOM OF ST ERASMUS Oil on canvas 89.5 x 71cm. * An 18th Century copy of 1484 Poussin's 1628 original (Rome, Vatican Museums) ++ Lined; scattered retouching; craquelure; needs a clean

AFTER SIR PETER PAUL RUBENS (1577-1640) ATALANTA AND MELEAGER Oil on canvas 125 x 96cm. *An 18th Century copy after 1485 Rubens' original of c.1616 (New York, Metropolitan Museum) ++ Old, poor lining now detaching; loose on stretcher; mould damage upper left; much paint loss and in need of renovation, cl ...[more]

MANNER OF JACOB JORDAENS (1593-1678) GROUP OF FIGURES, POSSIBLY A DETAIL FROM AN `ADORATION OF THE 1486 SHEPHERDS` Oil on panel 18 x 22.5cm. ++ Some slight retouching; generally good; 18th Century?

AFTER GIOVANNI BATTISTA SALVI, IL SASSOFERRATO (1609-1685) THE MADONNA AT PRAYER Oil on canvas, mounted oval, 1487 within a 19th Century `Florentine` frame (damaged) 30 x 24.5cm. * A 19th Century copy after a popular theme by Salvi ++ Good condition; needs a light clean

AFTER BARTOLOME ESTEBAN MURILLO (1628-1682) THE VIRGIN AND CHILD WITH ST. ANNE, ST. JOHN THE BAPTIST AND 1488 THE HOLY TRINITY Oil on canvas 136 x 107cm. ++ Lined; many scattered damages/tears; retouching; discoloured varnish and in need of a clean etc

AFTER JACOPO ROBUSTI, called TINTORETTO (1518-1594) ST ROCH IN PRISON VISITED BY AN ANGEL Oil on canvas 68.5 x 1489 164.5cm. * A 17th Century copy of the original of 1567 in the Chiesa di San Rocco, Venice (3 x 6.7m) ++ Lined; replaced stretchers; retouching throughout

MANNER OF FRANCESCO DE MURA (1696-1782) THE HOLY FAMILY: MARY AND JOSEPH WITH CHRIST AS SALVATOR MUNDI 1490 Oil on canvas, shaped top 138.5 x 108cm. ++ Lined; scattered retouching

NEAPOLITAN SCHOOL PORTRAIT OF A GENTLEMAN Seated three quarter length, wearing lace-trimmed robes and holding a folio, 1491 oil on canvas 130.5 x 93.5cm. ++ Much craquelure with cupping; flaked losses; retouching; worn; needs a clean etc

AFTER GUIDO RENI (1575-1642) THE ARCHANGEL MICHAEL DEFEATING SATAN Oil on copper 21.5 x 16.5cm. * A 17th- or 18th 1492 Century copy after Reni's original of 1635 (Rome, S. Maria della Consolazione) ++ Flaked losses; needs a clean; in an associated Netherlandish ebonised frame with milled bands FOLLOWER OF FRANCESCO FRACANZANO (1612-1656) THE PENITENCE OF ST PETER Oil on canvas 139 x 102.5cm. ++ Old 1493 lining; some scattered old damages/tears; craquelure; needs a clean; a little worn at edges

ENGLISH SCHOOL, 19th CENTURY COASTAL SCENE WITH FIGURES ON A BEACH, POSSIBLY NORMANDY Bears later R. P. 1494 Bonington signature, oil on canvas 39 x 58.5cm. ++ Two patched repairs verso; craquelure; needs a clean; period gilt frame

WILLIAM ANDERSON (1757-1837) RIVER ESTUARY WITH BEACHED ROWING BOATS AND FISHERMEN Oil on panel 16.5 x 1495 25cm. Provenance: London, Christies, April 3rd, 1987, lot 73 ++ Two slight chips in sky; needs a light clean

ALEXANDER NASMYTH (1758-1840) FIGURES WITH BOATS BY A RUINED TOWER, SUNSET Signed and dated Alexr 1496 Nasmyth/1828 verso, oil on panel 22 x 28.5cm. Exhibited: possibly Edinburgh, Institution for the Encouragement of the Fine Arts in Scotland, 1828, no. 88 (as `Study from Nature on the Coast`). The Insti ...[more]

GEORGE MORLAND (1763-1804) WRECKERS ON THE COAST Oil on canvas 118 x 155.5cm. ++ Lined; craquelure and retouching 1497 throughout

FREDERICK CALVERT (c.1785-c.1845) FISHING BOATS IN THE ENGLISH CHANNEL Signed and dated 1833, oil on canvas 45 x 1498 60.5cm. ++ Lined; scattered retouching; rubbed in sky above vessel on right; some craquelure; needs a clean

ARTHUR WELLINGTON FOWLES (1815-1883) SHIP HOVE TO, OFF THE SOUTH FORELAND, KENT; SUNSET, SCHOONER OFF 1499 DOVER, SOUTH FORELAND A pair, both signed and dated 1868 and 1867; each also signed, inscribed with title and dated on the stretcher, oil on canvas Each 62.5 x 75cm. (2) Provenance: London, Phillips ...[more]

FREDERICK CALVERT (c.1785-c.1845) FISHING BOATS NEAR ROCHESTER CASTLE, RIVER MEDWAY; SAILING VESSELS IN 1500 COASTAL WATERS A pair, oil on canvas Each 29.5 x 39.5cm. (2) ++ The former with patched repair on left; the latter with larger patched repair lower right; a little associated retouching; each need ...[more]

THOMAS LUNY (1759-1837) TEIGNMOUTH COAST Bears inscription No.4/ Teigmouth Coast verso, oil on panel 21.5 x 30.5cm. ++ 1501 Some craquelure; needs a light clean

THOMAS LUNY (1759-1837) VESSELS AND A ROWING BOAT OFF A JETTY, PROBABLY DEVON COAST Signed and dated 1826, 1502 oil on panel 22 x 29.5cm. ++ Some old retouching along horizontal crack

A PICTURE FRAME 19/20th Century, in Spanish Baroque style, carved wood, with gilt leafy scroll decoration at the corners and gilt 1503 shell motifs on central reserves, upon a black ground To fit canvas 79 x 58cm.; and another frame, with stylised leaf and fruit gesso decoration, to fit canvas 93 x 72cm. ...[more]

AN IMPRESSIVE DUTCH EBONISED FRAME of compound bolection form with milled bands, containing a Netherlandish print after 1504 Hans Memling (?) To fit picture 44 x 56cm; overall size 87 x 100cm ++ Satisfactory condition

A CARVED WOOD GILDED PICTURE FRAME English, 18th Century, carved with pierced scrolls, rippled friezes, shell corners with 1505 flowerhead centres, stylised leaf inner border To fit canvas 77.5 x 65cm. approx.

CIRCLE OF SAMUEL KING (Fl.c.1690's) PORTRAIT OF A BOY, AGED 9 Half length, wearing a wig, a red mantle and holding a staff, 1506 oil on canvas 76 x 61.5cm. ++ Lined, inscribed on lining A:9.s/ Anno 1698; associated retouching; scattered retouching over old slight damages; needs a clean; period gilt frame

ENGLISH PROVINCIAL SCHOOL, 19th CENTURY PORTRAIT OF A BOY Seated by a tree, wearing a russet dress and holding a hoop 1507 and stick, oil on canvas, maple veneered frame 72.5 x 59.5cm. ++ Some craquelure; needs a light clean GEORGE WATSON, PRSA (1767-1837) THE LADY ARTIST, POSSIBLY A PORTRAIT OF PEGGY SIMPSON Oil on canvas, period 1508 carved wood frame 74 x 61.5cm. Literature: David and Francina Irwin, Scottish Painters at Home and Abroad, 1700-1900 (London, 1975), pp. 215-16, illust. no. 80 Provenance: Marquis of Stafford ...[more]

FOLLOWER OF SIR GODFREY KNELLER (1646-1723( PORTRAIT OF THOMAS TENISON, ARCHBISHOP OF CANTERBURY 1509 (1636-1715) Quarter length, wearing clerical robes, with coat of arms and inscription THOMAS CANTUAR, oil on canvas, within a painted oval 42 x 31cm. * Tenison was a noted cleric: he attended the Duke of ...[more]

THOMAS BEACH (1738-1806) PORTRAIT OF ELIZABETH, MRS WILLIAM HELYAR (d.1786) nee WESTON Seated three-quarter 1510 length, wearing an oyster dress and black lace shawl, holding a miniature box, oil on canvas 125 x 101cm. Provenance: By direct descent in the family of the sitter and through Colonel and Mrs ...[more]

THOMAS BEACH (1838-1806) PORTRAIT OF MRS WILLIAM HELYAR JUNIOR, WITH HER TWIN CHILDREN HARRIET AND 1511 HENRY, AGED 4 The mother seated three-quarter length, wearing a white dress, her children in white dresses with green sashes, signed and dated T. Beach pinx./ 1786, oil on canvas 124.5 x 99cm. Provenan ...[more]

THOMAS BEACH (1738-1806) PORTRAIT OF JOHN HELYAR OF SEDGEHILL, AGED 15 Half length, wearing a blue coat and white 1512 jabot, his right hand upon a cane, oil on canvas 74.5 x 63cm. Provenance: By direct descent in the family of the sitter Literature: Elise S. Beach, `Thomas Beach - A Dorset Portrait Pain ...[more]

AFTER JOHN CONSTABLE, RA (1776-1837) THE CORNFIELD Copy by P. Wills Harley, c.1900-1920, oil on canvas 75 x 62.5cm. * 1513 After Constable's oil of 1826 (National Gallery) ++ Lined; some associated retouching; needs a light clean

AFTER JOHN CONSTABLE, RA (1776-1837) THE VALLEY FARM Copy by P. Wills Harley, c.1900-1920, oil on canvas 75 x 62.5cm. * 1514 After Constable's oil of 1835 (Tate Britain) ++ Some craquelure, bitumen damage, scattered blemishes; needs a clean

ATTRIBUTED TO FREDERICK RICHARD LEE, RA (1798-1879) A ROCKY WOODED GORGE Oil on canvas 79 x 67.5cm. ++ Lined; 1515 some associated retouching; many small flaked losses; scattered blemishes; needs a clean

FOLLOWER OF GEORGE ARNALD, ARA (1763-1841) A COUNTRY LANDSCAPE WITH DISTANT BUILDINGS, FIGURES IN THE 1516 FOREGROUND Oil on canvas 44.5 x 59cm. ++ Lined; retouching; abraded areas, particularly near and within the trees

FOLLOWER OF WILLIAM SADLER (1782-1839) FIGURES TENDING GOATS IN AN ITALIANATE LANDSCAPE Oil on canvas 62 x 1517 80cm. ++ A few small tears, surface grazes and abrasion; stretcher bruises; needs a clean

CIRCLE OF EDMUND BRISTOW (1787-1876) MAID WITH SHEEP AND A CALF BY A COUNTRY COTTAGE Oil on canvas 46.5 x 1518 57cm. ++ Lined; a little retouching; craquelure; a little thin in a few places

FOLLOWER OF GEORGE MULLINS (Fl.1756-1775) A WOODED UPLAND PASTORAL SCENE WITH RUINS Oil on canvas 30 x 1519 41.5cm. ++ Old lining; scattered retouching and craquelure; needs a light clean

BENJAMIN HERRING Jnr. (1830-1871) MEETING ON A COUNTRY ROAD Signed and indistinctly dated (possibly ..48), oil on thin 1520 panel 29 x 42cm. ++ A few slight surface grazes; slight craquelure upper right; a little scattered retouching; needs a light clean

CIRCLE OF MARMADUKE CRADOCK (1660-1716) A PEACOCK AND ORNAMENTAL FOWL IN A LANDSCAPE Oil on panel 14.5 x 1521 21cm. ++ A few dabs of scattered retouching

FOLLOWER OF QUILP (Fl.early 19th Century) FIGHTING COCKS A pair, oil on canvas, maple veneered frames Each 58.5 x 48cm. (2) 1522 ++ A little craquelure; generally good AFTER JOHN FREDERICK HERRING Senr (1795-1865) A HARNESSED ST. GILES CAB HORSE WITH HIS DRIVER; A ST. 1523 JAMES'S SADDLED GREY COACH HORSE WITH A COACHMAN AND A DOG A pair, oil on canvas Each 39.5 x 52cm. (2) * After the two original compositions of the same size by Herring (1845), sold at Christies New ...[more]

AFTER JOHN FREDERICK HERRING Senr (1795-1865) THE HUNTING STUD Oil on canvas 56 x 100cm. * Derived from Herring's oil 1524 of 1845 (Tate), possibly copied from J. Harris's aquatints of the `Stables Scenes` series of 1846. ++ Good condition

MANNER OF GEORGE STUBBS, ARA (1724-1806) HORSE AND JOCKEY ON A HEATH Oil on canvas 44.5 x 55cm. ++ Lined ; 1525 retouching

G** G** DUPONT (Fl.c.1882-1889) AN EPICURE'S LUNCHEON Signed and dated 83, oil on canvas 59 x 72cm. ++ Lined; some 1526 associated retouching; needs a light clean

CHRISTIAN TILEMANN PETERSEN (1874-1926) INTERIOR AT FRIJSENBORG Signed, bears inscribed labels on the stretcher, oil on 1527 canvas 57 x 61cm. * Frijsenborg is a manor house at Hammel, not far from Aarhus, Jutland, Denmark ++ Good condition

FRENCH SCHOOL, 19TH CENTURY TRAVELLERS ON A COUNTRY ROAD NEARING A VILLA Signed indistinctly, oil on canvas 35 1528 x 57cm. ++ some craquelure; damaged in sky upper left; needs a clean

*** FRASER (Fl.c.1830-1840) PORTRAITS OF MR AND MRS SKELTON Each quarter length, he wearing a dark coat, mustard 1529 waistcoat and cravat; she wearing a green dress, bonnet and gold jewellery, the former signed, oil on canvas Each 48.5 x 38.5cm approx. (2) Provenance: By descent in the family of the sit ...[more]

•A** de GROOTE (1892-1947) FIGURES SKATING ON A FROZEN RIVER BY A WINDMILL Signed, oil on panel 50 x 64.5cm. ++ A 1530 few minor surface blemishes; generally good condition

HENRI DUVIEUX (c.1855-1920) RIVER SCENE WITH BOATS (NEAR ISTANBUL?); VENETIAN CAPRICCIO A pair, both signed, oil 1531 on canvas Each 13 x 21cm. (2) ++ Each lined; with a little retouching

A** GINS (Swiss, Fl.c.1869) A COASTAL TOWN WITH FISHING BOATS OFFSHORE; A COAST SCENE WITH FISHERFOLK AND 1532 BEACHED VESSELS Two, one signed, oil on panel Each 21 x 39.5cm. (2) ++ Good condition

CARLO GRUBACS (1810-1870) VENICE: ST MARK'S SQUARE; RIALTO BRIDGE A pair, both signed, oil on canvas Each 21 x 29cm. 1533 (2) ++ Each lined; some scattered retouching and craquelure

FOLLOWER OF PAUL DELAROCHE (1797-1856) PORTRAIT OF A GIRL Bust length, draped in white, before a red swag, signed with 1534 initials and dated C. D. 1849, oil on canvas, probably a fragment 40 x 31cm. ++ Lined; retouching; some craquelure; a little thin in a few places

CIRCLE OF FRIEDRICH VON AMERLING (1803-1887) PORTRAIT OF A CHILD IN A RED NECKERCHIEF Oil on canvas 55.5 x 1535 44.5cm. Provenance: London and Cheam, J. Dowmunt Fine Art ++ Lined; some associated retouching; some craquelure

CHARLES ALEXANDRE COESSIN DE LA FOSSE (1829-1910) THE YELLOW GLOVES Signed and inscribed `Souvenir.. [indistinct]', 1536 oil on canvas 26.5 x 21cm. ++ Needs a light clean

CIRCLE OF JEAN BAPTISTE EDOUARD DETAILLE (1848-1912) STUDIES OF TWO FRENCH SOLDIERS, ONE CARRYING A 1537 RIFLE, THE OTHER A BUGLE Oil sketch on panel 30.5 x 40cm. ++ Horizontal crack at hip level across panel; scattered retouching; needs a clean LUIGI MARIA GALEA (1847-1917) SUNSET, THE GRAND HARBOUR, VALETTA, MALTA Signed, oil on board 21 x 54cm. ++ 1538 Craquleure and crazing

FOLLOWER OF ANTONIETTA BRANDEIS (1848-1926) THE PONTE VECCHIO, FLORENCE Oil on canvas 63.5 x 98cm. ++ Some 1539 craquelure; needs a light clean

HENRY SCHAFER (d.1905) ANTWERP, BELGIUM; CHARTRES, FRANCE A pair, both signed and dated 1890, each also signed and 1540 inscribed with title verso, oil on canvas Each 24 x 19cm. (2) ++ Each needs a clean; period gilt frames

THEODORE DU BOIS (1804-1879) HAULING IN THE NETS Signed and dated 1836, oil on canvas 71.5 x 109.5cm. ++ Old lining; a few 1541 areas of retouched damage/tears in sky (above sailing ship on right, top of mast of main boat etc) scattered retouching, principally near the edges

ERNESTINE FRIEDRICHSEN (1824-1892) A MERRY CREW Signed and inscribed with the artist's address on a fragmented label on 1542 the frame, oil on canvas 72 x 107cm. * The label gives the artist's address as Wehrhahn 9 Dusseldorf where she lived from 1867 until her death. Provenance: Private collection, Lon ...[more]

LAURITS BERNHARD HOLST (1848-1934) DHOWS OFF THE COAST, NORTH AFRICA (?) Signed, oil on canvas 62 x 100cm. ++ 1543 Lined; scattered retouching, especially in the sky

ALBERT JOSEPH PENOT (1862-1930) PORTRAIT OF A LADY IN EVENING DRESS Signed, oil on canvas 98,5 x 63,5cm. ++ 2.5cm 1544 tear lower right; slight brusing from stretcher bars; needs a light clean

A** GINS (Swiss, Fl.c.1869) FRENCH SOLDIERS IN A VILLAGE, A BLACKSMITH BEYOND Signed and dated 69, oil on panel 21 x 1545 39.5cm. ++ Good condition

HENRI VICTOR LESUR (b.1860, fl.1887-1910) THE RED GOWN Signed, oil on panel 30.5 x 22.5cm. ++ Slight craquelure; needs a 1546 light clean

FOLLOWER OF ADOLPHE JOSEPH THOMAS MONTICELLI (1824-1886) FIGURES IN A LANDSCAPE A pair, oil on panel Each 19 x 1547 25.5cm. (2) ++ One with slight crazing and craquelure; each needs a light clean

ARTHUR FITZWILLIAM TAIT (1819-1905) JUNE: SHEEP IN A FIELD Signed and dated 1904, also signed and inscribed with artist's 1548 address (Ludlow Park/ Yonkers/ N.Y), title, date (D 1904) and Putnam Co, NY verso, oil on canvas backed onto card 45 x 68cm. Provenance: Acquired by the vendor's great grandparen ...[more]

RICHARD BEAVIS, RWS (1824-1896) WORKMEN ON THE RIVERBANK, WYCLIFF-ON-TEES, CO. DURHAM Signed, also inscribed 1549 indistinctly on label on the stretcher Wycliff on Tees [unclear] birthplace of the/great reform [unclear] R Beavis, oil on canvas 22.5 x 45cm. ++ A little craquelure; slight wear at edges

GEORGE WHITTON JOHNSTONE, RSA (1849-1901) EAST WEMYSS, FIFESHIRE Signed, also signed and inscribed on a label 1550 verso, oil on canvas 29 x 44.5cm. ++ A little craquelure; needs a clean

ALFRED PETTITT (Fl.1849-c.1872) GRASMERE FROM RED BANK Signed and dated 1872, also signed, inscribe with title and dated 1551 Keswick 1872 verso, oil on canvas 49.5 x 87.5cm. ++ Scattered retouching; some minor flaked losses; needs a clean

CIRCLE OF EDWARD ROBERT SMYTHE (1810-1899) LADY ON A GREY PONY OUTSIDE A COTTAGE Oil on canvas 33.5 x 44cm. 1552 ++ Lined; some associated retouching ATTRIBUTED TO WILLIAM FREDERICK HULK (1852-1906) CATTLE IN A WATER MEADOW A pair, oil on board Each 14 x 10cm. 1553 approx. (2) ++ Each needs a light clean; some craquelure

C** WALCH (Fl.c.1922) TWO GIRLS ON A VILLAGE LANE Signed and dated 1922, oil on canvas 29 x 35cm. ++ Some slight flaked 1554 losses; needs a light clean

1555 WITHDRAWN

WILLIAM CRAWFORD, ARSA (1825-1869) THE DARK AND THE FAIR Bears a later inscribed label on the reverse of the frame, oil on 1556 canvas, mounted oval 76 x 59cm. ++ Lined; some associated retouching

THOMAS COLLINS (Fl.1857-1893) A WOODLAND BANK IN SPRINGTIME Signed and dated 78, oil on canvas 30 x 24cm. ++ 1557 Generally good condition; slight paint separation apparent near right side

HENRY MOORE, RA (1831-1895) MID-CHANNEL, EVENING Signed and dated 1879, oil on canvas 24.5 x 39.5cm. Provenance: 1558 London, The Fine Art Society, March 1970, no.1117 ++ Lined; a little associated retouching; needs a light clean

EDWARD HOLMES (1841-1891) THROUGH THE FOREST Signed and dated 1881, oil on canvas 66.5 x 53.5cm. Exhibited: London, 1559 Royal Society of British Artists, 1883, no.314 ++ When sold at Christies on March 3rd 2009, this lot was described as being signed and inscribed on a label attached to the stretcher. T ...[more]

GEORGE GOODWIN KILBURNE (1839-1924) THE PROPOSAL Signed and dated 1871, also indistinctly signed verso, oil on canvas 1560 22 x 33cm. ++ Good condition

ATTRIBUTED TO CHARLES LEAVER (1824-1888) IN THE DEEP MIDWINTER Oil on canvas 74.5 x 125.5cm. ++ Lined; scattered 1561 retouching

ALFRED DE BREANSKI (1852-1928) RANNOCH MOORS, N.B. Signed, also signed and inscribed with title verso, oil on canvas 49.5 x 1562 74.5cm. ++ Some scattered retouching, principally at the edges, some over blistered damage; a little thin in a few places

THOMAS SIDNEY COOPER, RA (1803-1902) IN THE WATER MEADOWS Signed and dated 1873, oil on canvas 74 x 106cm. 1563 Provenance: London, Sothebys Belgravia, June 17th, 1980, lot 119; London, Richard Green Fine Paintings ++ Lined; a little scattered retouching

JAMES CLARKE HOOK, RA (1819-1907) SALMON TRAPPERS, NORWAY Signed with monogram and dated 71, also signed and 1564 inscribed on a label on the stretcher, oil on canvas 86 x 135.5cm. Exhibited: London, The Royal Academy, 1871, no. 163 ++ Lined; some retouching

JAMES THOMAS LINNELL (1820-1905) HARVEST TIME Signed and dated 1870, oil on canvas 101 x 156.5cm. ++ Lined; some 1565 craquelure with paint separation; some retouching

WILLIAM THORNLEY (Fl.1858-1898) FISHING BOATS IN CHOPPY COASTAL WATERS A pair, both signed, oil on canvas Each 34 x 1566 29cm. (2) ++ Each needs a light clean

HENRY H. PARKER (1858-1930) ON THE THAMES NEAR GORING, SURREY Signed, also signed and inscribed with title verso 1567 (Goring spelt Goreing), oil on canvas 50.5 x 76cm. ++ Good condition

WILLIAM HOUNSOM BYLES (1872-1940) A CHAMBER OF SORCERY Signed, bears remains of inscribed label verso, oil on panel 20 1568 x 32.5cm. ++ Good condition EDWARD HOLMES (Fl.1841-1891) `SHAKE HANDS, POLLY` Signed with monogram, oil on canvas 37 x 30.5cm. ++ Lined; ; some 1569 associated retouching

1570 G** F** HUGHES (Fl.c.1877) NO RESPECT FOR STANDARDS Signed, oil on canvas 17.5 x 24cm. ++ Good condition

FOLLOWER OF JAMES ARCHER, RSA (1823-1904) PORTRAIT OF A BOY, IDENTIFIED AS MASTER SIDNEY HASTINGS Standing, 1571 full length, beside a draped table, wearing a long blue tunic and a paler blue sash in `Van Dyck` style, holding a plumed cap, oil on canvas 126.5 x 104.5cm. ++ Lined; some old retouched damag ...[more]

JOHN GRAHAM GILBERT, RSA (1794-1866) `SISTERS`: PORTRAIT OF TWO YOUNG LADIES, POSSIBLY THE BARCLAY 1572 SISTERS Each standing long half length, one wearing a coral dress, the other in a white lace dress, in a park setting, indistinctly signed and dated 1863, oil on canvas 125 x 100cm. * Gilbert's portrai ...[more]

ALEXANDER M. ROSSI (1840-1916) IDLE DISTRACTIONS Signed, oil on canvas 95.5 x 56cm. ++ Lined; some associated retouching; 1573 needs a light clean

LOUIS BOSWORTH HURT (1856-1929) ON THE ROSS-SHIRE HILLS Signed and dated 1887, also signed and inscribed with title 1574 verso, oil on canvas 101 x 75.5cm. ++ Unlined; some craquelure; scattered retouching

•RICHARD BAWDEN, RWS (b.1936) CHRISTMAS EVE Etching with aquatint, signed, titled and numbered 70/100 40 x 30.5cm. ++ 1575 Good condition

•RICHARD BAWDEN, RWS (b.1936) THE WHITE JUG Colour aquatint, signed, titled and numbered 49/80 32.5 x 43cm. ++ Good 1576 condition

•RICHARD BAWDEN, RWS (b.1936) FLOWERS AND PATCHWORK Colour aquatint, signed, titled and numbered 50/150 50.5 x 1577 40.5cm. ++Good condition

•RICHARD BAWDEN, RWS (b.1936) `WHAN THAT APRILL WITH HIS SHOURES SOOTE, THE DROGHTE OF MARCH HATH 1578 PERCED TO THE ROOTE` Colour linocut, signed, titled and numbered 85/100 26 x 43.5cm. * The title is the opening lines from `The Prologue to the Canterbury Tales` by Geoffrey Chaucer, c.1387 ++ Good ...[more]

•JACK BUTLER YEATS, RHA (1871-1957) THE MOUNTAIN FARM AND THE VILLAGE Woodcut with hand colouring, printed by the 1579 Cuala Press 9 x 34cm.; with three further Cuala Press images by Yeats, to include `The Ballad Singer`, these unframed (4) ++ The first a little faded; the others with slight handling cre ...[more]

•BERNARD CHEESE (1925-2013) THE LEMON SELLER; PICKING UP A CRABPOT Two, colour lithographs, 1960, each signed, titled, 1580 dated, the former numbered 18/25, the latter inscribed Artist's proof 41 x 47cm.; and 35 x 50cm. approx. (2) ++ Each with slight mount burn

•DAME LAURA KNIGHT, DBE, RA, RWS (1877-1970) FILIA MUNDI (B&W 29) Drypoint and aquatint, 1925, on wove, signed, also 1581 inscribed 30 Edition - `Filia Mundi` - aquatint near lower edge, the full sheet, unframed Image 29.5 x 28.5cm (from a bevelled plate) * The sitter was the Russian dancer Miriam Plickt ...[more]

•AFTER LAURENCE STEPHEN LOWRY, RA (1887-1976) CRIME LAKE (1942) Offset lithograph, published by Adam Collection Ltd, 1582 1971, from the edition of 500, with Fine Art Trade Guild blindstamp, signed in pencil 45.5 x 60.5cm. ++ Good condition overall; very slight fading

•EVA SYDNEY `EVIE` HONE (1894-1955) ST MARTIN OF TOURS: DESIGN FOR A STAINED GLASS PANEL Signed, monotype 31.5 1583 x 22.5cm. Provenance: By descent in the family of the late Hertha Phyllis Eason, an amateur artist in Dublin and a member of the White Stag artists' group. She was an acquaintance of Jack B ...[more] •BRUCE MCLEAN (b.1944) BURNT Screenprint, signed, titled and numbered 15/75 90.5 x 74cm. ++ Pale damp stain in margin lower 1584 left edge

1585 •VICKY HAWKINS (b.1948) VASE OF TULIPS Signed, monotype in gouache Sheet 69.5 x 51cm. ++ Good condition

•GILLIAN AYRES, CBE, RA (b.1930) UNTITLED Two, screenprints, with hand colouring, each signed and numbered 41/50 in pencil or 1586 in red crayon, with blindstamps Each 58.5 x 58.5cm. approx. (2) ++ Good condition

•PETER PHILLIPS (b.1939) LEOLOCATION Screenprint, in coloir, 1970, signed, dated, numbered 773/3000, published by Dorothea 1587 Leonhart, Munich, with their blindstamp, unframed Image 54.5 x 49cm. ++ One or two minor scuffs

AFTER ANDY WARHOL (1928-1987) BIG TORN CAMPBELL'S SOUP CAN (BLACK BEAN) Photolithographic poster, in colour, 2002, 1588 without text, upon acrylic sheet, published by Tate Modern for the Retrospective 81.5 x 60.5cm. ++ Good condition

•SIR EDUARDO PAOLOZZI, CBE, RA (1924-2005) UNTITLED Screenprint, in colour, 1974, signed, dated and numbered 68/100, 1589 unframed Image 63.5 x 45cm. ++ Good condition

•SIR TERRY FROST, RA (1915-2003) FLAME RED (LORCA) Lithograph, c.1988, signed and inscribed A/P 55.5 x 37.5cm. ++ Good 1590 condition

•AFTER DAVID HOCKNEY, OM, CH, RA (b.1937) TWO APPLES, ONE LEMON AND FOUR FLOWERS Offset lithograph (the artist 1591 called it a `newsprint`), in colour, 1997, as published in The Independent newspaper on January 7th 1997 33 x 52.5cm. * Although printed in the normal run of the newspaper, this image is a ...[more]

•SIR PETER BLAKE, CBE, RA (b.1932) BABE RAINBOW Screenprint, in colour, 1967, on metal, signed and numbered 98/500 in felt tip 1592 pen 65 x 43cm.; with a photograph of the artist in his studio, by Mary McCartney, studio label verso, signed by Blake, 20 x 13.5cm. (2) ++ Principal item in uncommonly good ...[more]

DAVID MACH, RA (b.1956) GREENWICH: SWIFT III Giclee print, 2000, signed, titled and numbered 8/100 51 x 95cm. Provenance: 1593 Another print of this subject was exhibited at The Royal Academy, Summer Exhibition, 2000 (`Greenwich`, no.971); this one was purchased from the artist's studio in July of that y ...[more]

•PETER PHILLIPS (b.1939) TRIANGLES Screenprint, in colour, 1965, signed, dated and numbered 21/200 61 x 76cm. ++ Some very 1594 slight blemishes at extreme edges of sheet

MEL RAMOS (b.1935) AMERICAN BEAUTY (HUBBA HUBBA) Enamel multiple, in colour, 2003, on metal, signed and numbered 1595 278/500 40 x 40cm. ++ Good condition

•PATRICK CAULFIELD, CBE, RA (1936-2005) WHITE POT (Cristea 48) Screenprint, in colour, 1975, signed and numbered 42/76, 1596 Sight 97 x 76.5cm. Provenance: London, Waddington Galleries Ltd ++ Slight time toning of the paper

•PATRICK CAULFIELD, CBE, RA (1936-2005) TERRACOTTA VASE (Cristea 44) Screenprint, in colour, 1975, signed in pencil and 1597 inscribed A/P 111/X111 Sight 63.5 x 89.5cm. ++ Slight surface scuffs

•PATRICK CAULFIELD, CBE, RA (1936-2005) SMALL WINDOW (Cristea 25) Screenprint, in colour, 1972, signed and numbered 35/72 1598 86.5 x 66cm. ++ Generally good condition but two fine paper breaks (11cm and 2 cm) upper left ROBERT INDIANA (b.1928) THE FIGURE FIVE Screenprint, in colour, 1971, signed, dated and numbered 20/200, with the presentation 1599 sleeve entitled `The American Dream, 1960`, unframed 91 x 76cm. ++ Slight handling marks in the margins; image very good; folder good

•DAVID HOCKNEY, OM, CH, RA (b.1937) PETER SCHLESINGER Lithograph, printed in red/brown, 1976, signed, dated and numbered 1600 9/90, published by Gemini G.E.L. and with their blindstamp Sight 38.5 x 28.5cm. ++ Good condition

AFTER ANDY WARHOL (1928-1987) BRILLO (PASADENA ART MUSEUM 12 MAY- 21 JUNE 1970) Lithographic poster, in colour, 1601 1970 75.5 x 65cm. ++ Good condition

ANDY WARHOL (1928-1987) FIFTH NEW YORK FILM FESTIVAL, LINCOLN CENTRE, 1967 (F&S 19) Screenprint, in colour, 1967 1602 113 x 60cm. ++ A little pale foxing; a few minor blemishes

PHILIP WILSON STEER, OM (1860-1942) THE BLUE POOL, CORFE, DORSET Watercolour and pencil heightened with white 24.5 x 1603 34.5cm. * Steer visited The Isle of Purbeck in 1913 and worked in Corfe (see example in the V&A Museum) Provenance: London, The Fine Art Society Ltd, August, 1950 ++ Faded and light-s ...[more]

•E. JONATHAN L. TROWELL (b.1938) GREYHOUNDS, DOVEDALE, DERBYSHIRE, 1988 Signed, pastels 47.5 x 60.5cm. 1604 Provenance: Almansil, Portugal, Galeria Internacional de Arte (as by Ernie Trowell) ++ Good condition

•JULIUS B. STAFFORD-BAKER (1904-1988) LOCK SCENE, POSSIBLY AT MALDON, ESSEX Signed and dated 42, watercolour and 1605 pencil, unframed 57.5 x 78.5cm. ++ Slight surface/handling marks near the edges; good colour

•CHARLES KNIGHT, VPRWS (1901-1990) THE BRIDGE AT HEREFORD Signed, watercolour and pencil 25 x 36cm. Exhibited: 1606 London, Chris Beetles Ltd, `More Than a Touch of Poetry: Landscapes by Charles Knight, RWS ROI (1901-1990), June 1997, no.32 ++ Good condition

•CHARLES KNIGHT, VPRWS (1901-1990) FRAMLINGHAM CASTLE Signed, inscribed with title below the mount, watercolour and 1607 pencil 22 x 37.5cm. Exhibited: London, Chris Beetles Ltd, `More Than a Touch of Poetry: Landscapes by Charles Knight, RWS ROI (1901-1990), June 1997, no.60 ++ Some foxing and speckles ...[more]

1608 •FRANCOIS BIRBAUM (1872-1947) THE WOODLAND BANK Signed, pastels 24 x 34cm. ++ Good condition

•CLAUDE MUNCASTER, RWS (1903-1974) SALERNO HARBOUR (2); LOOKING INLAND FROM PAGHAM HARBOUR Three, two 1610 signed, labels on the backboards, watercolour with pen and ink or pencil 21 x 35.5cm.; 14 x 26.5cm.; and 26 x 35.5cm. (3) Exhibited: (Salerno, one) London, Art Exhibitions Bureau, `Art for Beauty's ...[more]

•JOHN MCKIRDY DUNCAN (1866-1945) GRAVEL PIT, NIGHT Bears signature, address and title on backboard, watercolour 32 x 1611 38.5cm. ++ Good condition

•GRAHAM OAKLEY (b.1929) "... THEY WERE BUNDLED OFF INTO A ROOM FULL OF PEOPLE.." (from `HETTY AND HARRIET`) 1612 Signed, watercolour and bodycolour with pen and ink, unframed 23 x 26.5cm. Illustrated: Graham Oakley, Hetty and Harriet, a signed copy of which accompanies this lot. (2) ++ Both items in very ...[more]

•GRAHAM OAKLEY (b.1929) "... THEY CAME ACROSS A VERY PROMISING PLACE TO SCRATCH.." (from `HETTY AND 1613 HARRIET`) Signed, watercolour and bodycolour with pen and ink, unframed 23 x 26.5cm. Illustrated: Graham Oakley, Hetty and Harriet, a signed copy of which accompanies this lot. (2) ++ Both items in ve ...[more]

•GRAHAM OAKLEY (b.1929) THE CHURCH MICE AND THE RING Signed, watercolour and bodycolour with pen and ink, unframed 1614 21.5 x 27cm. Illustrated: Graham Oakley, dust jacket illustration for The Church Mice and the Ring, a signed hardback copy of which accompanies this lot. (2) ++ Both items in very good ...[more] •GRAHAM OAKLEY (b.1929) "... THEY JUST HOPED THAT ELVIS WAS A HEAVY SLEEPER.." (from `THE CHURCH MICE TAKE A 1615 BREAK`) Signed, watercolour and bodycolour with pen and ink, unframed 12 x 30cm. Illustrated: Graham Oakley, The Church Mice take a break, a signed copy of which accompanies this lot. (2) ++ ...[more]

•GRAHAM OAKLEY (b.1929) "... THE PARSON WAS JUST STARTING HIS BREAKFAST.." (from `THE CHURCH MICE SPREAD 1616 THEIR WINGS`) Signed, watercolour and bodycolour with pen and ink, unframed 9.5 x 24cm. Illustrated: Graham Oakley, The Church Mice Spread their Wings, a signed copy of which accompanies this lot ...[more]

1617 •ANNE MORTIMER (b.1958) IN THE NURSERY Signed, watercolour, a design for a greeting card 15 x 15cm. ++ Very good condition

•LEO McDOWELL (1936-2011) PICNIC II Watercolour and acrylic 38 x 29cm. Exhibited: London, The R. I. at The Mall Galleries, 1992 1618 ++ Good condition

•LUCIEN GENIN (1894-1958) FIGURES ON A PARISIAN STREET AT NIGHT Signed, inscribed Hommage a Madame Frances Burck - 1619 R, gouache 26.5 x 34.5cm. * Frances Burke-Roche (1936-2004) was the maiden name of Frances Shand Kydd, late mother of Diana, Princess of Wales ++ Good condition

•SIR STANLEY SPENCER, CBE, RA (1891-1959) RENDING THE VEIL OF THE TEMPLE IN TWAIN, 1920-1921 Oil and pencil on 1620 paper 25 x 22cm. * Executed in 1920-1921 (a later pencil inscription on the backboard states `Dated by Gilbert Spencer at gallery opening, Cookham`), the subject relates to the passage in S ...[more]

SAMUEL JOHN PEPLOE, RSA (1871-1935) THE YELLOW TUTU: STUDY OF A SEATED DANCER Signed, charcoal and coloured 1621 pastels 56 x 35.5cm. Provenance: A gift from the artist to his sister in law; and thence by descent to her grandson * Peploe's formal training began at the Edinburgh College of Art in 1893 and ...[more]

SAMUEL JOHN PEPLOE, RSA (1871-1935) THE HAIR PIN: STUDY OF A WOMAN FIXING HER HAIR Signed, charcoal and coloured 1622 pastels 55.5 x 44.5cm. Provenance: A gift from the artist to his sister in law; and thence by descent to her grand daughter * "[Peploe] sees the human form with clear eyes, noting the bea ...[more]

•CHARLES BONE (b.1926) GORBIO Signed, watercolour 52 x 72.5cm. Exhibited: London, The R. I. at The Mall Galleries, 1990 ++ 1623 Good condition

•HENRY J. NEAVE (d.1971) SMITHFIELD MARKET Signed and dated 64, watercolour and bodycolour with pencil 41 x 68cm. 1624 Provenance: formerly in the collection of the Savoy Hotel, London ++ Good condition

MAXIMILIEN LUCE (1858-1941) PAYSAGE AVEC UNE EGLISE Signed, pen and ink with soft pencil and charcoal 27.5 x 37cm. 1625 Provenance: London, Christies, April 2nd 1987, lot 353 (the artist's estate) ++ A little superficial soiling

•SYLVIA GOSSE (1881-1968) THE TOILET Signed, watercolour with pen and ink and pencil 20.5 x 14.5cm. Exhibited: Bath, Camden 1626 Fine Art, `The Camden Town Group Exhibition`, April 2000, who dated this to circa 1912 ++ Good condition

•TIMOTHY BEHRENS (1937-2017) GIRL IN BED Dated Nov. 15th 1959, pencil and watercolour, on two joined sheets 40.5 x 43cm. * 1627 Behrens studied at the Slade and was a friend of Lucian Freud and Francis Bacon at The Colony Club. He was the subject of Freud's `Red Haired Man on a Chair`(1962) Provenance: L ...[more]

BURHAN CAHIT DOGANCAY (Turkish-American, 1929-2103) UNTITLED, 1973 Signed and dated 1973, watercolour and charcoal 1628 Image 51 x 41cm. ++ Slight time-toning of the paper

JACQUES LIEVIN, pseudonym of EUGENE GALIEN-LALOUE (1854-1941) FIGURES IN LA PLACE DE LA REPUBLIQUE, PARIS 1629 Signed LIEVIN, watercolour 20.5 x 31.5cm. ++ Slightly faded MABEL OFFICER (Fl.c.1938) ON THE DERWENT, TASMANIA Signed and dated 1938, oil on canvas board 26.5 x 39cm. * A label 1630 attached to the back indicates that this work was submitted for exhibition at The Royal Academy, London, in 1939. The artist may be identified as the woman of the same name, born in N ...[more]

ZAKKIE ELOFF (South African, 1925-2004) WILDEBEEST AT A POOL; IMPALA AMIDST TREES Two, both signed and dated 62, oil 1631 on board 43.5 x 54cm and 44 x 59cm. (2) Provenance: African Producers Manufacturing Co Ltd, by whom presented to Mr. N. A. C. Pryce, August 1962 ++ Each needs a light clean; a little ...[more]

FERNAND PIET (1869-1942) A QUIET SQUARE IN A FRENCH TOWN Signed and dated 1928, bears inscription verso, oil on panel 1632 23.5 x 31cm. ++ Slight grazes on left

ATTRIBUTED ALFRED AARON WOLMARK (1877-1961) ANEMONES, 1922 Bears signature, title and date verso, oil on canvas board 1633 21 x 27cm. ++ Needs a light clean

•PETER FOLDES (b.1924) THE FLYING FISH, 1963 Signed, also signed, inscribed and dated on the stretcher, oil on canvas 72 x 1634 91cm. Provenance: London, McRoberts & Tunnard Ltd, purchase December 1963 ++ Good condition; needs a very light clean

•WILLIAM MILLER FRAZER, RSA (1864-1961) ON THE NENE, NORTHAMPTONSHIRE Signed, bears signature and title in ballpoint 1635 pen verso, oil on canvas board 24 x 34cm. ++ Some craquelure; needs a light clean

PILAR FONT (Fl.c.1964) BODEGON: STILL LIFE Signed and dated 64, also signed and inscribed verso, oil on masonite 64 x 53cm. 1636 Provenance: The Collection of the late Ruth, Lady Fermoy ++ Needs a light clean; a few superficial grazes

GEORGE BOYLE (1842-1930) SHIPPING AT SUNSET Signed, oil on board 23.5 x 33.5cm. ++ A few minor chips/grazes; needs a light 1637 clean

•OLIVER WARMAN (b.1932) RIVER DRONNE, FLOOD, AUBETERRE; THE OLD PUNT Two, the former signed and inscribed on the 1638 reverse, the later signed with initials, oil on board 33 x 44cm. and 28 x 39.5cm. (2) ++ Good condition

1639 •GEORGE HANN (1900-1979) HARBOUR SCENE Signed, acrylic on board 49.5 x 59.5cm. ++ Thick impasto; needs a light clean

•OLIVER CAMPION (1928-2000) DORDOGNE FARM, 1988 Signed; also signed, inscribed with title and dated verso, oil on canvas 21.5 1640 x 26.5cm. ++ Good condition

•OLIVER WARMAN (b.1932) LUSIGNAC Signed and inscribed verso, oil on board 23 x 33cm. Provenance: London, The Wykeham 1641 Galleries ++ Good condition

•ELISABETH ESTIVALET (b.1952) VAISON LA ROMAINE, CITE MEDIEVALE, FRANCE Signed, also signed, dated 1998 and 1642 inscribed with title on the stretcher, acrylic on canvas 22.5 x 31.5cm.; with an oil on this panel by Harry Mitton Wilson, `After the Storm, The Thames`, 22 x 29cm. (2) ++ The former in good c ...[more]

ALEXANDER C. DALZELL (Fl.1935-1939) AUTUMN BEECH Signed twice, also signed and inscribed on a fragmented label verso, oil 1643 on canvas 59 x 75cm. ++ Needs a very light clean

1644 NORMAN LLOYD (Australian, 1894-c.1980) HILLTOP VILLAGE WITH TREES Oil on board 30 x 40cm.

•JOHN STREVENS (1902-1990) BY THE FOUNTAIN Signed (incised), also signed and inscribed with title verso, oil on canvas 39.5 x 1645 49cm. ++ Good condition 1646 JOSEPH MILNER KITE (1862-1945) NEWS FROM A FRIEND Signed, oil on canvas 36.5 x 53.5cm. ++ A little scattered retouching

1647 JAMES HAMILTON HAY (1874-1916) TEMPLE OF AEOLUS Signed and dated 1911, oil on canvas 63 x 74.5cm. ++ Good condition

WILLIAM PAGE ATKINSON WELLS (1872-1923) PORT ST. MARY, ISLE OF MAN Signed, oil on canvas 33.5 x 44cm. ++ Thick 1648 impasto, slightly flat in sky

SAMUEL FULTON (1855-1941) THE SPORTSMAN'S DOGS: A SPANIEL AND A TERRIER Signed, oil on canvas 49.5 x 39cm. ++ 1649 Good condition; a little thinly painted in places; needs a light clean

1650 •MICHAEL LYNE (1912-1989) A POINT TO POINT Signed, oil on canvas 68.5 x 49cm. ++ Good condition

CUTHBERT EDMUND SWAN (1870-1931) PROWLING TIGER Signed, oil on panel 29.5 x 44cm. ++ Scattered retouching; some 1651 craquelure

HENRY MALFROY (1895-1944) MARTIGNY Signed, bears inscription on stretcher, oil on canvas 32 x 45cm. ++ Good condition; needs 1652 a very light clean

•NEVILL JOHNSON (1911-1999) UNTITLED Oil and graphite on board 38 x 40.5cm. ++ Some minor scuffs and chipped losses; needs 1653 a clean; mounted upon a white board by the artist

•NEVILL JOHNSON (1911-1999) MINOAN LANDSCAPE, 1968 Signed and dated 1968, signed, dated and inscribed with title verso, 1654 also with artist's inscribed label on which he describes the medium as `glazes with dry colour and PVA on paper, on board [masonite] 50.5 x 63.5cm. ++ Some scattered scuffs and gra ...[more]

•CLAUDE VISEUX (1927-2008) COMPOSITION EN VERT ET BRUN Signed and dated 58 verso, further inscribed indistinctly 1655 (Montenya?), oil on canvas, unframed 130 x 97.5cm. Provenance: Paris, Galerie Rene Drouin, 1958; Collection of the late Lady Norton ++ Good condition

•TIMOTHY FRANKLYN ROSS THOMPSON (b.1951) A BRIG IN COASTAL WATERS Signed, acrylic on board 29 x 39cm. ++ Good 1656 condition

E** MARTIN (Fl.c.1930) PORTRAIT STUDY OF A YOUNG MAN Signed, bears remains of inscribed and dated label on stretcher, oil on 1657 canvas 39.5 x 34cm. ++ Good condition

P** IRELAND (Circa 1920-1930) SUNDAY MORNING Signed, oil on canvas 34.5 x 49.5cm. * The initial of the forename has been read 1658 as `P` but may be `J` or `T` ++ Very slight craquelure; needs a light clean

1659 •WILLIAM SELBY, RWS (b.1933) SKELMANTHORPE Signed, acrylic on board 26.5 x 29cm. ++ Good condition

•PIERRE LAVARENNE (b.1928) NU BLEU Signed, also signed and inscribed with title verso, oil on canvas 73 x60cm. ++ Good 1660 condition

1661 •WILLIAM SELBY, RWS (b.1933) STILL LIFE WITH COAST Signed, acrylic on board 26 x 30.5cm. ++ Good condition

WYNFORD DEWHURST (1864-1941) FRENCH LANDSCAPE BY THE SEINE Signed and dated 1895, oil on canvas board 55.5 x 1662 75.5cm. Provenance: Purchased by the vendor's grandfather at auction in Bradford, 1970's. Exhibited: Manchester Art Gallery, Wynford Dewhurst - Manchester's Monet, December 2016-April 2017 W ...[more] WYNFORD DEWHURST (1864-1941) POTTING SHED IN THE ARTIST'S GARDEN IN FRANCE Signed, oil on canvas 77.5 x 57.5cm. 1663 * Wynford Dewhurst returned to France each year to paint in the style of Monet, who became his principle mentor. For ten years, up to outbreak of First World War, he rented a house at Croz ...[more]

•JOHN BULLOCH SOUTER (1890-1972) BUDS AND BLOOMS: STUDY OF ROSES Oil on board 25.5 x 40cm. ++ In need of a light 1664 clean

ATTRIBUTED TO DOROTHEA SHARP (1874-1955) A JUG OF MIXED SUMMER FLOWERS Bears a signature, oil on board 49.5 x 1665 39cm. Provenance: Purchased by the vendor's mother in St Ives, late 1940's. ++ Needs a light clean

•ANGELO BROMBO (1893-1962) L'ANCHONETTA DELLA PESCHERIA, CHIOGGIA Signed, also signed and inscribed with title verso, 1666 oil on thin panel 29 x 38.5cm. ++ Good condition

1667 GEORGE ENSLIN (South African, 1919-1972) LANDSCAPE Signed, oil on canvas 35 x 50cm. ++ Good condition

GEORGE ENSLIN (South African, 1919-1972) AFRICAN VILLAGE Signed and dated 59, oil on canvas 39 x 49cm. ++ Needs a light 1668 clean

•CLARISSE LOXTON PEACOCK (1928-2004) STILL LIFE ON A DRAPED TABLE Oil on canvas 90.5 x 49cm. ++ Good condition; 1669 some fine craquelure

•CLARISSE LOXTON PEACOCK (1928-2004) TOM DIELE AND HARVEY Signed with initials, oil on canvas 59.5 x 75cm. Exhibited: 1670 London, Hurlingham Club, Members' Art Exhibition (?) ++ Good condition

•CLARISSE LOXTON PEACOCK (1928-2004) NUDE WITH NECKLACE Signed, oil on canvas 100 x 49cm. * Clarisse Loxton Peacock 1671 was born in Budapest but moved to England to complete her schooling in Bristol before studying at Chelsea and Central St Martins. Early successes resulted in sales to the Walker Art Ga ...[more]

1672 •CLARISSE LOXTON PEACOCK (1928-2004) FLOWER SHAPES Signed, oil on canvas 100 x 49.5cm. ++ Good condition

1673 •CLARISSE LOXTON PEACOCK (1928-2004) GLADIOLI Signed, oil on board 89 x 60cm. ++ Good condition

THOMAS WILLIAM MORLEY (1859-1925) NEAR WROTHAM; OLD MILL, KESTON COMMON A pair, both signed, indistinctly dated 1674 (possibly 13), watercolour Each 39 x 59.5cm. (2) ++ Good condition; period gilt mounts and frames

JOSEPH THORBURN ROSS, ARSA (1849-1903) BOATS SETTING OUT Signed, oil on canvas 24.5 x 34.5cm. ++ Lined; some 1675 associated retouching

•GEORGE FAGAN BRADSHAW (1887-1960) A COASTAL TRADER ON ROLLING SEAS Signed, oil on panel 39 x 49.5cm. ++ Some 1676 very slight craquelure; needs a light clean

JAMES BROWN (1863-1943) IN GLOUCESTERSHIRE, c.1935 Signed with initials, oil on canvas 49.5 x 60cm. Provenance: Richmond, 1677 Roland Goslett Gallery ++ Some craquelure

JAMES BROWN (1863-1943) IN GLOUCESTERSHIRE, c.1935 Signed with initials, oil on canvas 49.5 x 59.5cm. Provenance: 1678 Richmond, Roland Goslett Gallery ++ Lined; some associated retouching

JAMES BROWN (1863-1943) IN GLOUCESTERSHIRE, c.1935 Signed with initials, oil on canvas 49.5 x 60cm. Provenance: Richmond, 1679 Roland Goslett Gallery ++ Lined; some associated retouching CIRCLE OF J** LANGLOIS (Circa 1880) CATTLE AT A COUNTRY POOL Indistinct traces of a signature lower right, oil on canvas, 1680 possibly cut down 59.5 x 59.5cm. ++ Needs a light clean

WILLIAM H. LUDLOW(c.1860-c.1934) A SHORE SCENE, c.1925 Signed, oil on canvas 39 x 49.5cm. Provenance: Richmond, Roland 1681 Goslett Gallery ++ Some craquelure; needs a light clean

ST. JOHN MULHOLLAND (1839-1910) A VENETIAN CAPRICCIO Signed, oil on canvas 75 x 126cm. ++ Strip-lined; retouching 1682 apparent, principally in the sky; some blistering of the darker paint lower right; needs a clean

EDWARD AUBREY HUNT (1855-1922) LIMEHOUSE, LONDON Signed, oil on canvas 45 x 79.5cm. ++ Lined; some associated 1683 retouching; generally good; period gilt frame

•SAMUEL JOHN LAMORNA BIRCH, RA, RWS (1869-1955) A SUN-DAPPLED POOL Signed, oil on canvas 50 x 60.5cm.Exhibited: 1684 Jeremy Wood Fine Art, March 1979, `Painters in Cornwall` as `Prelude by Chopin`++ Lined; a little associated retouching

AFTER SIR ANTHONY VAN DYCK (1599-1641) PORTRAIT OF THOMAS WENTWORTH, EARL OF STRAFFORD (1593-1641) Oil on 1685 canvas 37.5 x 30cm. * Derived from Van Dyck's original of c.1636-1639 (Petworth House, Sussex) ++ Lined; some associated retouching

1686 •HENRY YOUNG ALISON (1889-1972) A COASTAL GULLY Signed, oil on thin panel 45 x 34.5cm. ++ Good condition

•LESLIE ROBERT POOLE-SMITH (Fl.c.1908-1926) A SANDLY INLET, MOROCCO Signed and dated 25, also indistinctly inscribed 1687 with title (possibly Cloud over/ [unclear] over Maroc), oil on thin panel 26 x 20.5cm. Provenance: Richmond, Roland Goslett Gallery ++ Good condition; needs only a very light clean

GEORGE MURRAY (1875-1933) PORTRAIT OF A LADY IN AN EVENING DRESS Oil on canvas, probably unfinished 106 x 72cm. ++ 1688 Needs a light clean

1689 ZBIGNIEW KUPCZYNSKI (b.1928) TENNIS PLAYER Signed, mixed media 29 x 39cm. ++ Good condition

1690 •STEVE JOYCE (b.1956) HORSE HEAD Signed and dated 86, resin upon a marble base 67cm approx overall ++ Good condition

ELIZABETH ADELA STANHOPE FORBES, ARWS (1859-1912) AUTUMN BREEZE Oil on canvas laid onto masonite 58.5 x 49.5cm. * 1691 Forbes' work was distinctive amongst the artists of the Newlyn School for stepping aside from hard-nosed social realism and presenting subjects that addressed less tangible themes, some ...[more]

•MATTHIJS NICOLAAS ROLING (b.1943) LIGGEND NAAKT (LYING NAKED) Signed and dated Matthijs R 1983, oil on canvas 68.5 x 1692 68.5cm. Roling is a versatile artist and lecturer, described in 2005 as an artist who is `the figurehead of contemporary figure painting in the Netherlands.` He studied at The Hague ...[more]

•JOHN ANTHONY PARK (1880-1962) FIGURES ON A CORNISH BEACH Oil on ply panel 25.5 x 33cm. ++ A few slight surface grazes; 1693 very minor split at extreme right edge; needs a light clean

•JOHN ANTHONY PARK (1880-1962) CORNISH FISHING BOATS Signed, oil on canvas 30 x 38.5cm. ++ Lined; needs only a very 1694 light clean

NOVELTY BRONZE CANNON CLOCK AND STAND, early 20th century, modelled on a First World War 75mm recoiling cannon, one 1701 wheel housing the French movement, with a bronze stand naturalistically cast as rough terrain, length 25cm FRENCH BRASS FOUR PANE CARRIAGE CLOCK, the enamelled dial on a four pillar eight day movement half hourly striking to a 1702 gong, height excluding handle 13.5cm

BRASS FOUR PANE CARRIAGE CLOCK, the enamelled dial with rubbed inscription, on a brass eight day movement with repeater 1703 mechanism and half hourly striking to a gong, height excluding handle 14cm

BRASS FOUR PANE CARRIAGE CLOCK, the enamelled dial with centre sweep seconds hand, subsidiary alarm dial on an eight day 1704 movement with repeater mechanism half hourly striking to a bell, the case with four turned columns, height excluding handle 17.5cm

FRENCH GILT BRASS FOUR PANE CARRIAGE CLOCK, the ivorine dial inside a scrolling gilt frame, on an eight day movement, with 1705 repeater mechanism, half hourly striking to a bell, height excluding handle 16cm

FRENCH BRASS AND CHAMPLEVE CARRIAGE CLOCK, late 19th century, the 2 1/4" silvered chapter ring inscribed Sharman D Neill, 1706 Belfast, on a brass eight day movement half hourly striking to a gong with repeater mechanism, the case with four corinthian columns and enamelled plinth and pediment, with its o ...[more]

GEORGE III STYLE RED CHINOISERIE MANTEL CLOCK, 20th century, the 4 1/2" silvered chapter ring on a brass dial and a brass 1707 eight day half hourly striking to a gong, the case with chinoiserie scenes in low relief, height 24cm

1708 BULLE PATENT ELECTRIC MANTEL CLOCK, with 5 1/2" silvered dial, height 29.5cm

OAK CASED MANTEL CLOCK, the brass dial with 5 1/2" silvered chapter ring, on a brass eight day twin fusee movement quarterly 1709 chiming to two gongs and stamped W & H, height 38cm

FRENCH GILT BRASS MANTEL TIME PIECE, late 19th century, the 3 1/2" enamelled dial on a brass eight day movement, the case 1710 surmounted by a scantily clad Amazonian woman, her bow and arrows beside her, the base applied with a sun and parrots, height 35cm, width 25cm

FRENCH GILT METAL AND PORCELAIN MOUNTED MANTEL CLOCK, the 3 1/2" painted dial on a brass eight day movement striking 1711 to a bell, height 40cm, width 20cm

FRENCH GILT BRASS MANTEL CLOCK, late 19th century, the 3" enamelled dial inscribed Alfred B Pearce, 23 Ludgate Hill, on a brass 1712 eight day movement half hourly striking to a bell and stamped Pert Bally Brevete A Paris, the case with a classical maiden draping a garland over a bust above a Sevres styl ...[more]

BRASS LANTERN CLOCK, the 6 1/2" dial on a brass movement striking to a bell, in a brass four column case with hook and spikes, 1713 height 32cm

INCLINE PLANE GRAVITY CLOCK, 20th Century, the ivorine dial with arabic numerals in a brass drum case, the hardwood plane with 1714 scrolling pierced brackets, length of plane 54cm

FRENCH SIENNA MARBLE CLOCK, mid 19th century, the 4 1/2" enamelled dial with arabic numerals on an eight day, half hourly 1715 striking brass movement inscribed Paris, in an arching and fluted case, height 37cm, width 31cm

FRENCH ORMOLU MANTEL CLOCK, the 4 1/2" enamelled dial inscribed F Barbedienne A Paris on a brass eight day movement 1716 striking to a bell, the vase with classical urn and swag finial, scrolling and foliate brackets and bow fronted base on floral cast feet, height 49cm, width 36cm, depth 18cm

WHITE MARBLE ROMAN RUIN CLOCK. the three column ruin surmounted by a gilt bronze eagle holding a ball clock in its beak, with 1717 jewelled rim and eight day movement, height 37cm LOUIS XV STYLE MANTEL CLOCK, the 4" enamelled dial on an eight day movement stamped Mougin, half hourly striking to a gong, 1718 the rococo style case painted with a romantic couple and flowers on a gilt ground and with gilt metal mounts, height 40cm

BRASS SKELETON CLOCK, the 4" silvered and pierced chapter ring a chain driven single fusee movement inscribed Heitzman 1719 Cambridge under a glass dome, height excluding base 24cm

BRASS SKELETON CLOCK, the 5" silvered chapter ring beneath a strike silent dial, on a brass, architectural eight day chain driven twin 1721 fusee movement half hourly striking to a bell beneath a turned finial, beneath a glass dome, height excluding stand and dome 32cm

OAK BRACKET CLOCK, the 6 1/2" silvered chapter ring on a brass dial with star burst arch, on a brass, three train movement striking to 1722 a single gong and playing the Whittington chimes to eight gongs, the case with brass floral swag mounts, height 70cm

MAHOGANY AND INLAID LANCET MANTEL CLOCK, late 19th century, the 5" silvered dial beneath a fast slow dial on a brass dial, the 1723 brass two train movement chiming and striking to two gongs, the case with neo-classical inlaid decoration, height 35.5cm

REGENCY STYLE MAHOGANY BRACKET CLOCK, the silvered 6" dial on a brass, eight day, twin chain driven fusee movement with 1724 maintaining power, half hourly striking to a gong, the brass mounted case with boxwood line inlay and butterfly motif, the purpose made brass key for winding and pendulum rise/fall ...[more]

WALNUT AND GLASS CASED MANTEL CLOCK, the 7 3/4" silvered dial inscribed Carl Werner, on a brass three train eight day 1725 movement, stamped Ungmans A32, chiming and striking to four gongs, in a domed case the top and sides made of a single piece of bevelled glass, height 40cm

JAEGER LE COULTRE EMBASSY ATMOS CLOCK, the brass chapter ring on a red marbled ground and side panels, above a balance 1726 wheel, height 22cm

FRENCH WHITE MARBLE AND ORMOLU MANTEL CLOCK, 19th century, the 3" enamelled dial on a brass eight day movement half 1727 hourly strinking to a bell, the case surmounted by a child writing, height 30cm, width 18.5cm

BRASS SKELETON CLOCK, the 4 1/2" enamelled chapter ring beneath a sudsidiary seconds dial on a chain driven single movement, 1728 the cogs and pendulum inlaid with star cut glass panels, under a glass dome and mounted on an inlaid walnut base, height excluding base 50cm

CONGREVE STYLE BRASS ROLLING BALL CLOCK, the three ivorine dials on brass, single fusee movement surmounted by the 1729 rocking table, housed in a four pane case, height excluding case 18cm

VICTORIAN OAK CASED STATION TYPE WALL CLOCK, the 15" enamelled dial inscribed E Northwood, Bideford, on a brass single 1730 fusee movement, diameter 52cm

SHORT AND MASON TYCOS THERMOGRAPH, MO Pattern Reg Des 563014, No A14231, chart no 54, in a copper case, height 1731 17.5cm

GARRARDS ART DECO STYLE WALL CLOCK the eleven inch square enamelled dial, inscribed Garrard, on a brass eight day 1732 movement, serial no. T4146, 36cm x 36cm

1733 GEORGE III MAHOGANY STICK BAROMETER, the silvered gauge inscribed Sankey, Glocester, with chevron line inlay, height 97cm

1734 DUTCH WALL CLOCK, late 19th century, the painted dial on a brass movement under a domed hood, height 130cm OAK LONGCASE CLOCK, the 11" painted dial with date aperture and inscribed Barry Edwards Claverdon, on a brass 30 hour four pillar 1735 movement hourly striking to a bell, height 212cm

OAK LONGCASE CLOCK, the 10" brass dial with a single hand inscribed Phillips Bromyard on a brass, four pillar 30 hour movement 1736 with anchor escapement striking hourly to a bell, height 214cm

MAHOGANY LONGCASE CLOCK, the 12" painted dial with subsidiary seconds dial inscribed J Swerer on a brass eight day movement 1737 hourly striking to a bell, in a domed case, height 199cm

OAK LONGCASE CLOCK, the enamelled dial with 13 1/2" chapter ring, subsidiary seconds and date dial, inscribed John Crane, 1738 Bromsgrove and beneath an arch painted with a boy playing with a hoop, the brass eight day, four pillar movement hourly striking to a bell, height 227cm

OAK LONGCASE CLOCK, the brass dial with 11 1/2" chapter ring and date aperture, inscribed Tho. Burton, Hawkshead, on a brass, 1739 eight day four pillar movement hourly striking to a bell, height 206cm

OAK LONGCASE CLOCK, 18th century, the 10" brass dial inscribed Rd Roe, Midhurst, with a single hand, on a brass, 30 hour, four 1740 pillar movement hourly striking to a bell, height 195cm

MAHOGANY LONGCASE CLOCK, early 20th century, the brass dial with 11 1/4" silvered chapter ring and subsidiary seconds dial 1741 beneath a Whittington Westminster chime dial, the brass eight day four pillar movement quarterly chiming to eight tubular bells and hourly striking to a single tubular bell, the ...[more]

MAHOGANY LONG CASE CLOCK, the brass dial with 13" silvered chapter ring, subsidiary seconds dial and date aperture beneath a 1742 scrolling moonphase inscribed William Barker Wigan to the arching frame, on a brass, four column, eight day movement hourly striking to a bell, the case with broken swan neck ...[more]

MAHOGANY AND INLAID LONG CASE CLOCK, the 12" silvered chapter ring with subsidiary seconds and date dials and brass 1743 spandrils, beneath a painted and silvered lunar scale and arch inscribed Joseph Denton, Hull, on a brass eight day, four pillar movement with anchor escapement, the case with dentil an ...[more]

SCRIMSHAW: sperm whale tooth carved with a girl playing with a hoop, the reverse with three vignettes, height 15cm; together with 1746 another carved with a three masted ship and a narwhal, height 13cm (2)

INUIT ART: walrus tusk, circa 1900, carved with a hunting scene, figures and caribou, the reverse with polar bear, walrus, hunters and a 1747 small settlement, length 45cm

GEORGE IV MAHOGANY AND LINE INLAID TEA CADDY, with sarcophagus top and twin canister interior, height 16cm, width 21cm, 1748 depth 12cm

1749 ARTS AND CRAFT STYLE COPPER LANTERN, the peaked top above four quartered panels, originally for glass, height 44cm

FRENCH ART NOUVEAU BRONZE NUDE, the lady lying down with a hinged shroud protecting her modesty, on a black slate base, 1750 length 24cm

INDO-PERSIAN STEEL DAHL, 19th century, four foliate bosses around a central mask and further damascened foliate decoration and 1751 panels of arabic script, diameter 45cm

CARVED AND PAINTED WOODEN FIGURE OF CHRIST, possibly 17th century, modelled kneeling and originally carrying a cross, with 1752 painted head, forearms and lower legs showing numerous wounds, height 37cm BRASS NEO-CLASSICAL FENDER, a central urn and two corner tripod urns with ram's heads joined by neo-classical harebell swags, 1753 width 135cm

GEORGE II STYLE WALNUT TOILET MIRROR, the shaped rectangular plate with bevelled glass on a base with three shaped drawers, 1754 height 61cm, width 48cm

REGENCY BRASS FENDER, with pierced decoration and three lion paw feet, width 105cm; together with a brass footman and two 1755 trivets (4)

ROSEWOOD AND CUT STEEL DECORATED CARD BOX, later 19th century, of slight domed form, inscribed Ecarti in cut steel inside 1756 scrolling decoration, with a satin birch lined interior, height 5cm, width 19cm, depth 12.5cm

GEORGE IV MAHOGANY TOILET MIRROR, the arched plate on turned supports and bow fronted base with three drawers, height 1757 57cm, width 62cm

1758 TWO SETS OF STEEL FIRE IRONS, 19th century, one set with with urn finials, length of shovels 72cm (6)

EARLY 18TH CENTURY WALNUT TOILET MIRROR, perhaps Queen Anne, the bevelled plate in a moulded frame on a base with 1759 three shaped and inlaid drawers, height 67cm, width 43cm

1760 GEORGE III MAHOGANY AND INLAID CANDLE BOX, with line and stylised foliate inlay, height 46cm

1761 MINIATURE GLOBE, early 19th century, with paper gores, in a walnut case, diameter 4.3cm

1762 GEORGE III MAHOGANY TEA CADDY, with caddy top and three section interior, now void, height 16cm, width 27cm, depth 14cm

FRENCH MARBLE AND GILT METAL MOUNTED DESK STAND, 19th century, of oval form with a metal mounted ink well and inlaid 1763 egg and dart rim, width 33.5cm, depth 23cm

MAHOGANY AND INLAID TOILET MIRROR, early 19th century, the rectangular plate on tapering octagonal supports, the reverse 1764 breakfront base with sunburst inlay, three drawers and two secret drawers, height 71cm, width 52cm

1765 BLUE JOHN VASE, 19th century, of baluster form with banding to the neck and foot, height 17.5cm

PAIR OF FRENCH BRONZE AND ORMOLU CANDELABRA, 19th century, the satyrs supporting two gilt sconces on stepped and 1766 ormolu mounted white marble bases, height 23cm (2)

REGENCY ROLLED PAPER AND MOTHER OF PEARL TEA CADDY, of canted rectangular form with scrolling floral decoration on a 1767 chipped mother of pearl ground, with satin birch twin canister interior, height 12.5cm, width 19cm, depth 9.5cm

DUTCH MAHOGANY AND INLAID BOX, with gemetric greek key style inlay, with three section fitted interior, on brass feet, height 1768 14cm, width 20cm, depth 13cm

REGENCY MAHOGANY AND PEWTER INLAID STATIONERY BOX, the sloped top with a central shield enclosing a fitted interior, 1769 spring loaded side pen drawer, height 17cm, width 26cm, depth 14cm

PAIR OF GILT WALL LIGHTS, the twin branches on a shaped mount with foliate metal decoration, height 57cm; together with a single 1770 brass wall light with twin branches, height 44cm (3) SATINWOOD AND EBONY INLAID WORK COMMEMORATIVE WORKBOX, 19th century, the top inlaid with a crown, flags and 1771 cannon, the front and back with fruiting vines and the side with thistles, with a fitted interior, height 9cm, width 21cm, depth 11.5cm

1772 GREEN GLASS CEILING LANTERN, of ogee form with spreading cover and metal mounts, height 75cm

FRENCH GILT BRASS AND BRONZE CHENET, modelled as a pair of cherubs by flaming braziers either side of a pierced panel, 1773 height 30cm, maximum width 123cm

VICTORIAN ROSEWOOD AND SATINWOOD INLAID WRITING SLOPE, inlaid with stag and foliate decoration, fittings for inkwells and 1774 a pen tray, height 9cm, width 35.5cm, depth 25cm

VICTORIAN WALNUT AND BRASS MOUNTED BOOK SLIDE, with gothic quatrefoil and floral engraved decoration, length closed 1775 35cm

GEORGE III MAHOGANY TEA CADDY, Chippendale style, enclosing a fitted stationery box interior, height 15cm, width 24cm, depth 1776 12.5cm

1777 GEORGE III ROSEWOOD TEA CADDY, of sarcophagus form, with twin canister interior, height 18cm, width 26cm, depth 16cm

1778 GEORGE III MAHOGANY AND BRASS BOUND PEAT BUCKET, with twin lion head brass handles, height 40cm, diameter 41cm

1779 BRONZE VASE, of ovoid form with four scrolling fish handles or suspension hoops, height 21cm, width 31cm

DUTCH COPPER WINE COOLER, probably later 18th century, of oval form with embossed stop fluted decoration, height 29cm, width 1780 62cm, depth 45cm

MAHOGANY APPRENTICE'S CORNER CABINET, with four graduated drawers, height 20.5cm; together with a mahogany wall cabinet, 1781 height 38cm (2)

The Austerlitz Column on Marble Base VENDOME COLUMN, French bronze replica surmounted by Napoleon, on a marble base, 1782 height 27cm Footnote: sometimes referred to as the Austerlitz Column.

1783 COLLECTION OF NINE TAPESTRY CUSHION COVERS, mainly 19th century, with floral and bird images, various sizes (9)

1784 20th CENTURY SCHOOL, Parrot on a branch, bronze with glass eyes on a pink granite base with gilt highlights, total height 36cm

TWO LEATHER FIRE BUCKETS, probably 18th century, of slightly tapering form with copper bands and studs, one with handle, heights 1785 27.5cm and 25cm (2)

1786 OAK CANDLEBOX, 18th century, inlaid with a heart in walnut, height 34cm, width 21cm, depth 16cm

PAIR OF BRONZE AND ONYX CANDLESTICKS, 19th century, with a gilt sconce and knops on three lion paw feet and circular onyx 1787 and gilt metal base, height 23cm (2)

LATE GEORGIAN CAMPAIGN STYLE MAHOGANY PHARMACY CABINET, brass bound, with a fitted interior and lower drawer, with 1788 some glass bottles, height 25cm, width 30cm, depth 21.5cm VICTORIAN PAPIER MACHE DESK STAND AND BLOTTER, inlaid with mother of pearl amongst painted floral decoration, desk stand 1789 width 22cm (2)

REGENCY TOILET MIRROR the rectangular plate with ivory finials above a bowed three drawer breakfront base on ivory ball feet, 1790 height 67cm, width 58cm

PAIR OF FRENCH GILT METAL AND PORCELAIN MOUNTED CANDELABRA, 19th century, the three lights on rococo style scrolling 1791 foliate branches and mound bases, each with a porcelain figure, height 36cm (2)

TUNBRIDGEWARE: a framed plaque with a view of The Pantiles, Tunbridge Wells, a card case and a letter opener, plaque 15cm x 1792 18cm (3)

VICTORIAN BEADWORK CUSHION COVER, a central bouquet of flowers on a chequered ground, uncut, total size of material 61cm x 1793 60cm approximately

OAK MINIATURE DRESSER BASE, early 19th century, with an arrangement of six drawers, height 18.5cm, width 47cm, depth 10.5cm; 1794 together with an oak miniature chest of drawers, height 25.5cm, width 33cm; and a miniature coffer, height 18cm, width 28cm (3)

1795 GEORGE III COOPERED WINE COOLER, of oval form, with brass bands and handles, height 27cm, width 61cm, depth 48cm

VICTORIAN BRONZE TWO HANDLED TAZZA, dated 1865, a central stiff leaf rosette inside a greek key border, inscribed Art Union of 1796 London 1865 to base, maximum diameter 26cm

1797 BRONZE FIGURE OF AN EAGLE, 20th century, perched on a rock, height 29cm

CALAMANDER WOOD TEA CADDY, early 19th century, of decagonal form with inlaid borders, height 11.5cm, width 16cm, depth 1798 9.5cm

19TH CENTURY LEAD TOBACCO BOX AND COVER, of octagonal form, red painted and gilt chinoiserie decoration beneath a 1799 blackamoor head finial, with inner weight, height 17cm, width 15cm, depth 12.5cm

REGENCY ROSEWOOD LETTER BOX, possibly Irish, with brass plates inscribed 'Answer'd, Unanswer'd' and Antrim beneath a 1800 coronet, height 10cm, width 19cm, depth 13cm

OAK CANDLEBOX, 18th century, with sliding front, height 40cm, width 15cm; together with another, 19th century, with inlaid lozenges, 1801 height 48cm (2)

GEORGE III HEXAGONAL TEA CADDY, possibly partridgewood, inlaid with musical instruments, the twin canister interior with shell 1802 motifs, height 13cm, width 21cm, depth 11.5cm

VICTORIAN BURR WALNUT DRESSING BOX, the velvet lined fitted interior with glass and white metal mounted jars and boxes, and 1803 mother or pearl handled tools, above a spring loaded satin lined drawer, height 17cm, width 30.5cm, depth 23cm

ANGLO INDIAN HARDWOOD CHESS BOARD, with bone inlaid board and star decoration, the moulded sides with a pair of drawers, 1804 height 10cm, width 65cm, depth 41cm

TURNED IVORY CHESS SET, probably English, later 19th century, natural and red stained, height of kings 10cm, height of pawns 1805 4.5cm, in a Continental inlaid wooden box (33) 1806 IVORY CHESS SET, mid 19th century, natural and red stained, height of kings 7.5cm, height of pawns 3.5cm (32)

CHINESE IVORY CHESS SET, later 19th century, in the Burmese pattern, natural and red stained, height of kings 9cm, height of pawns 1807 5cm (32)

TURNED IVORY CHESS SET, circa 1900, natural and red stained, height of king 6.5cm, height of pawn 3cm; together with a draughts 1808 set, natural and red stained, diameter 3.5cm

JAQUES IVORY CHESS SET, natural and red stained, in a Carton Pierre box, the label beneath inscribed The Staunton Chess-Men, 1809 Ivory, Entered No. 3442 and with facsimilie signature, marked Jaques London to the white king and with a crown to the forehead of some knights, height of king 7cm, height of ...[more]

1810 FRENCH SCHOOL, Boy picking a thorn from his foot, brown patinated bronze on a marble base, height 21.5cm

CUT GLASS AND SILVER PLATED OIL LAMP BASE, the ovoid reservoir on a corinthian column decorated with flowers on a shaped 1811 square base with floral swags, initialled, height 47cm

PAIR OF GILT BRASS TWO BRANCH WALL LIGHTS, of ribboned rococo form, the sconces as cornucopia, height excluding fittings 1812 33cm, width 26cm (2)

PAIR OF GILT METAL THREE BRANCH CANDELABRA, the four foliate sconces on a neo-classical triple column stem, foliate scrolling 1813 foot and concave triangular foot, height excluding bulb fittings 61.5cm (2)

1814 SET OF THREE NEO-CLASSICAL TWO BRANCH WALL LIGHTS, of ribbon and tasssel form, height 69cm, width 27cm (3)

SET OF SEVEN ADAM STYLE GILT METAL TWO BRANCH WALL LIGHTS, with scrolling floral decoration, height excluding fittings 1815 60cm, width 27cm (7)

OAK AND INLAID BIBLE BOX, probably 17th century, the sloping cover enclosing a later fitted interior and a bone and wood inlaid 1816 panel depicting Christ on the Cross, the reverse of the box inlaid with a bone parrot, height 11cm, width 27.5cm, depth 21cm

VICTORIAN WRITNG BOX, by Jenner and Knewstub, with leather bound fitted interior, fold out writing slope and gilt inscriptions, 1817 Bramah locks, previously completely leather bound, height 16cm, width 30.5cm, depth 24cm

ADAM STYLE STEEL SERPENTINE FIRE GRATE, with pierced apron, width 82cm; together with a similar bow fronted, steel fender 1818 and conforming fire guard (3)

1819 PAIR OF GILT WOOD PELMETS, centred on a shell and scrolling foliage, width 141cm (2)

1820 MAHOGANY CHEESE COASTER, early/mid 19th century, with shaped sides and brass casters, height 15cm, width 37cm, depth 18cm

1821 PAIR OF NORWEGIAN WALNUT CANDLESTICKS, late 19th century, with brass scones and chains, height 35cm (2)

1822 GEORGE III NAVETTE SHAPED TEA CADDY, with painted floral and swag decoration, height 12.5cm, width 19cm, depth 9cm

1823 TWO GEORGE III STYLE FRUIT TEA CADDIES, in the form of an apple and a pear, height 17cm and smaller (2) GEORGE III ROSEWOOD TEA CADDY, of sarcophagus form, inlaid with mother of pearl foliage, the twin canisters with hinged covers 1825 and original glass mixing bowl, height 20cm, width 32cm, depth 17cm

PAIR OF BRONZE CANDELABRA, French, mid 19th century, the pair of scrolling branches on an urn support with fox heads and 1826 shaped triangular base, impressed marks, height 45cm (2)

VICTORIAN ROSEWOOD WORKBOX, with mother of pearl mounts, the fitted interior with a mirror, lift out tray and silver plate mounted 1827 glass boxes and jars above a spring loaded fitted jewellery drawer, height 17.5cm, width 31cm, depth 23cm

PORTUGUESE BRASS CANDLESTICK, late 18th century, the central holder on a broad square foot inscribed D Los Ps, height 11cm, 1828 base 15cm square

PAIR OF SOUTH AMERICAN WOODEN STIRRUPS, with carved scrolling decoration and leather straps; together with a pair of brass 1829 French style stirrips with lion mask mounts and stamped Depose (4)

GEORGE III SILVER MOUNTED COCONUT CUP, circa 1810, the cup with strawberry cut decoration and mounted on three scrolling 1830 silver legs, height 12.5cm, diameter 11cm

PAIR OF BRONZE AND GILT METAL CANDLESTICKS, late 19th century, with cast foliate decoration, height 30cm; together with a two 1831 light candelbrum, the base cast with shells and seaweed, height 32cm (3)

1832 AFTER L-F ROUBILIAC, William Shakespeare, terracotta coloured resin, signature to side of plinth, height 41cm

1833 AFTER MULLER, Mozart and Beethoven, pair of bronze busts on wooden socle bases, height 11.5cm (2)

PAIR OF FRENCH BRONZE AND GILT BRASS CHERUB CANDELABRA, mid 19th century, the cherubs standing on one foot and 1834 holding two sconces aloft, on white marble drum bases with laurel wreath trims and square feet, height 36cm (2)

** TUPTON,The Wrestlers, brown patinated bronze on black marble, signed, total height 23cm, width 26cm, depth 17cmAfter the 1835 Roman original housed in the Uffizi Gallery, Rome

1836 COLLECTION OF LETTER CLIPS, to include two duck's heads, two hands, a fox head and a snake (6)

PHOEBE STABLER, Crusader or Knight Templar, brown patinated bronze on a metal base, signature to one side, height including base 1837 45cm

1838 GEORGE III MAHOGANY KNIFE BOX, of serpentine form, now fitted as a stationery cabinet, height 34cm, width 21.5cm, depth 20cm

AFTER THE ANTIQUE,The Dancing Fawn with Cymbals, brown patinated bronze on a marble plinth, total height including base 1839 28.5cmAfter the Hellenistic original housed in the Uffizi Gallery, Rome

1840 VICTORIAN LACQUERED TEA CADDY, khaki coloured with brass mounts and lion paw feet, height 14cm, width 24cm, depth 17cm

VICTORIAN TUNBRIDGEARE WORK OR JEWELLERY BOX, the cover with a view of ruins inside floral borders, height 10.5cm, width 1841 24cm, depth 19cm

VICTORIAN BRONZE AND MARBLE ASHTRAY, modelled as a young girl kneeling on a circular marble base watching a lizard, 1842 diameter 16.5cm COLLECTION OF IVORY DOLLS HOUSE TABLE WARES, early 19th century, comprising teapot, wine bottle, ewer, covered dish, two 1843 plates and three cup and saucer pieces, in two pierced ivory pots and covers (parcel)

CARVED WOOD CORPUS CHRISTI, possibly lime and 17th century, on a silvered cross and mounted in a Renaissance style walnut 1844 base, with remains of paint, total height 50cm

ANGLO INDIAN IVORY INLAID STATIONERY BOX, early.mid 19th century, of canted form, with geometric decoration and a fitted 1845 interior, height 13cm, width 22cm, depth 17cm; together with another similarly decorated jewellery box and cover, height 4cm, width 14cm, depth 11cm (2)

CARVED OAK FIGURE OF ST GEORGE AND THE DRAGON, 18th century and later, possibly Flemish, he standing with shield and 1846 sword over the slain dragon, height 58cm

1847 CARVED AND PAINTED FIGURE OF ST GEORGE, 19th century, standing with sword raised, height 64cm

CARVED AND PAINTED FIGURE OF ST GEORGE AND THE DRAGON, possibly 17th century, standing with sword raised and with a 1848 spear though the dragon, height 42cm

VICTORIAN WALNUT AND BRASS MOUNTED WRITING BOX, the cover with an oval blue jasper plaque enclosing a gilt metal 1849 mounted and satin birch lined fitted interior with stationery compartments, mother of pearl tools and fold out slope, height 18cm, width including hinged pen rests 45cm, depth 26cm

GEORGE III TORTOISESHELL TEA CADDY, of sarcophagus form with serpentine front enclosing a twin canister interior, on turned 1850 ivory feet, height 15.5cm, width 21cm, depth 12.5cm

BOULLE WORK CLOCK BRACKET, 19th century, the raised platform, possibly later, on a tapering base, rococo style ormolu scrolling 1851 mounts on a tortoiseshell and brass ground, height 50cm, width 54cm, depth 26cm

AFTER CLAUDE MICHEL CLODION, Mother and child group, she holding a tambourine, brown patinated bronze, on a marble base, 1852 height 21cm

1853 WITHDRAWN

1854 GILTWOOD WALL BRACKET, the rectangular top above egg and dart and fluted moulding, height 25cm, width 50cm

VIENNA ENAMELLED DISH, early/mid 19th century, of lobed oval form painted with a central scene of Europa and the Bull inside 1855 arches with masks and vases, between gilt, scrolling handles, the base painted with scenes of buildings in mountain scenery, length 19cm

1856 DECOY DUCK, late 19th century, with a mallard head on a large oval body, length 56cm

1857 FRENCH SCHOOL, Walking Horse, 18th century style, bronze on a rouge marble base, height including base 14cm, length 12.5cm

1858 AFTER HERBERT LE SUEUR, Charles I on horseback, bronze on a marble base, height 36cm, length 27cm

VICTORIAN SCHOOL, Recumbent Pug Dog, facing left, carved stone with remains of bronze paint, height 23cm, width 37cm, depth 1859 15cm GEORGE III TORTOISESHELL TEA CADDY, of sarcophagus form with serpentine front enclosing a twin canister interior, height 13cm, 1860 width 17.5cm, depth 11.5cm

NOVENTLY SILVER PLATED DESK STAND, modelled as a seal resting on rocks before a pool, impressed marks, length 34cm, height 1861 17cm; together with a silver plated blotter with a seal head handle (2)

FRENCH QUARTZ AND ORMOLU MOUNTED LAMPBASE, mid 19th century, possibly jasper, the baluster body with greek key 1862 handles and drape swags, height excluding fittings 30.5cm

VICTORIAN MOTHER OF PEARL MOUNTED BOX, with slight serpentine front and abalone highlights, height 13cm, width 27.5cm, 1863 depth 22cm

STONEWARE SCULPTURE OF A BULLDOG, standing four square, height 39cm, length 70cm, width 30cm; on a limestone stone 1864 plinth, height 103cm, width 47cm, depth 70cm

1865 CUT GLASS BAG CHANDELIER, with six lights on gilt metal, scrolling foliate mounts, height 130cm, diameter 80cm

MODERN CAST IRON CANDLEABRA a large floor standing cast iron candleabra, with a slender shaft and splayed feet. Unsigned, 1866 63ins (160cms) high

GEORGE III OCTAGONAL TEA CADDY, of slightly swollen form, with twin canister interior, on metal ball feet, height15.5cm, diameter 1867 14cm

LARGE SUN DIAL, bronze, inscribed 'Engraved by Stott Brothers, Halifax' and with latitude and longitude details, diameter 51cm, 1868 gnomon height 28cm

TABLE TOP SILK SPINNING WHEEL, late 18th or early 19th century, with a fruitwood frame and metal rimmed wheel stamped Hardy, 1868A York, the base with painted floral decoration, length 42cm

AFTER THE ANTIQUE, St George standing with a shield, green serpentine, height 66cmAfter the Donatello original housed in the 1869 Orsanmichele, Florence

WILLIAM MORRIS STYLE TAPESTRY worked with various birds among the flower branches, inside a meandering border, height 1870 115cm, width 68cm

GEORGE II WALNUT MIRROR, the rectangular plate inside a moulded and gilt frame beneath a ho-ho bird crest and scrolling foot, 1871 height 100cm, width 56cm

1872 QUEEN ANNE WALNUT CUSHION MIRROR, the rectangular plate inside a moulded frame, 57cm x 89cm

REGENCY GILT PIER MIRROR, the rectangular plate beneath a sailing ship scene and flanked by cluster columns, height 82cm, width 1873 49cm

ITALIAN WALL MIRROR, 19th century, the bevelled rectangular plate inside a hardwood frame ivory inlaid with neo-classical scrolling 1874 decoration, height 49cm, width 37cm

REGENCY OVERMANTEL MIRROR, the triple plate beneath a frieze with musical instruments and laurel wreaths and flanked by 1875 cluster columns, height 90cm, width 150cm GEORGE II WALNUT WALL MIRROR, the rectangular plate inside a mounded frame and between scrolling crest and foot, height 1876 103cm, width 60cm

1877 GEORGE III WALNUT WALL MIRROR, the rectangular bevelled plate inside a scrolling frame, height 77cm, width 47cm

PAIR OF DUTCH MARQUETRY WALL MIRRORS, 19th century, the cartouche shaped plate inside a scrolling frame and a floral, 1878 coloured inlaid mount, height 67cm, width 56cm (2)

1879 GEORGE II STYLE GILT MIRROR, the rectangular plate beneath a shell and peacock head crest, height 89cm, width 45cm

VICTORIAN GILT GESSO GIRANDOLE, the oval plate beneath a scrolling and shell crest and above three candle holders, height 1880 128cm, width 73cm

1881 REGENCY STYLE GILT MIRROR, the circular plate inside a fruiting swag frame, height 82cm, width 62cm

REGENCY STYLE GILT GESSO WALL MIRROR, the faceted convex plate inside a circular frame surmounted by an eagle, height 1882 85cm, width 52cm

1883 REGENCY STYLE GILT MIRROR, the convex circular plate surmounted by an eagle, height 81cm, width 50cm

LARGE REGENCY CONVEX MIRROR, the circular plate in a frame with fruiting foliage and balls beneath a spread eagle finial and 1884 above a pair of entwined fish or serpents, height 152cm, width 92cm

1885 PAIR OF REVERSE PRINTS ON GLASS OF HUNTING SCENES, 19th century, with hand coloured highlights, 31cm x 39cm (2)

INDIAN EMBROIDERY, worked in silk and metal threads with a broad border of peacocks amongst meandering flowers on a light beige 1886 silk ground, 128cm x 53cm

GEORGE III MALTESE SAMPLER, by Maria Teresa Camileri dated 1816, a central cross and altar table beneath an alphabet and 1887 numbers and surrounded by flowers, 33cm x 43cm

GEORGE II SAMPLER, dated 1735, worked with alphabets, numerals, birds, animals, a sailing ship with figures at anchor and other 1888 emblems, unfinished, 40cm x 66cm

SAMPLER, probably circa 1800, twice initialled GH, worked with alphabets, flowers, windmill and initials in green and red/orange, 60cm 1889 x 20cm

1890 GEORGE III SILK AND WOOLWORK PICTURE, of a farmer and his dogs, height 60cm, width 45cm

VICTORIAN SAMPLER, inscribed Fanny Thorndycraft born May 7th 1844, with rows of alphabets and numerals above a rhyme, birds, 1891 plants and animals, 31cm x 33cm

WILLIAM IV SAMPLER, by Caroline Bridgman, started Jan 8 1833 and finish March the 14, worked with a rhyme surrounded by birds, 1892 insects and plants, 42cm x 31cm; together with another early 19th century sampler, worked with alphabets, numerals and crowned initials above a house, 44cm x 26cm

EMBROIDERED PICTURE, possibly late 17th century, worked in gross and petit point with an image of a monkey eating fruit from 1893 flowering branches, 29cm x 39cm CRYSTAL PALACE, a Victorian embroidery of the Exhibition Building surrounded by flowers of the relm above the date 1851 and the 1894 name MACay, 51cm x 51cm

WILLIAM IV SAMPLER, by Mary Lewis, dated 1832, worked with alphabets, numbers and a rhyme above arabic figures and birds, 1895 height 42cm x 32cm

1896 PAIR OF OVAL SILKWORK PICTURES, early 19th century, worked with mothers and children in rural settings, 20cm x 15cm (2)

PAIR OF MAHOGANY PANELS, early/mid 19th century, painted with musical putti in oval cartouches draped with floral swags on a gilt 1897 ground, 26cm x 50cm (2)

1898 RUSSIAN ICON, Mother and child surrounded by the Saints and Elders, probably 18th century, tempera on panel, 23.5cm x 19cm

RUSSIAN ICON, Anastasis with eleven Passion scenes and sixteen Feast scenes, tempera on panel, 18th century, 49cm x 38cm 1899 Provanance: Christies, lot 116 label verso and two written reference numbers

1900 RUSSIAN ICON, The Pokrov, Mother of God, on panel, in a stamped brass riva, possibly 17th century, image size 22cm x 18cm

1901 RUSSIAN ICON, Anastasis with silver grounds with twelve feasts, probably 18th century, oil on panel, 31cm x 26.5cm

AFTER CARL SOMMER, The Satyr with a Wineskin, green patinated bronze, signed Fond, C Sommer/Napoli, on a white marble base, 1902 height excluding base 51cmAfter the original housed in the Naples Archaeological Museum

EMMANUEL FREMIET, Medieval Queen riding a horse side saddle, on a naturalistic base, brown patinated bronze, signed E. Fremiet, 1903 height 46cm, length 36cm

1910 REGENCY STYLE IRON BENCH, with triple arched back, scrolling arms and slatted seat, height 117cm

1911 PAIR OF RECONSTITUTED STONE FIGURES, of cherubs holding fish, height 70cm (2)

1912 PAIR OF RECONSTITUTE STONE URNS AND PEDESTALS, with swag decoration, height 80cm (4)

1913 TERRACOTTA OLIVE JAR, 20th century, height 150cm, diameter 90cm

1914 TERRACOTTA OLIVE JAR, 20th century, height 172cm, diameter 110cm

1915 TERRACOTTA OLIVE JAR, 20th century, height 75cm, diameter 55cm

1916 TERRACOTTA OLIVE JAR, circa 1870, height 153cm, diameter 130cm approximately

TERRACOTTA OLIVE JAR, with a band of pinched decoration to the shoulders, height 145cm, diameter 103cm approximatelyThis olive 1917 pot was damaged in transit and now carries a revised estimate of £200-300. We have had an estimate to repair it of £300 within a local radius.

1918 PAIR OF TERRACOTTA JARDINIERES 20th century, with banded and flowerhead decoration, height 65cm, diameter 77cm (2) PAIR OF LEAD URNS AND STANDS, 18th century and later, the gadrooned bodies with dolphin handles, separate socle bases and 1919 saucers, height 59cm (4) Provenance: Woolley and Wallis, 24th March 1988

PAIR OF RECONSTITUTED STONE URNS, neo-classical flared form with stiff leaf and fluted decoration, height 70cm; together with a 1920 pair of terracotta plinths, height 85cm (4)

1921 SET OF FOUR RECONSTITUTED STONE PLANTERS, with a band of floral decoration, height 35cm, diameter 49cm (4)

ART NOUVEAU STYLE FIGURE OF A DANCING GIRL, reconstituted stone, height 171cm; together with a painted terracotta plinth, 1922 height 83cm (2)

1923 RECONSTITUTED STONE FIGURE OF A SPANIEL, height 55cm

1924 RECONSTITUTED STONE GROUP OF A SOW AND PIGLETS, length 60cm

1925 FOSSILISED TREE SECTION, probably Jurassic, height 52cm, width 31cm, depth 20cm

1926 MARBLE COMPOSITION FIGURE OF VENUS, height 162cms

REGENCY STYLE WROUGHT IRON AND WIRE WORK JARDINIERE STAND, of demi-lune form, with zinc liner, height 65cm, width 1927 170cm, depth 90cm

1928 CONTEMPORARY STEEL GARDEN STRAPWORK SCULPTURE, of an Easter Island style head, height 155cm, width 112cm

1929 PAIR OF IRON HORSE HEAD WALL MOUNTS, height 72cm (2)

1930 PAIR OF CAST STONE WOLFHOUNDS, modelled seated, height 77cm (2)

1930A SET OF FOUR LEAD PLAQUES, oval, with cherubs at various activities emblematic of the seasons, height 60cm, with 51cm (4)

1931 DRIFTWOOD HORSE SCULPTURE, standing four square, height 130cm, length 165cm

1932 WROUGHT IRON SQUIRREL WEATHER VANE, height 200cm, width 118cm

1933 LEAD GARDEN FIGURE OF A BOY, possibly Peter Pan, standing scantily clad, originally holding a recorder, height 77cm

1934 AFTER MICHAELANGELO, The Pieta, 19th century, marble, height 79cm

1935 STEEL ARMILLARY SPHERE, by James Blunt, 20th century, steel on a limestone column, sphere height 110cm, column height 127cm

1941 OAK AND ELM COFFER, early 18th century, carved IW 1707 to cover, height 57cm, width 113cm, depth 34cm

YEW AND ELM WINDSOR CHAIR, probably 18th century, the high arched back above a solid seat and crinoline stretcher, height 1942 102cm OAK COFFER, late 17th century, the hinged cover with notched decoration above the front carved with arcading and winged beasts, 1943 height 50cm, width 95cm, depth 35cm Provenance: owners label beneath inscribed Egerton Hibbard Esq, 23 Cadogan Place, Sloane Street, London SW

1944 OAK OCCASIONAL TABLE, mid 18th century, the circular top on a baluster column and tripod base, height 68cm, diameter 70cm

1945 LANCASHIRE STYLE ELBOW CHAIR, the ladder back above a wicker seat, height 112cm

OAK RECTANGULAR OCCASIONAL TABLE, mid 18th century, the cleated top on a birdcage movement, turned column and tripod 1946 base, height 70cm, width 69.5cm depth 51cm

OAK BIBLE BOX, late 17th century, the hinged front above an arcade carved front centred on a lock and initials MS, height 30cm, width 1947 66cm, depth 47cm

1948 OAK RECTANGULAR TILT TOP TABLE, mid 19th century, on a turned column and tripod base, height 76cm, width 87cm

1949 OAK SIX PLANK COFFER, later 17th century, with roundel and arcaded decoration to the front, height 52cm, width 101cm, depth 39cm

OAK LOWBOY, mid 18th century, the planked top above a pair of panelled drawers, block and turned legs and stretcher, height 67cm, 1950 width 86cm, depth 55cm

1951 TWO OAK JOINTED COFFIN STANDS, late 17th century, heights 60cm and smaller (2)

OAK SPICE CUPBOARD, late 17th century and later, the geometric inlaid single panel door enclosing six drawers, carved drawers and 1952 cupboard sides, height 32cm, width 34cm, depth 17cm

YEWWOOD AND ELM WINDSOR CHAIR, 19th century, the high back with pierced splat, solid seat and crinoline stretcher, height 1953 110cm

1954 TURNERS CHAIR, circa 1900, oak and ash with gilt or painted highlights, height 92cm

1955 YEW AND ELM WINDSOR CHAIR, with high back, pierced splat, solid seat and crinoline stretcher, height 103cm

SIX ASH AND ELM LANCASHIRE STYLE LADDERBACK DINING CHAIRS, 19th century, with woven rush and reed seats, height 1955a 98cm (6)

OAK COFFER, the triple panelled cover above a triple panelled front, with foliate carving and the remains of colouring, height 65cm, 1956 width 105cm, depth 46cm

OAK SPICE CABINET, late 17th century, the door with lozenge carving, enclosing an arrangement of nine drawers beneath a void, 1957 height 41cm, width 38cm, depth 20cm

CHILD'S OAK ROCKING COMMODE CHAIR, with pierced handle, height 63cm; together with another, similar, but painted and a child's 1958 caned rosewood side chair (3)

OAK SPICE CABINET, circa 1700, the panelled door enclosing an arrangement of eight drawers, height 33cm, width 35.5cm, depth 1959 21cm OAK SPICE CABINET, early 18th century, the plain door enclosing a single drawer and two shelves, height 44cm, width 34.5cm, depth 1960 22cm

JACOBEAN STYLE OAK MINIATURE CHEST OF DRAWERS, with two geometrically moulded drawers, height 20cm, width 22cm, 1961 depth 15.5cm

OAK REFECTORY TABLE, the cleated top on a base with barrel legs and block stretchers, height 73cm, width 212cm, depth 80cm; 1962 together with a pair of benches, height 43cm, length 195cm (3)

ITALIAN WALNUT REFECTORY TABLE, the solid top with a fluted apron on a trestle base with vase shaped supports and foliate 1963 carved scrolling legs and tied by a similarly carved stretcher, height 78cm, width 217cm, depth 75cm Footnote: this table was originally much long with three supports but was red ...[more]

ITALIAN WALNUT CONSOLE TABLE, the yellow marble top, possibly Travertine, on a half vase trestle type support, height 77cm, 1964 width 92cm, depth 41cm

MATCHED SET OF TEN ITALIAN STYLE DINING CHAIRS, with gilt embossed cream leather back rest and stuffed over seat and brass 1965 studs, comprising four walnut side chairs, four elm side chairs and two elm carvers (10)

AUSTRIAN PAINTED DRESSER, the top with open shelves around a central glazed cabinet and above a long cupboard, the base with 1966 a pair of cupboards, height 209cm, width 130cm, depth 42cm

1967 OAK METAMORPHIC LADDER STOOL, the rectangular top above a folding flight of three steps, height 100cm

OAK LONG JOINED STOOL, possibly late 17th century, the rectangular seat on turned and reeded supports and moulded stretchers, 1968 height 49cm, width 122cm, depth 32cm

1969 MATCHED SET OF EIGHT LANCASHIRE STYLE DINING CHAIRS, with rush and reed seats (8)

QUEEN ANNE STYLE SETTEE, the triple hump wing back above outswept arms, stuffed over seat and oak block & baluster turned 1970 legs and stretchers, height 125cm ,width 170cm, depth 70cm

1971 MATCHED SET OF EIGHT LANCASHIRE STYLE DINING CHAIRS, with spindle backs and rush seats (8)

OAK GATELEG DINING TABLE, late 17th century and later, the planked oval top above a single drawer, height 72cm, width open 1972 162cm, depth 116cm

MATCHED SET OF SIX ELM LADDER BACK DINING CHAIRS, the pierced, wavy splats over out scrolling arms and shaped drop-in 1973 seats, comprising a carver and five side chairs (6)

OAK DRESSER, 17th Century and later, the three shelf plate rack with a pair of geometrically moulded doors with brass butterfly hinges 1974 above a pair of mounded small drawers, the base with three geometrically mounded drawers above a shaped frieze, baluster turned front legs and block back legs tied b ...[more]

OAK COFFER, 18th century, the hinged cover above a geometric carved front panel, the central panels with a carved bone disc, height 1975 65cm, width 122cm, depth 57cm

CONTINENTAL PAINTED CUPBOARD, possibly Portuguese, with two pairs of doors with painted panels, height 192cm, width 133cm, 1976 depth 48cm GEORGE III OAK DRESSER BASE, with three cockbeaded drawers on tapering legs with pad feet, height 78cm, width 185cm, depth 1977 50cm

GEORGIAN ELM DRESSER, the plate rack with two shelves on a base with three drawers and two panelled doors, height 201cm, width 1978 185cm, depth 42cm

OAK REFECTORY TABLE, incorporating some early woods, the cleated top on a trestle base with arcaded carving and cup and cover 1979 supports, height 75cm, width 244cm, depth 90cm

OAK COURT CUPBOARD early 19th century, the moulded cornice above three ogee panelled doors, the base with a candle drawer 1980 flanked by two short drawers above a pair of panelled doors, height 196cm, width 152cm, depth 57cm

WELSH BARREL BACK SETTLE, of slightly curved form, with tongue and groove panels above a solid seat, height 145cm, width 1981 157cm, depth 55cm

QUEEN ANNE STYLE WALNUT CHEST ON STAND, 18th century and later, with two short and three graduated long drawers with 1982 crossbanding, the later base with two short drawers and concave platform stretchers, height 132cm, width 100cm, depth 56cm

OAK COURT CUPBOARD, probably West Cumbrian and late 17th century, carved date 1691 and initialled C & M S, a pair of carved 1983 doors flanking a foliate panel, on a base with a pair of panelled doors above a single door and two panels, height 176cm, width 155cm, depth 71cm

OAK DRAWER LEAF DINING TABLE, the cleated top on block and turned legs and an H stretcher, height 76cm, depth 107cm, width 1984 closed 183cm, maximum width open 275cm

OAK SWORD CHEST, the two plank cover enclosing a candlebox interior with two small drawers, height 49cm, width 142cm, depth 1985 43cm

OAK COURT CUPBOARD, 18th century and later, a central panelled door above a pair of drawers and a pair of two panelled doors, 1986 height 158cm, width 102cm, depth 57cm

OAK JOINED ENCLOSED CHEST, late 17th century, the hinged cover above a long drawer and a pair of cupboards enclosing three 1987 drawers, the whole with geometric moulded decoration, height 131cm, width 127cm, depth 57cm

GEORGE II OAK DRESSER, the three shelf plate rack with iron hooks and panelled back on a base with an arrangement of seven 1988 drawers, height 183cm, width 136cm, depth 41cm

OAK FARMHOUSE KITCHEN TABLE, 19th century, the planked top above three drawers with turned pulls, height 81cm, width 274cm, 1989 depth 101cm; together with a pine bench with splayed legs, height 49cm, width 266cm, maximum depth 46cm (2)

OAK DRESSER BASE, late 17th century and later, the four drawers with fielded panels on baluster front legs, height 86cm, width 1990 210cm, depth 59cm

GEORGE III MAHOGANY OCTAGONAL WINE COOLER, with brass banding and on a stand with tapering legs with pierced brackets, 2001 height 62cm, width 44cm

2002 REGENCY ROSEWOOD CANTERBURY, with four divisions above a single drawer, height 54cm width 48cm, depth 34cm

2003 VICTORIAN BEECHWOOD STOOL, the rectangular seat on cabriole legs, height 42cm, width 67cm, depth 52cm 2004 FRENCH DEMI-LUNE PIER TABLE, the pink marble top set into a giltwood frame with foliate swags, height 87cm, width 51cm

GOERGE III MAHOGANY AND LINE INLAID DEMI-LUNE TEA TABLE, with a single drawer and tapering square section legs, height 2005 73cm, width 102cm

PAIR OF FRENCH DIRECTOIRE STYLE FAUTEUILS, the rectangular splat carved with a harps and foliage, on sabre legs, height 2006 88cm(2)

VICTORIAN WALNUT CANTERBURY, with three sections on bobbin turned supports above a single drawer, height 54cm, width 53cm, 2007 depth 39cm

VICTORIAN MAHOGANY STOOL, 19th century, the tapestry upholstered top above acanthus and foliate carved frieze, foliate carved 2008 and reeded inverted baluster legs, height 45cm, width 67cm, depth 67cm

2009 GEORGE IV SET OF MAHOGANY WALL SHELVES, with brass urn finials, height 115cm, width 82cm

2010 DUTCH WALNUT AND MARQUETRY THREE TIER DUMB WAITER, each tier with bird and floral inlay, height 106cm, diameter 60cm

CHIPPENDALE STYLE MAHOGANY SERVING TABLE, with a pair of frieze drawers on chamfered square section legs, height 74cm, 2011 width 112cm depth 52cm

GEORGE II WALNUT BUREAU, the banded fall front enclosing a fitted interior with well above two short and three graduated long 2012 drawers, height 107cm, width 84cm, depth 50cm

REGENCY SATINWOOD AND INLAID PEMBROKE TABLE, the crossbanded serpentine top with a central patera above one true and 2013 one false bow fronted drawer and tapering square section legs, height 71cm, width open 98cm, depth 76cm

GEORGE III MAHOGANY BIRDCAGE MOVEMENT TRIPOD TABLE, the circular top on a tapering column and tripod base, height 2014 69cm, diameter 78cm

PAIR OF GEORGE III MAHOGANY SIDE TABLES, late 18th century, possibly Irish, the frieze with Chippendale style blind fret work, 2015 the front legs with slightly moulded corners, height 72cm, width 89cm, depth 45cm (2)

WILLIAM IV ROSEWOOD CARD TABLE, the twisting, rounded rectangular top above a frieze with a carved anthemion motif, tapering 2016 octagonal column, quadripartite platform and scrolling feet, height 74cm, width 92cm

SET OF FOUR REGENCY STYLE PART CANED DINING CHAIRS, the X back inside a caned frame, above a stuffed over seat and 2017 tapering reeded legs, height 92cm (4)

REGENCY SATINWOOD AND BANDED CARD TABLE, the canted rectangular top on a tapering octagonal column and outswept 2018 quadripartite base, height 72cm width 83.5cm

FRENCH PAINTED CHEST, 18th century style, the three drawers carved and gilded scrolling decoration, height 81cm, width 64cm, 2019 depth 37cm

GEORGE III MAHOGANY KNEEHOLE DESK, later 18th century, a frieze drawer above two runs of three drawers around a central 2020 cupboard, height 77cm, width 81cm, depth 47cm GEORGE II STYLE BLACK LACQUERED CHINOISERIE CARD TABLE, the fold out circular top with a scene in low relief of a man on 2021 horseback before pagodas, with gilt decoration, the rear leg pulling out revealing a drawer, height 73cm, width 76cm

SET OF SIX VICTORIAN MAHOGANY DINING CHAIRS, the broad bar back on column supports, leather stuffed over seat, tulip and 2022 baluster turned legs, height 90cm (6)

SET OF EIGHT VICTORIAN MAHOGANY DINING CHAIRS, the bar back above a drop in seat and octagonal front legs, height 87cm 2023 (8)

SET OF EIGHT WILLIAM IV MAHOGANY DINING CHAIRS, the bar top with rosewood inlay on supports with turned finials, tapestry 2024 upholstered drop in seats and sabre legs, comprising two carvers and six side chairs, one carver later (8)

2025 GEORGE III MAHOGANY LANCASHIRE COMMODE, bow fronted with lifting shelf and seat, height 75cm, width 55cm, depth 52cm

GEORGE III MAHOGANY AND CANED BERGERE, with scrolled top rail, shaped elbow rests on scrolled supports, and carved sabre 2026 front legs, height 91cm

GEORGE III MAHOGANY LANCASHIRE COMMODE, of bow fronted form, the hinged top above a hinged seat, height 77cm, width 2027 60cm, depth 55cm

GEORGE III MAHOGANY CARD TABLE, the rounded rectangular top with meandering inlay above an inlaid frieze and tapering, reeded 2028 and carved legs with double gateleg, height 74cm, width 86cm

PAIR OF VICTORIAN MESS CHAIRS the lyre shaped back with the crest for 3rd Battalion Lancashire Fusiliers, solid seat, reeded front 2029 legs, height 85cm (2)

GEORGE III MAHOGANY SIDE TABLE, with a single drawer above a wavy apron and chamfered square legs, height 75cm, width 2030 81cm, depth 47cm

GEORGE III MAHOGANY DROP LEAF TABLE, the oval top above tapering cylindrical legs with pad feet, height 73cm, width open 2031 164cm, depth 135cm Footnote: by repute from Napoleon's house, Longwood, St Helena and accompanied by a letter from Percy Bates, BADA, dealer from Salisbury, outlining what he unde ...[more]

2032 ADAM STYLE MAHOGANY TORCHERE, with ram's head terminals and brass lion paw feet, stamped 14836 to base, height 98cm

2033 WITHDRAWN

GEORGE III MAHOGANY AND INLAID DEMI-LUNE CARD TABLE, the crossbanded top above a plain frieze and tapering square 2034 section legs, height 74cm, width 97cm

QUEEN ANNE WALNUT CARD TABLE, the cross banded and quarter veneered top enclosing a hinged, fitted compartment, on bobbin 2035 turned legs and straight stretchers, height 75cm, width 86cm, depth closed 33cm

ROSEWOOD AND MAHOGANY TORCHERE, later 19th century, the shaped top on a turned and tapering octagonal column and 2036 scrolling tripod base, height 92cm

OLIVE WOOD AND INLAID OCTAGONAL OCCASIONAL TABLE, the top with Hebrew inscriptions in ink around the name J.Mc.G. 2037 MacMurray, on a barley twist column and scrolling tripod base, height 77cm, diameter 52cm DUTCH MAHOGANY TEA TABLE, late 18th century, the canted rectangular top above neo-classical urns and swags, the tops 2038 enclosing a fitted interior and above a side drawer, on moulded, tapering square section legs, closed height 74cm, width 77cm, depth 38cm

WILLIAM IV MAHOGANY WORK TABLE, with rounded drop leaves above two drawers and a well, tapering square section column and 2039 quadripartite foot, height 72cm, width open 73cm, depth 43cm

CHIPPENDALE STYLE MAHOGANY PIE CRUST OCCASIONAL TABLE, the top with C scroll and acanthus leaf rim on a baluster 2040 column and outswept tripod base, height 71cm, diameter 75cm

GEORGE II CUBAN MAHOGANY TEA TABLE, the folding rectangular top above a single drawer, tapering legs and pad feet, height 2041 73cm, width 74cm, depth closed 36cm

2042 GEORGE II STYLE WALNUT STOOL, the upholstered seat on cabriole legs, height 51cm, width 55cm, depth 45cm

REGENCY MAHOGANY PEMBROKE TABLE the crossbanded top above a single drawer on a ring turned column and outswept 2043 quadripartite base, height 72cm, max width 104cm, depth 88cm

GEORGE III MAHOGANY PIECRUST OCCASIONAL TABLE, late 18th century, the tilt top on a baluster turned column and outswept 2044 feet, height 67cm, diameter 56cm, with another smaller table (2)’

GEORGE III MAHOGANY DINING CHAIR, later 18th century in the Chippendale style, the scrolling top rail and supports above a 2045 pierced splat, tapestry upholstered drop in seat, wavy apron and H stretcher, height 98cm

GEORGE III MAHOGANY TRAY TOP COMMODE, the wavy gallery with pierced handles above a pair of doors and a converted 2046 drawer, height 74cm, width 50cm, depth 44cm

GEORGE III MAHOGANY BEDSIDE COMMODE, pair of line inlaid cupboard doors above a double depth drawer, height 77cm, width 2047 63.5cm, depth 52cm

REGENCY MAHOGANY RECTANGULAR BREAKFAST TABLE, the top on a turned support and outswept quadripartite base, height 2048 72cm, width 136cm, depth 82cm

PAIR OF VICTORIAN OAK HALL CHAIRS, with a central shield and solid seat, height 88cm; together with two other mahogany hall 2049 chairs (4)

FRENCH KINGWOOD AND MARBLE TOPPED BEDSIDE CHEST, circa 1900, the top drawer fitted as a writing slope with inkwell and 2050 compartments above two further drawers, height 69cm, width 47cm, depth 33cm

SET OF SIX ASH AND ELM KITCHEN CHAIRS, mid 19th century, with turned top rail, pierced splat, solid seat and H stretcher, with 2051 later brass mounts, height 88cm (6)

REGENCY MAHOGANY THREE TREAD STEP COMMODE, library or bed, with hinged cover and commode drawer on turned legs, 2052 height 67cm, width 40cm, depth 72cm

NEAR PAIR 19TH CENTURY MAHOGANY BEDSIDE POT CUPBOARDS, the tray top above a single drawer and one tapering square 2053 section legs, height 75cm, width 41cm, depth 35cm (2) GEORGE III MAHOGANY DEMI-MUNE CARD TABLE, with broad crossbanding and tapering square section legs, height 73cm, width 2054 92cm

VICTORIAN MAHOGANY GILLOWS STYLE HALL CHAIR, the shaped back with a central shield above a bow fronted seat and 2055 tapering hexagonal front legs, height 90cm

FRENCH EBONISED AND BRASS INLAID ETAGERE, 19th century, the galleried top above two further shelves on scrolling supports, 2056 height 80cm, width 53cm, depth 37cm

2057 REGENCY CORRECTION CHAIR, stained oak and elm, with caned seat, height 100cm

2058 REGENCY ROSEWOOD CANTERBURY, with three divisions above a single drawer, height 55cm, width 46cm, depth 30cm

2059 No Lot

GEORGE III MAHOGANY SERPENTINE CARD TABLE, late 19th century, the hinged cover above a plain frieze and on moulded, 2060 canted square section legs, closed height 74cm, width 94cm, depth 46cm

FRENCH KINGWOOD AND INLAID OCCASIONAL TABLE, the rectangular top inlaid with a coronet, music and books amongst foliage, 2061 above a shaped apron, cabriole legs and gilt brass feet, height 74cm, width, 40cm, depth 31cm

VICTORIAN MAHOGANY CIRCULAR CENTRE TABLE, with radiating venerred top on a tapering column, circular base and lion paw 2062 feet, height 72cm, diameter 122cm

GEORGE III MAHOGANY DINING TABLE, comprising a pair of D ends, a central gateleg section and two extra leaves, height 71cm, 2063 maximum length 290cm, depth 120cm (5)

REGENCY MAHOGANY TWIN PEDESTAL DINING TABLE, the rounded rectangular top on ring turned supports and quadripartite 2064 base, with one extra leaf, height 72cm, width 102cm, maximum length 187cm

CHINESE LACQUERED CABINET ON STAND, probably 18th century, the black lacquered exterior with engraved metal mounts and 2065 gilt warriors on horseback, a fall front enclosing a red lacquered interior with an arrangement of drawers decorated in gilt with three figures in horseback on a deer hunt, the draw ...[more]

FRENCH DOUBLE BEDSTEAD, grey painted, with ribbon and harebell decoration to the head and foot boards, height 28cm, width 2066 112cm, length 200cm

GEORGE II WALNUT TALLBOY CHEST, the cavetto cornice above three short and three graduated long drawers, the base with a 2067 moulded rim and three graduated long drawers, each with feather banding, height 172cm, width 105cm, depth 55cm

SET OF SIX REGENCY STYLE MAHOGANY DINING CHAIRS, the bar back above a double X splat, stuffed over seat and tapering 2068 front legs, height 83cm (6)

SET OF EIGHT REGENCY STYLE MAHOGANY DINING CHAIRS, the bar top above a double X splat, stuffed over seat and tapering 2069 front legs, comprising two carvers and six side chairs, height 85cm (8)

EARLY VICTORIAN MAHOGANY BOOKCASE, with a pair of astragal glazed doors on a base with a single drawer, egg and dart 2070 moulding and a pair of panelled doors, height 206cm, width 106cm, depth 55cm PAIR OF DUTCH WALNUT AND MARQUETRY DINING CHAIRS, probably 19th century, the scrolling back with vase splat, serpentine 2071 seat and cabriole legs with claw feet, the whole inlaid with masks, birds and foliage, height 113cm (2)

PAIR OF BIRDS EYE MAPLE BOOKCASES, early/mid 19th century, the rectangular top above three adjustable shelf and plinth base, 2072 height 106cm, width 84cm, depth 29cm (2)

VICTORIAN MAHOGANY SECRETAIRE CHEST, the fitted secretaire drawer above three long drawers each with moulded decoration, 2073 one stamped Spillman, height 100cm, width 107cm, depth 51cm

BURR WALNUT AND INLAID CENTRE TABLE, mid/late 19th century, of shaped oval form, the broad boarder with swirling foliate 2074 boxwood inlay on a base with brass mounted fluted legs and curved X stretcher, height 73cm, width 122cm, depth 83cm

GEORGE III MAHOGANY EXTENDING DINING TABLE, the rounded rectangular top with kingwood crossbanding on tapering square 2076 section legs with spade feet, comprising two D ends, a central rectangular section and four extra leaves, height 72cm, maximum length 385cm, depth 131cm

GEORGE III MAHOGANY DINING TABLE, comprising two D ends and a central gateleg section with two additional leaves, with a wavy 2077 apron, height 70cm, maximum width 290cm, depth 112cm

GEORGE II STYLE MAHOGANY FRAMED WING BACK ARMCHAIR, possibly 18th century, with hump back, scrolling and padded 2078 arms, stuffed over seat and shaped feet, height 120cm

MALTESE WALNUT AND INLAID CHEST OF DRAWERS, 19th century, the top and sides inlaid with star bursts, the drawers with cross 2079 and line banding, height 88cm, width 120cm, depth 53cm

GILLOWS STYLE MAGOGANY FOLIO STAND, early 19th century, the pair of slatted supports on a trestle base and reeded feet, height 2080 105cm, width 70cm, depth 68cm

PAIR OF LEATHER BUTTON BACK LIBRARY CHAIRS, the slightly scrolled back above similar arms, stuffed over seats and tapering 2081 square section mahogany legs, height 87cm (2)

2082 GEORGE II STYLE WING BACK CHAIR, on walnut cabriole legs with pad feet, height 109cm

EARLY VICTORIAN MAHOGANY EXTENDING DINING TABLE, the rounded rectangular top on carved and baluster legs, with one 2083 extra leaf, height 73cm, maximum length 170cm, depth 130cm

VICTORIAN MAHOGANY PARTNERS DESK, the tooled leather top above two sets of three drawers on pedestals with three drawers to 2084 one side and reversed by cupboards, Hobbs & Co locks, height 78cm, width 153cm, depth 100cm

2085 GEORGE III MAHOGANY BATCHELOR'S CHEST, four graduated long drawers, height 85cm, width 81cm, depth 45cm

GEORGE III EBONISED CHAISE LONGUE, with scroll end, brass appliques and sabre legs, length 185cmProvenance: Bought from 2086 John Bly in 1974 for £925.

VICTORIAN STYLE MAHOGANY DINING TABLE, of rectangular form on tapering legs, with an oval lift off extension, height 73cm, 2087 maximum diameter 210cm CONTINENTAL WALNUT AND EBONSIED CABINET, 19th century, possibly Portuguese, a pair of double panelled cupboards on a 2088 base with three drawers and a further pair of cupboards, the whole applied with ebonised fretwork and mounts, height 190cm, width 122cm, depth 41cm

2089 WILLIAM AND MARY STYLE WING BACK ARM CHAIR, oak framed with scrolling legs and shaped X stretcher, height 107cm

REGENCY MAHOGANY SIDEBOARD, the brass curtain rail above a bow front with a central drawer flanked by a fitted wind drawer and 2090 a cupboard, total height 134cm, width 212cm, depth 80cm

SET OF FOUR GEORGE III STYLE MAHOGANY OPEN ARM CHAIRS, the shield shaped back rest and padded arms above a stuffed 2091 over seat and reeded front legs, height 98cm (4)

2092 WITHDRAWN

GEORGE III STYLE BREAKFRONT CREDENZA, by Restall, Brown and Clennell, satinwood and mahogany crossbanded, the three 2093 cupboards painted with musical instruments and ribbons, the top with a patera and meandering foliage, the sides with floral swags, height 92cm, width 143cm, depth 49cm

FRENCH WALNUT ARMOIRE, 19th century, with a pair of panelled doors and short scrolling feet, height 255cm, width 160cm, depth 2094 64cm

DAMASCUS CHEST, the marble serpentine top above three long drawers with turned bone pulls and inlaid with mother of pearl, height 2095 96cm, width 114cm, depth 57cm

REGENCY STYLE SATINWOOD AND INLAID CHIFFONIER, the superstructure with pierced brass three quarter gallery, pierced sides, 2096 pair of drawers and scrolling, musical instrument inlay on a base with a glass topped bijouterie drawer above a pair of astragal glazed doors, height 151cm, width 81cm, depth 35 ...[more]

GEORGE III BURR ELM BUREAU BOOKCASE, with an Egyptian style pediment above a pair of astragal glazed doors, the bureau with 2097 a fitted interior above two short and three graduated long drawers, height 178cm, width 77cm, depth 47cm

ITALIAN STYLE MARBLE TOPPED AND INLAID COMMODE, late 19th century, stamped Gillows Lancaster, a pair of drawers above 2098 three cupboards on tapering square section legs, the whole inlaid with neo-classical foliage and swags, the sides with vases of flowers, with a mottled grey marble top, stamped to th ...[more]

ENGLISH ROSEWOOD AND MARBLE CONSOLE TABLE, early 19th century, the yellow marble top above a pair of drawers raised on 2099 scrolling legs with foliate carved brackets and feet, height 80cm, width 168cm, depth 47cm

BLACK LACQUERED CHINOISERIE CABINET ON GILTWOOD STAND, probably late 17th or early 18th century, the cabinet with two 2100 doors enclosing an arrangement of ten drawers, the whole with gesso, gilt and painted chinoiserie decoration of mandarin ducks, pagoda and other small vignettes and brass mounts and ...[more]

AKSTAFA RUNNER, South East Caucasus, circa 1880, the deep indigo field with three stellar medallions surrounded by fan tail birds 2102 and anthropomorphic figures enclosed by ivory borders of hooked devices flanked by barber poles, 275cm x 120cm approx; together with a North West Persian runner (2)

2103 KURDISH RUNNER North West Iran, 300cm x 120cm, together with a North West Persian runner 445cm x 105cm (2) NORTH WEST PERSIAN RUNNER, circa 1910, the abrashed field with columns of latch hook diamond medallions flanked by further 2104 hooked motifs and enclosed by ivory borders of serrated stylised vines and multiple guard stripes, 280cm x 140cm approx; together with an Ushak runner (cut and shut) and a Kazak ...[more]

KURDISH RUG, West Iran, circa 1900, the soft madder field with a column of joined stepped medallions enclosed by a border of latch 2105 hook vines, 200cm x 118cm approximately; together with a Kuba Rug, North East Caucasus, the compartmentalised field with six medallions, two North West Persian Rugs, an ...[more]

KASHMIR CARPET North West India, the cream field of scrolling vines around a flower head medallion framed by spandrels and claret 2106 cartouche borders flanked by guard stripes, 360cm x 275cm

2107 GHOM DESIGN CARPET the ivory field with an allover lattice design of botehs, enclosed by similar borders, 430cm x 300cm

CHAJLI SHIRVAN RUG South East Caucasus, the charcoal field with twin ivory and madder panels of tribal devices enclosed by mid 2108 indigo borders of polychrome rosettes flanked by multiple guard stripes, inscribed twice and dated 1895, 315cm x 185cm

BORLU CARPET, the pale candy pink field sparsely decorated with angular vines around a medallion, framed by stepped ivory 2109 spandrils and wide borders of stylised flowerheads flanked by meandering vine guard stripes, 680cm x 400cm approximately

SHIRVAN RUNNER, South East Caucasus, circa 1890, the deep indigo field with columns of boteh enclosed by ivory borders of 2110 flowerheads and further polychrome boteh flanked by stylised meandering vine guard stripes, 340cm x 145cm

CAUCASIAN RUNNER, late 19thC, the indigo field with a column of polychrome panels surrounded by tribal and zoomorphic devices 2111 enclosed by leaf and calyx borders and guard stripes, flanked by barber poles, 325cm x 100cm

USHAK CARPET, Central West Anatolia, circa 1920, the pale terracotta field of geometric motifs and angular vines around a sky blue 2112 medallion framed by spandrels and borders of geometric leaves and flowerheads flanked by multiple guard stripes, 420cm x 350cm appriximately

FERAGHAN RUG, West Iran, the pale corn field of flowering plants and birds enclosed by aubergine borders of meandering vines and 2113 carnation guard stripes, 205cm x 128cm approximately

RARE ISFAHAN SILK SOUF RUG, Central Iran, circa 1920, the ivory flat woven field with urn issuing flowers flanked by trees bearing 2114 lanterns beneath the Mihrab framed by pictorial cartouche borders flanked by claret guard stripes and outer skittle guard stripes, 193cm x 130cm approximately

RARE ISFAHAN SILK SOUF PRAYER RUG, Centra Iran, circa 1920, the flat woven blue grey field with piled palmettes and scrolling 2115 vines beneath the Mihrab flanked by upper spandrils and enclosed by borders of piles pictoral cartouches flanked by deep claret guard stripes and skittle outer guard stripes, ...[more]

SULTANABAD CARPET West Iran, the terracotta lattice field with columns of large flower heads enclosed by indigo borders of 2116 meandering vines flanked by double guard stripes, missing end borders, 510cm x 410cm

TABRIZ CARPET, North West Persia, a beige ground medallion on a light green field with meandering vines with similar spandrils inside 2117 a sang de boeuf border with further meandering vines, 392cm x 291cm approx Provenance: Christies South Kensington, 5th April 2000, lot 42

INDIAN NEEDLEWORK PANEL, late 19th or early 20th century, worked in various stitches, the indigo field with columns of cusped 2118 flowerhead medallions enclosed by meandering vine borders, 245cm x 160cm approximately PAIR OF AGRA RUNNERS, Central/North India, circa 1880, each with an aubergine field of scrolled vines and flowering plants 2119 enclosed by sky blue borders of palmettes and angular scrolling vines flanked by mint green guard stripes, each approximately 680cm x 180cm approximately (2)

FINE AMRITSAR CARPET, Punjab, North West India, circa 1880, the raspberry field with four large palmettes, surrounded by vines and 2120 smaller palmettes framed by wide sky blue borders of angular meandering vines flanked by guard stripes, 470cm x 360cm

2121 KASHGAI RUG, South West Iran, 260cm x 155cm approximately

2122 BERBER CARPET North West African, the snow white field with an allover design of randomly placed dots, 350cm x 260cm