2011-2012 ANNUAL REPORT TABLE OF CONTENTS

MMOA BY THE NUMBERS...... 3 THE FROM THE DIRECTOR...... 4 MISSION EXHIBITIONS...... 5

OF CURRICULA-BASED EDUCATION...... 10

MOBILE COMMUNITY OUTREACH...... 12

MUSEUM GIFTS & ACQUISITIONS...... 14 OF ART GIFTS & CONTRIBUTIONS...... 16 is to provide a place DONOR CIRCLE...... 17 where people enrich STATEMENT OF FINANCIAL POSITION...... 18 their lives through MMOA DOCENTS & STAFF...... 19 interaction with cover, A young art enthusiast waits his turn to talk with artist and MMofA member Tut Altman Riddick. the visual arts in thought-provoking and creative ways that nourish and delight the mind and spirit. For the fundamental purpose of education, the

Museum collects, conserves, exhibits, interprets and researches art.

2 TABLE OF CONTENTS MMOA BY THE NUMBERS

93,212...... Number Of Sculpture Trail Visitors

41,432...... Number Of Onsite Visitors

30,981...... Number Of Website Visits

22,177...... Number Served Through Traveling Exhibitions

7,000...... Number Of Students Who Attended Guided Tours

30,151...... Number Served Through Outreach

4,430...... Number Of Art Blast Attendees

170...... Number Of Spring Break Camp Attendees

1,062...... Number Of Free Day Attendees

2,144...... Number Of Attendees At Adult Programs

710...... Number Of Members

1,152...... Number Of Home School Program Attendees

344...... Number Of Students Attending Art Classes

161...... Number Of Curricula-Based Guided Tours

330...... Number Of Woody’s Song Program Attendees

207...... Number Of Gifts And Acquisitions

128...... Number Of Adult Programs

41...... Number Of Facility Rentals

1 (online)...... Number Of Catalogues Produced

MMOA BY THE NUMBERS 3 FROM THE DIRECTOR

This Annual Report includes many wonderful programs, exhibitions, gifts and acquisitions that preceded my tenure as the Museum’s Director (which began Oct. 1, 2012). As I review those achievements in the following pages, I am reminded of what a dedicated, talented group of Board members, staff and volunteers we have! The Annual Report is a clear indicator of ongoing, dedicated activity by many good folks; it also communicates our commitment to arts education – the heart and soul of our core mission. Our Education department is thriving in its enrichment of lives at every age.

After completing my first year in Mobile, I am pleased to report I am very happy to be here and honored to be associated with this fine Museum. I Deborah Velders look forward to building upon the successes of the past as we begin year- Mobile Museum of Art Director long preparations and activities for our 50th Anniversary, culminating in celebrations in early November 2014.

It’s been a good year... and we expect an even better year to cite in our next Annual Report!

2011–2012 Mrs. Wanda Chalhub Mrs. Rosalie P. Lockhart Mrs. Buffy Donlon Mrs. Austill S. Lott BOARD OF DIRECTORS Mr. Tyrone Fenderson, Jr. Dr. Arnold Luterman Dr. W. Allen Oaks Mr. F. Michael Johnson Mr. Lowell J. Friedman Mrs. Lucy McVay Chairman Treasurer Dr. J. Russell Goodloe, Jr. Mrs. H. Taylor Morrissette Mrs. Katie H. Hassell Mrs. Geri S. Moulton Mr. G. Tim Gaston Mrs. Tammy Smith Mrs. Susan O. Helmsing Mr. James F. Watkins Vice Chairman Secretary Mrs. Yuko T. Jordan Mrs. Sheri N. Weber

ADVISORY COMMITTEE Mrs. Billie F. Goodloe Mrs. Arlene Mitchell Ms. Ansley G. Green Mrs. Edna Rivers Mrs. Nan Altmayer Dr. Fred Cushing, Jr. City Council Mbr. Gina Gregory Mrs. Nancy T. Sledge Mrs. Karen Outlaw Atchison Mr. Michael C. Dow Dr. and Mrs. Rhodes Haverty Mrs. Teresa M. Smith Dr. Robert J. Bantens Mr. Gilbert F. Dukes, Jr. Mr. Vivian G. Johnston, Jr. Ms. Sarah C. Teague Mrs. Patrice Baur Mrs. Patricia Edington Mayor Samuel L. Jones Mrs. Ann Marie Terry Mrs. Linda H. Cooper Mrs. Marilyn Foley Dr. Jerry D. Jordan Mr. Charles Duke Zucker City Council Pres. State Rep. Victor Mr. James E. Kennedy Reggie Copeland Gaston Mrs. Freida Maisel

4 FROM THE DIRECTOR EXHIBITIONS

JOHN JAMES AUDUBON: American Artist and Naturalist October 14 to January 8, 2012

John James Audubon’s (1785-1851) accomplishments as a naturalist and artist were chronicled in this exhibition. His written journals kept over a lifetime stand as an unsurpassed contribution to the world of fine art, natural science, American history and literature. The exhibition featured 51 Double Elephant Folio size, hand-colored engravings from his masterwork, The Birds of America, printed in England between 1826 and 1838. The Birds of America consists of four volumes containing 435 hand- colored plates portraying 1,065 birds. Life-size images of the birds, from JOHN JAMES AUDUBON: American the snowy owl to the blue heron, were printed on sheets of J. Whatman Artist and Naturalist John James Audubon (American, 1785-1851), Double Elephant laid paper measuring 26 1/2 inches by 39 inches, the largest Passenger Pigeon (Ectopistes Migratorius), Plate #62, 1829, hand-colored copper plate engraving. On loan size available. Fewer than 200 of the complete four-volume sets were ever from the Collection of the John James Audubon Museum, Henderson, Kentucky. printed. The exhibition also presented original works by Audubon, including oil paintings, a drawing and watercolors with his field notes, as well as comparative prints and a portrait of Audubon by his contemporaries, original letters, documents, personal items, rare books and photographs.

Reflections and Projections: A Collaboration of Music and Art October 14 to January 8, 2012

Birmingham artist Sally Johnson and Miami-based composer Dorothy Hindman collaborated to create this installation of projected and still images in an environment of ambient “aleatory” music. The inspiration for this project was a conversation Johnson had with legendary avant-garde musician John Cage (1912-1992). Aleatory music, as Cage employed it, incorporates random or accidental elements and has been an important contribution to modern music, dance and drama. The exhibition was conceived to involve the viewer in an experience of chance interaction with the projected and Reflections and Projections: A still images produced by Johnson and with Hindman’s music, which came Collaboration of Music and Art Sally Wood Johnson (American, b. 1933), Silence, from nine separate music sources playing individual lines of music begun in 2007, digital photograph. random fashion. This exhibition was organized by the Mobile Museum of Art and Sally Wood Johnson and was supported by a grant from the State Council on the Arts and the National Endowment for the Arts.

EXHIBITIONS 5 EXHIBITIONS

Celebrating Our Maritime Heritage: A Coastal Holiday December 9 to January 8, 2012

Juror Ben Shamback selected this display of works by local artists on the theme of coastal and maritime life from well over 100 submissions. Shamback is a highly accomplished realist painter and instructor at the University of South Alabama. Works in the show depicted the picturesque waterfront and estuaries of the Mobile area as well as wildlife fishing boats and other water-based activities. Best of Show honors went to William C. Morris for his incredibly detailed and evocative scene of a snowy egret flying over the Celebrating Our Maritime Heritage: A Mobile Delta as the sun sets behind a bank of clouds. Coastal Holiday

William C. Morris (American, b. 1945), Dust on the Delta, acrylic on paper. FACING SOUTH: Portraits of Southern Artists by Jerry Siegel January 13 to April 1, 2012

This series of portraits by Jerry Siegel is the result of more than 15 years of traveling to visit the homes and studios of the South’s most significant artists. As a young man, Siegel had become acquainted with many artists through his namesake uncle’s Selma gallery, which was one of the first to collect and promote Southern artists. This project began as Siegel was photographing some of his friends who happened to be older artists and realized the value a more complete record would have for art historians. In all, 100 intimate, sympathetically composed portraits of the artists – potters, sculptors, photographers, painters and writers – were presented. A book by the same name was released with the opening of the exhibition. Co-published by The University of Alabama Press and the Jule Collins Smith Museum of Fine Art at Auburn University, Facing South includes brief FACING SOUTH: Portraits of Southern Artists by Jerry Siegel biographies of these remarkable artists and essays by Marilyn Laufer, Dennis

Jerry Siegel (American, 20th century), Jonathan Harper and Julian Cox. The exhibition was organized by the Jule Collins Smith Green, South Carolina, 2010, color digital print. Museum of Fine Art at Auburn University.

The American Society of Marine Artists 15th National Exhibition January 20 to April 8, 2012

Since its founding in 1978, the American Society of Marine Artists has brought together some of America’s most talented contemporary artists in the marine art field. Their most highly anticipated exhibition is the national juried

6 EXHIBITIONS exhibition, which is held every three years. In this, their 15th show, the 122 paintings, sculptures and scrimshaw pieces carry the centuries-old traditions of maritime art into the 21st century and demonstrate the continuing vitality of the art form. Organized by the American Society of Marine Artists, the exhibition was accompanied by a fully illustrated catalogue. The exhibition was supported locally by a grant from The C. D., Helen and Jeff Glaze Foundation. The American Society of Marine Artists 15th National Exhibition

BOXES AND THEIR MAKERS Michael J. Woodard (American, 20th century), Del Sol, 1988, oil on canvas. April 6 to July 1, 2012

An international selection of world class artists / woodworkers was invited to create the objects for this exhibition. Variously playful, elegant, beautiful, whimsical, sculptural or conceptual, the work of the 33 craftspeople in this show defies the common notion of what a box is. For the purpose of this exhibition, a box was defined as a container (however little it might hold) that would fit on a tabletop and be made primarily of wood (although the box by Kip Christensen was mostly antelope antler). The works in this exhibition were selected by three curators. Oscar Fitzgerald is an author, furniture historian and decorative arts consultant. Toni Sikes is Founder, Artistic Advisor, Board member and former CEO of The Guild, a Wisconsin company dedicated to helping artists market and sell their work. Kevin Wallace is Director of the Beatrice Wood Center for the Arts in Ojai, BOXES AND THEIR MAKERS Ray Jones (American, b. 1955), Omega V, 2008, California. mahogany, pommele bosse and ebony. This exhibition originated at the Messler Gallery of the Center for Furniture Craftsmanship, Rockport, Maine. It was sponsored in part by IRWIN Tools and Accessories.

TODAY’S VISUAL LANGUAGE: Southern Abstraction, A Fresh Look April 20 to September 16, 2012

Accomplishments in abstract art over the last 20 years were featured in this exhibition of work by 37 artists with ties in heritage or training to Alabama, Florida, Georgia, Louisiana, Mississippi, North Carolina, Tennessee, South Carolina and Virginia. The genre of abstract, non-representational art was shown as a living, vibrant form of expression for these artists with TODAY’S VISUAL LANGUAGE: Southeastern ties. The works encompassed a variety of media including Southern Abstraction, A Fresh Look

Herb Jackson (American, b. 1945), Water Source, 1998, acrylic.

EXHIBITIONS 7 EXHIBITIONS

painting on canvas and paper, drawings on paper, glass, fiber/mixed media and collage materials. This range of materials is suggestive of the diversity of approaches to creating abstract art today – stylistically ranging from neo- expressionism, post-painterly abstraction, pattern and decoration through areas of indefinable individualism and experimentation. Organized by the Mobile Museum of art, the exhibition was curated by Paul W. Richelson and Donan Klooz. The exhibition catalogue was produced as a digital document that can be viewed at the Museum’s website.

THE HEART OF ECHIZEN: Wood-Fired Works by Contemporary Masters

THE HEART OF ECHIZEN: Wood-Fired April 13 to July 28, 2012 Works by Contemporary Masters

Mitsuo Kasatsuji (Japanese, b. 1947), Tea Bowl, 2011, wood-fired ceramic. Ceramic craftsmen working in the Echizen, in the Fukui prefecture near the Sea of Japan, are heirs to a tradition of families there producing utilitarian ware for the last 800 years. This exhibition highlighted work from 20 potters of the region. Using locally dug clay, they produce work largely unadorned except for the residues of wood ash that are a product of the wood-fired kilns traditionally used. The warm color of the native clay combined with the swirling deposits and drips of the firing create an earthy, natural appearance, which has long been prized in Japan. The exhibition was the occasion for a demonstration given at the Kiln Studio and Gallery in Fairhope, Alabama, by Echizen artist Tetsura Baito, whose hand-built elephant was among the most delightful of the works shown. Jointly curated by Christopher Kelly and Preston Saunders, the exhibition was made possible by the Japan Foundation, Echizen City, Bridgewater State University and Piedmont College.

Masters of Graphic Art: From the Collection of Gerald Swetsky

Masters of Graphic Art: From the April 13 to September 16, 2012 Collection of Gerald Swetsky

Marc Chagall (French, born Russia, 1887-1985), Crossing of the Red Sea from the Bible series, 1956, This exhibition of 32 works from the collection of Gerald Swetsky featured hand-colored etching. both European 20th-century masters and their predecessors in graphic expression such as Francisco de Goya, as well as American artists in a range of stylistic areas. Artists such as Picasso, Chagall, Miro and Dali are most famous for their work in painting but translated many of their important works into print media. Often, though, they followed the example of Goya, whose etching in the collection, The Little Prisoner, was designed specifically as a print. American artists with iconic images in this exhibition include Norman Rockwell and Alexander Calder as well as animator Ralph Bakshi, who is

8 EXHIBITIONS represented by a cell from his famous animated movie Heavy Traffic. The exhibition was organized by the Mobile Museum of Art.

I AM YORK Tut Altman Riddick My People and Places July 13 to September 23, 2012

“I am York” was Dorothy “Tut” Altman Riddick’s emphatic reply to a disparaging remark made about the rural Alabama town where her ancestors were among the first settlers and where she spent most of her childhood. This effectively silenced the critic and also expresses her feelings of identification with York, the predominantly African-American town where she grew up I AM YORK Tut Altman Riddick My with her grandmother, her aunt and their housekeeper. Tut was allowed a People and Places Tut Altman Riddick (American, b. 1928), Gotta Serve degree of freedom that was unusual at the time as far as the books she read, Somebody from Musician Series, Bob Dylan, c. 1990s, acrylic on canvas. On loan from the artist. and she was often in the company of her housekeeper and members of the community. Through these experiences, Tut learned to value people for their humanity and wisdom regardless of color or social standing, which led her to work actively for the civil rights movement in Alabama in the 1960s. Personal relationships have defined much of the artwork she has created over the past 60-plus years, whether they are expressed in portraits or in books featuring quotes from her friends. Tut’s belief in art as a bridge inspired her to lead a grassroots effort culminating in the Coleman Center, which opened in York in 1985. The center fulfills a need she identified in the town. It nurtures the creativity of town residents and facilitates social change through its programs, such as an artist-in-residence facility that hosts artists to work on community-based projects. After graduating from the University of Alabama, Tut studied at the Art Students League in New York City and was encouraged to stay there to pursue a career as an artist. Instead, her strong ties to Alabama brought her back and she became a teacher in Mobile. She enrolled at to study printmaking so that she could keep her art and share it as well. For more than 30 years, Tut took classes at the Penland School of Crafts in North Carolina, enhancing her skills in almost their entire catalogue of offerings. The retrospective features paintings, prints, handmade books, photography and ceramics created in collaboration with Mobilian Charles Smith. The exhibition was organized by the Mobile Museum of Art.

EXHIBITIONS 9 CURRICULA-BASED EDUCATION

Curricula-based education continues to meet the needs of many in Mobile and surrounding counties. Receiving positive feedback from parents and teachers alike, the Education department has developed programs that reflect the Discipline-Based Arts Education principles of history, criticism, aesthetics and production.

PACE fourth graders learned about nature through art The PACE (Pursuing Academic and Creative Excellence) projects. New classes included Arts Extravaganza, Mixed program in 2011-2012 emphasized geography. Serving Media Mania with Music, Travel with Art and Small approximately 500 students, Museum educators Steps to Save the Planet: Recycled Art. With 886 spots presented a grid map and compass rose art activity, taken out of a possible 1,047, the classrooms were full with a focus on longitude and latitude. The interactive with students and inspiration. activity was a dance lesson teaching the Highland Fling with background information. Gallery tours included Home School Days artworks that represented different areas of the world Home School Art School provided an opportunity for with particular geographic features. homeschooled students in the area to experience a quality art education. For two semesters, 134 students ART BLAST had the chance to create original works of art while The Museum’s summer camp, Art Blast, was well learning about art history and art appreciation, both attended in 2012, with 85% capacity enrollment. New in the classroom and through the galleries. Three to the program was a partnership with the Mobile age levels allow students to move up and learn more Botanical Gardens, NatureBlast, in which third and sophisticated principles and techniques each year.

10 CURRICULA-BASED EDUCATION School Tours speech pathologist, continue to be vital components of the School tours provided an excellent opportunity for area program. students to experience art on a firsthand basis. In an effort to fill a need in the community for more arts education, After-School Classes the Education department developed 11 themed tours, Fall, winter and spring term classes were offered in the four special education tours and five special exhibit tours afternoons on Tuesdays and Wednesdays. Forty-three that included a docent-led gallery tour and complementary students took advantage of the small class sizes and studio art class. Nearly 5,000 students visited the Museum excellent opportunity to learn about and do art in a over the course of the school year, with positive feedback Museum setting. Elements and principles of art, along with from teachers about the quality of the programs. For the a variety of mediums, were part of the curricula. Young Audubon exhibit, students created their own Audubon- artists created portraits, landscapes and still lifes, ending inspired botanical drawing, and for the American each term with a reception and art show for family and Society of Marine Artists exhibit, they learned to paint a friends. seascape. Annual collaborative programs included Mobile International Festival, Mobile Society of Model Engineers Spring Break Art Camp and Celebrate Black History Month with Gloria Petite The second Spring Break Art Camp, offered April 16- Williams’ Processional Dance event. 20, 2012, was successful, with 22 students enjoying art activities during both morning and afternoon sessions. Woody’s Song and the Junior League of Mobile With an eye to spring-themed activities, students created The Junior League of Mobile continued its very generous garden décor, as well as fine art and arts and crafts. On support of $2,000 for the art program Woody’s Song Friday, the older class was treated to a field trip to the here at the Museum. With enrollment up to 20 this year, University of South Alabama’s glassblowing studio, where hands-on projects stimulate creativity and communication Rene Culler created a magnificent vase from beginning to in the autistic students who attend. Mobile Museum of end. Ms. Culler later generously donated the vase to the Art Educator Susan Baker and volunteer Carol Wiggins, a Education Wing.

CURRICULA-BASED EDUCATION 11 COMMUNITY OUTREACH

Community Festivals from outside of Mobile were invited to participate. In The Museum participated in a number of civic and addition to free admission to the galleries and various cultural festivals by offering engaging art activities and art activities in the Interactive Gallery, Big Chief Jerry experiences. For , Museum educators combined Butler of the New Orleans Mardi Gras Indian Show elements of music in the art activities. Festival of Flowers came over to lead the parade through the Museum and in the spring was all about the creation of the garden discuss the heritage and cultural traditions of the New hats, but the storybook nook was just as popular. At Orleans Mardi Gras Indians. Mobile was still represented Earth Day , participants got an individual well by the always exciting Excelsior Band and of course session with Museum educators in the “Creation all the parade goers. Station,” where all the materials that are used to create a new artistic masterpiece are recycled items. Education Gallery Exhibitions Throughout the school year, the walls along the Family-Friendly Mardi Gras Education Gallery welcomed students entering the This annual celebration focuses on the entire family Museum with works by student and professional artists. and presents the artistry behind the local Mardi Gras To see high-quality art produced by their peers has traditions. This year for the first time, presenters proven to be the best kind of motivation for many

12 COMMUNITY OUTREACH first time student visitors to explore their own creativity, as well as deepening their appreciation for visual art as they visit the galleries.

Partnership with Mobile Public Library In July of each year since 2007, the Museum has hosted the Finale Celebration for the Mobile Public Library’s Summer Reading Program. Through this free event, many new visitors are introduced to the wonderful art in the galleries, and the Museum continues to strengthen another community partnership. During the school year, Museum educators visit the Toulminville library branch and the Ben May main library each month to present art activities and presentations linking back to the Museum’s traveling exhibitions.

A Special Enhanced Tour Building on the existing partnership with the Alabama Institute for the Deaf and Blind (AIDB), Museum educators and staff from AIDB worked together to create an enhanced tour for the blind/low vision adult community here in Mobile. Special training was provided to Museum docents and Museum security by personnel from AIDB, and Museum curators provided behind-the-scenes access to the exhibition Elvis at 21: Photographs by Alfred Wertheimer. Over 20 blind/low vision adult visitors and their guests enjoyed the tour, explored an art materials tactile session in the art gallery and participated in a video session to evaluate the program’s effectiveness.

COMMUNITY OUTREACH 13 GIFTS & ACQUISITIONS

GIFTS - 179 TOTAL SCULPTURE 2 gifts

WOOD 3 gifts

PAINTINGS 11 gifts

CERAMICS 2 gifts

WORKS ON PAPER 139 gifts

GLASS 14 gifts

DECORATIVE ARTS 8 gifts

PURCHASES - 2 TOTAL PAINTING 1 purchase

WORK ON PAPER 1 purchase

14 GIFTS & ACQUISITIONS left page, clockwise: Yoshio Taylor (American, b. 1948, Okinawa, Japan, resides in Sacramento), Tatsumaki, 1987, fired clay, glazes and glaze stains. Gift of the Porter*Price Collection.

Susan Pfeiffer (American, b. 1958), River Eagles Table, 1994, wood. Gift of the Porter*Price Collection.

Richard Lindner (American, b. Germany, 1901-1978), Man’s Best Friend, 1970, lithograph on paper. Gift of Bill McPherrin, in Memory of Elizabeth Duff McPherrin.

Polly Harrison (American, 1946-2007), My Mail 2004, 2004, mixed media. Gift of Martha Stamm Connell and Pat Connell. right page, clockwise: Molly Stone (Swedish, b. 1950), Blue Ice Bowl, 1990, glass. Gift from Elice Haverty and Dr. Rhodes Haverty.

Victoria Moers (German, n.d.-1947), Female Nude, n.d., chalk on paper. Gift of David and Brigitte Kelley.

Miriam Beerman (American, b. 1923), Soutine Hiding, 1987, oil on canvas. Purchased with Funds Generously Contributed by Jerry and Paula Gottesman.

GIFTS & ACQUISITIONS 15 SUPPORT FROM CORPORATIONS, FOUNDATIONS, BEQUESTS & GOVERNMENT

CORPORATE GRANTS

BP Economic & Property Damages Promotional Fund

Larson & McGowin, Inc.

PRIVATE FOUNDATION GRANTS

The Crampton Trust

The Hearin-Chandler Foundation

Jewish Community Foundation of Greater MetroWest New Jersey

The J. L. Bedsole Foundation

The Community Foundation of South Alabama

Clyde C. Snyder Art & Classical Music Field of Interest Fund

The C. D., Helen and Jeff Glaze Foundation

The Mary Josephine Larkins Charitable Foundation

Center for Furniture Craftsmanship

Lillian C. McGowin Foundation

Walmart Foundation

The Moses Foundation

GOVERNMENT GRANTS

City of Mobile

Mobile County

Alabama State Council on the Arts

Alabama Tourism Department

Alabama Arts License Tag Committee

16 GIFTS & CONTRIBUTIONS DONOR CIRCLE

The Donor Circle of the Mobile Museum of Art represents the highest levels of cumulative family and individual support given to the Museum throughout the calendar year. The generous contributions of these donors help provide vital operating funds that enable the Museum to offer innovative educational and artistic experiences while ensuring financial stability.

BENEFACTOR Mrs. Herman Maisel Mr. and Mrs. E. A. Hyndman, Jr. Dr. and Mrs. J. Russell Goodloe, Jr. Mr. and Mrs. Ben McMillan Mr. and Mrs. Jeff Jeffery Mr. and Mrs. Victor H. Lott, Jr. Dr. and Mrs. Leon McVay, III Yuko and Jeff Jordan Mrs. Arlene Mitchell Judge and Mrs. G. B. Kahn PATRON Mr. and Mrs. O. M. Otts, III Dr. Virginia Ann Kerth Mrs. I. Patricia Barr Dr. Charles L. Rich Mr. and Mrs. Albert Klein Mr. and Mrs. David J. Cooper, Sr. Mr. Michael A. Smith Mr. and Mrs. Robert S. Lang Mr. and Mrs. Stephen G. Crawford Mrs. Phyllis Springen Mr. and Mrs. L. Keville Larson Inger and David Duberman Mr. Melvin Stein Mr. and Mrs. John N. Leach Mr. and Mrs. Lowell J. Friedman Mrs. Anna F. Swider Dr. and Mrs. Arnold Luterman Mr. and Mrs. G. Tim Gaston Mrs. Sarah C. Teague Mrs. Ruth Macnamara Mrs. Harold S. Grehan, Jr. Dr. and Mrs. James K. V. Willson, III Dr. P. Graham McClintock, Jr. Dr. Edward A. Hyndman, III Mrs. Lawrence J. McKinney Mrs. Sharon Johnson ASSOCIATE Dr. and Mrs. Earl S. McLaughlin Mrs. Betty Wilson Kerth Mr. and Mrs. James E. Atchison Mrs. H. Taylor Morrissette Dr. and Mrs. Paul Maertens Mr. and Mrs. Joseph P. H. Babington Mrs. Norman A. Nicolson Dr. and Mrs. W. Earl Monroe Dr. and Mrs. William E. Barrick Mr. and Mrs. Dave Norris Dr. and Mrs. W. Allen Oaks Mr. and Mrs. Charles B. Baur Mrs. Arthur R. Outlaw Mr. and Mrs. Peter Pischek Ms. Anne Boettcher Mr. and Mrs. David M. Pearsall Mr. and Mrs. Harold D. Parkman Dr. and Mrs. Philip J. Butera Dr. and Mrs. Allen Perkins Dr. and Mrs. Charles B. Rodning Ms. Norma Calder Mr. and Mrs. Jeffrey E. Quinnelly Dr. and Mrs. Otha C. Salter Dr. and Mrs. Lanier S. Cauley Mr. and Mrs. Harry Riddick Ms. Kristen Stevens Dr. and Mrs. Elias G. Chalhub Dr. and Mrs. Leroy Riddick Mrs. Ann Marie Terry Mr. and Mrs. John H. Cleverdon Mr. and Mrs. Andrew Saunders Dr. Albert S. Coker, Jr. Mr. and Mrs. Edward S. Sledge, III SUPPORTER Maj. Gen. & Mrs. J. Gary Cooper Cdr. and Mrs. Marven M. Smith Dr. Robert J. Bantens Mr. and Mrs. Thomas S. Damson Mr. Samuel L. Stockman, Sr. Mr. Jimmie J. Duet Mr. Jonathan Dick Mr. and Mrs. Jay Weber Mr. and Mrs. Richard Frank, Jr. Mrs. Elizabeth K. Eastman Ms. Erin R. Wheeler Dr. Charles Hamm and Dr. Clara Massey Ms. Ansley Green Mrs. Frederick G. Helmsing Mrs. Robert A. Guthans Mr. and Mrs. Lyman F. Holland, Jr. Dr. John H. Hafner BENEFACTOR - $2,500 - $4,999 Mr. and Mrs. F. Michael Johnson Mr. and Mrs. Matthew Hassell PATRON - $1,000 - $2,499 Drs. Jorge and Alma Herrera Mr. and Mrs. Edward B. Ladd SUPPORTER - $500 - $999 Drs. Martha and Joseph LoCicero Mr. Nicholas H. Holmes, Jr. ASSOCIATE - $250 - $499 Mrs. Rosalie Lockhart Mr. and Mrs. William H. Houston

DONOR CIRCLE 17 STATEMENT OF FINANCIAL POSITION Audited financials available upon request 11% 2% 78% COLLECTIONS PURCHASES OF EXHIBITIONS, AND ARTWORK PROGRAMS AND CONSERVATION EDUCATION $48,712 8% $307,999 $2,272,558 MANAGEMENT AND GENERAL $248,714

1% FUNDRAISING

$40,953

Total Operating Budget $2,918,936

18 STATEMENT OF FINANCIAL POSITION MMOA DOCENTS & STAFF

DEBORAH VELDERS SUSAN BAKER Director Art Teacher ULRIC L. RILEY Museum Guard MARY LEE MONTGOMERY LOREN BURROUGHS Assistant to the Director Admissions Desk Receptionist/Store EULANDA WATTERS Museum Guard MARLENE BUCKNER WENDI HATHORN Operations Manager Outreach Assistant/Education ALAN WEISS Museum Guard PAUL W. RICHELSON GLENN BINGHAM Manager of Curatorial Affairs Store Sales/Photographer JACQUELINE PETTAWAY Custodian TONY POTAPENKO STAN HACKNEY Director of Finance Store Manager NORRIS TURNER Custodian DONAN KLOOZ GERI MITCHELL Curator of Exhibits Administration Desk Receptionist PATRICIA G. WARE Finance Assistant KURTIS THOMAS JEFF REINSMITH Curator of Collections Exhibit Technician MITTIE WINGFIELD Admissions Desk/Store Sales HOWARD P. MCPHAIL JOHN VACCARO Curator of Education Facilities Manager

KIM WOOD THERESA EDWARDS VOLUNTEERS Curator of Education Museum Guard Supervisor

Lexie Barnett Martha LoCicero MEREDITH IVY HARRIET HORN Elaine Blount Ethel Lomas Special Events Coordinator Museum Guard Debra Bridges Ruth MacNamara RACHEL YOUNG KERCHEVAL KING Tiffany Dotson Andrew David Marshall Registrar Museum Guard Mary Frances Hallet Mary Jane Sisson June Harter JANET WELLS LUCILLE ROBINSON Marianne Testin Wendi Hawthorn Store Sales Museum Guard Bobba Turley Dorinda Hilbun Judy Vajgrt SHARON SOKOL DANNY J. GOODWIN Sharon Johnson Betty Vella Art Teacher Museum Guard Betty Kerth Carol Wiggins Virginia Kerth CARREN QUINN LYNDELL JONES Elaine Williams Catherine King Art Teacher Museum Guard Lin Wilson Patricia King TERRI BAKER JACQUELINE PORTER Art Teacher Museum Guard

MMOA DOCENTS & STAFF 19 MMofA MMofA

MOBILE MUSEUM OF ART MOBILE MUSEUM OF ART

4850 Museum Drive Mobile, AL 36608 251.208.5200