What Is Soca Music By: Mantius Cazaubon
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Ohio University the Glamorization of Alcohol in Contemporary Guyanese
Ohio University The glamorization of alcohol in contemporary Guyanese Chutney music Nadine Sanchara April, 2016 The glamorization of alcohol in contemporary Guyanese Chutney music Introduction/Background Music is an integral part of Guyanese culture. Being a multi-ethnic, multi-religious society, musical encounters, musical interaction and musical exchange are of special importance, especially in exploring the transfer and adoption of musical attributes across and among cultural communities (Cambridge 6). This paper aims at highlighting the extent to which alcohol use is glamorized in Guyanese Chutney music. Since music can influence action (Engels et al. 530) it is important to understand the lyrics of these songs in order to begin to tackle a larger problem. Chutney music is often referred to as an “Indo-Caribbean” genre of music, present in the Caribbean, mainly in Trinidad, Guyana and Suriname. It is largely influenced by Indian music, particularly Bhojpuri folk music (Bhojpuri is a language spoken in some Indian regions such as Utar Pradesh and Bihar, from where many Indian immigrants were brought to Guyana during indentureship). Chutney music does, however, have influences from African, Western and other cultures. It is a fast paced genre of music which makes use of instruments such as the harmonium, dhantaal, dholak and tabla, among others (Ramnarine 12). As much a part of Guyanese culture as Chutney music is the culture of “rum drinking.” As of 2010, the average Guyanese over 15 years old consumed more than eight liters of pure alcohol each year, compared to a global average of 6.2 liters (WHO 155). A study conducted by the Inter-American Drug Abuse Control Commission (CICAD) of the Organization of American States (OAS) in 2008 revealed that alcohol is the number one drug abused in Guyana (1). -
Downloaded from Brill.Com10/05/2021 07:53:15AM Via Free Access University of Chicago Press, 1998
Book Reviews -James Sidbury, Peter Linebaugh ,The many-headed Hydra: Sailors, slaves, commoners, and the hidden history of the revolutionary Atlantic. Boston: Beacon Press, 2000. 433 pp., Marcus Rediker (eds) -Ray A. Kea, Herbert S. Klein, The Atlantic slave trade. Cambridge, U.K.: Cambridge University Press, 1999. xxi + 234 pp. -Johannes Postma, P.C. Emmer, De Nederlandse slavenhandel 1500-1850. Amsterdam: De Arbeiderspers, 2000. 259 pp. -Karen Racine, Mimi Sheller, Democracy after slavery: Black publics and peasant radicalism in Haiti and Jamaica. Gainesville: University Press of Florida, 2001. xv + 224 pp. -Clarence V.H. Maxwell, Michael Craton ,Islanders in the stream: A history of the Bahamian people. Volume two: From the ending of slavery to the twenty-first century. Athens: University of Georgia Press, 1998. xv + 562 pp., Gail Saunders (eds) -César J. Ayala, Guillermo A. Baralt, Buena Vista: Life and work on a Puerto Rican hacienda, 1833-1904. Chapel Hill: University of North Carolina Press, 1999. xix + 183 pp. -Elizabeth Deloughrey, Thomas W. Krise, Caribbeana: An anthology of English literature of the West Indies 1657-1777. Chicago: University of Chicago Press, 1999. xii + 358 pp. -Vera M. Kutzinski, John Gilmore, The poetics of empire: A study of James Grainger's The Sugar Cane (1764). London: Athlone Press, 2000. x + 342 pp. -Sue N. Greene, Adele S. Newson ,Winds of change: The transforming voices of Caribbean women writers and scholars. New York: Peter Lang, 1998. viii + 237 pp., Linda Strong-Leek (eds) -Sue N. Greene, Mary Condé ,Caribbean women writers: Fiction in English. New York: St. Martin's Press, 1999. -
Song List 2012
SONG LIST 2012 www.ultimamusic.com.au [email protected] (03) 9942 8391 / 1800 985 892 Ultima Music SONG LIST Contents Genre | Page 2012…………3-7 2011…………8-15 2010…………16-25 2000’s…………26-94 1990’s…………95-114 1980’s…………115-132 1970’s…………133-149 1960’s…………150-160 1950’s…………161-163 House, Dance & Electro…………164-172 Background Music…………173 2 Ultima Music Song List – 2012 Artist Title 360 ft. Gossling Boys Like You □ Adele Rolling In The Deep (Avicii Remix) □ Adele Rolling In The Deep (Dan Clare Club Mix) □ Afrojack Lionheart (Delicious Layzas Moombahton) □ Akon Angel □ Alyssa Reid ft. Jump Smokers Alone Again □ Avicii Levels (Skrillex Remix) □ Azealia Banks 212 □ Bassnectar Timestretch □ Beatgrinder feat. Udachi & Short Stories Stumble □ Benny Benassi & Pitbull ft. Alex Saidac Put It On Me (Original mix) □ Big Chocolate American Head □ Big Chocolate B--ches On My Money □ Big Chocolate Eye This Way (Electro) □ Big Chocolate Next Level Sh-- □ Big Chocolate Praise 2011 □ Big Chocolate Stuck Up F--k Up □ Big Chocolate This Is Friday □ Big Sean ft. Nicki Minaj Dance Ass (Remix) □ Bob Sinclair ft. Pitbull, Dragonfly & Fatman Scoop Rock the Boat □ Bruno Mars Count On Me □ Bruno Mars Our First Time □ Bruno Mars ft. Cee Lo Green & B.O.B The Other Side □ Bruno Mars Turn Around □ Calvin Harris ft. Ne-Yo Let's Go □ Carly Rae Jepsen Call Me Maybe □ Chasing Shadows Ill □ Chris Brown Turn Up The Music □ Clinton Sparks Sucks To Be You (Disco Fries Remix Dirty) □ Cody Simpson ft. Flo Rida iYiYi □ Cover Drive Twilight □ Datsik & Kill The Noise Lightspeed □ Datsik Feat. -
The Dougla Poetics of Indianness: Negotiating Race and Gender in Trinidad
The dougla poetics of Indianness: Negotiating Race and Gender in Trinidad Keerti Kavyta Raghunandan Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds School of Sociology and Social Policy Centre of Ethnicity and Racism Studies June 2014 The candidate confirms that the work submitted is her own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. © The University of Leeds, 2014, Keerti Kavyta Raghunandan Acknowledgements First and foremost I would like to thank my supervisor Dr Shirley Anne Tate. Her refreshing serenity and indefatigable spirit often helped combat my nerves. I attribute my on-going interest in learning about new approaches to race, sexuality and gender solely to her. All the ideas in this research came to fruition in my supervision meetings during my master’s degree. Not only has she expanded my intellectual horizons in a multitude of ways, her brilliance and graciousness is simply unsurpassed. There are no words to express my thanks to Dr Robert Vanderbeck for his guidance. He not only steered along the project to completion but his meticulous editing made this more readable and deserves a very special recognition for his patience, understanding, intelligence and sensitive way of commenting on my work. I would like to honour and thank all of my family. My father who was my refuge against many personal storms and who despite facing so many of his own battles, never gave up on mine. -
Spr in G 20 19
SPRING 2019 SPRING JOURNAL OF ACADEMIC RESEARCH & WRITING | Kapi‘olani Community College Board of Student Publications Kapi‘olani Community College 4303 Diamond Head Road Honolulu, HI 96816 1| Ka Hue Anahā Journal of Academic Research & Writing | 2 SPRING 2019 SPRING JOURNAL OF ACADEMIC RESEARCH & WRITING Board of Student Publications | Kapi‘olani Community College 4303 DIAMOND HEAD ROAD HONOLULU, HI 96816 Acknowledgments Works selected for publication were chosen TO FUTURE AUTHORS to reflect the ideas and quality of writing The KCC Board of Student Publications looks across a wide range of courses here at the forward to reading your work in subsequent College. The Faculty Writing Coordinator editions of Ka Hue Anahā Journal of Academic and the Review and Editing Staff would & Research Writing. It is your efforts that keep like to congratulate the authors whose this publication going, and your support and papers were selected for the Spring enthusiasm are sincerely appreciated. 2018 edition of Ka Hue Anahā Journal of Academic & Research Writing, and to Remember to follow the College’s News and acknowledge and encourage all students Events (https://news.kapiolani.hawaii.edu/) who submitted papers. We regret not for information and calls for submissions. being able to publish all of the fine work You can also submit work anytime online submitted this semester. We hope that (http://go.hawaii.edu/ehj) or by contacting you will continue to write, and to engage the Board of Student Publications with the Board of Student Publications by at [email protected]. submitting more work in the future. Furthermore, and with much appreciation, TO FACULTY we would like to extend a sincere thank Please encourage your students to read and you to the faculty, staff and administrators, critically analyse works published in Ka Hue without whose support these student voices Anahā, and to submit their own work for would not be heard. -
Songs to Keep You in the Caribbean Cruising Mood!
Songs to keep you in the Caribbean cruising mood! Best Buds’ Favorites (in bold) plus others suggested by Cruisecritic members Title Artist Genre 50 First Dates Album 50 First Dates sndtrk Movie A Beautiful Morning Young Rascals Rock A Lalala Long Inner Circle Reggae A Place in the Sun Pablo Cruise Rock A Salty Dog Procol Harum Rock Action Buju Banton Reggae Adios Mexico Texas Tornadoes Country Ain’t It Good to Know Beres Hammond & Buju Banton Reggae Ain’t No Mountain High Enough Diana Ross & The Supremes Rock Ain’t No Mountain High Enough Marvin Gaye & Tammi Terrel Rock Ali Baba Riddim Dub John Holt, King Tubby & Augustus Pablo Reggae All I Wanna Do Sheryl Crowe Rock All Nighter Elan Atias with Gwen Stefani Romance Almost Paradise Footloose soundtrack Ballad Always Look on the Bright Side of Life Hans Zimmer America the Beautiful Ray Charles Inspire American Pie Don Mclean Rock Anchors Aweigh/Marine Corps Hymn US Naval Academy Glee Club Inspire And Be Loved Damian Marley (Blue Crush sndtrk) Reggae And the Tide Rushes In Moody Blues Ballad Answer Riddim John Holt Reggae Aventura Mi Puerto Rico Dance Baby Blue Echoes Baby Come Back UB40 & Peabo Bryson Baby I Love Your Ways UB40 Back to the Island Baha Men Calypso Barbados Poco Ballad Barbados Goombay Dance Band Barbados Typically Tropical Calypso Barnacle Bill the Sailor Louis Prima Classic Be Young, Be Foolish, Be Happy Tams Rock Beach Baby First Class Rock Beautiful Barbados The Merrymen Island Beautiful Day U2 Rock Better Together Jack Johnson Ballad Between Us Two Ghetto Flex & Michele -
Fall 2021 Longmont Recreation Activity Guide
Longmont RECREATION Fall 2021 arts cultura hugs reunions comunidad amigos spontaneity conexión creativity celebraciones Welcome gatherings back to HOLIDAY EVENTS . CITY INFORMATION A Message from Our Manager Welcome & Welcome Back to Longmont Recreation & Golf Services! After what feels like an eon, we are grateful to be able to offer you a full brochure of programs and activities. We missed you. From the new community event at Twin Peaks Golf Course – the Par Tee on Sept 17 – to familiar favorites like Longmont Lights and the Halloween Parade, there are times to get together and celebrate being a community. Through coordination and collaboration with local public, private, and non-profit agencies, Longmont Recreation offers diverse programming for all ages. We invite you to explore and reconnect with others this fall. Have you found yourself drawn to try something new, in terms of employment? Whether you are just starting out in your working career or exploring a different career path, Longmont Recreation & Golf Services seeks to fill over 100 part-time, full-time, benefitted and non-benefitted positions each season. Jobs exist in aquatics, athletics, business operations, fitness, building support, and custodial staff. Interviews are ongoing! Check out LongmontColorado.gov/jobs for the most current offerings. Check and see what we have to offer and find the program, event, or job that is right for you! Jeff Friesner, Recreation & Golf Manager Quick Reference Guide 3 Easy Ways to Connect with Recreation Questions? Registrations? Reservations? Register for classes beginning ONLINE [email protected] Aug 3 » Home Page: www.LongmontColorado.gov/rec , » Program Registrations: rec.ci.longmont.co.us 2021 » New in 2021: select self-service online cancellations » Park Shelter Reservations: www.LongmontColorado.gov/park-shelters IN PERSON IMPORTANT INFORMATION » Full payment is due at registration unless otherwise noted. -
Jamaica Tourist Everything You Need to Know for the Perfect Vacation Experience
JAMAICA TOURIST WWW.JAMAICATOURIST.NET EVERYTHING YOU NEED TO KNOW FOR THE PERFECT VACATION EXPERIENCE ISSUE 17 - SPRING 2011 IN THIS ISSUE FIRST CLASS MUSIC FESTIVALS BAREFOOT LUXURY AT GOLDENEYE ISLAND ADVENTURES THE PALMYRA RESORT & SPA LAUNCHES PRIVATE RESIDENCE CLUB INTERNATIONAL STARS PERFORM FOR CHARITY EXERCISE: THE PATH TO A BEAUTIFUL BODY PURE, ORGANIC MARLEY COFFEE A DIFFERENT CLUBBING EXPERIENCE SEVEN NIGHTS A WEEK LUXURY SHOPPING RESTAURANTS & DINING SPOTS OWN A TROPICAL HOME AT THE PALMYRA Look for the FREE GEMSTONE offer in the luxury shopping section! YOUR FREE SEE ISLAND MAP INSIDE ISSUE FIRST CLASS MUSIC FESTIVALS hat began with the Reggae Sunsplash festival back in 1978 has evolved to establish Jamaica as the main Caribbean island for open-air reggae festivals, celebrating the captivating rhythms and the Rastafari vibe. Music lovers mark their calendars in advance to travel to attend one of the many annual Wfestivals on “The Rock” featuring reggae, jazz, blues, pop and rock music. Once you have experienced Sumfest, Jamaica Jazz & Blues Festival or one of the many other music festivals, you will discover that it is not only about great music, but about the special vibe that spreads throughout the venues where locals and visitors mingle, socialize and have a good time. Fans of dancehall music flock to the annual a major part of today’s festivals, bringing the standards of performances to a world ‘Sting’ festival in December, and serious renowned level. However, despite being much more commercialized, the magic of reggae and Rastafari followers don’t miss the the festivals has not changed much and determined festival goers faithfully flock to yearly Rebel Salute every January. -
8123 Songs, 21 Days, 63.83 GB
Page 1 of 247 Music 8123 songs, 21 days, 63.83 GB Name Artist The A Team Ed Sheeran A-List (Radio Edit) XMIXR Sisqo feat. Waka Flocka Flame A.D.I.D.A.S. (Clean Edit) Killer Mike ft Big Boi Aaroma (Bonus Version) Pru About A Girl The Academy Is... About The Money (Radio Edit) XMIXR T.I. feat. Young Thug About The Money (Remix) (Radio Edit) XMIXR T.I. feat. Young Thug, Lil Wayne & Jeezy About Us [Pop Edit] Brooke Hogan ft. Paul Wall Absolute Zero (Radio Edit) XMIXR Stone Sour Absolutely (Story Of A Girl) Ninedays Absolution Calling (Radio Edit) XMIXR Incubus Acapella Karmin Acapella Kelis Acapella (Radio Edit) XMIXR Karmin Accidentally in Love Counting Crows According To You (Top 40 Edit) Orianthi Act Right (Promo Only Clean Edit) Yo Gotti Feat. Young Jeezy & YG Act Right (Radio Edit) XMIXR Yo Gotti ft Jeezy & YG Actin Crazy (Radio Edit) XMIXR Action Bronson Actin' Up (Clean) Wale & Meek Mill f./French Montana Actin' Up (Radio Edit) XMIXR Wale & Meek Mill ft French Montana Action Man Hafdís Huld Addicted Ace Young Addicted Enrique Iglsias Addicted Saving abel Addicted Simple Plan Addicted To Bass Puretone Addicted To Pain (Radio Edit) XMIXR Alter Bridge Addicted To You (Radio Edit) XMIXR Avicii Addiction Ryan Leslie Feat. Cassie & Fabolous Music Page 2 of 247 Name Artist Addresses (Radio Edit) XMIXR T.I. Adore You (Radio Edit) XMIXR Miley Cyrus Adorn Miguel Adorn Miguel Adorn (Radio Edit) XMIXR Miguel Adorn (Remix) Miguel f./Wiz Khalifa Adorn (Remix) (Radio Edit) XMIXR Miguel ft Wiz Khalifa Adrenaline (Radio Edit) XMIXR Shinedown Adrienne Calling, The Adult Swim (Radio Edit) XMIXR DJ Spinking feat. -
Sounding the Cape, Music, Identity and Politics in South Africa Denis-Constant Martin
Sounding the Cape, Music, Identity and Politics in South Africa Denis-Constant Martin To cite this version: Denis-Constant Martin. Sounding the Cape, Music, Identity and Politics in South Africa. African Minds, Somerset West, pp.472, 2013, 9781920489823. halshs-00875502 HAL Id: halshs-00875502 https://halshs.archives-ouvertes.fr/halshs-00875502 Submitted on 25 May 2021 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Sounding the Cape Music, Identity and Politics in South Africa Denis-Constant Martin AFRICAN MINDS Published by African Minds 4 Eccleston Place, Somerset West, 7130, South Africa [email protected] www.africanminds.co.za 2013 African Minds ISBN: 978-1-920489-82-3 The text publication is available as a PDF on www.africanminds.co.za and other websites under a Creative Commons licence that allows copying and distributing the publication, as long as it is attributed to African Minds and used for noncommercial, educational or public policy purposes. The illustrations are subject to copyright as indicated below. Photograph page iv © Denis-Constant -
Society for Ethnomusicology 60Th Annual Meeting, 2015 Abstracts
Society for Ethnomusicology 60th Annual Meeting, 2015 Abstracts Walking, Parading, and Footworking Through the City: Urban collectively entrained and individually varied. Understanding their footwork Processional Music Practices and Embodied Histories as both an enactment of sedimented histories and a creative process of Marié Abe, Boston University, Chair, – Panel Abstract reconfiguring the spatial dynamics of urban streets, I suggest that a sense of enticement emerges from the oscillation between these different temporalities, In Michel de Certeau’s now-famous essay, “Walking the City,” he celebrates particularly within the entanglement of western imperialism and the bodily knowing of the urban environment as a resistant practice: a relational, development of Japanese capitalist modernity that informed the formation of kinesthetic, and ephemeral “anti-museum.” And yet, the potential for one’s chindon-ya. walking to disrupt the social order depends on the walker’s racial, ethnic, gendered, national and/or classed subjectivities. Following de Certeau’s In a State of Belief: Postsecular Modernity and Korean Church provocations, this panel investigates three distinct urban, processional music Performance in Kazakhstan traditions in which walking shapes participants’ relationships to the past, the Margarethe Adams, Stony Brook University city, and/or to each other. For chindon-ya troupes in Osaka - who perform a kind of musical advertisement - discordant walking holds a key to their "The postsecular may be less a new phase of cultural development than it is a performance of enticement, as an intersection of their vested interests in working through of the problems and contradictions in the secularization producing distinct sociality, aesthetics, and history. For the Shanghai process itself" (Dunn 2010:92). -
UNIVERSITY of CALIFORNIA RIVERSIDE Take a Wine and Roll
UNIVERSITY OF CALIFORNIA RIVERSIDE Take a Wine and Roll “IT”!: Breaking Through the Circumscriptive Politics of the Trini/Caribbean Dancing Body A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Critical Dance Studies by Adanna Kai Jones March 2016 Dissertation Committee: Dr. Anthea Kraut, Chairperson Dr. Marta E. Savigliano Dr. Amalia Cabezas Copyright by Adanna Kai Jones 2016 The Dissertation of Adanna Kai Jones is approved: Committee Chairperson University of California, Riverside ACKNOWLEDGEMENTS You know how at fundraisers they say, “Every penny counts,” well the same applies to the process of dissertating. Every hug, every smile, every cheer, every piece of advice, every rough draft read, every second of listening, every book borrowed, every meal offered, every dollar granted, and every prayer sent on my behalf, all of these moments pushed me closer to the very real moment of completion. According to the south African philosophy of ubuntu, meaning “I am because we are,” I could only have made it here because of each and every one of you who hugged, smiled, cheered, mentored, read, listened, shared, cooked, and prayed for me. We all participated in a journey that has not only changed how I approach learning and teaching, but it has also changed how I view myself, as well as my purpose in this world. For each and every one of these necessary moments, I am eternally grateful. Thank you all from the bottom of my heart, mind, and soul. And now it is time for the “shout-outs!” With regards to funding for my research in both Trinidad and Barbados, I am grateful for the support of the Dissertation Research Grant and the Dissertation Year Program Fellowship, both of which were received through the University of California, Riverside.