PV18-Workconditions-Malta Crew Rates.Xlsx
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South Africa's Official Selection for the Foreign Film Oscars 2006
Production Notes The UK Film & TV Production Company plc The Industrial Development Corporation of South Africa The National Film & Video Foundation of South Africa in association with Moviworld present A UK/South African Co-production TSOTSI Starring Presley Chweneyagae, Terry Pheto, Kenneth Nkosi, Mothusi Magano, Zenzo Ngqobe and ZOLA Written and Directed by Gavin Hood Based on the novel by Athol Fugard Co-produced by Paul Raleigh Produced by Peter Fudakowski WINNER – EDINBURGH FILM FESTIVAL 2005 THE STANDARD LIFE AUDIENCE AWARD THE MICHAEL POWELL AWARD FOR BEST BRITISH FILM South Africa’s official selection for the Foreign Film Oscars 2006 For all press inquiries please contact: Donna Daniels Public Relations 1375 Broadway, Suite 403, New York, NY 10018 Ph: 212-869-7233 Email: [email protected] and [email protected] IN TORONTO: contact Melissa or Donna c/o The Sutton Place Hotel, Hospitality Suite 606, 955 Bay Street, Toronto, on M5S 2A2 main #: 416.924.9221 fax: 416.324.5617 FOR ALL PRESS MATERIALS/INFO : www.tsotsi.com A message from the playwright and author of the novel TSOTSI ATHOL FUGARD 2 CONTENTS: LETTER FROM AUTHOR OF 'TSOTSI' THE NOVEL 2 UK AND TRADE PRESS QUOTE BANK 4 SHORT SYNOPSIS 6 LONGER SYNOPSIS 6 MAKING “TSOTSI” - BACKGROUND NOTES and QUOTES 8 THE TERM “TSOTSI” - ORIGINS AND MEANINGS 13 KWAITO MUSIC - ORIGINS 15 BIOGRAPHIES: ATHOL FUGARD - AUTHOR OF THE NOVEL “TSOTSI” 17 GAVIN HOOD - SCREENWRITER / DIRECTOR 18 PETER FUDAKOWSKI - PRODUCER 19 PAUL RALEIGH - CO-PRODUCER 20 PRESLEY CHWENEYAGAE - TSOTSI 21 ZOLA – FELA 21 TERRY PHETO - MIRIAM 21 KENNETH NKOSI - AAP 21 MOTHUSI MAGANO - BOSTON 22 ZENZO NGQOBE - BUTCHER 22 CAST, CREW AND MUSIC CREDITS 23-31 CONTACT INFO 32 3 TSOTSI “Tsotsi” literally means “thug” or “gangster” in the street language of South Africa’s townships and ghettos. -
CA Chart of Accts Film
CALIFORNIA CHART OF ACCOUNTS Qualifying and Non-qualifying Accounts Films - Movies of the Week - Mini-Series Effective July 1, 2014 Revised March 2014 The chart below is intended as a helpful guide, and not an exact list of what are considered Qualified Expenditures. Qualified Expenditures are for pre-production, production, and post-production - not for development, marketing, publicity, or distribution . The following listing assumes where "yes" is designated that the service is performed or property is used in the state of California. Items used or personnel services employed both within and outside of California can be qualified only for the prorata portion of costs incurred directly in California. Any expenditures incurred prior to issuance of the tax credit allocation letter are not qualified expenditures. Account # Description Qualified Comments 101-00 STORY & RIGHTS 101-01 Story Rights - Purchase NO 101-02 Acquisition Expenses NO 101-06 Title Report YES If work performed in California. 101-08 Copyright Fee NO 101-99 Fringe Benefits NO 102-00 WRITING 102-01 Writers NO 102-03 Editor and Consultants NO 102-05 Research YES 102-06 Script Timing YES 102-07 Secretaries YES 102-08 Script Duplication YES 102-18 Script Clearance Research YES 102-19 Clearance Fees YES If paid to CA company 102-20 Clearance License Fees NO 102-40 Materials & Supplies YES 102-45 Box Rentals YES On Qualified Labor Only 102-47 Car Allowances, Mileage YES On Qualified Labor Only 102-50 Rentals YES 102-80 Writer Entertainment & Meals YES 102-85 Script Publication -
List of Non-Exhaustive Crew Titles That Will Be Considered for Funding
List of non-exhaustive crew titles that will be considered for funding: Director Best boy (lighting) Key make-up artist Producer Lighting technician / Electrics Special make-up effects Artist Line producer Grips (SFX makeup) Production assistant Key grip Make-up supervisor Production managements Best boy/Best Babe (grip) Make-up artist Production manager Dolly grip Key hair Assistant production Production sound Hair stylist manager Production sound mixer Special effects Unit manager Boom operator Special effects supervisor Production coordinator Second assistant sound Stunts First assistant director Art department Stunt coordinator Second assistant director Production designer Film editor Accounting Art director Editorial[edit] Production accountant Line Standby art director Negative cutter Producer Assistant art director Colorist Location manager Set designer Telecine colorist Assistant location manager Illustrator Visual effects[edit] Location scout Graphic artist Visual effects Unit publicist Set decorator Visual effects producer System administrator Buyer Visual effects creative Continuity Leadman director Script supervisor Set dresser Visual effects supervisor Script Writers Greensman Visual effects editor Casting Construction Compositor Casting director Construction coordinator Matte painter Cast PA Head carpenter Sound and music Drivers Carpenters Sound designer Camera and lighting Studio hands Dialogue editor Director of photography Propmaker Sound editor Camera Scenic Re-recording mixer Camera operator Key scenic Music supervisor First assistant camera Property Foley artist Second assistant camera Propmaster Conductor/ orchestrator Film loader Weapons master Score recorder/ mixer Digital imaging technician Costume department Music preparation Steadicam operator Costume supervisor Music editor Motion control Key costumer Previs technician/Operator Breakdown artist Animation Lighting Costume buyer Gaffer Cutter . -
Sampling of Careers Within the Performing Arts
Sampling of Careers within the Performing Arts Performing in categories/places/stages including, but not limited to: Broadway Dance Companies International Theatre Short Films Children’s Theatre Documentaries Music Videos Television Commercials Festivals Off-Broadway Touring Companies Community Theatre Film Opera Web Series Cruise Ships Independent Films Regional Theatre West End London Performing arts jobs* including, but not limited to: Actor (27-2011) Dance Academy Owner (27-2032) Mascot (27-2090) Script Writer (27-3043) Announcer/Host (27-2010) Dance Instructor (25-1121) Model (27-2090) Set Designer (27-1027) Art Director (27-1011) Dancer (27-2031) Music Arranger (27-2041) Singer Songwriter (27-2042) Artistic Director (27-1011) Dialect Coach (25-1121) Music Coach (27-2041) Sound Editor (27-4010) Arts Educator (25-1121) Director (27-2012) Music Director (27-2041) Stage Manager (27-2010) Arts Manager (11-9190) Director’s Assistant (27-2090) Music Producer (27-2012) Talent Agent (27-2012) Ballet (27-2031) Drama Coach (25-1121) Music Teacher (25-1121) Casting Agent (27-2012) Drama Critic (27-3040) Musical Composer (27-2041) Technical Director (27-4010) Casting Director (27-2012) Drama Teacher (25-1121) Musical Theatre Musician (27-2042) Technical Writer (27-3042) Choir Director (27-2040) Event Manager (27-3030) Non-profit Administrator (43-9199) Theatre Company Owner (27-2032) Choir Singer (27-2042) Executive Assistant (43-6011) Opera Singer (27-2042) Tour Guide (39-7011) Choreographer (27-2032) Fashion Model (27-2090) Playwright (27-3043) -
The Production of Tv Commercials and Stills Photography in Cape Town
THE PRODUCTION OF TV COMMERCIALS AND STILLS PHOTOGRAPHY IN CAPE TOWN An overview of the impacts and constraints of the commercial production sector on the Cape Town economy. Martin Cuff, August 4th 2011 Commercial Producers Association SAASP P O Box 413005 PO Box 51649 Craighall Waterfront 2024 8002 Tel: 27 11 673 6809 Tel: 27 21 447 1075 Cell: 27 82 683 0575 Cel: 27 82 403 3661 Fax: 27 86 674 8321 Fax: 27 86 656 9656 E‐mail: [email protected] E‐mail: [email protected] Web: www.Cpasa.tv Web: www.saasp.Co.za DisClaimer: This doCument was assembled from various publiCations and websites between 2005 and 2011. It is intended for general researCh purposes only. Whilst every effort was made to ensure the information herein was CorreCt at time of Compilation, we make no warranties of any kind regarding the Completeness, aCCuraCy, reliability or suitability of the information. Any relianCe you plaCe on suCh is at your own risk, and we will not be liable for any loss or damage whatsoever arising out of, or in ConneCtion with the use of this information. The following doCuments were used as referenCe materials for this doCument: • DACST Cultural Industries Growth Strategy (1998) • Department of Trade & Industry SeCtor Development Strategy for Film and Television (June 2005); • Western Cape ProvinCial Government MiCro EConomiC Development Strategy (MEDS) Report for the Film SeCtor (April 2005) • CommerCial ProduCers AssoCiation Industry Survey (2005 ‐ 2011) • South AfriCan AssoCiation of Stills ProduCers Annual Survey (2005/6, 2009‐11) • Cape Film Commission StrategiC EConomiC Analysis (2006) • Gauteng Film Commission EConomiC review (2007) • The Durban & KZN Film Industry Review (2008) • Eastern Cape Development Corporation Film SeCtor Review (2009) THE PRODUCTION OF TV COMMERCIALS AND STILLS PHOTOGRAPHY IN CAPE TOWN SUMMARY: • Stills and TV Commercials make up 57.7% of the the turnover of production in the Western Cape • The combined value of Stills & TV Commercial Production in the province is R1.53 billion. -
I.A.T.S.E. Local 38 Mark Sejnowski 50845 Shenandoah Macomb
I.A.T.S.E. Local 38 Mark Sejnowski 50845 Shenandoah Macomb, Michigan 48044 (586) 421-1326 (Home) (248) 408-7558 (Cell) E-mail [email protected] OBJECTIVE Be a problem solver and try and make a set look as realistic as possible. To work in accordance with the style of the script, along with the instructions of the production designer, art director, construction coordinator and set decorator. FILM CREDIT HISTORY Batman vrs Superman Dawn Of Justice 2014 Set Dec Painter Lead Painter – Frank Piercy 661- 993- 0962 Eloise 2014 Set Painter Lead Painter – Tony Gaudio 818-406-3256 12 Monkeys NBC TV 2013 Set Painter Lead Painter - Tony Gaudio 818-406-3256 Transformer 4 2013 Set Painter Lead Painter - Frank Piercy 661-993-0962 Need For Speed 2013 Greensman Head Greensman - Mike Zambiski 586-557-2046 Low Winter Sun AMC TV 2012-13 Set Painter Contruction Coordinator - Sean Clouser 818-674-3190 Lead Painter - Dita Clouser 818-282-2236 Into The Storm 2012 Set Painter Lead Painter - Frank Dambra 708-227-5815 Only Lovers Left Alive 2012 Set Painter Construction Coordinator - Sean Clouser 818-674-3190 Lead Painter - Dita Clouser 818-282-2236 AKA Jimmy Picard 2012 Set Painter Construction Coordinator - Sean Clouser 818-674-3190 Lead Painter - Dita Clouser 818-282-2236 Oz: The Great And Powerful 2011 Set Painter Lead Painter - Tom Brown 818-398-5931 Paint Foreman - Eric Saperstein 310-991-3229 Hung Season 3 2011 Set Painter Lead Painter - Melanie Mahoney 310-433-6656 5 Year Engagement 2011 Set Dresser Leadman - Mike Sunga 818-635-2499 Detroit 187 -
Production Guide A4 2018 ONLINE.Indd
BARRANDOVSTUDIO.COM Production Guide BS 2018 cover CC.indd 1 24.04.18 13:12 CONTENTS 02 BARRANDOV STUDIO 04 CZECH REPUBLIC 14 SUPPORT OF THE FILM INDUSTRY IN THE CZECH REPUBLIC – FILM INCENTIVES 16 CO-PRODUCTION 18 BARRANDOV STUDIO SERVICES 20 STAGES AND BACKLOT 32 SET CONSTRUCTION 36 COSTUMES AND PROPS 40 POST-PRODUCTION 41 DUBBING STUDIOS 42 REFERENCES 44 USEFUL CONTACTS PRODUCTION GUIDE 3 Production Guide BS 2018 cover CC.indd 2 24.04.18 13:12 BARRANDOV STUDIO HISTORY Barrandov Studio is your ideal film and TV production hub in Europe. Barrandov Studio is one of the largest and oldest studio As a key player on the European audio-visual scene, we have all your facilities in Europe. Inspired by the American film indus- film-related fields and services in one convenient location. Barrandov try, Barrandov’s founding fathers, the Havel brothers Studio - we’ve been making your creativity real since 1931! (very much related to our first president Vaclav Havel), built the now legendary studios in the 1930s. Since then, Barrandov Studio is one of the largest and oldest film studios in Europe. the company has held a national monopoly in the pro- For more than eighty-five years, the studios have been the location of duction of full-length feature films and has evolved into choice for the production of close to 5,000 films; both Czech and inter- a modern dynamic company, specializing in a full range national. of services for the production of feature films, television, commercials and other audiovisual works. BASIC SERVICES Barrandov films like The Shop on Main Street (1965, Ján Kadár and Elmar Klos) and Closely Watched Trains ■ Soundstage and backlot rental In the early 1990s, Barrandov Studio started focusing (1966, Jiří Menzel) received Oscars in the Best Foreign on the larger foreign market rather than exclusively on ■ Costume and props rental Language Film category. -
Employment Application
American Federation of Utah State Federation of Labor Labor International Alliance of Theatrical Stage Employees, Local 99 526 West 800 South Salt Lake City, Utah 84101 (801) 359-0513 July 16, 2020 Welcome to IATSE Local 99! We hope you are excited to become part of an organization that has been representing workers, like you, for well over a century. IATSE Local 99 will increase your career opportunities and help you to secure your future as a professional in the entertainment industry. Since 1903, Local 99 has represented entertainment industry workers in Salt Lake City and beyond. Our members originally installed screens, operated projectors in movie houses, and worked on traveling shows on the Vaudeville circuit. As the entertainment industry flourished, our work and expertise evolved and expanded beyond our humble beginnings. Today, Local 99 members and referrals work in motion pictures, commercials, convention centers, theatres, arenas, shops, and performing art centers throughout Utah and southern Idaho. Local 99 is proud to be a part of an International union that is over 150,000 members strong, with Locals spanning coast-to-coast in the U.S., its Territories, and Canada. Workers under Local 99 administered agreements receive an extraordinary amount of benefits. The IATSE partners with the IATSE National Benefits Fund (NBF) to provide Medical Insurance plans, Pension plans and Annuity plans. These plans are employer-contributed, self-directed, and may be individually maintained between union jobs. Workers on our MPTV List obligate themselves to a 2% assessment known as “work dues,” which can be deducted from your paycheck if you so choose. -
Texas Moving Image Industry Incentive Program 2014 Update
Texas Moving Image Industry Incentive Program 2014 Update Prepared for the Texas Association of Business By the Bureau of Business Research IC² Institute The University of Texas at Austin Bruce Kellison, Ph.D. and James E. Jarrett, Ph.D. Principal Investigators Acknowledgments Once again, the research team relied heavily on the cooperation of the Texas Film Commission in preparing this update of its 2011 report. Director Heather Page and Incentive Program Manager Robert Schuller patiently provided data on the Moving Image Incentive Program and advice on interpreting trends in the data and nuances in the program. The Bureau of Business Research, IC² Institute, The University of Texas at Austin The Bureau of Business Research (BBR) was established in 1926 to provide small business owners and policymakers with applied economic research and data to strengthen the state’s business environment. Throughout its history, the Bureau and its work have been characterized by objectivity and independence. The Bureau’s prolific publications include Texas Business Review, the Texas Business Leader’s Confidence Index, and numerous economic assessments and program evaluations. The IC² Institute was established in 1977 with the vision that science and technology are resources for economic development and enterprise growth. In addition to the BBR, the Institute oversees several targeted research programs that include the Austin Technology Incubator (with industry-specific incubation assistance for business start-ups in the software, clean energy, wireless, and bioscience technology sectors), and the Global Commercialization Group. The IC² Institute is directed by Dr. Robert A. Peterson. Project Staff Dr. Bruce Kellison, Associate Director of the Bureau of Business Research, IC² Institute, and Dr. -
Location Listing by Category
Phoenix Film Office - PRODUCTION LISTINGS Location Scouts Name/Company Phone-1Phone-2 Email/WebSite Service Description Denton Hanna Photography 480-251-5231 [email protected] APA member. Location management and scouting. 25 years in Arizona. Vast knowledge of statewide locations, permitting and production resources. dentonhanna.com Gregg Singer Zing Productions 602-274-6856 602-931-6856 [email protected] Prop master/set dresser. Location scout. AAA Arizona Access 602-254-5499 602-418-2615 [email protected] Location scout specializing in automotive and transportation related. 25+ years experience. Dennis Ranke Absolute Foto Images 602-274-4741 602-213-5916 [email protected] 10 years experience. Location Scouting, production stills, advertising, commercial, documentary, fashion, & landscape (35mm 120mm, 4x5), & digital video production. Robert Wulff Princely Nesadurai Action Adventures 602-996-9847 602-540-4349 Location scouting. Western props & wardrobe, including gattling gun, cannon, buggies, wagons and stage-coaches. Motorcycles. Pat Larkin Alan Benoit Photography 480-967-2241 602-526-1800 [email protected] APA member. Location management, scouting and photographic services om specializing in Arizona and the Southwest. Arizona from A to Zsm. Stock and production photography. Alan Benoit thereelwest.com Christine Benoit Apex Location Services LLC 602-334-1330 602-568-7290 [email protected] APA member. Production, celebrity slide out coaches. Equipped with all your Xoffice Xcell m production needs. Serving the four corner states and southwest for 16 years with set savvy drivers who know how to help your production run smooth. Wireless internet/fax/copy service available. Mike Loughran apexlocations.com Arizona Land Company/Remote 602-225-3737 [email protected] APA member. -
Glossary of Filmmaker Terms
Above the Line Clapboard Generally the portion of a film's budget that covers A small black or white board with a hinged stick on the costs associated with major creative talent: the top that displays identifying information for each shot stars, the director, the producer(s) and the writer(s). in the movie. Assists with organizing shots during (See also Below the Line) editing process; the clap of the stick allows easier Art Director synchronization of sound and video within each shot. The crew member responsible for the design, look Construction Coordinator and feel of a film's set. Includes props, furniture, sets, Also known as the construction manager, this person etc. Reports to the production designer. supervises and manages the physical construction of Assistant Director (A.D.) sets and reports to the art director and production Carries out the director’s instructions and runs the set. designer. The first A.D. is responsible for preparing the Dailies production schedule and script breakdown, making The rough shots viewed immediately after shooting sure shooting stays on schedule and on budget. The each day by the director, along with the second A.D. is responsible for distributing information cinematographer or editor. Used to help ensure and cast notifications, keeping track of hours worked proper coverage and the quality of the shots gathered. by cast and crew, management of extras, signing Director actors in and out and preparing call sheets. The The person in charge of the overall cinematic vision of second A.D. is also in charge of the production the film and the performance of the actors. -
The Official Magazine of the Location Managers Guild International SUMMER 2017
SUMMER 2017 The Official Magazine of the Location Managers Guild International Prsrt Std U.S. Postage Paid Santa Ana, CA Location Managers Guild International Permit No. 450 8033 Sunset Blvd., Suite 1017 Los Angeles, CA 90046 SUMMER 2017 / IN THIS ISSUE VOLUME 5 / ISSUE 3 4 EDITORS’ DESK “One’s destination is never a place, but a new way of seeing things.” THE FURTHEST REACHES OF YOUR IMAGINATION –HENRY MILLER ARE CLOSER THAN YOU THINK. 26 LM Deon du Preez’s 6 quest for LETTER FROM THE DARK From left: Director Nikolaj Arcel on set with Tom Taylor and Idris Elba (sitting). THE PRESIDENT TOWER Kitshoff Ilze by Photo 8 34 CONTRIBUTORS TAHITI: Diary of a Fam Tour 14 CAREER FOCUS Print pro Peter McClafferty shares his journey 54 MARTINI SHOT 10 33° 4' 72" S / 71° 61' 27" W IN THE NEWS • LMGI on location at the California Conference • Election results: 2017-2018 LMGI Board of Directors • Kentucky enters the incentives race • Busan: Ready for prime time With versatile landscapes, experienced film crews and incentivized tax breaks, the only limit to filming in the U.S. Virgin Islands is your imagination. Enjoy up to a 29% tax rebate and up to a 17% transferable tax credit when you film in the USVI. For more opportunities in St.Croix, St. John and St. Thomas, call 340.775.1444 ext. 2243. filmusvi.com 18 44 IN MY CITY GHOST STORIES ON THE COVER DOWNLOAD THE FILM USVI APP: Jonas Spokas brings us the A haunting tour of Belchite, Idris Elba and Tom Taylor.