The Essential Gospel Music Listening Library
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Corey P. Edwards
Corey P. Edwards Southeast Regional Vice President Music and Worship Arts Auxiliary Florida, Georgia, North Carolina, South Carolina, Virginia Corey P. Edwards is a sought after singer, songwriter, facilitator, worship leader, and church music administrator. His experience and leadership has taken him across the country teaching and training the people of God, in the areas of worship, arts, and music ministry. His thoughtful insight and practical teaching has inspired and blessed thousands. Pastors and church leaders agree that Corey is one of the foremost leaders in the areas of developing sustained and comprehensive church music ministry, strategic planning and leadership accountability. Corey is a noted organist, singer, director and songwriter. He is a member of the Hampton University Choir Directors' and Organists' Guild. He has also studied and participated in other national venues such as the Thomas A. Dorsey Convention of Gospel Choirs and Choruses Inc., of which he is a founding member of the West Central Florida Chapter, the National Baptist Convention Congress of Christian Education, Lucie E. Campbell Workshop, and is a member of the National Collegiate Musicians Association, and International Thespians Society. He has served as the Executive Coordinator of the Dorinda Clark-Cole Regional Singers and Musicians Conference that meets annually in sunny Tampa Bay, Florida. In 2012, he had the opportunity to present and record an original composition entitled “I Need Thee” with the Gospel Music Workshop of America International Mass Choir in Nashville, Tennessee. He currently serves as the Director of Worship, Arts & Music of the Abyssinia Missionary Baptist Church in Jacksonville, FL. where the Rev. -
Alive Is... COMMUNITY LEADERS Board Chair: Dr
Alive’s 2017 Board of Directors | Photo by David Bailey alive is... COMMUNITY LEADERS board chair: Dr. Warren McPherson For the last six years, Dr. Warren McPherson has been a champion and ambassador for Alive as a board member. He has played a variety of leadership roles, including co- chair of our Murfreesboro Advisory Committee and Closer to Home Capital Campaign Committee, which led the effort to build The Residence at Alive Hospice Murfreesboro. He also previously served as treasurer and chairman of the Alive Hospice Board’s Finance Committee. Today, as chairman of Alive’s Board of Directors, McPherson is working to build upon this organization’s past and present as we continue to meet the rising needs for our services – and prepare for the future. It’s the continuation of a long history of leadership and service over his lifetime. Dr. McPherson has served in many leadership roles including chief of staff at the former Middle Tennessee Medical Center, CEO and chairman of Stones River Regional IPA, chairman of the Physicians Insurance Association of America, chairman of the board of the State Volunteer Mutual Insurance Company, and chairman of the board at Stonecrest Medical Center in Smyrna. “I’m honored to serve as board chair for Alive Hospice,” McPherson said. “The people at Alive Hospice are very special people. They do something that is very valuable and very worthwhile, and very few people have the skill set to do it.” Alive Hospice | 2016 Annual Report board of directors FOUNDERS Clark Baker David Hawkins Philip Ransdell YMCA of Middle Tennessee Feltus Hawkins Design Cracker Barrel David Barton, M.D. -
The O'neal Twins
The O’Neal Twins by Opal Louis Nations The O’Neal Twins hailed from a long-established family out of central St. Louis. Their grandparents belonged to the Pentecostal movement headquartered at the All Saints Holiness Church, which later became associated with The Church of God in Christ denomination of Missouri, under the guidance of the late bishop Daniel Bostic. Twins Edgar and Edward were born in 1938 to Rowena and Edward O’Neal III. Early vocal endeavors were encouraged by their pastor, Elder James Ward Senior. However, the lads did not take singing seriously until they were well into their teens. Fooling around on piano and knowing little about harmony, the boys fudged around with a few songs for awhile. The O’Neals were hampered by the fact that they came from a non-musical family. But the boys persevered and by the late fifties were singing at storefront churches, prayer meetings, and occasional trips to guest on programs out of town. St. Louis, of course, is home to The Greater Bethlehem Baptist Church on Washington Street, pastored by the Rev. Cleophus Robinson. The O’Neals became featured guests on Robinson’s church programs. In 1962, the twins were introduced by Robinson to Don Robey, head of Peacock Records in Houston, who signed the pair to a five-year contract. The twins’ first single, topped with the song “Every day with Jesus,” yielded promising sales figures. The O’Neals were fortunate enough to appear on Peter Brysac’s “TV Gospel time” over the spring of 1965. On the program, hosted by Georgia Lewis with Professor Alfred Miller handing the musical arrangements, the duo sang three selections, “Power in the blood,” the twosome’s then current release, plus rapturous renditions of “Prayer is the key” and “Keep in touch with Jesus” from a single put out a year earlier. -
Faces of Praise!: Photos and Gospel Inspirations to Encourage and Uplift (Hardback)
QQMH6WOLB25R // Book < Faces of Praise!: Photos and Gospel Inspirations to Encourage and Uplift (Hardback) Faces of Praise!: Ph otos and Gospel Inspirations to Encourage and Uplift (Hardback) Filesize: 1020.26 KB Reviews These sorts of pdf is the greatest publication readily available. It can be rally intriguing throgh looking at time. You can expect to like how the blogger publish this book. (Prof. Eric Kuvalis II) DISCLAIMER | DMCA GKVFEUMMYTQ5 // Book // Faces of Praise!: Photos and Gospel Inspirations to Encourage and Uplift (Hardback) FACES OF PRAISE!: PHOTOS AND GOSPEL INSPIRATIONS TO ENCOURAGE AND UPLIFT (HARDBACK) To download Faces of Praise!: Photos and Gospel Inspirations to Encourage and Upli (Hardback) PDF, make sure you follow the web link beneath and download the file or have accessibility to additional information which might be in conjuction with FACES OF PRAISE!: PHOTOS AND GOSPEL INSPIRATIONS TO ENCOURAGE AND UPLIFT (HARDBACK) ebook. Time Warner Trade Publishing, United States, 2017. Hardback. Condition: New. Language: English . Brand New Book. This full-color photo gi book that turns chart-topping contemporary gospel music into Bible-based devotions is a three-way blessing for readers: a perfect companion to favorite gospel recordings, an encouraging daily devotional and a unique photo collection.Here are never-before-seen four-color images of the top 60 contemporary gospel artists taken on stage, as they led worship concerts. B. Jerey Grant-Clark met with, worked alongside, and photographed all these gospel icons-- Donnie McClurkin, CeCe Winans, Kirk Franklin, the award winning duo Mary Mary and many more--during his decades-long music career. He joins author Carol M. -
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AuZOOZ AUGUST 10 01If(.1 ... ,1 iO Bilboar+d* TOP BLUES ALBUMS TM ._.l. iií'ilou, '' 02 i ,: ii -iii Sales data compiled by gi o Sales data compiled by W 1 411, Nielsen ti Nielsen 3 Ñ ÿ SoundScan 4 y r SoundScan 5, ARTIST IMPRINT & NUMBER/DISTRIBUTING LABEL Title 5 ARTIST IMPRINT & NUMBER/DISTRIBUTING LABEL Title 2 At Number 1 'SABER 1 12 Weeks At Number 1 tg4 NUMBER 1 =:eP: Weeks The House 1 MARY COLUMBIA/INTEGRITY82273/WORD Incredible 1 ETTA JAMES & THE ROOTS BAND Bumin' Down - MARY PRIVATE MUSIC I1633/RCA 2 1 P.O.D. A0 ATLANTIC83496/WORD Satellite 2 VARIOUS ARTISTS Get The Blues! 4 4 MERCYME INO86133/VORD INl Almost There NARM 50007 4 3 3 AMY GRANT WORD 86211 Legacy...Hymns & Faith 3 COCO MONTOYA Can't Look Back ALLIGATOR 4885 5 6 6 MICHAEL W. SMITH REUNIONI0025/PROVIDENT Worship Love 4 ETTA JAMES Songs . 6 5 7 KIRK FRANKLIN GOSPO CENTRIC 70037/PROVIDENT The Rebirth Of Kirk Franklin 1I2498/MCA CHESS -S- GREATEST GAINER =S- 5 STEVIE RAY VAUGHAN AND DOUBLE TROUBLE Live At Montreux 1982& 1985 9 2 VARIOUS ARTISTS Al INTEGRITY 610m/TIMEUFE Sones 4 Worshict Shout To The Lord LEGACY 8615l/EPIC 0 TESH FAITH MD/GARDEN CITY 34591/WORD A Deeper Faith 7 DELBERT MCCLINTON Nothing Personal co 8 8 JOHN - NEW WEST 6024 9 7 5 MICHELLE WILLIAMS MUSIC WORLD /COLUMBIA82272/WORD Heart To Yours Do You Get The Blues? 6 JIMMIE VAUGHAN 10 10 9 YOLANDA ADAMS ELEKTRA62690/WORD Believe ARTEMIS 751091 11 11 10 VARIOUS ARTISTS SIXSTEPS /SPARROW 1923/CHORDANT Passion: Our Love Is Loud 10 VARIOUS ARTISTS Pure Blues SPARROW 6887 / CHORDANT Dove Hits 2002 UN 556176 : 12 12 11 VARIOUS ARTISTS 12 ROBBEN FORD Blue Moon -13 13 12 THIRD DAY . -
Music 18145 Songs, 119.5 Days, 75.69 GB
Music 18145 songs, 119.5 days, 75.69 GB Name Time Album Artist Interlude 0:13 Second Semester (The Essentials Part ... A-Trak Back & Forth (Mr. Lee's Club Mix) 4:31 MTV Party To Go Vol. 6 Aaliyah It's Gonna Be Alright 5:34 Boomerang Aaron Hall Feat. Charlie Wilson Please Come Home For Christmas 2:52 Aaron Neville's Soulful Christmas Aaron Neville O Holy Night 4:44 Aaron Neville's Soulful Christmas Aaron Neville The Christmas Song 4:20 Aaron Neville's Soulful Christmas Aaron Neville Let It Snow! Let It Snow! Let It Snow! 2:22 Aaron Neville's Soulful Christmas Aaron Neville White Christmas 4:48 Aaron Neville's Soulful Christmas Aaron Neville Such A Night 3:24 Aaron Neville's Soulful Christmas Aaron Neville O Little Town Of Bethlehem 3:56 Aaron Neville's Soulful Christmas Aaron Neville Silent Night 4:06 Aaron Neville's Soulful Christmas Aaron Neville Louisiana Christmas Day 3:40 Aaron Neville's Soulful Christmas Aaron Neville The Star Carol 2:13 Aaron Neville's Soulful Christmas Aaron Neville The Bells Of St. Mary's 2:44 Aaron Neville's Soulful Christmas Aaron Neville Tell It Like It Is 2:42 Billboard Top R&B 1967 Aaron Neville Tell It Like It Is 2:41 Classic Soul Ballads: Lovin' You (Disc 2) Aaron Neville Don't Take Away My Heaven 4:38 The Grand Tour Aaron Neville I Owe You One 5:33 The Grand Tour Aaron Neville Don't Fall Apart On Me Tonight 4:24 The Grand Tour Aaron Neville My Brother, My Brother 4:59 The Grand Tour Aaron Neville Betcha By Golly, Wow 3:56 The Grand Tour Aaron Neville Song Of Bernadette 4:04 The Grand Tour Aaron Neville You Never Can Tell 2:54 The Grand Tour Aaron Neville The Bells 3:22 The Grand Tour Aaron Neville These Foolish Things 4:23 The Grand Tour Aaron Neville The Roadie Song 4:41 The Grand Tour Aaron Neville Ain't No Way 5:01 The Grand Tour Aaron Neville The Grand Tour 3:22 The Grand Tour Aaron Neville The Lord's Prayer 1:58 The Grand Tour Aaron Neville Tell It Like It Is 2:43 Smooth Grooves: The 60s, Volume 3 L.. -
Choir Anniversary
CHOIR ANNIVERSARY CULTURAL RESOURCES Sunday, August 21, 2011 Tammy L. Kernodle, Guest Cultural Resources Commentator Miami University, Associate Professor of Musicology I. The History Section Since the first gospel choir appeared in the 1930s at the Pilgrim Baptist Church in Chicago, it has remained one of the most recognized symbols of Black Church culture and Christendom in general. In the decades since Thomas Dorsey, Theodore Frye, Lucie Campbell, and several other individuals advanced the gospel choir as one of the significant agents of worship, the nature of music ministry has evolved extensively. Today many congregations have multiple choirs that are defined by age and gender as well as by the type of repertoire performed. Despite diverse and sometimes controversial ideologies about the role of the choir within the Church and the appropriateness of certain types of music within the context of worship, the one unifying agent that draws all of these phenomenon together is the celebration of Choir Day or the Choir Anniversary. This celebration, outside of the annual concerts or musical programs, is one of the few moments within the life of the Black Church in which the importance of the ministry of music in the life of the Church and its role in extending the ministry of the Word is acknowledged. The history of the choir within black congregations is intertwined with that of the hymn and gospel song, which was advanced during the early 20th century through composers such as Charles Tindley, Lucie Campbell, and Thomas Dorsey. The emergence of both reflected the evolution of worship practices as African Americans moved from rural to urban environments, agrarian to industrial economic systems, and traditional to cosmopolitan life experiences. -
View the Program Book for How I Got Over
A conversation with Judith Casselberry, Charrise Barron, Mellonee Burnim, Joyce Marie Jackson, Randal Jacobs, and Matthew D. Morrison Performances by Marcelle Davies-Lashley, Jhetti, and Samuel Guillaume Sunday, December 10, 2017 3:00 p.m. Apollo Theater Front Cover: Mahalia Jackson; March on Washington for Jobs and Freedom 1957 LIVE WIRE: HOW I GOT OVER - THE SPIRIT OF GOSPEL MUSIC In 1963, when Mahalia Jackson sang “How I Got Over” before 250,000 protesters at the March on Washington for Jobs and Freedom, she epitomized the sound and sentiment of Black Americans one hundred years after Emancipation. To sing of looking back to see “how I got over,” while protesting racial violence and social, civic, economic, and political oppression, both celebrated victories won and allowed all to envision current struggles in the past tense. Gospel is the good news. Look how far God has brought us. Look at where God will take us. On its face, the gospel song composed by Clara Ward in 1951, spoke to personal trials and tribulations overcome by the power of Jesus Christ. Black gospel music, however, has always occupied a space between the push to individualistic Christian salvation and community liberation in the context of an unjust society— a declaration of faith by the communal “I”. From its incubation at the turn of the 20th century to its emergence as a genre in the 1930s, gospel was the sound of Black people on the move. People with purpose, vision, and a spirit of experimentation— clear on what they left behind, unsure of what lay ahead. -
Grade 6 Fine Arts
Sixth Grade Fine Arts Activities Dear Parents and Students, In this packet you will find various activities to keep a child engaged with the fine arts. Please explore these materials then imagine and create away! Inside you will find: Tiny Gallery of Gratitude… Draw a picture relating to each prompt. Facial Expressions- Practice drawing different facial expressions. Proportions of the Face- Use this resource to draw a face with proper proportions. Draw a self-portrait- Use your knowledge from the proportions of the face sheet to create a self-portrait. Sneaker- Design your own sneaker. How to Draw a Daffodil- See if you can follow these steps to draw a daffodil. Insects in a Line- Follow the instructions to draw some exciting insects! Let’s Draw a Robot- Use these robot sheets to create your own detailed robot. Robot Coloring Sheet- Have fun. 100 Silly Drawing Prompts- Read (or have a parent or sibling read) these silly phrases and you try to draw them. Giggle and have fun! Musician Biographies- Take some time to learn about a few musicians and reflect on their lives and contributions to popular music. Louis Armstrong Facts EARLY LIFE ★ According to his baptismal records, Louis Armstrong was born in New Orleans, Louisiana on August 4, 1901, although for many years he claimed to have been born on July 4, 1900. ★ His mother, Mary Albert, was only sixteen when she gave birth to Louis; his father, William Armstrong, abandoned the family shortly after his birth - this resulted in Louis being raised by his grandmother until he was about five years old, when he returned to his mother’s care. -
Gospel Music, According to Aretha
encountered, this budding singer-pianist fully work artistically or commercially. Gospel Music, was not simply a protégée, but a prodigy. But while Aretha struggled to find the Her gift is apparent in a recording made one right setting for her voice, the musical Sunday morning at a church service in 1956. landscape changed around her. By the According To Aretha Accompanied by piano, a teenage Aretha mid-’60s, a generation of songwriters and sings Thomas Dorsey’s classic “Take My singers including Curtis Mayfield, Wilson No one intermingled the secular and the Hand, Precious Lord” with extraordinary Pickett, Gladys Knight and David Ruffin spiritual — kept separate since the days of pitch and control. About four minutes in, had erased the separation between R&B slavery — like this daughter of a preacher man the song falls away, and for the next two and gospel, reshaping the sound of black minutes, the young woman improvises pop music and in so doing affecting the BY NELSON GEORGE moans, groans and whoops that would, one sound of all music in that vibrant era of day, become staples of American singing. exploration. The soul sound — with its t age 14, Aretha Louise Franklin The vocal techniques Aretha was attitude reflecting the progressive ideas was already a veteran of the black exploring in church had largely been of the civil rights movement — was as gospel circuit of the 1950s, a confined, due to racism and tradition, to dominant for a young person then as, say, segregated world of charismatic “Negroes.” But the sound was a product trap is today. -
I Sing Because I'm Free‖: Developing a Systematic Vocal Pedagogy For
―I Sing Because I‘m Free‖: Developing a Systematic Vocal Pedagogy for the Modern Gospel Singer D. M. A. Document Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts in the Graduate School of The Ohio State University By Crystal Yvonne Sellers Graduate Program in Music The Ohio State University 2009 Dissertation Committee: Loretta Robinson, Advisor Karen Peeler C. Patrick Woliver Copyright by Crystal Yvonne Sellers 2009 Abstract ―I Sing Because I‘m Free‖: Developing a Systematic Vocal Pedagogy for the Modern Gospel Singer With roots in the early songs and Spirituals of the African American slave, and influenced by American Jazz and Blues, Gospel music holds a significant place in the music history of the United States. Whether as a choral or solo composition, Gospel music is accompanied song, and its rhythms, textures, and vocal styles have become infused into most of today‘s popular music, as well as in much of the music of the evangelical Christian church. For well over a century voice teachers and voice scientists have studied thoroughly the Classical singing voice. The past fifty years have seen an explosion of research aimed at understanding Classical singing vocal function, ways of building efficient and flexible Classical singing voices, and maintaining vocal health care; more recently these studies have been extended to Pop and Musical Theater voices. Surprisingly, to date almost no studies have been done on the voice of the Gospel singer. Despite its growth in popularity, a thorough exploration of the vocal requirements of singing Gospel, developed through years of unique tradition and by hundreds of noted Gospel artists, is virtually non-existent. -
African American Sheet Music Collection, Circa 1880-1960
African American sheet music collection, circa 1880-1960 Emory University Stuart A. Rose Manuscript, Archives, and Rare Book Library Atlanta, GA 30322 404-727-6887 [email protected] Descriptive Summary Title: African American sheet music collection, circa 1880-1960 Call Number: Manuscript Collection No. 1028 Extent: 6.5 linear feet (13 boxes) and 2 oversized papers boxes (OP) Abstract: Collection of sheet music related to African American history and culture. The majority of items in the collection were performed, composed, or published by African Americans. Language: Materials entirely in English. Administrative Information Restrictions on Access Unrestricted access. Terms Governing Use and Reproduction Printed or manuscript music in this collection that is still under copyright protection and is not in the Public Domain may not be photocopied or photographed. Researchers must provide written authorization from the copyright holder to request copies of these materials. The use of personal cameras is prohibited. Source Collected from various sources, 2005. Custodial History Some materials in this collection originally received as part of the Delilah Jackson papers. Citation [after identification of item(s)], African American sheet music collection, Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University. Processing Processed by Elizabeth Russey, October 13, 2006. Emory Libraries provides copies of its finding aids for use only in research and private study. Copies supplied may not be copied for others or otherwise distributed without prior consent of the holding repository. African American sheet music collection, circa 1880-1960 Manuscript Collection No. 1028 This finding aid may include language that is offensive or harmful.