Nothing Sacred
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Nothing Sacred (United Artists Pressbook, 1937)
SEE THE BIG FIGHT! DAVID O. SELZNICK’S Sensational Technicolor Comedy NOTHING SACRED WITH CAROLE LOMBARD FREDRIC MARCH CHARLES WINNINCER WALTER CONNOLLY by the producer and director of "A Star is Born■ Directed by WILLIAM A. WELLMAN * Screen play by BEN HECHT * Released thru United Artists Coyrighted MCMXXXVII by United Artists Corporation, New York, N. Y. KNOCKOUT'- * IT'S & A KNOCKOUT TO^E^ ^&re With two great stars 1 about cAROLE {or you to talk, smg greatest comedy LOMBARD, at her top the crest ol pop- role. EREDWC MARC ^ ^ ^feer great ularity horn A s‘* ‘ cWSD.» The power oi triumph in -NOTHING SA oi yfillxanr Selznick production, h glowing beauty oi Wellman direction, combination ^ranced Technicolor {tn star ls . tS made a oi a ^ ““new 11t>en “^ ”«»•>- with selling angles- I KNOCKOUT TO SEE; » It pulls no P“che%afanXioustocount.Beveald laughs that come too to ot Carole Lomb^ mg the gorgeous, gold® the suave chmm ior the fast “JXighest powered rolejhrs oi Fredric March m the g ^ glamorous Jat star has ever had. It 9 J the scieen has great star st unusual story toeS production to th will come m on “IsOVEB:' FASHION PROMOTION ON “NOTHING SACHEH” 1AUNCHING a new type of style promotion on “The centrated in the leading style magazines and papers. And J Prisoner of Zenda,” Selznick International again local distributors of these garments will be well-equipped offers you this superior promotional effort on to go to town with you in a bang-up cooperative campaign “Nothing Sacred.” Through the agency of Lisbeth, on “Nothing Sacred.” In addition, cosmetic tie-ups are nationally famous stylist, the pick of the glamorous being made with one of the country’s leading beauticians. -
Kevin Morby Shares New Song / Video, “Nothing Sacred / All Things Wild,”
March 27, 2019 For Immediate Release KEVIN MORBY SHARES NEW SONG / VIDEO, “NOTHING SACRED / ALL THINGS WILD,” FROM NEW ALBUM, OH MY GOD, OUT 4/26 ON DEAD OCEANS Photo Credit: Barrett Emke WATCH THE VIDEO FOR “NOTHING SACRED” https://www.youtube.com/watch?v=e-GDoK1LK6Q WATCH THE VIDEO FOR “NO HALO” https://youtu.be/ByAN7DdKaGw PRE-ORDER OH MY GOD https://kevinmorby.ffm.to/ohmygod Musical auteur Kevin Morby shares a new song and an accompanying video, “Nothing Sacred / All Things Wild,” from Oh My God, out April 26th via Dead Oceans. Following the previously released “No Halo,” “Nothing Sacred / All Things Wild” blooms slowly, beginning with minimalistic percussion before swelling with gospel chorales and the occasional flutter of saxophone. The video, directed by frequent collaborator and filmmaker Christopher Good and produced by Andreina Byrne, presents off-kilter imagery - Morby walking barefoot through a greenhouse as children sleep on the floor, football players huddling in a cloud of smoke, a young girl’s ankles ensnared by vines. The result is a beautifully constructed exploration of oscillating time. In terms of the song itself, it holds the key to the sound that Morby and producer Sam Cohen developed that would come to define the whole record. "'Nothing Sacred' was the moment that Sam and I stumbled into what would become the sonic landscape of Oh My God by breaking the songs down to their parts and doing away with a conventional band," explains Kevin. "Rather than I play the song on guitar as originally intended, Sam suggested I only sing while he play organ and Nick [Kinsey], who is the drummer of my live band, play congas. -
Christopher Williams Born 1956 in Los Angeles
This document was updated March 3, 2021. For reference only and not for purposes of publication. For more information, please contact the gallery. Christopher Williams Born 1956 in Los Angeles. Lives and works in Cologne, Chicago, and Los Angeles. EDUCATION & TEACHING 2008 - present Professor, Kunstakademie Düsseldorf 1981 M.F.A., California Institute of the Arts, Valencia 1978 B.F.A., California Institute of the Arts, Valencia SOLO EXHIBITIONS 2020 Christopher Williams: Footwear (Adapted for Use), David Zwirner, New York 2019 Christopher Williams - MODEL: Kochgeschirre, Kinder, Viet Nam (Angepasst zum Benutzen), C/O Berlin 2018 Christopher Williams: Normative Models, Kestner Gesellschaft, Hanover [catalogue] 2017 Christopher Williams: Books Plus, ARCHIV, Zurich Christopher Williams: Models, Open Letters, Prototypes, Supplements, La Triennale di Milano, Milan Chirstopher Williams: Open Letter: The Family Drama Refunctioned? (From the Point of View of Production), David Zwirner, London Christopher Williams. Stage Play. Supplements, Models, Prototypes, Miller’s, Zurich [organized by gta exhibitions, ETH Zurich] Christopher Williams: Supplements, Models, Prototypes, Corbett vs. Dempsey, Chicago Christopher Williams: Supplements, Models, Prototypes, ETH Zurich, Institute gta, Zurich 2016 Christopher Williams, Capitain Petzel, Berlin 2014 Christopher Williams. For Example: Dix-Huit Leçons Sur La Société Industrielle (Revision 19), David Zwirner, New York [artist publication] Christopher Williams: The Production Line of Happiness, Art Institute of Chicago [itinerary: The Museum of Modern Art, New York; Whitechapel Gallery, London] [catalogue] Christopher Williams: The Production Line of Happiness, Galerie Mezzanin, Vienna Christopher Williams: The Production Line of Happiness, Musée d’art moderne et contemporain (MAMCO), Geneva [part of Des histoires sans fin/Endless stories series] 2013 Christopher Williams, Volker Bradtke, Düsseldorf Christopher Williams. -
Cindy Bernard - 1 –
Cindy Bernard - 1 – Cindy Bernard P.0. Box 50545 Los Angeles, CA 90050 Born: San Pedro, California Email: [email protected] Website: www.cindybernard.com Education: California Institute of the Arts (CalArts), M.F.A., 1985 California State University, Long Beach, B.A., 1981 Current positions: Adjunct Professor, Graduate Fine Art, Art Center College of Art and Design Founding Director, SASSAS, www.sassas.org SOLO MUSEUM PROJECTS 2013 Stedelijk Museum, Amsterdam 2011 Los Angeles County Museum of Art SOLO MUSEUM AND GALLERY EXHIBITIONS 2017 Richard Telles Fine Art, Los Angeles (May) 2014 Fralin Museum of Art, University of Virginia 2008 Tracy Williams LTD, New York Mills Gallery, Boston Center for the Arts 2005 Tracy Williams LTD, New York 2004 Margo Leavin Gallery, Los Angeles University of Nevada, Las Vegas The Suburban, Chicago 2002 Lemon Sky Projects + Editions, Los Angeles 2000 MAK Center for Art and Architecture (Schindler House), Los Angeles 1997 Lotta Hammer, London 1996 Air de Paris, Paris 1995 James Hockey Gallery, WSCAD, Farnham, England traveled to: Viewpoint Gallery, Salford, England 1993 Center for Creative Photography, University of Arizona, Tucson traveled to: Southeast Museum of Photography 1992 Richard Kuhlenschmidt Gallery, Santa Monica 1991 Air de Paris, Nice, France 1990 Richard Kuhlenschmidt Gallery, Santa Monica 1988 Michael Kohn Gallery, Los Angeles SOLO SCREENINGS AND PERFORMANCES 2013 Human Resources, Los Angeles 2010 SASSAS, Fiesta Hall, Los Angeles 2009 USC School of Cinema, Los Angeles 2005 Tonic, New York 2004 University of Nevada, Los Angeles 2001 Goldman-Tevis Gallery, Los Angeles* Beyond Baroque, Los Anglees* 2000 MAK Center for Art and Architecture (Schindler House), Los Angeles 1999 Santa Monica Museum of Art* *projections+sound w/Joseph Hammer Cindy Bernard - 2 – GRANTS, AWARDS AND FELLOWSHIPS 2017 UCross Residency 2016 MacDowell Fellowship / Residency 2013 Ruffin Distinguished Artist In Residence, McIntire Dept. -
Program Sessions
PROGRAM SESSIONS ůƚŚŽƵŐŚƚŚĞŵĞƌŝĐĂŶĐĂĚĞŵLJŽĨZĞůŝŐŝŽŶĐŽŽƉĞƌĂƚĞƐǁŝƚŚZĞůĂƚĞĚ^ĐŚŽůĂƌůLJKƌŐĂŶŝnjĂƟŽŶƐ;Z^KƐͿƚŚĂƚŚĂǀĞƐŝŵŝůĂƌŵŝƐƐŝŽŶƐ ĂƐƚŚĞZ͕ĂŶĚƉƌŽǀŝĚĞƐƚŚĞŵƐƉĂĐĞĨŽƌƚŚĞŝƌŵĞĞƟŶŐƐ;ƐĞƐƐŝŽŶƐŵĂƌŬĞĚǁŝƚŚĂWηͿ͕ƚŚĞĐŽŶƚĞŶƚŽĨƚŚĞƐĞƐĞƐƐŝŽŶƐŝƐŶŽƚƌĞǀŝĞǁĞĚ ďLJĞŝƚŚĞƌƚŚĞZ͛ƐWƌŽŐƌĂŵhŶŝƚƐŽƌŝƚƐWƌŽŐƌĂŵŽŵŵŝƩĞĞ͘ FRIDAY, NOVEMBER 16 NOVEMBER FRIDAY, P15-200 FRIDAY, NOVEMBER 16 Adventist Society for Religious Studies Theme: Deans and Chairs of Adventist Universities Meeting A16-100 Thursday, 2:30 PM–5:00 PM Teaching and Learning Committee Meeting Convention Center-204 (Street Level) Friday, 8:00 AM–12:00 PM Hyatt Regency-AAR Suite P15-300 Davina C. Lopez, Eckerd College, Presiding Polanyi Society Theme: Developing Polanyian Thought P16-6 Thursday, 4:00 PM–6:30 PM Adventist Society for Religious Studies Convention Center-106 (Street Level) Theme: Paper Session II: Theological Reflections Charlie Butler, Oak Hill Theological College Polanyian Hermeneutics? (Meaning) in Dialogue with Paul Ricoeur Friday, 8:00 AM–9:30 AM Convention Center-401 (Street Level) Margaret McKerron, University of Saint Andrews The Belief of Friends: Polanyi and the Implications of Friendship Adelina Alexe, Andrews University Relationships Objectivity, Finitude, and Authority in Postmodernism: Anthropological Insights from Charles Taylor’s and Richard Rorty’s Martin Turkis, San Francisco, CA Critiques of Epistemology Post-critical, Post-liberal Aleksandar Santrac, Washington Adventist University The Adventist Scholar Today and Bonhoeffer’s Intellectually Relevant, P15-400 G Prophetically Vibrant and Ethically -
Nothing Sacred
43rd Season • 410th Production SEGERSTROM STAGE / SEPTEMBER 1 - OCTOBER 8, 2006 David Emmes Martin Benson PRODUCING ARTISTIC DIRECTOR ARTISTIC DIRECTOR presents NOTHING SACRED by George F. Walker James Youmans Angela Balogh Calin York Kennedy AND Jerome Martin COSTUME DESIGN LIGHTING DESIGN SCENIC DESIGN Michael Roth Jeff Gifford Jamie A. Tucker* ORIGINAL MUSIC/MUSIC DIRECTION PRODUCTION MANAGER STAGE MANAGER DIRECTED BY Martin Benson Mary Beth Adderley, Richard Wright and Elizabeth Adderley HONORARY PRODUCERS CORPORATE PRODUCER Nothing Sacred was originally produced by Canadian Stage Company, Toronto, 1988 Nothing Sacred • SOUTH COAST REPERTORY P1 THE CAST (in order of appearance) Bailiff ............................................................................ Jeremy Peter Johnson* Gregor ..................................................................................... Jeremy Guskin* Arkady Kirsanov .................................................................... Daniel Blinkoff* Yevgeny Bazarov ................................................................ Eric D. Steinberg* Nikolai Kirsanov ...................................................................... Richard Doyle* Piotr ......................................................................................... Hal Landon Jr.* Fenichka ............................................................................... Angela Goethals* Pavel Kirsanov ........................................................................... John Vickery* Victor Sitnikov ............................................................................. -
Bolton Group Hires Lawyers In
24 - MANCHESTER HERALD. Fri„ March 5, 1962 Despite Reagan budget cuts State rests case ,Comic John Belushi 'Nova, Hoyas Brighter days are ahead for handicapped in von Bulow trial dies in Hollyvfood reach finals • In the 44 years since then, the 100 workshops ... page 8 ... page 15 While the Reagan administration’s budget-cutters are are handicapped would not serve any purpose.” ... page 4 From the side of the handicapped, this nation’s blind associated with NIB have built their sajes to U.S, agen slashing funds to design and install equipment to help cies and departments to more than $1(W the handicapped, privataginduslry and the handicapped population of around 470,000 offers the roost outstanding Your examples of people working, earning wages based on eluding sales to military stores of over $1() million this themselves are makmg surprisingly impressive year. In addition, their volume in coinmercial consumer progress on their own. And this has little (if anything) to their producUvity, paying taxes — and generally do with 1981’s International Year of the Disabled Per Money's smashing our stereotype images of the blind into saw products is running around 350 million a year. How do blind people get jobs in these workshops son, generally dismissed in this country as a dismal dust. „ Worth • There are workshops for the blind across the nation, (where 5,500 now work)? Most are referr^ by sUte failure, despite official statements of optimism. agencies for the blind and receive vocational evaluation In fact, so far at least, the handicapped seem to be Sylvia Porter where men and women operate complex machines, such Snow and rain Manchester, Conn. -
Call for Papers (PDF)
CLUSTERS *NEW* Arts, Film, Literature, Media, Popular Culture, Visual Culture, and Religion Cluster S. Brent Plate, Hamilton College, [email protected]. Inspired by Edgar Allen Poe and his hometown of Baltimore, this Cluster will be assembling a prearranged roundtable on the gothic as a way to explore the complexities of genre and genre analysis. Possible approaches include the mediation of the gothic, the gothic in popular and visual culture, modern reinvention of historical architectural styles (i.e., gothic‐revival churches), horror films, “Goth” scenes, and the appearance of religion and media in gothic literature, film, and subcultures. Other possibilities include gothic parody, both in gothic literature and in goth culture. Anonymity of Review Process: N/A Method of Submission: N/A *NEW* Social Theory and Religion Cluster Ipsita Chatterjea, Vanderbilt University, [email protected]. Randall Styers, University of North Carolina, Chapel Hill, [email protected]. This Cluster seeks individual paper, papers session, or roundtable proposals on social theory and the department of religion, considering such issues as institutional structure, interdisciplinary, and directions for the future, and the best recent examples of social and critical theory applied to the data of religion. Anonymity of Review Process: Proposer names are anonymous to Chairs and Steering Committee members during review, but visible to Chairs prior to final acceptance or rejection. Method of Submission: PAPERS SECTIONS Arts, Literature, and Religion Section Diane Apostolos‐Cappadona, Georgetown University, [email protected]. Eric Ziolkowski, Lafayette College, [email protected]. This Section invites proposals for individual papers and preorganized papers sessions or roundtables on any of the following topics: 1) The history and practice of calligraphy in world religions; 2) Islam — arts, film, literature, and media; 3) The religious in the literature of C.