DOCSLIB.ORG

Chennai Express’

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

SHAH RUKH KHAN, DEEPIKA PADUKONE, ROHIT SHETTY AND UTV LAUNCH THE FIRST LOOK OF ‘CHENNAI EXPRESS’ Mumbai 13th June 2013: The first look of UTV Motion Pictures’ and Red Chillies Entertainments Pvt Ltd.’s Chennai Express was launched today by Shah Rukh Khan - Actor and Producer, Red Chillies Entertainments Pvt Ltd, Ronnie Screwvala - Managing Director, Disney UTV and Siddharth Roy Kapur - Managing Director - Studios, Disney UTV at a star studded event. Leading lady of the film Deepika Padukone and director Rohit Shetty attended the gala event with all the fanfare befitting the highly anticipated release. This is UTV and Red Chillies’ first co-production collaboration. Before this, SRK and UTV have worked together on the iconic and critically acclaimed movie Swades, released in 2004. Commenting on his first ever production collaboration with UTV and his role, Shah Rukh Khan said, “It has been a great working experience with UTV. Especially as an actor, I have completely enjoyed myself while shooting for this film. I have had a lot of fun during the shoot of this film. Chennai Express is a love story… but completely Rohit Shetty Shtyle. Rohit is a brilliant director and I am very glad that we came together for this film. Deepika will surprise everyone with this film and I hope that our audiences love what we have done for them. This film is for everyone who loves being entertainer by cinema!” “At UTV our vision is to work with the best creative minds in the business and this collaboration with Red Chillies for Chennai Express is in keeping with that vision. We are very excited about kicking off the promotions for the film and are looking forward to the reactions to our music and trailers. Under Rohit’s superb direction and with SRK and Deepika’s standout performances, I am certain that Chennai Express will be the most entertaining experience audiences have had in a movie theatre in a long time!,” said Siddharth Roy Kapur, Managing Director - Studios, Disney UTV. “Chennai Express is one of the best stories I have worked on so far. This is a story that I have had an association with since 2008. It has been a journey in itself and I am glad we are showing the trailer today for everyone to see what we have made. It was a great pleasure to work with Shah Rukh Khan. He is an utter delight to work with and is the finest actor our country has today. Deepika is the surprise element of the film and she is easily going to woo the audience. I have always catered to family audiences and Chennai Express is a family entertainer,” said director Rohit Shetty. “We’ve had a blast working with Rohit on Chennai Express. He’s extremely clear in his approach of film making. Also, Shah Rukh would always say our next film together has to be as special as On Shanti Om. I’m glad Chennai Express happened and excited that everyone will get to see the trailer today,” said actress Deepika Padukone. Chennai Express will hit theatres worldwide on Eid - 8th August 2013. SYNOPSIS: The story of a Mumbai boy (Shah Rukh Khan) who embarks on a journey to a small town in Tamil Nadu, only to fulfil the last wish of his grandfather to have his ashes immersed in Rameshwaram. En route, he meets a South Indian girl (Deepika Padukone) hailing from an orthodox family. As they find love through this journey in the exuberant lands of South India, the clash of cultures awaits them. What follows is a series of adventures where he finds himself in new surroundings, challenged with an unfamiliar language! Chennai Express is an action packed romantic movie. Come fall in love… Rohit Shetty style! Red Chillies Entertainments: Red Chillies Entertainments headed by Shah Rukh Khan and Gauri Khan is a company that is surging ahead in the global entertainment industry. Its latest venture Chennai Express is a film starring Deepika Padukone and Shah Rukh Khan. It is a first collaboration between Red Chillies Entertainments and director Rohit Shetty. The film revolves around a romance that blossoms in a man's life aboard the Chennai Express, during the course of his journey from Chennai to Rameswaram. It also includes a fair share of action and entertainment which is sure to leave fans on the edge of their seats! It's last release and box office record breaking movie Ra.One (2011) still stands as Bollywood's very first futuristic movie with stunning visual effects and state of the art production technique and included an impressive star cast comprising of Shah Rukh Khan, Arjun Rampal and Kareena Kapoor. Red Chillies Entertainments' earlier endeavors include, My Name is Khan (2010) which was a co-production of Red Chillies and Dharma Production starring Shah Rukh Khan and Kajol. The movie was a blockbuster hit of 2010. Billu (2009), starring Irrfan Khan and Lara Dutta created a buzz, Om Shanti Om (2007) which also set the box-office on fire and Paheli (2005) which was India's official entry to the Oscars in that year. Founded in 2002 as a film production house, Red Chillies Entertainments has branched itself into other spheres of production, starting from setting up a path breaking Special Effects studio, VFX, which brought Hollywood's slick sophistication to Indian cinema. Don - The Chase Begins Again, won European accolades for Best Special Effects in 2006. And a year later, the Star Screen Awards singled out Om Shanti Om, for best visual effects (2007). The film also made a clean sweep, winning all the special effects awards for the year 2007. In 2008, VFX followed up on its winning streak by clutching all the biggies to expand its awards arsenal with the Filmfare, Zee Lux, IIFA (Bangkok), Screen, Indy's & Apsara Producer's Guild Awards. The company's TVC division has churned out ad commercials for some major global brands like Pepsi, Nokia, Hyundai, ITC & Emami to name a few. Red Chillies Entertainments has also spread its wings to the television industry with the successful shows like 'Ishaan', 'Tere Mere Beach Mein', 'Ghar Ki Baat Hai', 'First Ladies with Abu Sandeep' and telefilms like 'Like I love You' and 'Love Ho Jaane De' With global entertainment conglomerates evincing keen interest, Red Chillies Entertainments is all set to blitzkrieg the world of entertainment! Disney UTV Studios: Bringing together the best of both worlds, The Walt Disney Studios and UTV Motion Pictures have formed one of the leading film studios in India. The Studio’s activities span across creative development, production, marketing, distribution, licensing, merchandising and syndication of films in India and worldwide. UTV Motion Pictures as a dominant player in the Indian film industry has been in the forefront of bringing Indian films to a global audience and the last decade in Indian cinema has seen UTV delivering some of the most iconic films including Swades, Rang De Basanti, Jodhaa Akbar, A Wednesday, Dev D, Khosla Ka Ghosla, The Namesake, Life in a Metro, Oye Lucky! Lucky Oye!, Fashion, Kaminey, No One Killed Jessica, Raajneeti, Udaan, Peepli Live, Delhi Belly, Ek Main Aur Ekk Tu, Paan Singh Tomar, Rowdy Rathore, Barfi!, Heroine, Race 2 and more recently AnyBody Can Dance (ABCD), Kai Po Che! and Yeh Jawaani Hai Deewani. Over the years, the studio has worked with the most eminent production and direction talent in the industry including Shah Rukh Khan, Aamir Khan, Akshay Kumar, Ajay Devgn, Priyanka Chopra, Katrina Kaif, Vidya Balan, Kareena Kapoor, Karan Johar, Mira Nair, M. Night Shyamalan, Ashutosh Gowariker, Prakash Jha, Sanjay Leela Bhansali, Anurag Basu, Rohit Shetty, Abhishek Kapoor, and Shyam Benegal, while backing new talent like Sushant Singh Rajput, Amit Sadh, Ileana D’ Cruz, Neeraj Pandey, Raj Kumar Gupta, Nishikant Kamat, Dibakar Banerjee, Vikramaditya Motwane, Amit Trivedi, Akshat Verma, Remo D’Souza and many others. The studio has to its credit 4 films in the last 7 years to have been selected to represent India at the Academy awards; Rang De Basanti (2006), Harishchandrachi Factory (2009), Peepli Live (2010) and Barfi! (2012). In 2011, the studio successfully ventured into South Indian cinema with Deiva Thirumagal and Muran. Since then the studio had successful films in Vettai, Masala Café, Mugamoodi, Thaandavam and Settai in Tamil, and Grandmaster and Husbands in Goa in Malayalam. Today, Disney UTV has a library of over 80 films including Hindi, Regional, Animation and International Productions, which have been showcased in over 50 festivals across 35 countries, receiving almost 320 awards in the last 9 years. The Walt Disney Studios has seen unprecedented box office success in India recently with MARVEL’s The Avengers which was distributed and marketed in India by UTV Motion Pictures. The film also emerged as the 4th highest grosser of all-time amongst Hollywood films in India. Prior to this, Cars 2 and Pirates of the Caribbean 4 released in 2011 and were the biggest animation and live action titles of all time for Disney in the country. In 2010, Prince of Persia became the highest grossing western film in India that year. Earlier, Disney released its first live action Hindi feature Do Dooni Chaar in 2010 and subsequently after the success of the film, released Anaganaga-O-Dheerudu, a Telugu feature targeted at the southern audiences and second Hindi live-action film Zokkomon. Coming up from the combined Studio is an inimitable slate with films like Ghanchakkar, Satyagraha and Chennai Express in Hindi, Sigaram Thodu and Theeya Velai Seiyyanum Kumaru in Tamil, The Lone Ranger, Monsters University in English and many more. For more information please contact: Red Chillies Entertainments Disney UTV Studios Mandvi Sharma Sujata Chanda [email protected] [email protected] .
Recommended publications
  • Paper Teplate

    Paper Teplate

    Volume-04 ISSN: 2455-3085 (Online) Issue-03 RESEARCH REVIEW International Journal of Multidisciplinary March-2019 www.rrjournals.com[UGC Listed Journal] Effect of Visuality of Indian Cinema on Society and Individual Psychology Anchal Dahiya M.A (English), D.U. ________________________________________________________________________________________________________ Visuality simply means the state or property of being Bollywood is the most important aspect of Indian cinema. visual. The word was coined by a Scottish historian Thomas Other branches include Tamil Cinema, Bhojpuri cinema, Carlyle. These days the term is much used in the field of visual Parallel cinema etc. For years Bollywood has been affecting culture which includes films, sculptures, paintings etc. Cinema the popular culture of India. From the coming out of the bobby is an immensely popular element of visual culture. colour after the film Bobby to Salman Khan‟s hairstyle in the film Tere Naam and Kareena Kapoor‟s size zero figure in the It embraces limitless possibilities for the expression and film Tashan, Bollywood has never failed to sway the audience representation of ideas, especially in a country like India with and act as a trendsetterfor fashion and music sense of the diverse languages, religions and cultures. Indian cinema binds nation. this diversity in one common thread. It is not only a major source of entertainment but if deployed wisely, it has enormous Let‟s have a look at some of the Bollywood films from the potential of bringing about social changes. last decade that helped in bringing about major cultural changes in India. Films like Girlfriend and Dostana brought Woodman Taylor in his essay, „Penetrating Gazes: Sight forward the gay culture to the popular discourse.
  • Jodhaa Akbar

    Jodhaa Akbar

    JODHAA AKBAR ein Film von Ashutosh Gowariker Indien 2008 ▪ 213 Min. ▪ 35mm ▪ Farbe ▪ OmU KINO START: 22. Mai 2008 www.jodhaaakbar.com polyfilm Verleih Margaretenstrasse 78 1050 Wien Tel.:+43-1-581 39 00-20 www:polyfilm.at [email protected] Pressebetreuung: Allesandra Thiele Tel.:+43-1-581 39 00-14 oder0676-3983813 Credits ...................................................2 Kurzinhalt...............................................3 Pressenotiz ............................................3 Historischer Hintergrund ........................3 Regisseur Ashutosh Gowariker..............4 Komponist A.R. Rahman .......................5 Darsteller ...............................................6 Pressestimmen ......................................9 .......................................................................................Credits JODHAA AKBAR Originaltitel: JODHAA AKBAR Indien 2008 · 213 Minuten · OmU · 35mm · FSK ab 12 beantragt Offizielle Homepage: www.jodhaaakbar.com Regie ................................................Ashutosh Gowariker Drehbuch..........................................Ashutosh Gowariker, Haidar Ali Produzenten .....................................Ronnie Screwvala and Ashutosh Gowariker Musik ................................................A. R. Rahman Lyrics ................................................Javed Akhtar Kamera.............................................Kiiran Deohans Ausführende Produzentin.................Sunita Gowariker Koproduzenten .................................Zarina Mehta, Deven Khote
  • Part 05.Indd

    Part 05.Indd

    PART MISCELLANEOUS 5 TOPICS Awards and Honours Y NATIONAL AWARDS NATIONAL COMMUNAL Mohd. Hanif Khan Shastri and the HARMONY AWARDS 2009 Center for Human Rights and Social (announced in January 2010) Welfare, Rajasthan MOORTI DEVI AWARD Union law Minister Verrappa Moily KOYA NATIONAL JOURNALISM A G Noorani and NDTV Group AWARD 2009 Editor Barkha Dutt. LAL BAHADUR SHASTRI Sunil Mittal AWARD 2009 KALINGA PRIZE (UNESCO’S) Renowned scientist Yash Pal jointly with Prof Trinh Xuan Thuan of Vietnam RAJIV GANDHI NATIONAL GAIL (India) for the large scale QUALITY AWARD manufacturing industries category OLOF PLAME PRIZE 2009 Carsten Jensen NAYUDAMMA AWARD 2009 V. K. Saraswat MALCOLM ADISESHIAH Dr C.P. Chandrasekhar of Centre AWARD 2009 for Economic Studies and Planning, School of Social Sciences, Jawaharlal Nehru University, New Delhi. INDU SHARMA KATHA SAMMAN Mr Mohan Rana and Mr Bhagwan AWARD 2009 Dass Morwal PHALKE RATAN AWARD 2009 Actor Manoj Kumar SHANTI SWARUP BHATNAGAR Charusita Chakravarti – IIT Delhi, AWARDS 2008-2009 Santosh G. Honavar – L.V. Prasad Eye Institute; S.K. Satheesh –Indian Institute of Science; Amitabh Joshi and Bhaskar Shah – Biological Science; Giridhar Madras and Jayant Ramaswamy Harsita – Eengineering Science; R. Gopakumar and A. Dhar- Physical Science; Narayanswamy Jayraman – Chemical Science, and Verapally Suresh – Mathematical Science. NATIONAL MINORITY RIGHTS MM Tirmizi, advocate – Gujarat AWARD 2009 High Court 55th Filmfare Awards Best Actor (Male) Amitabh Bachchan–Paa; (Female) Vidya Balan–Paa Best Film 3 Idiots; Best Director Rajkumar Hirani–3 Idiots; Best Story Abhijat Joshi, Rajkumar Hirani–3 Idiots Best Actor in a Supporting Role (Male) Boman Irani–3 Idiots; (Female) Kalki Koechlin–Dev D Best Screenplay Rajkumar Hirani, Vidhu Vinod Chopra, Abhijat Joshi–3 Idiots; Best Choreography Bosco-Caesar–Chor Bazaari Love Aaj Kal Best Dialogue Rajkumar Hirani, Vidhu Vinod Chopra–3 idiots Best Cinematography Rajeev Rai–Dev D Life- time Achievement Award Shashi Kapoor–Khayyam R D Burman Music Award Amit Tivedi.
  • UTV Acquires the Feature Film Rights of Ashwin Sanghi's

    UTV Acquires the Feature Film Rights of Ashwin Sanghi's

    UTV acquires the Feature Film rights of Ashwin Sanghi’s ‘Chanakya’s Chant’ ~ A film based on the #1 National Bestseller to go on floors soon ~ Mumbai, Wednesday, June 15th, 2011: UTV Motion Pictures has acquired rights to Ashwin Sanghi’s national bestseller - Chanakya’s Chant, published by Westland. The interesting fast-paced story based on politics in two radically different eras will now be adapted into a film by the studio. Chanakya's Chant, a historical political thriller, released by Westland in January 2011, shot into the Top-5 Bestsellers of India within 2 weeks of its launch, proving that Chanakya’s neetis are as relevant today as they were in ancient times. The book narrates two parallel political tales, one in Chanakya’s puranic Bharat 2300 years ago and the other in post-independence contemporary India. While the ancient story is largely historical, based upon Chanakya’s rise to power and the clever tactics applied by him towards installing Chandragupta Maurya on the throne, the modern story is mostly fictional and tells the tale of Kanpur’s Pandit Gangasagar Mishra who draws inspiration from the master strategist Chanakya and employs his strategies in a modern context to get his protégée Chandini Gupta appointed to the highest office in India. On announcing the film, Siddharth Roy Kapur, CEO, UTV Motion Pictures, said "Chanakya’s Chant is one of those rare books with a storyline that has the potential to be translated into a superbly cinematic and immensely entertaining screenplay. The tale is about the underbelly of national politics which the book superbly exposes, where strategies developed by Chanakya 2300 years ago are still as valid in the modern day political scenario.
  • Bollywood Lens Syllabus

    Bollywood Lens Syllabus

    Bollywood's Lens on Indian Society Professor Anita Weiss INTL 448/548, Spring 2018 [email protected] Mondays, 4-7:20 pm 307 PLC; 541 346-3245 Course Syllabus Film has the ability to project powerful images of a society in ways conventional academic mediums cannot. This is particularly true in learning about India, which is home to the largest film industries in the world. This course explores images of Indian society that emerge through the medium of film. Our attention will be focused on the ways in which Indian society and history is depicted in film, critical social issues being explored through film; the depicted reality vs. the historical reality; and the powerful role of the Indian film industry in affecting social orientations and values. Course Objectives: 1. To gain an awareness of the historical background of the subcontinent and of contemporary Indian society; 2. To understand the sociocultural similarities yet significant diversity within this culture area; 3. To learn about the political and economic realities and challenges facing contemporary India and the rapid social changes the country is experiencing; 4. To learn about the Indian film industry, the largest in the world, and specifically Bollywood. Class format Professor Weiss will open each class with a short lecture on the issues which are raised in the film to be screened for that day. We will then view the selected film, followed by a short break, and then extensive in- class discussion. Given the length of most Bollywood films, we will need to fast-forward through much of the song/dance and/or fighting sequences.
  • Khorana Peepli Live FINAL

    Khorana Peepli Live FINAL

    Peepli Live and No One Killed Jessica 66 Peepli Live and No One Killed Jessica: Remediating the “Bollywoodization” of Indian TV News Sukhmani Khorana Lecturer University of Wollongong Wollongong, Australia [email protected] Introduction: Evolution of “Bollywoodization” in Indian TV news In the third edition of her pioneering book on the Indian media business, Vanita Kohli-Khandekar makes the following observation: There are two media segments that define the contour, body and tastes of the Indian market. Television is one of them, the other being film. Both have a mesmerising hold over Indian audiences―and even over investors and advertisers.1 This article begins with this note because of the increasingly central place occupied by television in the Indian media sphere and the uniquely Indian context of the mutual interdependence of the television and film industries. While television has appropriated Hollywood film genres since its inception,2 in India, popular film culture is increasingly drawing on the pre-eminence of satellite television. A grasp of these facets of the subcontinent’s television story is essential before examining how TV news has taken on discursive and practice-based elements of the nation’s popular film culture, Bollywood. This will be undertaken through a close textual analysis of two recent Bollywood films, Peepli Live (2010) and No One Killed Jessica (2011). Both feature television journalism as an important narrative catalyst, or a remediator for the socio-political issues faced by the protagonist(s). In doing this, the films themselves turn into a remediation device for the Bollywoodization of news on Peepli Live and No One Killed Jessica 67 Indian television.
  • Assets.Kpmg › Content › Dam › Kpmg › Pdf › 2012 › 05 › Report-2012.Pdf

    Assets.Kpmg › Content › Dam › Kpmg › Pdf › 2012 › 05 › Report-2012.Pdf

    Digitization of theatr Digital DawnSmar Tablets tphones Online applications The metamorphosis kingSmar Mobile payments or tphones Digital monetizationbegins Smartphones Digital cable FICCI-KPMG es Indian MeNicdia anhed E nconttertainmentent Tablets Social netw Mobile advertisingTablets HighIndus tdefinitionry Report 2012 E-books Tablets Smartphones Expansion of tier 2 and 3 cities 3D exhibition Digital cable Portals Home Video Pay TV Portals Online applications Social networkingDigitization of theatres Vernacular content Mobile advertising Mobile payments Console gaming Viral Digitization of theatres Tablets Mobile gaming marketing Growing sequels Digital cable Social networking Niche content Digital Rights Management Digital cable Regionalisation Advergaming DTH Mobile gamingSmartphones High definition Advergaming Mobile payments 3D exhibition Digital cable Smartphones Tablets Home Video Expansion of tier 2 and 3 cities Vernacular content Portals Mobile advertising Social networking Mobile advertising Social networking Tablets Digital cable Online applicationsDTH Tablets Growing sequels Micropayment Pay TV Niche content Portals Mobile payments Digital cable Console gaming Digital monetization DigitizationDTH Mobile gaming Smartphones E-books Smartphones Expansion of tier 2 and 3 cities Mobile advertising Mobile gaming Pay TV Digitization of theatres Mobile gamingDTHConsole gaming E-books Mobile advertising RegionalisationTablets Online applications Digital cable E-books Regionalisation Home Video Console gaming Pay TVOnline applications
  • MARCHÉ DU FILM 2011 FOCUS World Film Market Trends Tendances Du Marché Mondial Du fi Lm

    MARCHÉ DU FILM 2011 FOCUS World Film Market Trends Tendances Du Marché Mondial Du fi Lm

    MARCHÉ DU FILM 2011 FOCUS World Film Market Trends Tendances du marché mondial du fi lm FOCUS-COVER-FINAL.indd 1 13/04/11 19:30 focus 2011 World Film Market Trends Tendances du marché mondial du film focus_2011.indd 1 26/04/11 19:11 Pages Pub int Focus 2010:Pub Focus 29/04/10 10:54 Page 1 Lay-out: Acom*Europe | © 2011, Marché du Film | Printed: Global Rouge, Les Deux-Ponts Imprimé sur papier labélisé issu de forêts gérées durablement. Printed on paper from sustainably managed forests. focus_2011.indd 2 26/04/11 19:11 Editorial We now find ourselves in an era where all chan- À l’heure où toute la filière cinématographique nels of cinematography are undergoing a transfor- poursuit sa mutation, où la VoD se positionne mation: VoD has become a realistic medium, the comme un écran crédible, où le passage au tout switch to all-digital is simply a matter of time and numérique n’est plus qu’une question de calen- 3D is becoming more and more ubiquitous. As drier, où la 3D commence à se banaliser, il est such, it is more crucial than ever for us, as profes- plus que jamais nécessaire, pour les profession- sionals, to identify major industry tendencies. nels que nous sommes, d’appréhender les grands I hope that Focus, now in its 14th year, will indicateurs du secteur. serve as an indispensable tool for you in analyzing Je souhaite que Focus, qui fête son 14e anni- and anticipating the challenges of tomorrow. versaire, vous apporte les clefs indispensables pour analyser et anticiper les enjeux de demain.
  • Om Shanti Om

    Om Shanti Om

    Om Shanti Om REŻYSERIA FARAH KHAN W KINACH OD 30 MAJA 2008 DYSTRYBUCJA W POLSCE ul. Zamenhofa 1, 00-153 Warszawa tel.: (22) 536 92 00 fax: (22) 635 20 01 e-mail: [email protected] http://www.gutekfilm.pl Reżyseria Farah Khan Producent Gauri Khan Scenariusz Farah Khan Mushtaq Sheikh Mayur Puri Muzyka Vishal Dadlani Shekhar Ravjiani Pyarelal Ramprasad Sharma Choreografia Farah Khan Występują Shah Rukh Khan Arjun Rampal Deepika Padukone Shreyas Talpade Kirron Kher Produkcja Eros International Red Chillies Entertainment Indie rok produkcji: 2007 czas trwania: 162 minut kolor – Dolby SR – 1.85:1 2 Om Shanti Om to drugi film w karierze reżyserskiej Farah Khan. Pierwszy – Jestem przy tobie, zdobył serca wielu widzów dzięki roli Shah Rukh Khana, jako majora Rama poszukującego swojego brata i broniącego córki generała w przebraniu studenta. Najnowszy film Farah Khan to zrealizowany z ogromnym rozmachem film ku czci króla Bollywoodu – Shah Rukh Khana. Om Shanti Om jest filmem o marzeniach, miłości i zemście. Akcja filmu rozpoczyna się w roku 1977. Om Prakash Makhija (Shah Rukh Khan) jest statystą, zakochanym bez pamięci w gwieździe indyjskiego kina Shanti (Deepika Padukone). Om jest jej najwierniejszym fanem, gotowym w razie potrzeby oddać za nią życie. Gdy na planie ich wspólnego filmu wybucha pożar, Om ratuje Shanti i zostaje jej przyjacielem. Marzy o wspólnej przyszłości, jednak życie Shanti nie jest tak piękne, jak mogłoby się wydawać. Om przez przypadek poznaje tajemnicę Shanti. Wkrótce potem oboje giną… Druga część filmu rozpoczyna się w roku 2007. Om Kapoor (Shah Rukh Khan) jest wielkim gwiazdorem. Żyje beztrosko, wydaje się, że ma cały świat u swoich stóp.
  • Research Paper Impact Factor

    Research Paper Impact Factor

    Research Paper IJBARR Impact Factor: 3.072 E- ISSN -2347-856X Peer Reviewed, Listed & Indexed ISSN -2348-0653 HISTORY OF INDIAN CINEMA Dr. B.P.Mahesh Chandra Guru * Dr.M.S.Sapna** M.Prabhudev*** Mr.M.Dileep Kumar**** * Professor, Dept. of Studies in Communication and Journalism, University of Mysore, Manasagangotri, Karnataka, India. **Assistant Professor, Department of Studies in Communication and Journalism, University of Mysore, Manasagangotri, Karnataka, India. ***Research Scholar, Department of Studies in Communication and Journalism, University of Mysore, Manasagangotri, Karnataka, India. ***RGNF Research Scholar, Department of Studies in Communication and Journalism, University of Mysore, Manasagangothri, Mysore-570006, Karnataka, India. Abstract The Lumiere brothers came over to India in 1896 and exhibited some films for the benefit of publics. D.G.Phalke is known as the founding father of Indian film industry. The first Indian talkie film Alam Ara was produced in 1931 by Ardeshir Irani. In the age of mooki films, about 1000 films were made in India. A new age of talkie films began in India in 1929. The decade of 1940s witnessed remarkable growth of Indian film industry. The Indian films grew well statistically and qualitatively in the post-independence period. In the decade of 1960s, Bollywood and regional films grew very well in the country because of the technological advancements and creative ventures. In the decade of 1970s, new experiments were conducted by the progressive film makers in India. In the decade of 1980s, the commercial films were produced in large number in order to entertain the masses and generate income. Television also gave a tough challenge to the film industry in the decade of 1990s.
  • 1. Who Is the Prime Minister of India? A. Sharad Pawar B

    1. Who Is the Prime Minister of India? A. Sharad Pawar B

    1. Who is the Prime minister of India? a. Sharad Pawar b. Narendra Modi c. Lalu Prasad Yadav d. Rahul Gandhi Correct answer – b 2. Dr. Patangrao Kadam, who passed away, was associated with which political party? a. Indian National Congress b. Bharatiya Janata Party c. Nationalist Congress Party d. Communist Party of India (Marxist) Correct answer – a 3. Which cricket team has won the 45th edition of the Deodhar Trophy 2018? a. Karnataka b. Gujarat c. India B d. Tamil Nadu Correct answer – c 4. The Indian Space Research Organisation (ISRO) has tied up with which PSU company to develop low-cost lithium ion batteries for electric vehicles? a. Antrix Corporation b. Bharat Heavy Electricals Ltd (BHEL) c. Bharat Dynamics d. Bharat Electronics Ltd Correct answer – b 5. __________________ is the Miss World 2018 a. Manushi Chhillar b. Sushmita Sen c. Aishwarya Rai d. Lara Dutta Correct answer – a 6. Which Bollywood actress will be honoured with the Dadasaheb Phalke Award as Internationally Acclaimed Actress? a. Priyanka Chopra b. Aishwarya Rai Bachchan c. Deepika Padukone d. Sonam Kapoor Correct answer – a 7. Which union minister has recently launched a Swachh Survekshan (Gramin) -2017? a. Rajnath Singh b b. Narendra Modi c. M Venkaiah Naidu d. Narendra Singh Tomar Correct answer – d 8. Which city is hosting the first International exhibition and Conference on AYUSH and Wellness sector “AROGYA 2017”? a. Pune b. Jaipur c. New Delhi d. Lucknow Correct answer – c 9. Who will lead India in ICC Under-19 Cricket World Cup 2018? a. Riyan Parag b. Himanshu Rana c.
  • DEEPIKA PADUKONE Is One of India's Highest- Paid Actresses

    DEEPIKA PADUKONE Is One of India's Highest- Paid Actresses

    DEEPIKA PADUKONE is one of India’s highest- paid actresses—and you’re about to find out why photographed by JOHN AKEHURST styled by JESSICA DE RUITER Altuzarra viscose sweater and 146 InSTYLE FEBRUARY 2017 nylon skirt. Prada jersey dress. BEAUTY BEAT Love Padukone’s soft red lipstick? Get the look Loewe with L’Oréal polyamide dress. Paris Colour Charlotte Riche Le Matte Olympia suede Lip Pen in Mad sandals. for Matte ($10; lorealparisusa .com). FEBRUARY 2017 InSTYLE 149 hen 31-year-old actress Deepika I was there, but over time that number increased,” she PadukonewascastinXXX: The says. She doesn’t mind being recognized, as long as it Return of Xander Cage, it wasn’t doesn’t put anyone else out. “Sometimes fan encoun- just the prospect of being in a Hol- ters can be an inconvenience for the people around lywoodactionmoviethatintrigued me, unless, of course, the people around me are more her. It was also the idea of relocating famous,” she says, referencing outings with her Xan- to Toronto, 7,755 miles away from her der Cage co-stars Vin Diesel and Nina Dobrev. mod duplex in a Mumbai skyscraper. “I With her move to Toronto, Padukone left behind wasanxiousbeforeIlefttostartfilm- perks like an entourage and a security team and now ing,” she recalls. “But I wanted to move out of my com- focuses onthebasicsherself:makingher ownscram- fort zone and start over.” bledeggsandorderingIndiantakeout.“Ireceivedan It’s not as though she needed to reinvent herself— allowance and had to find my own accommodations back in India, Padukone is as big as they come.