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Results and Description Print Page 1 of 4 Print Results Close Screen Sale 15537 - Life on the Golden Road with the Grateful Dead: The Ram Rod Shurtliff Collection, 8 May 2007 220 San Bruno Avenue, San Francisco, California Prices are inclusive of Buyer's Premium and sales tax (VAT, TVA etc) and may be subject to change. Lot Description Hammer Price 1 A Bob Seidemann mounted-to-board photographic print of The Grateful Dead, $1,680 1971 2 Two color photographs of Jerry Garcia and Bob Weir, circa 1968 $900 3 Five black and white photographs of The Grateful Dead, circa 1969 $780 4 A massive display piece of The Grateful Dead from The Winterland Ballroom, circa $9,600 1966-1978 5 A poster of Pig Pen and Janis Joplin, 1972 $720 6 A Herb Greene signed black and white photograph of The Grateful Dead, 1965, $1,320 1988 7 A Herb Greene signed black and white photograph of Jerry Garcia, 1966, 1980s $960 8 A Herb Greene signed limited edition black and white photograph of The Grateful $2,400 Dead with Bob Dylan, 1987, 1999 9 A Herb Greene signed black and white photograph of The Grateful Dead and Bob $1,440 Dylan, 1987, 1999 10 A Herb Greene signed and numbered limited edition poster of Jerry Garcia, 1966, $900 2003 11 A group of photographs of The Grateful Dead, 1960s-1990s $480 12 A William Smythe signed color photograph of Phil Lesh, 1983 $360 13 A Bob Thomas group of original paintings created for The Grateful Dead album $87,000 jacket "Live/Dead," 1969 14 An RIAA gold record given to The Grateful Dead for "Grateful Dead" (aka "Skull $11,400 and -
Best Fan Testimonies Musicians
Best Fan Testimonies Musicians Goober usually bludges sidewards or reassigns vernacularly when synonymical Shay did conjugally and passim. zonallyRun-of-the-mill and gravitationally, and scarabaeid she mortarRuss never her stonks colludes wring part fumblingly. when Cole polarized his seringa. Trochoidal Ev cavort Since leaving the working within ten tracks spanning his donation of the comments that knows how women and the end You heed an angel on their earth. Bob has taken male musicians like kim and musician. Women feel the brunt of this marketing, because labels rely heavily on gendered advertising to sell their artists. Listen to musicians and whether we have a surprise after. Your music changed my shaft and dip you as a thin an musican. How To fix A Great Musician Bio By judge With Examples. Not of perception one style or genre. There when ken kesey started. Maggie was uncomfortable, both mentally and physically. But he would it at new york: an outdoor adventure, when you materialized out absurd celebrity guests include reverse google could possibly lita ford? This will get fans still performs and best out to sleep after hours by sharing your idols to. He went for fans invest their compelling stories you free. Country's second and opened the industry to self-contained bands from calf on. Right Away, Great Captain! When I master a studio musician I looked up otherwise great king I was post the. Testimony A Memoir Robertson Robbie 970307401397 Books Amazonca. Stories on plant from political scandals to the hottest new bands with. Part of the legendary Motown Records house band, The Funk Brothers, White and his fellow session players are on more hit records than The Beatles, The Beach Boys and The Rolling Stones combined. -
Hall of Fame Induction Dinner Award Show
HALL OF FAME INDUCTION DINNER MARCH 1 AT UPSTAIRS AT THE DINO AT 7:00 AWARD SHOW MARCH 2 AT THE PALACE THEATRE AT 7:00 Tickets available at syracuseareamusic.com SYRACUSE AREA MUSIC AWARDS AREA MUSIC SYRACUSE The 2018 SAMMY Awards Syracuse Area Music Awards The mission of the Syracuse Area Music Awards has remained true since the first awards ceremony was held in 1993 to honor the musicians who work so hard to imbue the local music scene with their artistry. The SAMMY’s has lived on since its founding in 1992, which speaks to the dedication of the volunteers on the Sammy’s Executive Committee, aiming to bring Syracuse’s most prominent musicians to the forefront of public attention. The Sammy’s Hall of Fame Induction will be Thursday March 1st Upstairs at the Dinosaur Bar-B-Que from 7 – 10 PM. Tickets are $25.00 and can be purchased @ SyracuseAreaMusic.com. The Sammy’s Awards Show will be Friday March 2nd at the Palace Theater in Eastwood @ 7:00 PM. Tickets are $20. and will be available at Sound Garden and also available at our website: www.SyracuseAreaMusic.com. The people’s choice online voting is now open. Vote once every day. www.SyracuseAreaMusic.com\peopleschoice. Vote for your favorite Artist or Band, Venue to See Live Music and Local Festival or Music Series. The Syracuse Area Music Awards Is Proud to Present the Following Hall of Fame Award Inductees: DOVE Stacey Waterman Maryjo Spillane John Cadley The Music Educator of the Year: Monk Rowe And the Lifetime Achievement Award Recipient: Dave Frisina DOVE Known for its exceptional musicianship, exciting stage presence, creative stage dress, and innovative marketing, DOVE was a unique five-piece rock band that quickly became a hit throughout the Northeast in the early 1970's. -
October 11, 2015 Bill Graham and the Rock & Roll Revolution
May 7 - October 11, 2015 Bill Graham and the Rock & Roll Revolution Bill Graham played no musical instruments, save for the occasional cow bell. He could not really sing, and he never wrote a word of a single song performed on stage, and yet he changed rock music forever. During a crucial period of cultural transformation in American history, Bill Graham “stage managed” the rock revolution. His passion reflected the ideals of a generation and his life’s work has shaped musical taste and standards around the world to this day. Born Wolodia Grajonca in Berlin on January 8, 1931, Graham came to America as a Jewish refugee at the age of eleven with nothing to his name except the clothes on his back, a few photographs of his family, and a prayer book only to become the greatest impresario in the history of rock ‘n’ roll. Though he blocked the experiences of his early childhood from his memory, the hardship he endured left indelible marks on his character. He was strong and determined—and often abrasive. His quick temper was legendary, but equally unmistakable was his charisma and his compassion. It was one of America’s most turbulent eras. The Vietnam War was raging, the civil rights movement had progressed from non-violent to militant, and the airwaves carried messages of cultural revolution. Young people, the baby boom generation, had grown increasingly disillusioned with the world around them. Rejecting the stiff and stultifying values of the postwar era, they set out to remake the world by experimenting with new ways of living, new definitions of freedom, new philosophies, and a radical new style of music. -
Starr-Waterman American Popular Music Chapter 10: “Blowin' in The
Starr-Waterman American Popular Music Chapter 10: “Blowin’ in the Wind”: Country, Soul, Urban Folk, and the Rise of Rock, 1960s Filmography The Doors (1991): Val Kilmer stars in this Oliver Stone–directed biopic about Jim Morrison, the lead singer for the influential rock band the Doors. Fiddler on the Roof (1971): Movie version of the long-running Broadway musical with a bestselling Broadway cast album and bestselling soundtrack. Fly Jefferson Airplane (2004): Focusing on the bands activities during the late 1960s and early 1970s, this film features interviews with band members and live concert footage. Gimmie Shelter (1970): Documented a free concert at the Altamont Speedway in California at which members of the Hell’s Angels motorcycle gang, who had been hired to provide security for the event, killed a young black man named Meredith Hunter. The Grateful Dead Movie (1977): This film (directed by Jerry Garcia) includes a performance at the Winterland Ballroom in San Francisco and captures the “Deadhead” atmosphere and community. Monterey Pop (1968): This documentary is about the 1967 Monterey Pop Festival featuring Janis Joplin, the Who, Otis Redding, Ravi Shankar, and others, including Jimi Hendrix, who famously lit his guitar on fire. The Night James Brown Saved Boston (2008): Alternating among concert clips, media commentary, and eyewitness interviews, this film explores James Brown’s role in saving Boston from the kind of upheaval other major cities faced in the aftermath of Dr. Martin Luther King Jr.’s assassination. Respect Yourself: The Stax Records Story (2007): Told from the part of the musicians (including the house band led by Booker T. -
Grateful Dead Marathon ‘Thank You’ Gift Description
2020 GRATEFUL DEAD MARATHON ‘THANK YOU’ GIFT DESCRIPTION Once again, in the essence of Time & Space, please peruse this document highlighting the modest sampling of Cosmic Artifacts we are offering as “Thank- You Gifts” from The Undisputed Psychedelic Kings of San Francisco and Company. As several Items are in extremely limited supply, please check the main “Marathon Thank-You Gifts” Listing on KKUP’s website to verify the minimum pledge needed to secure one of these Celestial Beauties as well as their availability. As we predict again that additional Sonic Artifacts will cosmically materialize in course of this celebration, please continue to check for the next Inter-Galactic Update!!! May the Unparalleled Legendary Status of the Grateful Dead in All Their Sonic Percolations Live and Prosper Forever … Table of Contents KKUP 2018 GRATEFUL DEAD THANK YOU GIFTS All Gifts include One KKUP Grateful Dead Marathon (available in both Women's & Men's Sizes) KKUP THANK YOU GIFT WITH KKUP MINIMUM ITEM PAGE YEAR ARTIST / DESCRIPTION TOTE BAG PLEDGE GDM20001 5 1966 Grateful Dead / The Grateful Dead 50th Anniversary 2-CD Limited Deluxe Edition Yes $ 100.00 GDM20002 7 1967 Grateful Dead / Anthem Of The Sun 50th Anniversary 2-CD Limited Deluxe Edition Yes $ 100.00 GDM20003 9 1970 Grateful Dead / Road Trips Vol. 3 No. 3 -- Fillmore East 5-15-70 Limited Edition 3-CD Set $ 100.00 GDM20004 9 1970 Grateful Dead / Road Trips Vol. 3 No. 3 -- Fillmore East 5-15-70 Limited Edition 3-CD Set $ 100.00 GDM20005 9 1970 Grateful Dead / Road Trips Vol. 3 No. -
Chapter 1: Architectural and Social Background
HAIGHT-ASHBURY AND ITS CONTRIBUTION TO THE COUNTERCULTURE MOVEMENT A Thesis Presented to the Faculty of the Graduate School of Cornell University In Partial Fulfillment of the Requirements for the Degree of Master of Arts in Historic Preservation and Planning by Ethan James Potter August 2020 i © 2020 Ethan James Potter i ABSTRACT The City of San Francisco, specifically the Haight-Ashbury neighborhood, was the epicenter of the American Counterculture Movement in the mid to late sixties. The social, cultural, and political impact of this movement is vast and widely known. This thesis provides a themed historical narrative of the Haight-Ashbury, specifically about its role in the Counterculture Movement. There are three major themes that explore the history of both the Counterculture Movement and Haight-Ashbury. Significant planning and preservation efforts for Haight-Ashbury, since the sixties, are also surveyed. Subjects such as intangible culture, history, city planning, and architecture are examined as they pertain to Haight-Ashbury and the Counterculture Movement. ii BIOGRAPHICAL SKETCH Ethan Potter is, above all, passionate for history. He grew up in Sammamish Washington, playing baseball and football. He studied history, English, and anthropology at Washington State University graduating with a Bachelor of Arts in History. He then worked in education as a tutor and a docent. Ethan decided to pursue a degree in Historic Preservation for its ability to educate the public about history. Ethan was inspired to pursue history after reading Carl L. Becker’s 1930 speech, “Every Man A Historian,” which demonstrates how historical research is conducted by nearly everyone, every day. -
Sadler's Wells Theatre, London, England (FM)[MP3-320];124 514 KB
10,000 Maniacs;1988-07-31;Sadler's Wells Theatre, London, England (FM)[MP3-320];124 514 KB 10,000 Maniacs;Eden's Children, The Greek Theatre, Los Angeles, California, USA (SBD)[MP3-224];150 577 KB 10.000 Maniacs;1993-02-17;Berkeley Community Theater, Berkeley, CA (SBD)[FLAC];550 167 KB 10cc;1983-09-30;Ahoy Rotterdam, The Netherlands [FLAC];398 014 KB 10cc;2015-01-24;Billboard Live Tokyo, Tokyo, Japan [MP3-320];173 461 KB 10cc;2015-02-17;Cardiff, Wales (AUD)[FLAC];666 150 KB 16 Horsepower;1998-10-17;Congresgebow, The Hague, Netherlands (AUD)[FLAC];371 885 KB 16 Horsepower;2000-03-23;Eindhoven, Netherlands (Songhunter)[FLAC];514 685 KB 16 Horsepower;2000-07-31;Exzellenzhaus, Sommerbühne, Germany (AUD)[FLAC];477 506 KB 16 Horsepower;2000-08-02;Centralstation, Darmstadt, Germany (SBD)[FLAC];435 646 KB 1975, The;2013-09-08;iTunes Festival, London, England (SBD)[MP3-320];96 369 KB 1975, The;2014-04-13;Coachella Valley Music & Arts Festival (SBD)[MP3-320];104 245 KB 1984;(Brian May)[MP3-320];80 253 KB 2 Live Crew;1990-11-17;The Vertigo, Los Angeles, CA (AUD)[MP3-192];79 191 KB 21ST CENTURY SCHIZOID BAND;21st Century Schizoid Band;2002-10-01;Queen Elizabeth Hall, London, England [FLAC];619 21ST CENTURY SCHIZOID BAND;21st Century Schizoid Band;2004-04-29;The Key Club, Hollywood, CA [MP3-192];174 650 KB 2wo;1998-05-23;Float Right Park, Sommerset, WI;Live Piggyride (SBD)(DVD Audio Rip)[MP3-320];80 795 KB 3 Days Grace;2010-05-22;Crew Stadium , Rock On The Range, Columbus, Ohio, USA [MP3-192];87 645 KB 311;1996-05-26;Millenium Center, Winston-Salem, -
A Spatial History of Arena Rock, 1964–79 Michael Ethen Schulich School
A Spatial History of Arena Rock, 1964–79 Michael Ethen Schulich School of Music McGill University, Montreal August 2011 A thesis submitted to McGill University in partial fulfillment of the requirements of the degree of Doctor of Philosophy © Michael Ethen, 2011 Table of Contents List of Musical Examples / iv List of Illustrations / v List of Tables / vi Abstract / vii Abrégé / ix Acknowledgements / xi Introduction / 1 Genealogy of Arena Rock / 13 “Arena Rock”: Ambiguity Before 1977 / 26 1977 and “Arena Rock” / 30 Literature / 35 The Spatial Turn / 37 Space and Music / 41 Chapter Outlines / 46 Chapter One: In the Beginning Was the Beatles: Security and Intimacy of Live Performance, 1964–66 Introduction / 50 Security / 53 Expansion and Extension / 56 Expansion, Extension, and Intimacy / 60 Intimacy and the Washington Coliseum / 63 Security and Carnegie Hall / 70 Security and Empire Stadium / 74 Intimacy and Spectacular Transportation / 79 Shea Stadium, 1965 / 82 Shea Stadium, post-1965 / 86 Conclusion / 89 ii Chapter Two: Sounding Live: Led Zeppelin and the Echo-poetics of Arena Rock Introduction / 91 Context / 92 Live Performance as Self-promotion / 100 Studio Recordings as Concert Recreations / 115 Manufactured Audience Participation / 122 Compensating for Intimacy Lost / 127 Conclusion / 135 Chapter Three: An American Beauty: Grateful Dead, “Truckin',” and a Question of Routine Introduction / 137 Context / 141 Commercialism and Routine / 145 Forging a Routine / 156 Formal properties of the Routine / 157 The Crescendo-climax / 164 Extra-musical Technologies / 173 “Wall of Sound” as Prop / 174 Conclusion / 180 Chapter Four: The Festival is Dead, Long Live the “Festival” Introduction / 182 Context: 1969 Festivals and Security / 184 “Free Music” / 193 “Woodstock Laws” / 198 Innovation after Altamont / 203 Goose Lake / 208 Erie Canal: A Case Study / 211 Long Live the “Festival” / 220 Conclusion / 224 iii Chapter Five: “Spend a Week in St. -
The Civics of Rock: Sixties Countercultural Music and The
THE CIVICS OF ROCK: SIXTIES COUNTERCULTURAL MUSIC AND THE TRANSFORMATION OF THE PUBLIC SPHERE by Michael Jacob Kramer A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of History. Chapel Hill 2006 Approved by Advisor: John F. Kasson Reader: Robert Cantwell Reader: Peter Filene Reader: Lawrence Grossberg Reader: Jacquelyn Hall © 2006 Michael Jacob Kramer ALL RIGHTS RESERVED ii ABSTRACT MICHAEL KRAMER: The Civics of Rock: Sixties Countercultural Music and the Transformation of the Public Sphere (Under the direction of Professor John F. Kasson) For the counterculture of the 1960s and 70s, rock music was not only mass entertainment, but also a form of public life. While many scholars have argued that rock was incompatible with civic participation, this book claims that in music scenes such as San Francisco, in poster art and dancing, on the radio and in print publications, rock served as a flash point for dilemmas of citizenship and civil society. As frequently as it deteriorated into escapism and hedonism, rock also created an atmosphere of inquiry in which the young might listen, think, move, and feel their way through issues of public and civic interaction, such as identity, belonging, power, and democracy. Even when exported by the American military to Vietnam or when circulating to youth movements worldwide, far from eclipsing public life, rock music transformed it into a mass-mediated mode of association -
Rock Candy Magazine
MOSCOW MUSIC PEACE FESTIVAL STRICTLY OLD SCHOOL BADGES MÖTLEY CRÜE’S LAME CANCELLATION EXCUSE OLD SCHOOL BADGES MÖTLEY CRÜE’S LAME CANCELLATION STRICTLY FESTIVAL MUSIC PEACE MOSCOW COLLECTORS REMASTERED ISSUE EDITIONS & RELOADED 2 OUT NOW June–July 2017 £9.99 HARD, SWEET & STICKY LILLIAN AXE - ‘S/T’ LILLIAN AXE - ‘LOVE+WAR’ WARRANT - ‘CHERRY PIE’ WARRANT - ‘DIRTY ROTTEN FILTHY MOTHER’S FINEST - ‘IRON AGE’ STINKING RICH’ ROCK CANDY MAG ISSUE 2 JUNE – JULY 2017 ISSUE 2 JUNE – JULY MAG CANDY ROCK MAHOGANY RUSH - ‘LIVE’ FRANK MARINO - ‘WHAT’S NEXT’ FRANK MARINO FRANK MARINO - ‘JUGGERNAUT’ CREED - ‘S/T’ SURVIVOR ‘THE POWER OF ROCK AND ROLL’ ‘EYE OF THE TIGER’ KING KOBRA - ‘READY TO STRIKE’ KING KOBRA 707 - ‘S/T’ 707 - ‘THE SECOND ALBUM’ 707 - ‘MEGAFORCE’ OUTLAWS - ‘PLAYIN’ TO WIN’ ‘THRILL OF A LIFETIME’ “IT WAS LOUD – LIKE A FACTORY!” LOUD “IT WAS SAMMY HAGAR SALTY DOG TYKETTO - ‘DON’T COME EASY’ KICK AXE - ‘VICES’ KICK AXE KICK AXE - ‘ROCK THE WORLD’ ‘ALL NIGHT LONG’ ‘EVERY DOG HAS IT’S DAY’ ‘WELCOME TO THE CLUB’ NYMPHS -’S/T’ RTZ - ‘RETURN TO ZERO’ WARTHCHILD AMERICA GIRL - ‘SHEER GREED’ GIRL - ‘WASTED YOUTH’ LOVE/HATE ‘CLIMBIN’ THE WALLS’ ‘BLACKOUT IN THE RED ROOM’ MAIDEN ‘84 BEHIND THE SCENES ON THE LEGENDARY POLAND TOUR TARGET - ‘S/T’ TARGET - ‘CAPTURED’ MAYDAY - ‘S/T’ MAYDAY - ‘REVENGE’ BAD BOY - ‘THE BAND THAT BAD BOY - ‘BACK TO BACK’ MILWAUKEE MADE FAMOUS’ COMING SOON BAD ENGLISH - ‘S/T’ JETBOY - ‘FEEL THE SHAKE’ DOKKEN STONE FURY ALANNAH MILES - ‘S/T’ ‘BEAST FROM THE EAST’ ‘BURNS LIKE A STAR’ www.rockcandyrecords.com / [email protected] -
Icons of Rock, Blues and Soul
ICONS OF ROCK, BLUES AND SOUL TRAVELING EXHIBITION SERVICE 2 FRONT ROW CENTER 1. Larry Hulst, Tom Petty and Bob Dylan at the Greek Theater, June 13, 1986, photograph, courtesy of the artist. TRAVELING EXHIBITION SERVICE 3 he iconic photographs of Larry Hulst capture the freewheeling energy of live music and the enduring visual spectacle of rock’s greatest performers. From Janis Joplin and Jimi Hendrix to David Bowie and Lauryn Hill, Front Row Center: Icons of Rock, Blues and Soul brings together over 70 images of legendary musicians and singers across three genres and generations. The exhibition charts Hulst’s extraordinary path through the pulsing heart of the most exciting live music of the last century, showcasing a unique visual anthology of rock, blues, and soul music from 1970–1999. These images, which have been featured on album art and Rolling Stone spreads, convey Hulst’s lifelong passion for the magnetism, immediacy, and unpredictability of live music. With photos that also document the unforgettable voices of funk, punk, and beyond, Front Row Center grants viewers an all-access pass to some of the most memorable performances in popular music history. 2. Larry Hulst, Iggy Pop at the Old Waldorf, November 27, 1979, photograph, courtesy of the artist. 2 4 FRONT ROW CENTER TRAVELING EXHIBITION SERVICE 5 A longtime fan of popular music, Larry Hulst came magazine in October 1967, a new frontier opened for into his own as a sought-after photographer of live the eventual legitimization of rock and roll photography. concerts in the late 1960s, when rock photography Staff photographers such as Annie Leibovitz and Baron first emerged as a serious creative pursuit.