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Atlanta Arts Festival THEAtlanta MONTHLY MAGAZINE OF THE ATLANTA MEMORIALArts ARTS CENTER NOVEMBER 1972 American comfort, European handling. They meet in Monte Carlo. Monte Carlo S Coupe at Glen Haven, Michigan. Monte Carlo has always ment panel reflect Monte been a car unlike any other. Carlo's individuality. Yet, our '73 Monte Carlo S The new flow-through is even more unique. power ventilation system Chassis, frame and sus­ adds to its quietness. pension geometry were Power front disc brakes, extensively redesigned to power steering and a big V8 achieve special handling are standard of course. traits like those found in the A power-operated sky roof great road cars of Europe. can be added. Coach windows, molded Monte Carlo S. We think full foam seats, rich uphol­ you'll find it one of the best stery and a classic iristru- road cars you've ever driven. 1973 Chevrolet Building a better way to see the U5A Art for everyone's sake More than a repository, The Atlanta Memorial Arts Center continues its forward thrust, its dedicated presentation of the arts as a force in today's life, an inspiration for tomorrow's. Rich's salutes the gifted men and women who have made this so. Of Special interest AT THE CENTER THE HIGH MUSEUM OF ART Don’t go Second Georgia Artists Exhibition Scheduled through GEORGIA ARTISTS 2 is an invi­ life tational exhibition of paintings, drawings, sculpture, prints, photographs, and crafts without by more than one hundred artists now your own working in Georgia, selected during the past year by Gudmund Vigtel, Director personal of the Museum. The GEORGIA AR­ life TISTS exhibitions replace the South­ eastern Annual Exhibitions presented by underwriter. the Museum and give the best artists in the state an opportunity to show their work in a Museum exhibition. After this year’s show, these exhibitions will be presented biennially. TOM FLOURNOY, III A NEIGHBOR TO Pie, wood, metal and glass, 1972, by Atlanta artist John Young. Two Plants in Discussion, oil on canvas, 1972, by Atlanta artist Biff Elrod. continued symbol of a quest As surely as lite rose from the sea, the future of life depends on it. It is the salient feature of the globe. Its fate is ours. With population rising, some scientists talk of farming the oceans. Others speak of extracting products from igneous rock and seawater. But whatever men may evolve, the role of the sea in the chemistry and health of our planet is crucial. The better we understand it, the better our chances of protecting the ecological balance among all of earth's creatures—from marine life to man. Yet, even while fact displaces mystery, our awe of the sea endures. The pecten shell is an emblem for companies known around the world. But its beauty is no less in its origin than its form. And it reminds us to keep a sense of urgency in the quest for knowledge of our environment. SHELL AT THE CENTER, continued Leland Staven (Agnes Scott College), Beings Two, 1972, acrylic on hexagonal canvas, in the GEORGIA ARTISTS 2 exhibition at the High Museum, Novem­ ber 12 through December 10. Professional... ATLANTA SCHOOL OF ART Third Annual Student Exhibit and Sale Coming in December The Associates of the School and the Student Alliance will co-sponsor the third annual exhibit and sale of work by students in the School’s degree pro­ gram. The Student Exhibit and Sale will be held in the Galleries of the Memorial Arts Center on Friday, Saturday and Sunday, December 1, 2 and 3. The exhibit provides the public with an excellent opportunity to observe the diversity of background, interest and di­ rection of the School’s degree-program students. The sale, which benefits both HAAS AND DODD-INSURANCE the individual student and the Student Alliance's Summer Scholarships Fund, 3dfit provides an opportunity to purchase qual­ ity works of art at reasonable prices. The Student Exhibit and Sale will be open to the public from 11:00 a.m. to Tours and Cruises ... 11:00 p.m. Friday and Saturday, and by Air and Steamship from noon to 6:00 p.m. on Sunday. There will be a Pre-View Party for members of the School’s Board of Spon­ sors and Associates on Thursday even­ ing, November 30. ATLANTA TRAVEL AGENCY For further information please call the ! 217 Georgia Life & Health Building School Office, Atlanta School of Art — 892-3600, Ext. 235. 66 Luckie Street, N.W. continued Atlanta, Georgia 30303-Alex Hitz. Jr. .’t You have great ideas about fashion and they come to life at Sears AT THE CENTER, continued ALLIANCE THEATRE COMPANY Six Plays Scheduled for Spend the day at 1973 Season Alliance Theatre Company is well un­ der way with an extensive season sub­ scription campaign for 1973. The Theatre, committed to providing good, solid entertainment at modest prices, ex­ pects to substantially increase its number of subscribers this year. According to David Bishop, Manag­ ing Director, six plays will run for three weeks each beginning in January, with the additional week allowing more re­ hearsal and pre-production time, and offering the opportunity to present more polished performances to the public. Al­ The full-size fashion store liance Theatre is also negotiating with nationally-known guest artists to high­ at Phipps Plaza —with great light the season. clothes for the whole family­ The schedule of plays is as follows: home fashions, too, including Jacques Brel Is Alive and Well and Living In Paris, music by Jacques Brel, interesting antiques. additional material by Eric Blau and Mort Shuman, Jan. 11-27; The Glass And marvelous gifts we found Menagerie by Tennessee Williams, Feb. for you all over the world, 1-17; 77ie House of Blue Leaves by John Guare, Feb. 22-Mar. 10; Heartbreak many available only at House by George Bernard Shaw, Mar. lord & Taylor. 15-Mar. 31; Tobacco Road by Jack Kirk­ land, adapted from a novel by Erskine Stay for luncheon or tea Caldwell, April 5-April 21; The Comedy of Errors by William Shakespeare, April in our enchanting Bird Cage 27 and 28, May 4, 5, 11 and 12. restaurant, open every The Studio Company will again pre­ shopping day. sent one-act curtain raisers free to the public one hour prior to curtain time for Lord & Taylor, Phipps Plaza mainstage performances upstairs. The Company consists of a group of young Peachtree Road between Wieuca apprentices who take part in a complete and Lenox Roads—266-0600 training program in all aspects of theatre and is directed by Fred Chappell. Open Monday thru Saturday Alliance Theatre School will continue 9:30 a.m. to 5:30 p.m. in its second year, with the Young Ac­ tors’ Theatre workshop for children, ages Open Monday and Thursday 6 to 16, being continued as a major evenings until 9:00 p.m. part of the school’s curriculum through­ out the coming year. continued following program notes IMPORTS EDITIONS DF. L’OISEAU-LYRE i DAS ALTE W6RK tEB^jmQXKJan By TELEFUNKEN A TREASURY OF UNIQUE & DEFINITIVE RECORDINGS ajigo HANDEL: ODE FOR ST. CECILIA'S DAY BACH: ODE TO SORROW "LASS. Kurt Equiluz. tenor BLOW: VENUS L ADONIS HAYDN: MASS NO. 9 THE NELSON’ The Academy of FURSTIN. LASS NOCH EINEN SKW 2/1-2 Margaret Ritchie; Gordon Clinton; Simon Preston, organ St. Martin-in-the-Fields STRAHL" MONTEVERDI: IL RITORNO D'ULISSE L'Ensemble Orchestral ZRG 5325 ZRG 563 Gustav Leonhardt, organ and IN PATRIA de L'Oiseau-Lyre EVENSONG FOR ASH WEONESOAY MENOELSSOHN-BARTHOLOY: harpsichord Concentus Musicus. Vienna OLS 128 . _ Choir of King's College, Cambridge OCTET OP. 20 SAWT 9496 (with original instruments) and many others to choose from ZRG 5365 BOCCHERINI: CELLO QUINTET MONTEVERDI: VESPRO DELLA Paul Esswood; Max van Egmond; HANDEL: CONCERTI GROSSI FOR OP. 37 NO. 7 BEATA VERGINE (1610) Junge Kantorei WIND AND STRINGS OPUS 3 ZRG 569 Concentus Musicus of Vienna SKB-T-23 1-4 NEW RELEASES The Academy of VICTORIA: REQUIEM MASS - (with original instruments) BACH: COMPLETE St. Martin-in-the-Fields SEX VOCIBUS SAWT 9501 02 HARPSICHORD CONCERTOS HANDEL: Music for the ZRG 5400 Choir of St. John's College, Leonhardt Consort Cambridge SECULAR MUSIC, c. 1300 Royal Fireworks Water REUBKE: SONATA 'THE 94th PSALM' The Early Music Quartet Concentus Musicus of Vienna Simon Preston, organ ZRG 570 (BWV 1052) Music (with original instruments) ZRG 5420 VIVALDI: THE FOUR SEASONS SAWT 9504 (with original instruments) ZRG 697 MESSIAEN: LA NATIVITE Academy of St. Martin-in-the-Fields SCA 25022/1-5 ZRG 654 PURCELL: CONSORT MUSIC FOR BACH: ST. JOHN'S PASSION GERHARD: Symphony I Simon Preston, organ of STRINGS AND HARPSICHORD, c. Westminster Abbey MONTEVERDI MADRIGALS BWV 245 No. 4 (New York) and Purcell Consort of Voices 1680-1695 Vienna Boys Choir; ZRG 5447 Leonhardt Consort Violin Concerto MENOELSSOHN-BARTHOLOY: ZRG 668 Concentus Musicus. Vienna CAVALLI: L'ORMINDO (with original instruments) (with original instruments) ZRG 701 STRING SYMPHONIES SAWT 9506 The Academy of John Wakefield, tenor; SKH 19/1-3 SHAKESPEARE: Othello BACH: VIOLIN CONCERTOS ON St. Martin-in-the-Fields London Philharmonic Orchestra BACH: B MINOR MASS BWV 232 ZNF 8/10 ORIGINAL INSTRUMENTS, c. 1720 Vienna Boys Choir; ZPR 204-7 ZRG 5467 HANDEL: CHANDOS ANTHEMS THE GOLDEN AGE OF THE PIANO Concentus Musicus of Vienna Concentus Musicus, Vienna ARGO (Stereo) (RECORO 1) VIRTUOSI. Record 1 (with original instruments) (with original instruments) Four Record Boxed Set Josef Lhfivinne, piano SAWT 9508 SKH 20/1-3 Choir of King's College, Cambridge THE LIVING TRADITION John Langdon, organ OA 41 BACH.
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