Matthew Vanderpoel Curriculum Vitae Updated July 2019

Total Page:16

File Type:pdf, Size:1020Kb

Matthew Vanderpoel Curriculum Vitae Updated July 2019 Matthew Vanderpoel Curriculum Vitae updated July 2019 University of Chicago Divinity School | Swift Hall, 1025 E 58th Street | Chicago, IL 60637 221 Medway Street, 1B | Providence, RI 02906 [email protected] | (312) 771-4864 Education Ph.D. The University of Chicago Divinity School (Chicago, IL): History of Christianity, in progress Dissertation: “Contingency, Failure, and Poetry at the Collège de Navarre in the Age of Gerson” Advisors: Willemien Otten, Susan Schreiner; Reader: Daisy Delogu Qualifying Exams: Ancient Christianity (Margaret Mitchell), Medieval Christianity (Willemien Otten), Early-Modern Christianity (Susan Schreiner), History of Criticism and Literary Theory (Richard Rosengarten) École Normale Supérieure (Paris, France): Département Littérature et Langages, 2018- 2019 Exchange Fellow Collège de France (Paris, France): Chaire de l’histoire de la philosophie médiévale (Alain de Libera), 2017-2018 Chercheur invité M.A. The University of Chicago Divinity School (Chicago, IL): Divinity, 2012 B.A. Wheaton College (Wheaton, IL): Art History and History, 2009, summa cum laude Publications “Waiting for the Miracle: Uncertainty, Superstition, and Faith in Jean Gerson’s Anti-Magical Treatises.” In Reading Certainty: Epistemology and Exegesis on the Threshold of Modernity. Essays honoring the Scholarship of Susan E. Schreiner. Eds. Ralph Keen, Elizabeth Palmer, and Daniel Owings. Studies in Medieval and Reformation Traditions. Leiden: Brill, 2020 (expected). Proposal accepted. “Time After Time: Gregory of Rimini and Distension’s Contingency.” In Augustine and Time. Eds John Doody, Kim Paffenroth, and Sean Hannan. Lanham: Rowman and Littlefield, forthcoming. Proposal accepted. Vanderpoel – 1 “Scriptural Rhetoric, Exegesis, and (Un)certainty in Gerson.” In Jean Gerson écrivain. De l’oeuvre latine et française à sa réception européenne (XVe-XIXe s.). Ed. Isabelle Fabre. Geneva: Librairie Droz, 2019 (expected). Submission accepted. 2014 "Devotional Pilgrimage: A Historical-Theological Reading of Patinir's Penitence of St. Jerome.” In ReVisioning: Critical Methods of Seeing Christianity in the History of Art. Eds. James Romaine and Linda Stratford. Eugene, OR: Cascade Books, 2014. Contributions to Reference Works 2018 “Duns Scotus, John;” “Lombard, Peter;” and “Melanchthon, Philip.” A Dictionary of Philosophy of Religion. 2nd Edition. Eds. Charles Taliaferro and Elsa J. Marty. New York, NY: Bloomsbury Academic, 2018. Book Reviews Poétique de l’extase. France, 1601-1675., by Clément Duyck, Church History and Religious Culture, forthcoming. Staging Contemplation: Participatory Theology in Middle English Prose, Verse, and Drama, by Eleanor Johnson, The Journal of Religion, forthcoming. 2018 Luther and the Reformation of the Later Middle Ages, by Eric Leland Saak, Sixteenth Century Journal 49, no. 2 (Summer 2018), 540-542. Online Publications 2019 “On the Trail of Millennial Religion with Detective Pikachu.” In Sightings, ed. Joel A. Brown. Chicago: The Martin Marty Center for the Advanced Study of Religion, May 2019. Fellowships and Awards 2019-2020 Dissertation Completion Fellowship. University of Chicago Divinity School. 2018-2019 École Normale Supérieure Exchange Fellowship. Paris, France. 2018 Collège de France Research Fellowship. Paris, France. 2017-2018 Fulbright Doctoral Student Fellowship. Paris, France. 2016 Middle French Paleography Workshop. The Meeter Center, Calvin College. 2012 Summer Language Grant (Latin). University of Chicago Divinity School. 2010 Scholastic Honors Society Graduate Education Award. Wheaton College. Vanderpoel – 2 Papers Presented 2019 “Prosimetric Accretions: the Affect of Lack in Gerson’s Consolation of Theology.” Religion, Affect, and Emotion Unit. American Academy of Religion Annual Meeting. San Diego. 23- 26 November, 2019. (Accepted) 2019 “Scholasticism as Secular Critique.” Roundtable: “Is Medieval Studies Secular? Thinking with Post-Secular Critique.” 54th International Congress on Medieval Studies. The Medieval Institute. Western Michigan University, Kalamazoo. 9-12 May, 2019. 2019 “Deferral, Failure, and Reform in Gerson’s De consolatione theologiae.” International Cusanus Society. 54th International Congress on Medieval Studies. The Medieval Institute. Western Michigan University, Kalamazoo. 9-12 May, 2019. 2018 “Scholasticism Deconstructed: Nicholas de Clamanges’ De studio theologico.” 25th International Medieval Congress. Institute for Medieval Studies. University of Leeds, Leeds. 2-5 July, 2018. 2018 “Vernacular Poetics and Latin Theology: d'Ailly and Gerson on the Rose and the Song.” Jean Gerson Society and International Christine de Pizan Society. 53rd International Congress on Medieval Studies. The Medieval Institute. Western Michigan University, Kalamazoo. 10-13 May, 2018. 2018 “The Poetics of Love in d’Ailly’s Jardin amoureux.” Paris Workshop. University of Chicago Paris Center, Paris. 2 May, 2018. 2018 “La rhétorique des saintes écritures chez Gerson.” Colloque: “Jean Gerson écrivain.” Centre d’Études Médiévales de Montpellier. Université Paul-Valéry (Montpellier III), Montpellier. 4- 6 April, 2018. 2018 “Uncertainty and the Middle Way: Gerson and Exegetical Polemic.” Paris Workshop. University of Chicago Paris Center, Paris. 16 January, 2018. 2017 “In a Manner of Speaking: Scholasticism, Humanism, and Language at the University of Paris.” Medieval Studies Workshop. University of Chicago, Chicago. 2 June, 2017. 2017 "Poetic Expiration: Jean Gerson's 'Deploratio studii parisiensis.'" 52nd International Congress on Medieval Studies. The Medieval Institute. Western Michigan University, Kalamazoo. 11- 14 May, 2017. 2017 "Eucharistic Kink: Bloody Bodies and Sacramental Sedition in Gerson's Contra sectam flagellantium." American Society of Church History Annual Meeting. Denver. 5-8 January, 2017. 2016 "Nominalism as Postscholasticism: ‘Pierre d'Ailly's’ Destructiones modorum significandi." Conference: "A Matter of Devotion: Matter and Spirit in Theory and Practice." Patristic, Medieval, and Renaissance Society. Villanova University, Villanova. 14-16 October, 2016. Vanderpoel – 3 2016 "Vision as Theological Critique: Elisabeth of Schönau and the Schoolmen." 51st International Congress on Medieval Studies. The Medieval Institute. Western Michigan University, Kalamazoo. 12-15 May, 2016. 2016 "Domesticated Necromancy: 'Renart magicien' and Non-Human Languages." Animal Studies and Medieval Studies Workshop. University of Chicago, Chicago. 4 May, 2016. 2015 "Gerson's Collectorium super Magnificat and Scriptural Performance." Jean Gerson Society. 50th International Congress on Medieval Studies. The Medieval Institute. Western Michigan University, Kalamazoo. 14-17 May, 2015. 2015 "Fideli narracione: Jean Gerson's 'Deploratio super civitatem' and the Narrativity of Lament." Conference: "Medieval Narratives." Illinois Medieval Association. St. Louis University, St. Louis. 20-21 February, 2015. 2014 "Fullness of Vision: Love as Agent of Unity in Elisabeth of Schönau's First Book of Visions." Conference: "Visible Communion: Unity, Sanctity, Sociality." Patristic, Medieval, and Renaissance Society. Villanova University, Villanova. 23-25 October, 2014. 2013 “Diabology and Exegesis: Genesis Commentaries from Augustine to the Lombard.” Theology Workshop, “Imagining Evil." University of Chicago, Chicago. 18 April, 2013. 2011 “Angel and Demon, Human and Animal: Intertwined Representations.” Conference: “Representing the Middle Ages." Illinois Medieval Association. DePaul University, Chicago. 25-26 February, 2011. 2010 “The Pilgrimage of Life: Artistic Innovation in Devotional Art, 1470-1530.” Symposium: “History, Continuity, and Rupture.” Association of Scholars of Christianity in the History of Art. Le Pavé d’Orsay, Paris. 25-31 May, 2010. Panels Organized 2020 “Epistemic Limits: Rethinking Syntheses in Medieval Thought.” With Samuel Baudinette. 55th International Congress on Medieval Studies. The Medieval Institute. Western Michigan University, Kalamazoo. 7-10 May, 2020. (Accepted). 2019 “Vices and Virtues: Gender, Subversion, and Moralizing Discourses.” With Jacob Doss. 54th International Congress on Medieval Studies. The Medieval Institute. Western Michigan University, Kalamazoo. 9-12 May, 2019. 2019 “Temporalities of Exclusion: Identity Formation After the Fact.” American Society of Church History Annual Meeting. Chicago. 4-6 January, 2019. 2018 “Theology and Vernacular Literary Culture in the Age of Christine de Pizan and Jean Gerson.” With Wendy Love Anderson. Jean Gerson Society. 53rd International Congress on Vanderpoel – 4 Medieval Studies. The Medieval Institute. Western Michigan University, Kalamazoo. 10-13 May, 2018. 2017 "Hermeneutics through a Glass Darkly: Occlusion and Interpretation in the Age of Gerson." Jean Gerson Society. 52nd International Congress on Medieval Studies. The Medieval Institute. Western Michigan University, Kalamazoo. 11-14 May, 2017. 2016 “Theorizing Demonic Languages in Mediterranean Religions." With Alex Matthews. Working Group on Comparative Religions. American Academy of Religion Annual Meeting. San Antonio. 18-22 November, 2016. 2016 "The Semantics of God in Fourteenth-Century Scholasticism." With Daniel W. Houck. Conference: "A Matter of Devotion: Matter and Spirit in Theory and Practice." Patristic, Medieval, and Renaissance Society. Villanova University, Villanova. 14-16 October, 2016. 2015 "Discernment and Proof: Strategies of Authentication in the Middle Ages." With Claire Jenson. University of Chicago Medieval Studies Workshop. 50th
Recommended publications
  • Faure Requiem Program V2
    FAURÉ REQUIEM Conceived and directed by Barbara Pickhardt, Artistic Director Produced by Barbara Scharf Schamest Premiered: June 13, 2021 Ars Choralis Barbara Pickhardt, artistic director REQUIEM, Op. 48 (1893) Gabriel Fauré (1845-1924) Introit Brussels Choral Society Eric Delson, conductor Kyrie Ars Choralis Chamber Orchestra Barbara Pickhardt, conductor Offertory Ars Choralis Chuck Snyder, baritone Eribeth Chamber Players Barbara Pickhardt, conductor Sanctus The Dessoff Choirs Malcolm J. Merriweather, conductor Pie Jesu (Remembrances) Magna Graecia Flute Choir Carlo Verio Sirignano, guest conductor Sebastiano Valentino, music director Agnus Dei Ars Choralis Magna Graecia Flute Choir Carlo Verio Sirignano, guest conductor Chamber Orchestra Barbara Pickhardt, conductor Libera Me Ars Choralis Harvey Boyer, tenor Douglas Kostner, organ Barbara Pickhardt, conductor Memorial Prayers Tatjana Myoko Evan Pritchard Rabbi Jonathan Kligler Elizabeth Lesser Pastor Sonja Tillberg Maclary In Paradisum Brussels Choral Society Eric Delson, conductor 1 Encore Performances Pie Jesu Ars Choralis Amy Martin, soprano Eribeth Chamber Playersr Barbara Pickhardt, conductor In Paradisum The Dessoff Choirs Malcolm J. Merriweather, conductor About This Virtual Concert By Barbara Pickhardt The Fauré Requiem Reimagined for a Pandemic This virtual performance of the Fauré Requiem grew out of the need to prepare a concert while maintaining social distancing. We would surely have preferred to blend our voices as we always have, in a live performance. But the pandemic opened the door to a new and different opportunity. As we saw the coronavirus wreak havoc around the world, it seemed natural to reach out to our friends in other locales and include them in this program. In our reimagined version of the Fauré Requiem, Ars Choralis is joined, from Belgium, by the Brussels Choral Society, the Magna Graecia Flute Choir of Calabria, Italy, the Dessoff Choirs from New York City, and, from New York, instrumentalists from the Albany area, New York City and the Hudson Valley.
    [Show full text]
  • Summary-Of-The-World-Peace-Choral
    In 2020, a global pandemic has brought an unprecedented impact to the world. In the face of the common challenges of mankind, peace and unity have become the common voice of the international community under the pandemic. In 2021 the World Peace Choral Festival celebrated its 11th anniversary Online. more than 340 choirs from 55 countries participated in the online events of the World Peace Choral Festival 2021! Our sincere thanks to all choirs and their members, the artistic committee, jurors, and staff members contributing to the festival! FACTS AND FIGURES The choirs participating in the 2021 World Peace Choral Festival came from Armenia, Argentina, Austria, Australia, Belgium, Brazil, Bulgaria, Canada, Czech Republic, Croatia, Chile, China(Mainland, Hong Kong, Taiwan, Macau), Denmark, Estonia, Egypt, Finland, France, Germany, Georgia, Greece, Hungary, Italy, Indonesia, Israel, India, Kenya, Kosovo, Lithuania, Latvia, Mauritius, Macedonia, Malta, Moldova, Mexico, Norway, Philippines, Poland, Portugal, Romania, Russia, Slovenia , Spain, Syria, Serbia, Sweden, South Africa, Switzerland, Spska, Turkey, Tanzania, Ukraine, Uganda, United States, United Kingdom and Vietnam. 2021 May 22th Grand opening ceremony of the 11th World Peace Choral Festival “Coming together to sing Singing for a better future” The 2021 11th World Peace Chorus Festival opened online on May 22th. The webcast of the concert attracted more than 10,000 people to watch it online. Our sincere thanks to all choirs and their members, the artistic committee, jurors, and staff
    [Show full text]
  • Arcada Theatre St
    Live in the United States LIBERA Arcada Theatre St. Charles, IL April 8Washington,TH 2015 at D.C. 7:30pm Joyful Joyful How Can I Keep From Singing Sanctus Salva Me Amazing Grace Morning Has Broken Voca Me Exultate The Prayer INTERVAL Always With You Song Of Life Orinoco Flow Wayfaring Stranger How Great Thou Art Wonderful World Going Home How Shall I Sing That Majesty April 8TH 2015 | The Arcada Theatre | 7:30 PM — PLEASE NOTE — Program subject to change. All forms of recording, video filming, photography, use of mobile phone cameras etc are strictly prohibited. There will be an opportunity to purchase CDs/DVDs during the interval and at the end of the concert. Copyright©Libera 2015. All rights reserved. LIBERA MARC ALVARES, SHAY BALSEKAR, CIARAN BRADBURY-HICKEY, MERLIN BROUWER, BENEDICT BYWATER, GABRIEL COLLINS, THOMAS DELGADO-LITTLE, ALEX GULA, ADAM IZGHOUTI, MATTHEW JANSEN, TIMOTHY LEE, ISAAC LONDON, MATTHEW MADINE, ALESSANDRO MACKINNON-BOTTI, JAMES MENEZES, MICHAEL MENEZES, ALEX MONTORO, CASSIUS O’CONNELL-WHITE, TAICHI SHINOKUBO, CAMDEN STEWART, ROCCO TESEI, MARK USTYNOVYCH-REPA, JOSEPH WALSHE, SAM WIGGIN, LUCAS WOOD Musical Director – Robert Prizeman Assistant musical directors – Sam Coates & Steven Geraghty Flute / Whistle – Percussion – Keyboard – Candice Hamel Jonathan Ormston Joshua Madine Steven Geraghty Sound mixing & production – Sam Coates Lighting – Luke Avery Stage management – Jonathan Barrington & Simon Lewis Stage direction – Steven Geraghty Tour coordination and chaperone – Barbara Geraghty & Eleanor Lewis Tour coordination
    [Show full text]
  • The International Implications of the Los Angeles Riots
    Denver Law Review Volume 70 Issue 2 Colloquy - Racism in the Wake of the Article 7 Los Angeles Riots January 2021 The International Implications of the Los Angeles Riots Henry J. Richardson III Follow this and additional works at: https://digitalcommons.du.edu/dlr Recommended Citation Henry J. Richardson, The International Implications of the Los Angeles Riots, 70 Denv. U. L. Rev. 213 (1993). This Article is brought to you for free and open access by the Denver Law Review at Digital Commons @ DU. It has been accepted for inclusion in Denver Law Review by an authorized editor of Digital Commons @ DU. For more information, please contact [email protected],[email protected]. THE INTERNATIONAL IMPLICATIONS OF THE Los ANGELES RIOTS HENRY J. RICHARDSON, III* I. INTRODUCTION By now much has been written, preached, propagandized, analyzed and moralized about the Los Angeles riots. We need not rehearse here either the facts of the trial and acquittal of the police officers who beat Rodney King, the subsequent fire and destruction or the resulting fed- eral and state trials of the officers and riot participants. This Article will discuss the international reactions to the acquittals and the riot while exploring several crucial issues with implications for United States pol- icy, international law and Afro-America in the world community. The Article will also explore comparative claims regarding causation for the riots and the responses of the Vatican and the southern tier of the world community to these claims. Some initial consideration will be given to recent United States. policy trends in order to place the international community's response to Los Angeles in context.
    [Show full text]
  • Metamorphosis a Pedagocial Phenomenology of Music, Ethics and Philosophy
    METAMORPHOSIS A PEDAGOCIAL PHENOMENOLOGY OF MUSIC, ETHICS AND PHILOSOPHY by Catalin Ursu Masters in Music Composition, Conducting and Music Education, Bucharest Conservatory of Music, Romania, 1983 THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY In the Faculty of Education © Catalin Ursu 2009 SIMON FRASER UNIVERSITY Fall, 2009 All rights reserved. However, in accordance with the Copyright Act of Canada, this work may be reproduced, without authorization, under the conditions for Fair Dealing. Therefore, limited reproduction of this work for the purposes of private study, research, criticism, review and news reporting is likely to be in accordance with the law, particularly if cited appropriately. Declaration of Partial Copyright Licence The author, whose copyright is declared on the title page of this work, has granted to Simon Fraser University the right to lend this thesis, project or extended essay to users of the Simon Fraser University Library, and to make partial or single copies only for such users or in response to a request from the library of any other university, or other educational institution, on its own behalf or for one of its users. The author has further granted permission to Simon Fraser University to keep or make a digital copy for use in its circulating collection (currently available to the public at the “Institutional Repository” link of the SFU Library website <www.lib.sfu.ca> at: <http://ir.lib.sfu.ca/handle/1892/112>) and, without changing the content, to translate the thesis/project or extended essays, if technically possible, to any medium or format for the purpose of preservation of the digital work.
    [Show full text]
  • Armagh Programme
    Libera St Patrick’s Catholic Cathedral Armagh Friday 9th August 2013 !! Angels From On High What Child Is This The Wexford Carol In Dulci Jubilo Away In Manger Joy To The World Once In Royal David's City Sanctus Danny Boy Gaudete Carol Of The Bells God Rest You Merry Gentlemen O Holy Night Still Still Still Armagh Exultate Silent Night Have Yourself A Merry Little Christmas LIBERA MARC ALVARES, HENRY BARRINGTON, ANTHONY BLAKE, CIARAN BRADBURY-HICKEY GABRIEL COLLINS, JUDE COLLINS, KAVANA CROSSLEY, TIARNAN BRANSON THOMAS DELGADO-LITTLE, DYLAN DUFFY, BENJAMIN FAIRMAN, DANIEL FONTANNAZ ALEXANDER GULA, MATTHEW JANSEN, ALEX LEGGETT, SAM LEGGETT, ISAAC LONDON ALESSANDRO MACKINNON-BOTTI, JOSHUA MADINE, MATTHEW MADINE, EOGHAN MCCARTHY MICHAEL MENEZES, ALEXANDER MONTORO, KUBA NIEDERMAIER-REED, CASSIUS O’CONNELL-WHITE MATTHEW RANGEL-ALVARES, CARLOS RODRIGUEZ, RALPH SKAN, MICHAEL USTYNOVYCH-REPA, SAM WIGGIN, LUCAS WOOD MUSICAL DIRECTOR – ROBERT PRIZEMAN KEYBOARDS – STEVEN GERAGHTY PERCUSSION – SIMON ROTH, TONY QUINN STRINGS – ZOE CONWAY, SYLVIA ROBERTS, NICOLE HUDSON, AILBHE MCDONAGH, DAN BODWELL WOODWIND – JESSIE GRIMES, PADDY MCERLEAN, BRIAN DUNNING GUITAR – JOHN MCINTYRE SOUND MIXING & PRODUCTION – SAM COATES About Tonight's Concert Thank you for joining us for this 'seasonal' event! Our concert is being filmed and will be released on DVD in time, we hope, for Christmas. It may also in due course be seen on television. Some of the camera shots may include audience members, so your presence here tonight is taken to signify that you are happy to be seen in this production. If you are not in agreement with this, please have a word with one of the stewards.
    [Show full text]
  • Atlanta Symphony Hall Atlanta, GA April 10Washington,TH 2015 at D.C
    Live in the United States LIBERA Atlanta Symphony Hall Atlanta, GA April 10Washington,TH 2015 at D.C. 8:00pm Joyful Joyful How Can I Keep From Singing Sanctus Salva Me Amazing Grace Morning Has Broken Voca Me Exultate The Prayer INTERVAL Always With You Song Of Life Orinoco Flow Wayfaring Stranger How Great Thou Art Wonderful World Going Home How Shall I Sing That Majesty April 10TH 2015 | Atlanta Symphony Hall | 8:00 PM — PLEASE NOTE — Program subject to change. All forms of recording, video filming, photography, use of mobile phone cameras etc are strictly prohibited. There will be an opportunity to purchase CDs/DVDs during the interval and at the end of the concert. FRONT COVER: Brenda Ladd Photography Copyright©Libera 2015. All rights reserved. LIBERA MARC ALVARES, SHAY BALSEKAR, CIARAN BRADBURY-HICKEY, MERLIN BROUWER, BENEDICT BYWATER, GABRIEL COLLINS, THOMAS DELGADO-LITTLE, ALEX GULA, ADAM IZGHOUTI, MATTHEW JANSEN, TIMOTHY LEE, ISAAC LONDON, MATTHEW MADINE, ALESSANDRO MACKINNON-BOTTI, JAMES MENEZES, MICHAEL MENEZES, ALEX MONTORO, CASSIUS O’CONNELL-WHITE, TAICHI SHINOKUBO, CAMDEN STEWART, ROCCO TESEI, MARK USTYNOVYCH-REPA, JOSEPH WALSHE, SAM WIGGIN, LUCAS WOOD Musical Director – Robert Prizeman Assistant musical directors – Sam Coates & Steven Geraghty Flute / Whistle – Percussion – Keyboard – Candice Hamel Jonathan Ormston Joshua Madine Steven Geraghty Sound mixing & production – Sam Coates Lighting – Luke Avery Stage management – Jonathan Barrington & Simon Lewis Stage direction – Steven Geraghty Tour coordination and chaperone
    [Show full text]
  • Committed to Doing Justice A.M.D.G
    Eric Smith and Julian Wicks, CJA ‘11, help with a food distribution event CHICAGO JESUIT ACADEMY Annual Report 2020 Committed to Doing Justice A.M.D.G. Summer 2020 Dear Members of the CJA Community, In July, Eric Smith – an alumnus from our Class Eric helped unload and distribute 500 boxes of 2011 – met with me at CJA on an early of food for our CJA families and neighbors – Friday morning. He wanted to catch up before more than 6 ¼ tons of fresh produce, dairy he helped run our weekly food distribution for and meat. After we cleaned up from the food our neighbors. Weeks before, Eric had sent me distribution, Eric offered to help move dozens his Sociology thesis, which built on Dr. Anthony of boxes of donated school supplies from our Abraham Jack’s work at Harvard about cafeteria to our faculty room. He then promised creating equitable access and acceptance to return the next week. for historically under-represented students on college campuses. We were long overdue for a * * * conversation about his thesis and his final year Our students, alumni and families are strong, at Williams College. talented and courageous. They inspire all As Eric and I walked the blocks around CJA’s that we do at CJA. During the pandemic, CJA campus, Eric spoke with me about all of the parents have been cleaning hospital rooms work he had done to find a great job during and COVID-19 triage tents. They staff nursing the pandemic. He also told me about the new homes, stock grocery store shelves, move CJA alumni board, which he and Julian Wicks critical freight at O’Hare and make countless – another member of our Class of 2011 – were deliveries to those fortunate enough to work creating with a dozen other CJA alumni.
    [Show full text]
  • Art Los Angeles Reader ACID INTERIORS | Nº 3 | JANUARY 2017
    JANUARY 2017 Art Los Angeles Reader ACID INTERIORS | Nº 3 | JANUARY 2017 Pool The new fragrance by Sean Raspet Available for a limited time at reader.la/pool ART LOS ANGELES READER Art Los Angeles Reader ACID INTERIORS | Nº 3 | JANUARY 2017 Lost Enchantment From the Editor Interior designer Tony Duquette was known for bedazzling style. A short-lived Malibu ranch would have been his crown jewel. Kate Wolf Every single scene in Rainer Werner 1970s black artists’ interventions into public Fassbinder’s newly rediscovered World on a space, to see what rituals and reorientations Wire features two central colors: burnt or- were required for making the city a place ange and emerald blue. Made in 1973, that they could inhabit. And Travis Diehl digs into Infrastructure Sketches era’s cybernetic systems thinking (everything the history of the New York Times’ coverage In the late 1970s, Barbara McCullough and Senga Nengudi exited Ed Ruscha's is related) found an exquisite analogue in the of LA art, diagnosing a host of antipathic, freeway and claimed land under the off-ramps. conspiracy theory of simulation, which mo- boostered biases. Aria Dean tivates the film’s science fiction plot (we’re The theme acid interiors is inspired by stuck in a virtual reality, we just have no idea). William Leavitt’s theatrical obsession with The colors of the interiors seem to prove the mid-century design, his installations of ge- protagonist’s suspicion: in his apartment, his neric sets that deal with the drama of stuff. Pool office, the restaurant, his secretary’s jacket, I am thrilled to present a work Leavitt made A new fragrance made with synthetic compounds.
    [Show full text]
  • Family Reunion June 19, 2009 Join Us!
    as the south goes . Periodical from Project South: Institute for the Elimination of Poverty & Genocide Volume 17, Issue 1, Spring 2009 Juneteenth Family Reunion June 19, 2009 Join Us! In this Issue: Feature article on race, colonialism, and liberation in the twenty-first century Updates: - Youth Community Action Program - Our Membership programs - The next US Social Forum As the South Goes . is a biannual publication of Project South. table of contents Editor & Layout: Stephanie Guilloud 9 Gammon Avenue Atlanta GA 303015 Feature Article 404.622.0602 Remembering Colonial Legacies . 3 www.projectsouth.org Youth Community Action Border Movement Assembly . 5 staff Youth Speak Truth . 6 Christi Ketchum Bowman Reportbacks . 7 Executive Leadership Team Stephanie Guilloud Executive Leadership Team Membership Program Midnite Schools . 8 Emery Wright Executive Leadership Team Juneteenth Gathering . 9 Fredando Jackson Communications & Outreach US Social Forum Coordinator Report & Updates . 10-11 Taliba Obuya Development Associate & Membership Coordinator Organizational Updates Celebrating our Board . 12 Celebrating Alice Lovelace . 13 board Welcoming Taliba Obuya . 14 Shields Scott - Co-Chair Atlanta, GA Membership Form on page 15 Angela Winfrey - Co-Chair Join Project South in 2009! People’s Institute, GA Trap Bonner Moving Forward Gulf Coast, LA Evan Milligan Equal Justice Initiative, AL editor’s note Brenda Hyde In February, we held an Open House for our local mem- Southern Echo, MS bers and supporters in order to share our strategic di- rections in this critical moment. We are excited to share Genaro Lopez Rendon our work and vision with all of our friends and family Southwest Workers Union, TX through this biannual newsletter.
    [Show full text]
  • Crack in Los Angeles: Crisis, Militarization, and Black Response to the Late Twentieth-Century War on Drugs
    Crack in Los Angeles: Crisis, Militarization, and Black Response to the Late Twentieth-Century War on Drugs Donna Murch In the winter of 1985 the Los Angeles Police Department (lapd) unveiled a signature Downloaded from new weapon in the city’s drug war. With Chief Daryl F. Gates copiloting, the Special Weapons and Tactics Team (swat) used a fourteen-foot battering ram attached to an “ar- mored vehicle” to break into a house in Pacoima. After tearing a “gaping hole” in one of the outside walls of the house, police found two women and three children inside, eating ice cream. swat uncovered negligible quantities of illicit drugs, and the district attorney http://jah.oxfordjournals.org/ subsequently declined to prosecute. In the days following the raid, black clergy and the San Fernando Valley chapter of the National Association for the Advancement of Colored People (naacp) organized a protest rally in a local church. “We don’t need new weapons to be tried out on us,” Rev. Jefrey Joseph exclaimed. “Of all the methods that there are to ar- rest a person, they used a brand new toy.” Not all members of the African American com- munity agreed, however. City councilman David Cunningham, who represented South Los Angeles, praised Gates’s actions. “Go right ahead, Chief. You do whatever you can to by guest on September 1, 2015 get rid of these rock houses. Tey’re going to destroy the black community if you don’t.”1 Tese divergent responses embody the core contradiction produced by crack cocaine and the war on drugs for African American communities of Los Angeles in the 1980s.
    [Show full text]
  • Fifth Freedom, 1978-05-01
    State University of New York College at Buffalo - Buffalo State College Digital Commons at Buffalo State The aM deline Davis Gay, Lesbian, Bisexual, The iF fth rF eedom Transgender Archives of Western New York 5-1-1978 Fifth rF eedom, 1978-05-01 The aM ttachine Society of the Niagara Frontier Follow this and additional works at: http://digitalcommons.buffalostate.edu/fifthfreedom Part of the Feminist, Gender, and Sexuality Studies Commons Recommended Citation The aM ttachine Society of the Niagara Frontier, "Fifth rF eedom, 1978-05-01" (1978). The Fifth Freedom. 73. http://digitalcommons.buffalostate.edu/fifthfreedom/73 This Book is brought to you for free and open access by the The aM deline Davis Gay, Lesbian, Bisexual, Transgender Archives of Western New York at Digital Commons at Buffalo tS ate. It has been accepted for inclusion in The iF fth rF eedom by an authorized administrator of Digital Commons at Buffalo tS ate. For more information, please contact [email protected]. FREE Freedom5th Publication of the Mattachine Society of the Niagara Frontier MAY 1978 Boston GaysProtest Library Dade County Replays Entrapment Arrests in Three Cities The repeal of the Dade County uled for May 23. Opponents of the rights law last June appears to have ordinance are led by housewife Mau- inspired reen similar attempts throughout Gieber, a woman who spearheaded the United States. Wichita (KS), St. the drive which collected 10,000 Paul (MN) and Eugene (OR) are cities signatures. Gay people there feel where efforts are that currently being chances of winning the referen- made by Bryant-like fundamentalists dum are good.
    [Show full text]