Design Research Quarterly 3:1 January, 2008
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Design Research Quarterly Volume 2, Issue 3
Design Research Society DRS Digital Library Design Research Quarterly DRS Archive 1-7-2007 Design Research Quarterly Volume 2, Issue 3 Peter Storkerson Follow this and additional works at: https://dl.designresearchsociety.org/design-research-quarterly Recommended Citation Storkerson, Peter, "Design Research Quarterly Volume 2, Issue 3" (2007). Design Research Quarterly. 4. https://dl.designresearchsociety.org/design-research-quarterly/4 This Book is brought to you for free and open access by the DRS Archive at DRS Digital Library. It has been accepted for inclusion in Design Research Quarterly by an authorized administrator of DRS Digital Library. For more information, please contact [email protected]. V.2:3 July 2007 www.designresearchsociety.org Design Research Society ISSN 1752-8445 Designing the Interface Between Research, Learning and Teaching Linda drew University of the Arts, London Abstract Introduction Table of Contents: This paper’s central argument is that ‘Universities need to set as a mission teaching and research need to be re- goal the improvement of the nexus Articles: shaped so that they connect in a pro- between research and teaching.... The 1 Designing the Interface Between ductive way. This will require actions aim is to increase the circumstanc- Research, Learning and Teaching at a whole range of levels, from the es in which teaching and research Linda Drew individual teacher to the national have occasion to meet, and to provide system and include the international rewards not only for better teaching or 4 DRS 2008 Conference: communities of design scholars. To do for better research but also for demon- Undisciplined! this, we need to start at the level of the strations of the integration between individual teacher and course team. -
The World Technology Network
The World Technology Network WTN Homepage 2004 World Technology Award MAILING LIST SIGN UP About Us World Technology Nominees Name: Summit 2004 First: World Technology Please click on a category for more information Awards 2004 Last: Previous Events/ Awards The Arts Health & Medicine Email: World Technology Biotechnology IT - Hardware Focus: Intelligence Communications Technology IT - Software Becoming a WTN Associate Design Law The Membership Education Marketing Communications For specific enquiries contact us. Member News Energy Materials Sponsorship Inquiries Entertainment Media & Journalism Contact Us Environment Policy Ethics Social Entrepreneurship Our Sponsors/ Partners Finance Space The Arts Mr. David Byrne - Pace/MacGill Gallery Mr. Mengbo Feng - Search WTN.net Media Lab, Central Academy of Fine Arts Ms. Felice Frankel - MIT Mr. Perry Hoberman - University of Southern California Mr. Search The Web Steve Jobs - Pixar Prof. Tetsuo Kogawa - Tokyo-Keizai University Ms. Victoria Vesna and Mr. James Gimzewski - Department of Design | Media Arts, and UCLA Prof. Marcos Novak - MAT/UCSB Dr. Hunter O'Reilly - Loyola University Chicago Mr. David Rokeby Prof. Carlo H. Sequin - Univ. of California, Berkeley Prof. Jeffrey Shaw - University of New South Wales Ms. Yukiko Shikata Mr. Leo Villareal Biotechnology (Individual) Dr. Reuven Agami - The Netherlands Cancer Institute Dr. Richard Begley - 454 Life Sciences Dr. Andre Koltermann and Dr. Ulrich Kettling - DIREVO Biotech AG Dr. Robert Langer - MIT Dr. Pierre-Marie Lledo - Institut Pasteur Dr. Alton Morgan - InNexus Biotechnology Inc. Dr. Toshiaki Noce - Mitsubishi Kagaku Institute of Life Sciences Prof. Ehud Shapiro - Weizmann Institute Prof. Thomas Steitz - Yale University; Howard Hughes Medical Institute Prof. Jennifer Thomson - University of Cape Town Dr. -
The Ukrainian Weekly 2004, No.46
www.ukrweekly.com INSIDE:• Viktor Yanukovych agrees to TV debate — page 5. • Preserving a POW chapel in Lockerbie, Scotland — page 14. • Ukrainian American Veterans hold convention — page 15. Published by the Ukrainian National Association Inc., a fraternal non-profit association Vol. LXXII HE No.KRAINIAN 46 THE UKRAINIAN WEEKLY SUNDAY, NOVEMBER 14, 2004 EEKLY$1/$2 in Ukraine Ukraine’sT presidentialUIt’s official: YushchenkoW wins first round by Roman Woronowycz the western and central regions of the puzzled. campaign comes Kyiv Press Bureau country, while Mr. Yanukovych received “I am satisfied,” began the prime min- the overwhelming majority of votes in ister while addressing journalists at his KYIV – The Central Election eight eastern and southern oblasts, as headquarters in an appearance broadcast to the United States Commission officially announced on well as in the Crimean Autonomous on all the major television stations, and November 10 that National Deputy Republic. The result set the stage for a then added, “As for the first round, I by Yaro Bihun Viktor Yushchenko had won the first run-off between the lawmaker and the compare it to a soccer match, one in Special to The Ukrainian Weekly round of voting in Ukraine’s presidential prime minister, as Ukrainian election law which I was playing on foreign territory,” election by just more than a half percent- dictates when no candidate receives 50 explained Mr. Yanukovych. WASHINGTON – The Ukrainian age point. percent voter support. While in European soccer rules, a vis- presidential run-off election campaign It was a somewhat unexpected turn- Mr. Yushchenko, his face still showing iting team gets an extra credit in the came to the U.S. -
Design Research: What Is It? What Is It For?
Design Research: What is it? What is it for? Victor Margolin University of Illinois, Chicago Abstract: The slippage in use between design research as an activity without a precise identity and its characterization of an intellectual field has caused considerable confusion. PhD programs in design are now offered and have become vehicles for producing academic design researchers. This has vastly increased the number of researchers with doctorates but it has not contributed to the coherence of a field and certainly not to the formation of a discipline. As more PhD graduates take up teaching positions, they are under pressure to continue their research and publish it. Without a set of shared questions, they are often left to their own devices to invent a research topic. While the authors adopt what appear to be valid methodologies to guide their investigations, the questions they pose are often narrowly drawn, have no relation to a larger set of issues, and are consequently of little interest or value to other scholars. When it comes to pedagogy, the lack of consensus about what course of studies would constitute a doctorate in design is especially disconcerting. By virtue of not having any consensual curriculum, it is difficult to assess the value of someone’s degree. A big problem in the field is the confusion between an academic degree in design and one in design studies. Instead of perpetuating the term ‘design research,” I suggest adopting the related terms “design’ and ‘design studies” to delineate more precisely the nature of the knowledge or capabilities they signify. Keywords: Design research; Design studies, doctoral design Prelude Since the end of World War II, design has grown in social importance, moving from the styling of products and the production of print material to the design of complex devices, ubiquitous digital media, and even social systems. -
Samsung Petition
No. 15-___ IN THE Supreme Court of the United States ———— SAMSUNG ELECTRONICS CO., LTD., SAMSUNG ELECTRONICS AMERICA, INC., AND SAMSUNG TELECOMMUNICATIONS AMERICA, LLC, Petitioners, v. APPLE INC., Respondent. ———— On Petition for a Writ of Certiorari to the United States Court of Appeals for the Federal Circuit ———— PETITION FOR A WRIT OF CERTIORARI ———— MICHAEL T. ZELLER KATHLEEN M. SULLIVAN B. DYLAN PROCTOR Counsel of Record QUINN EMANUEL URQUHART WILLIAM B. ADAMS & SULLIVAN, LLP DAVID M. COOPER 865 S. Figueroa Street QUINN EMANUEL URQUHART 10th Floor & SULLIVAN, LLP Los Angeles, CA 90017 51 Madison Avenue (213) 443-3000 22nd Floor New York, NY 10010 VICTORIA F. MAROULIS (212) 849-7000 QUINN EMANUEL URQUHART kathleensullivan@ & SULLIVAN, LLP quinnemanuel.com 555 Twin Dolphin Drive 5th Floor Redwood Shores, CA 94065 (650) 801-5000 Counsel for Petitioners December 14, 2015 WILSON-EPES PRINTING CO., INC. – (202) 789-0096 – WASHINGTON, D. C. 20002 QUESTIONS PRESENTED Design patents are limited to “any new, original and ornamental design for an article of manufacture.” 35 U.S.C. 171. A design-patent holder may elect infringer’s profits as a remedy under 35 U.S.C. 289, which provides that one who “applies the patented design … to any article of manufacture … shall be liable to the owner to the extent of his total profit, … but [the owner] shall not twice recover the profit made from the infringement.” The Federal Circuit held that a district court need not exclude unprotected conceptual or functional features from a design patent’s protected ornamental scope. The court also held that a design-patent holder is entitled to an infringer’s entire profits from sales of any product found to contain a patented design, with- out any regard to the design’s contribution to that product’s value or sales. -
Architectural Thought Experiments, Verisimilitude and Argumentation in Predicting Architectural Quality
Design Research Society DRS Digital Library DRS Biennial Conference Series DRS2006 - Wonderground Nov 1st, 12:00 AM Architectural Thought Experiments, Verisimilitude and argumentation in predicting architectural quality J.L. Heintz Delft University of Technology, DElft, Netherlands | Follow this and additional works at: https://dl.designresearchsociety.org/drs-conference-papers Citation Heintz, J. (2006) Architectural Thought Experiments, Verisimilitude and argumentation in predicting architectural quality, in Friedman, K., Love, T., Côrte-Real, E. and Rust, C. (eds.), Wonderground - DRS International Conference 2006, 1-4 November, Lisbon, Portugal. https://dl.designresearchsociety.org/drs- conference-papers/drs2006/researchpapers/23 This Research Paper is brought to you for free and open access by the Conference Proceedings at DRS Digital Library. It has been accepted for inclusion in DRS Biennial Conference Series by an authorized administrator of DRS Digital Library. For more information, please contact [email protected]. 0081 Architectural Thought Experiments, Verisimilitude and argumentation in predicting architectural quality J.L. Heintz Delft University of Technology, DElft, Netherlands | [email protected] Introduction One of the most common models1 of design consists of three steps – analysis, synthesis and evaluation – bound together in a cyclical pattern (Lawson, 1980). This corresponds well with our notions of design at many levels: That of a single designer working at his or her computer, analyzing some small -
Neri Oxman Material Ecology
ANTONELLI THE NERI OXMAN CALLS HER DESIGN APPROACH MATERIAL ECOLOGY— A PROCESS THAT DRAWS ON THE STRUCTURAL, SYSTEMIC, AND AESTHETIC WISDOM OF NATURE, DISTILLED AND DEPLOYED THROUGH COMPUTATION AND DIGITAL FABRICATION. THROUGHOUT HER TWENTY- ECOLOGY MATERIAL NERI OXMAN NERI OXMAN YEAR CAREER, SHE HAS BEEN A PIONEER OF NEW MATERIALS AND CONSTRUCTION PROCESSES, AND A CATALYST FOR DYNAMIC INTERDISCIPLINARY COLLABORATIONS. WITH THE MEDIATED MATTER MATERIAL GROUP, HER RESEARCH TEAM AT THE MIT MEDIA LAB, OXMAN HAS PURSUED RIGOROUS AND DARING EXPERIMENTATION THAT IS GROUNDED IN SCIENCE, PROPELLED BY VISIONARY THINKING, AND DISTINGUISHED BY FORMAL ELEGANCE. ECOLOGY PUBLISHED TO ACCOMPANY A MONOGRAPHIC EXHIBITION OF OXMAN’S WORK AT THE MUSEUM OF MODERN ART, NEW YORK, NERI OXMAN: MATERIAL ECOLOGY FEATURES ESSAYS BY PAOLA ANTONELLI AND CATALOGUE HADAS A. STEINER. ITS DESIGN, BY IRMA BOOM, PAYS HOMAGE TO STEWART BRAND’S LEGENDARY WHOLE EARTH CATALOG, WHICH CELEBRATED AND PROVIDED RESOURCES FOR A NEW ERA OF AWARENESS IN THE LATE 1960S. THIS VOLUME, IN TURN, HERALDS A NEW ERA OF ECOLOGICAL AWARENESS—ONE IN WHICH THE GENIUS OF NATURE CAN BE HARNESSED, AS OXMAN IS DOING, TO CREATE TOOLS FOR A BETTER FUTURE. Moma Neri Oxman Cover.indd 1-3 9.01.2020 14:24 THE NERI OXMAN MATERIAL ECOLOGY CATALOGUE PAOLA ANTONELLI WITH ANNA BURCKHARDT THE MUSEUM OF MODERN ART, NEW YORK × Silk Pavilion I Imaginary Beings: Doppelgänger Published in conjunction with the exhibition Published by Neri Oxman: Material Ecology, at The Museum of The Museum of Modern Art, New York Modern Art, New York, February 22–May 25, 2020. 11 West 53 Street CONTENTS Organized by Paola Antonelli, Senior Curator, New York, New York 10019 Department of Architecture and Design, www.moma.org and Director, Research and Development; and Anna Burckhardt, Curatorial Assistant, © 2020 The Museum of Modern Art, New York 9 FOREWORD Department of Architecture and Design Certain illustrations are covered by claims to copyright cited on page 177. -
Fashion Adopters and Fashion Followers
Design Research Society DRS Digital Library DRS2012 - Research: Uncertainty Contradiction DRS Biennial Conference Series Value Jul 1st, 12:00 AM Perceptions toward Specific-Product Types and Product Cues – Fashion adopters and fashion followers Osmud Rahman Ryerson University Follow this and additional works at: https://dl.designresearchsociety.org/drs-conference-papers Citation Rahman, O. (2012) Perceptions toward Specific-Product Types and Product Cues – Fashion adopters and fashion followers, in Israsena, P., Tangsantikul, J. and Durling, D. (eds.), Research: Uncertainty Contradiction Value - DRS International Conference 2012, 1-4 July, Bangkok, Thailand. https://dl.designresearchsociety.org/drs-conference-papers/drs2012/researchpapers/114 This Research Paper is brought to you for free and open access by the Conference Proceedings at DRS Digital Library. It has been accepted for inclusion in DRS Biennial Conference Series by an authorized administrator of DRS Digital Library. For more information, please contact [email protected]. DRS 2012 Bangkok Chulalongkorn University Bangkok, Thailand, 1–4 July 2012 Perceptions toward Specific-Product Types and Product Cues – Fashion adopters and fashion followers Osmud RAHMAN Ryerson University Abstract It is evident that consumers have higher level of fashion innovativeness (e.g., fashion adopters/leaders) are more likely to consume and display a new product at the early stage of its lifecycle (Kang and Park-Poaps, 2010). Thus, it is imperative for fashion practitioners to understand this consumer group in order to offer better products, develop effective marketing strategies and ultimately increase the sales. In this study, three product types (t-shirt, evening dress and socks) and ten product cues (four extrinsic cues and six intrinsic cues) were used to examine how fashion adopters and followers perceive and evaluate these products and what product cues may significantly affect their purchasing decision. -
Perspectives on Retail and Consumer Goods
Perspectives on retail and consumer goods Number 7, January 2019 Perspectives on retail and Editor McKinsey Practice consumer goods is written Monica Toriello Publications by experts and practitioners in McKinsey & Company’s Contributing Editors Editor in Chief Retail and Consumer Goods Susan Gurewitsch, Christian Lucia Rahilly practices, along with other Johnson, Barr Seitz McKinsey colleagues. Executive Editors Art Direction and Design Michael T. Borruso, To send comments or Leff Communications Allan Gold, Bill Javetski, request copies, email us: Mark Staples Consumer_Perspectives Data Visualization @McKinsey.com Richard Johnson, Copyright © 2019 McKinsey & Jonathon Rivait Company. All rights reserved. Editorial Board Peter Breuer, Tracy Francis, Editorial Production This publication is not Jan Henrich, Greg Kelly, Sajal Elizabeth Brown, Roger intended to be used as Kohli, Jörn Küpper, Clarisse Draper, Gwyn Herbein, the basis for trading in the Magnin, Paul McInerney, Pamela Norton, Katya shares of any company or Tobias Wachinger Petriwsky, Charmaine Rice, for undertaking any other John C. Sanchez, Dana complex or significant Senior Content Directors Sand, Katie Turner, Sneha financial transaction without Greg Kelly, Tobias Wachinger Vats, Pooja Yadav, Belinda Yu consulting appropriate professional advisers. Project and Content Managing Editors Managers Heather Byer, Venetia No part of this publication Verena Dellago, Shruti Lal Simcock may be copied or redistributed in any form Cover Photography without the prior written © Rawpixel/Getty Images consent of McKinsey & Company. Table of contents 2 Foreword by Greg Kelly 4 12 22 26 Winning in an era of A new value-creation Agility@Scale: Capturing ‘Fast action’ in fast food: unprecedented disruption: model for consumer goods growth in the US consumer- McDonald’s CFO on why the A perspective on US retail The industry’s historical goods sector company is growing again In light of the large-scale value-creation model To compete more effectively Kevin Ozan became CFO of forces disrupting the US retail is faltering. -
Theory and Design in the First Digital
Theory and design in the first digital age Rivka Oxman, Faculty of Architecture and Town Planning Technion, Haifa 32000, Israel Digital design and its growing impact on design and production practices have resulted in the need for a re-examination of current design theories and methodologies in order to explain and guide future research and development. The present research postulates the requirements for a conceptual framework and theoretical basis of digital design; reviews the recent theoretical and historical background; and defines a generic schema of design characteristics through which the paradigmatic classes of digital design are formulated. The implication of this research for the formulation of ‘digital design thinking’ is presented and discussed. Ó 2005 Elsevier Ltd. All rights reserved. Keywords: digital design, design theory, design methodology, design thinking he evolution of digital design as a unique field of design endeavor, motivated by its own body of theoretical sources, promulgated by Ta culture of discourse, supported by new technologies, and pro- ducing unique classes of designs is a phenomenon that has been rapidly crystallizing in the past decade. Among the significances of digital design for the design theoretical community is the way that this form of highly mediated design is beginning to evolve unique design methodologies, unique forms of design interaction and unique formal content. Due to the large body of diverse publication that has accompanied these devel- opments the problem of encompassing the intellectual domain of digital design culture is, in itself, a difficult mandate. Beyond this problem of diversity, there are other, more theoretical, challenges to our interpreta- tion and understanding of digital design. -
Theories and Models of Parametric Design Thinking
Thinking difference: Theories and models of parametric design thinking Rivka Oxman, Faculty of Architecture and Town Planning, Technion Israel Institute of Technology, Haifa, 32000, Israel The paper examines the uniqueness of seminal parametric design concepts, and their impact on models of parametric design thinking (PDT). The continuity and change within the evolution of design thinking is explored through review of key texts and theoretical concepts from early cognitive models up to current models of parametric design thinking. It is proposed that the seminal role for parametric schema, as a strategic medium of parametric design thinking, is formulated at the intersection of three bodies of knowledge: cognitive models of typological and topological design in architecture; process models of digital design; and tectonic order of material fabrication design (MFD). Differentiation is introduced as a key design strategy of PDT and is demonstrated through classification of prominent case studies. Ó 2017 Elsevier Ltd. All rights reserved. Keywords: computational models, parametric design, design cognition, design knowledge, parametric design thinking eyond being another tool for modeling complex forms, parametric design is emerging as a unique and distinctive model of design. BBoth research and praxis in parametric design are influencing the emergence of parametric design theories that are currently undergoing a re- formulation and an epistemological shift. In parallel, the development of cur- rent tools and practices of parametric design are beginning to impact forms of parametric design thinking (PDT). Current parametric design systems are adapting to changing context under the impact of a new generation of script- ing languages and techniques (Burry, 2011), relational topological schema, associative geometries, and re-editing processes (Woodbury, 2010; Jabi, 2015) and computational process models of digital design (Oxman, 2006). -
Industrialdesign
National Endowment for the Arts I N D U S T R I A L D E S I G N A Competitive Edge for U.S. Manufacturing Success in the Global Economy I N D U S T R I A L D E S I G N A Competitive Edge for U.S. Manufacturing Success in the Global Economy April 2017 National Endowment for the Arts 400 7th Street SW Washington, DC 20506 Telephone: 202-682-5400 arts.gov Produced by Office of Programs and Partnerships, Design Program Jason Schupbach, Director of Design Programs, National Endowment for the Arts Content by Heidi Sheppard, Advisor for Technology Collaborations, National Institute for Standards and Technology, Manufacturing Extension Partnership; Courtney Spearman, Design Specialist, Office of Programs and Partnerships, NEA; and Katryna Carter, Design Consultant, Office of Programs and Partnerships, NEA Other Staff Contributors: Don Ball, Assistant Director - Publications, Office of Public Affairs, NEA; Bonnie Nichols, Operations Research Analyst, Office of Research and Analysis, NEA. Designed by Katryna Carter For their valuable assistance with this report, the NEA Design Program would like to thank the following people: Daniel Martinage, Industrial Designers Society of America; Susan Page Estes and Paul Hatch, DesignHouse; all those who were interviewed; and Laska Hurley, Office of Programs and Partnerships. 202-682-5496 Voice/TTY (a device for individuals who are deaf or hearing-impaired) Individuals who do not use conventional print materials may contact the Arts Endowment’s Office for Accessibility at 202-682-5532 to obtain this publication in an alternate format. This publication is available free of charge in PDF format at arts.gov.