Welcome to Harmony Essentials for Worship!
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
On the Surface, the Story of Jordan Moore Has Been Told Countless Times Before
On the surface, the story of Jordan Moore has been told countless times before. Small town boy with big time dreams packs his entire life in the back of a U-Haul and drives to Nashville in search of a better life than the one he’s living. But this is no ordinary story. The story of Jordan Moore is a story of second chances and crazy coincidences. It’s a story of a guy who could have given up a thousand times. It’s a story of a man whose life has always been somehow divinely directed by God above. In short, the story of Jordan Moore is nothing short of extraordinary. Of course, every story has a beginning, and this story begins in the little town of Lowell, Michigan. The youngest of five children, Moore spent his days playing outside and singing in the church. When he wasn’t doing that, he was painting pictures and drawing characters he would dream up in his head. And for as long as Moore can remember, his dad always seemed to have a guitar in his hand, and had once dreamed of a day he could follow his own music dreams. But that was never part of his story. Instead, Moore’s father infused the love of music into all of his kids, encouraging them to let music play some sort of role in their life. Heck, many a Saturday afternoon was spent driving Moore himself to the local retirement home to entertain the senior citizens hungry for some sensory overload. -
Battle Belongs Phil Wickham
Battle Belongs Phil Wickham INTRO: VERSE 1: When all I see is the battle, You see my victory When all I see is the mountain, You see a mountain moved And as I walk through the shadow, Your love surrounds me There's nothing to fear now for I am safe with You CHORUS 1: So when I fight, I'll fight on my knees With my hands lifted high Oh God, the battle belongs to You And every fear I lay at Your feet I'll sing through the night Oh God, the battle belongs to You TURN: VERSE 2: And if You are for me, who can be against me? For Jesus there's nothing impossible for You When all I see are the ashes, You see the beauty When all I see is a cross, God, You see the empty tomb BRIDGE: Almighty fortress, You go before us Nothing can stand against the power of our God You shine in the shadow, You win every battle Nothing can stand against the power of our God BRIDGE (last time): Almighty fortress, You go before us Nothing can stand against the power of our God You shine in the shadow, You win every battle Page 1 Nothing can stand against the power of our God CHORUS 2: So when I fight, I'll fight on my knees With my hands lifted high Oh God, the battle belongs to You And every fear I lay at Your feet I'll sing through the night Oh God, the battle belongs to You TAG: Oh God, the battle belongs to You Oh God, the battle belongs to You OUTRO: Page 2 Lion And The Lamb 90.0 BPM in 4/4 Leeland Mooring, Brenton Brown, Brian Johnson INTRO: VERSE 1: He’s coming on the clouds, Kings and kingdoms will bow down Every chain will break, as broken hearts declare His praise -
BEACH BOYS Vs BEATLEMANIA: Rediscovering Sixties Music
The final word on the Beach Boys versus Beatles debate, neglect of American acts under the British Invasion, and more controversial critique on your favorite Sixties acts, with a Foreword by Fred Vail, legendary Beach Boys advance man and co-manager. BEACH BOYS vs BEATLEMANIA: Rediscovering Sixties Music Buy The Complete Version of This Book at Booklocker.com: http://www.booklocker.com/p/books/3210.html?s=pdf BEACH BOYS vs Beatlemania: Rediscovering Sixties Music by G A De Forest Copyright © 2007 G A De Forest ISBN-13 978-1-60145-317-4 ISBN-10 1-60145-317-5 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, recording or otherwise, without the prior written permission of the author. Printed in the United States of America. Booklocker.com, Inc. 2007 CONTENTS FOREWORD BY FRED VAIL ............................................... XI PREFACE..............................................................................XVII AUTHOR'S NOTE ................................................................ XIX 1. THIS WHOLE WORLD 1 2. CATCHING A WAVE 14 3. TWIST’N’SURF! FOLK’N’SOUL! 98 4: “WE LOVE YOU BEATLES, OH YES WE DO!” 134 5. ENGLAND SWINGS 215 6. SURFIN' US/K 260 7: PET SOUNDS rebounds from RUBBER SOUL — gunned down by REVOLVER 313 8: SGT PEPPERS & THE LOST SMILE 338 9: OLD SURFERS NEVER DIE, THEY JUST FADE AWAY 360 10: IF WE SING IN A VACUUM CAN YOU HEAR US? 378 AFTERWORD .........................................................................405 APPENDIX: BEACH BOYS HIT ALBUMS (1962-1970) ...411 BIBLIOGRAPHY....................................................................419 ix 1. THIS WHOLE WORLD Rock is a fickle mistress. -
Biography Armed with Some of the Greatest Songs Ever Written, The
Biography Armed with some of the greatest songs ever written, The Miracles are still after 40 years, attracting enthusiastic audiences around the world. Motown’s first of many famous groups such as The Temptations, The Four Tops, The Supremes, The Commodores, and The Jackson Five, and of course The Miracles the very first group to sign to Motown records, continue to keep the Motown sound alive by performing songs, such as: “Shop Around”, “I Second That Emotion”, “Tears Of A Clown”, “Love Machine”, “You’ve Really Got A Hold On Me”, “The Tracks Of My Tears”, “Ooh Baby Baby” and many more. Their performances at the Nassau Coliseum, the Inaugural Gala in Washington, D.C. and the 4th of July celebration at Duke University with over 60,000 fans in attendance, was simply unbelievable. In 1956, Bobby Rogers, Smokey Robinson, Claudette Robinson, Ronnie White and Pete Moore, childhood friends became The Miracles, and embarked on a career that would surpass their wildest dreams. Berry Gordy Motown’s founder recorded and released “Shop Around” a number one smash on all the charts, establishing The Miracles and giving Motown their first gold seller, this was the beginning of the record company and the group success for many years to come. The Miracles and Motown Records became known throughout the entire world. Over the course of the years, The Miracles continued to record chart-topping hits, including “Ooo Baby Baby”, “Going To A Go-Go”, “More Love”, “Mickey’s Monkey” and “Tears Of A Clown”. The Miracles established themselves as one of the best groups of all times. -
Masters of Soul
MASTERS OF SOUL Masters of Soul has been called the most entertaining history lesson ever performed! This show authentically reproduces the look, choreography, style and sound made famous by the Motown and Stax record labels. The performance celebrates the music and careers of the iconic artists who had such a profound influence on the history of popular music. For many, Masters of Soul is the ultimate stroll down memory lane. For younger generations, the show offers a way to experience a period in our country’s past that produced many of the greatest music acts ever recorded. The show features a completely live performance with seasoned musicians and world-class performers from The TFC Band. This group has toured extensively world-wide for more than 30 years, performing at private events, festivals, casinos, corporate events and military bases from coast to coast and overseas, including tours of Europe and Africa. After having toured together for decades, The TFC Band created the Masters of Motown show in 2008 as a way to heighten the experience for their fans and deliver the full package—a stage show capturing the sights, sounds and feel of the Motown era. In 2013, they expanded the show to incorporate soul music and updated the name to Masters of Soul to reflect this change. Based in Virginia Beach, Virginia, the 10-person cast of Masters of Soul has performed to numerous sold-out audiences and garnered rave reviews across the country at venues ranging from community theaters and universities to performing arts venues and concert halls. Individual Bios JOHN HODGES (lead vocalist) - John has been performing as a full-time professional musician his entire adult life. -
Group 3: Jennifer Day, Xander Jarnow, Duke Mcghee, Shelby Stehn, Adam Vandenhouten, Tyler Kallevig Reasons Why We Chose Queen
Queen Group 3: Jennifer Day, Xander Jarnow, Duke McGhee, Shelby Stehn, Adam Vandenhouten, Tyler Kallevig Reasons Why We Chose Queen: There are a lot of reasons that we, as a group, decided to do our project on Queen. Queen is an extremely well-known band across multiple generations, so it is an artist that we can talk to almost anyone anywhere about. Additionally, they were an influence to many artists after them. Finally, they released over 15 albums that showed a very impressive musical range and an awe-inspiring amount of talent. Queen: Overview Queen was one of the most popular and successful rock groups during the 1970s and 80s, with a very unique, experimental style and sound, Queen has remained one of the best selling artists of all time. The band began its formation in 1967, when the guitarist Brian May and the drummer Roger Taylor joined with Tim Staffell to form a rock group named Smile. When Tim Staffell left the group, May and Taylor joined forces with Freddie Mercury and a bass player named John Deacon, resulting in the core version of the band in 1970. Queen was famous for bright, glam, “pomp-rock” and put on energetic shows. Freddie Mercury in particular was known for his flamboyant style. Their sound was a very produced and incorporated elements of glam rock, heavy metal, hard rock, and harmony. After the tragic death of Freddie Mercury the band added new members and continued performing Even today their songs remain popular, for example, “We Are the Champions,” “Another One Bites the Dust,” “Bohemian Rhapsody,” and “We Will Rock You” are still played often. -
Recreating the Ensemble Dynamic of Motown's Funk Brothers
6 Unsung Heroes: Recreating the Ensemble Dynamic of Motown’s Funk Brothers Vincent Perry Introduction By the early 1960s, the genre known as soul had become the most commercially successful of all the crossover styles. Drawing on musical influences from the genres of gospel, jazz and blues, ‘soul’s success was as much due to a number of labels, so-called “house sounds”, and little- known bands, as it was to specific performers or songwriters’ (Borthwick and Moy, 2004, p. 5). Following on from the pioneer releases of Ray Charles and Sam Cooke, a Detroit-based independent label would soon become the ‘most successful and high profile of all the soul labels’ (Borthwick and Moy, 2004, p. 5). Throughout the early 1960s, Berry Gordy’s Tamla Motown dominated the domestic US pop and R&B charts with its assembly-line approach to music production (Moorefield, 2005, p. 21), which resulted in a distinctive sound that was shared by all the label’s artists. However, in 1963, the company ‘achieved its international breakthrough’ shortly after signing a landmark distribution deal with EMI in the UK (Borthwick and Moy, 2004, p. 5). Gordy’s headquarters—a seemingly humble, suburban 95 POPULAR MUSIC, STARS AND STARDOM residence—was ambitiously named Hitsville USA and, throughout the 1960s, it became a hub for pop record success. Emerson (2005, p. 194) acknowledged Motown’s industry presence when he noted: Motown was muscling in on the market for dance music. Streamlined, turbo-charged singles by the Marvelettes, Martha and the Vandellas, and the Supremes rolled off the Detroit assembly line … Berry Gordy’s ‘Sound of Young America’ challenged the Brill Building, 1650 Broadway, and 711 Fifth Avenue as severely as the British Invasion because it proved that black artists did not need white writers to reach a broad pop audience. -
INDUSTRY Q&A: Steve Mcpherson, Manager, Hillsong Music Publishing
WHAT’S INSIDE: INDUSTRY Q&A: Q&A with Steve McPherson, Manager, Steve McPherson, Manager, Hillsong Music Publishing Hillsong Music Publishing News By CCM Magazine Managing Editor, Celebrations Kevin Sparkman and Milestones Church bodies creating their own musical elements, Radio Movement arrangements, and even songs, isn’t really that new of a concept. One of the first congregations Appearances to embark on publishing and making their in Film/TV songs known the globe over, Australia’s Hillsong Church blazed the trail and Steve McPherson has Top Adult been there from the start. With a keen sense of Contemporary Songs ministry on a localized level, initially serving at Hillsong in youth ministry and on worship teams, Top Gospel Songs McPherson has taken his twenty-five year-plus career to now serve the Church through music on Top Rock Songs a worldwide scale. We take a few moments to chat with McPherson about the music, milestones, and Overall Chart Toppers ministry, as well as a little more about him on a personal level (Ever wondered what a guy like him Top Artists jams to while cruising the Sydney streets?) on Social Media Steve McPherson (Continued on page 3) Movement NEWS the current cover artists for the Jun. 15th with hip hop artist Blake Whitely and edition of CCM Magazine. speaker Clayton Jennings. Hillsong UNITED’s sixth studio album John Butler, former Wonder debuted VP of Promotions at at No. 1 and No. 5 on Curb Records, began the iTunes Christian his role as the head and Overall charts. of Christian Music Garnering immediate at Spotify in late April. -
2020-06-Artist Spotlight | Big Al and The
Down Home Groovin’ With Big Al and the Heavyweights Times are very challenging right now. There can be no doubt about that. This pandemic is robbing us of our loved ones, the economy is tanked worldwide, once bustling cities now look like ghost-towns, businesses are closing down while many will likely never reopen, jobs are on hold, millions have no income and are in need of food, and to top it all off, we are hunkered down in our homes, wondering when this nightmare will end. Left with only our thoughts, it is all too easy to slip into a deep funk and lose all hope. It is worth remembering, that out of significant pain, some of the best musical genres in the world arose, weaving tales of hardship set to music, that penetrates the depth of our collective souls. The blues originated in the Deep South in the post Civil War era, conveying stories of the pain of slavery and the toll it took on African descendants, while combining African musical traditions, African-American work songs, spirituals, chants, and ballads, as a means of powerful story-telling. Zydeco music is a genre endemic to southwest Louisiana, from primarily French Creole speakers, blending the blues, rhythm and blues, and the indigenous music of Louisiana Creoles and Cajuns. Roots music is a very broad category of music that includes music from the varied origins of American life. It includes bluegrass, old time music, folk music (particularly from Appalachia), Cajun, and Native American music, while serving as a basis for rock and roll, rhythm and blues, and jazz. -
Praise and Worship for Healing in Families Song Sheet
Praise and Worship for Healing in Families Song Sheet "O Come To The Altar" My one defense, my righteousness Elevation Worship Oh God, how I need You So teach my song to rise to You Are you hurting and broken within When temptation comes my way Overwhelmed by the weight of your sin When I cannot stand I'll fall on You Jesus is calling Jesus, You're my hope and stay Have you come to the end of yourself Do you thirst for a drink from the well Lord, I need You, oh, I need You Jesus is calling Every hour I need You My one defense, my righteousness O come to the altar Oh God, how I need You The Father's arms are open wide You're my one defense, my righteousness Forgiveness was bought with Oh God, how I need You The precious blood of Jesus Christ My one defense, my righteousness Oh God, how I need You Leave behind your regrets and mistakes Come today there's no reason to wait Jesus is calling Bring your sorrows and trade them for joy From the ashes a new life is born “Build My Life” Jesus is calling Housefires O come to the altar Worthy of every song we could ever sing The Father's arms are open wide Worthy of all the praise we could ever bring Forgiveness was bought with Worthy of every breath we could ever The precious blood of Jesus Christ breathe We live for You Jesus, the name above every other name Jesus, the only one who could ever save “Lord I Need You” Worthy of every breath we could ever Matt Maher breathe We live for You Lord, I come, I confess Bowing here I find my rest Holy, there is no one like You Without You I fall apart There -
Philip Bardowell Was Introduced to Music at an Early Age When He Began Piano Lessons at the Age of Five
Phil i p B ardowell Born in Kingston, Jamaica W.I., and raised in southern California, singer/songwriter Philip Bardowell was introduced to music at an early age when he began piano lessons at the age of five. He was influenced early on by songwriting greats: The Beatles, Elton John, Led Zeppelin, Stevie Wonder, The Eagles, Queen, Earth Wind And Fire and Bob Marley to name a few. By the age of twelve, he t aught himself how to play guitar and formed his first band, along with his brother Habib and their friend "Full House" actor, John Stamos. At the young age of 20, already an accomplished pianist and guitarist, Philip found himself on the road backing the l egendary surf duo, Jan and Dean as their bassist and backup vocalist. Consequently, Mike Love of the legendary Beach Boys, hired Philip to serve as lead guitarist and vocalist in his Endless Summer Beach Band. By the time he was 25, Philip teamed up with P eter Criss and Ace Frehley of KISS fronting Peter's band "CRISS" as lead singer and rhythm guitarist after a friend suggested that he audition for the position. When Philip sang at a birthday party for Beach Boy front man, Mike Love, he was befriended b y Beach Boy, Carl Wilson. Carl asked Philip to sing in his place as a member of the Beach Boys touring band when Carl became stricken with cancer. After Carl's passing in 1996, Philip continued in his role as lead guitarist and vocalist for the Beach Boys until 2001 when he left the band to write and record his own music and pursue other endeavors. -
St. Luke's Sunday, August 29, 2021
Welcome to St. Luke’s Sunday, August 29, 2021 Our Vision: To Know God and To Make Him Known 3810 Ridgewood Road Copley, OH 44321 Visitors are not expected to participate in the offering. We hope you enjoy visiting with us today. Please come again soon. Phone: 330-665-2227 Email: [email protected] Or visit our website: www.stlukesakron.net Processional Hymn “A Mighty Fortress” Our God is a consuming fire, A burning holy flame with glory and freedom Our God is the only righteous judge, Ruling over us with kindness and wisdom We will keep our eyes on You We will keep our eyes on You Chorus: A mighty fortress is our God A sacred refuge is Your name Your kingdom is unshakable With you forever we will reign Our God is jealous for His own None could comprehend His love and his mercy Our god is exalted on His throne High above the heavens forever He is worthy We will keep (set our hearts) our eyes on You We will keep (set our hearts) our eyes on You Christy Nockels | Nathan Nockels © 2009 sixsteps Music, Sweater Weather Music, worshiptogether.com songs CCLI License # 73146 Welcome and Call to Worship Celebrant: Blessed be God: Father, Son and Holy Spirit All: Blessed be His Kingdom now and forever. Amen. Collect for Purity All: Almighty God, to you all hearts are open, all desires known, and from you no secrets are hid: Cleanse the thoughts of our hearts by the inspiration of your Holy Spirit, that we may perfectly love you, and worthily magnify your holy Name; through Christ our Lord.