Dear Exhibitor, lease join us by exhibiting at the 123rd AES Convention, and let the pro audio P market and industry come to you. The Audio Engineering Society Conventions feature the only exhibits devoted exclusively to the pro audio industry. The AES Exhibits share common goals with you: • to better serve the diverse, rapidly changing and converging audio marketplace; • to educate the Pro Audio Industry; • and most importantly, to offer the opportunity to increase your products’ market penetration. The AES Exhibits maximize opportunities for success by: • allowing you to establish relationships with key players in the audio industry; • staying on top of market trends; • exposing your products to the real audio audience; • taking advantage of the exciting and popular Exhibitor Seminars. The 123rd AES Convention will again feature its prized papers, workshops, tutorials and special events which explore and explain the latest technological advances in the audio world— assuring you an audience of the highest and most qualified caliber. From live sound, game audio, macro-machining, low bit-rate audio coding, multichannel audio, information appliances and internet applications, to the latest in more practical aspects of the pro audio world, the AES will be the source for the most up-to-date information available. The Technical Tour program offers behind- the-scenes tours of audio production facilities unavailable to an individual. All aspects of the AES Technical Program address issues facing today’s audio world while looking ahead to tomorrow's issues. On the lighter side, with the return of the AES to always popular and exciting New York market, you will have a climate that encourages camaraderie, networking, and socializing. New York’s plethora of event locations give any exhibitor prime opportunities to entertain or be entertained, no matter how large or small in scale. The Javits Convention Center is an outstanding facility, with a user-friendly design—making all facets of exhibiting uncomplicated and unfettered. The AES looks forward to your participation in the largest pro audio and industry-related convention in the world. Join us and your colleagues at the 123rd AES Convention and find out “Where Audio Comes Alive!” AES CONVENTION SHOW FACTS Here is the information from last year’s 121st AES CONVENTION. Use it to make your decision to participate in the upcoming 123rd AES Convention! thriving economy and the excitement of San Francisco combined to produce an Audio Engineering Society Convention that brought over 400 A manufacturers and more than 17,000 attendees together. With its innovative Exhibitor Seminars and the acclaimed AES Technical Program, the 121st AES Convention was an invaluable resource for thousands of audio professionals.

While Commercial and Project Recording Studios, QUALIFIED ATTENDEES BY GROUP as users of Pro Audio Equipment, remain the largest identifiable segment of qualified attendees, Other has increased to reflect less traditional trade segments which now are looking to the AES and its Exhibitors to supply converging technologies.

QUALIFIED ATTENDEES BY TITLE

More than 41% of qualified attendees have the title of Owner/Director, Studio/Corp, Manager, Management, Buyer and an additional RECENT SHOW COMPARISONS 50% represent the elite, creative arm of audio. AES ATTENDANCE, NEW YORK AES EXHIBITORS, NEW YORK These titles indicate that the AES attracts the high-ranking, very influential people within our industry. Students and Education represent audio’s bright future and Others our entrepreneurs.

QUALIFIED ATTENDEES BY PURCHASING POWER

INTERNATIONAL ATTENDEES RANKED BY COUNTRY 1. Canada 2. United Kingdom 3. Germany 4. Japan 5. Italy 6. Australia Qualified International were over 10% of attendees and came to the show More than 80% of qualified attendees either from 62 countries, including Denmark, Israel, Spain, Singapore, Korea and Russia. purchase or recommend purchasing decisions for audio equipment. This means that almost ATTENDEES RANKED BY STATE everybody who walks by or into your booth 1. California 2. New York 3. Massachusetts 4. Tennessee is a potential customer. Attendees’ purchasing 5. Illinois 6. New Jersey authority is included in barcode information on Above listed states were among the top 6, with attendees coming from 50 states, badge with a P (Purchase), an R (recommend) the District of Columbia and Puerto Rico. or a T (User). EXHIBITION FEES: BOOTH TYPE Standard booth: An aisle on front side of Cancellation Policy DESCRIPTIONS the booth. Includes a draped back wall 8 feet high and two draped side rails 36 inches high. 50% DEPOSIT FOR EACH BOOTH OR Corner booth: An aisle located on the front DEMONSTRATION ROOM IS REQUIRED FOR and side of the booth. Includes a draped back VALIDATION OF SPACE APPLICATION. wall 8 feet high and one draped side rail Deposits are refundable before July 5th, 2007, 36 inches high. provided that a 10% cancellation fee will be imposed Peninsula booth: An aisle located on the front and 2 sides of the booth configuration to cover AES administrative expenses. Any reduction in exhibit space shall incur a 10% fee to cover AES Island booth: An aisle located on all four sides of booth configuration. administrative expenses. Exhibitors are subject to a cancellation charge as follows: Size Standard 1 Corner Peninsula Island 50% cancellation charge of the entire exhibition 10’ x 10’ $2,600 $2,800 — — space price after July 5th, 2007 and on or before 10’ x 20’ $5,200 $5,600 — — August 5th, 2007. 10’ x 30’ $7,800 $8,400 — — 75% cancellation charge of the entire exhibition 10’ x 40’ $10,400 $11,200 — — space price after August 5th, 2007 and on or before 10’ x 50’ $13,000 $14,000 — — September 5th, 2007. 20’ x 20’ — — $12,000 $12,800 100% cancellation charge of the entire

EXHIBIT FLOOR 20’ x 30’ — — $18,000 $19,200 exhibition space price after September 5th, 2007. 20’ x 40’ — — — $25,600 It is understood that the space application will not bind 20’ x 50’ — — — $32,000 the AES until your space contract is signed by you, the 20’ x 60’ — — — $38,400 exhibitor, and the AES, and the original is in receipt of 20’ x 70’ — — — $44,800 the AES. 30’ x 30’ — — — $28,800 The AES reserves the final and exclusive right to assign 30’ x 40’ — — — $38,400 exhibit space. For height and line of sight regulations, 40’ x 50’ — — — $64,000 sound level regulations, as well as other regulations, 50’ x 60’ — — — $96,000 please contact AES.

Room # Size Ceiling Ht. Cost Noise Levels for All Exhibits

2D01 15’ x 24’ 8.5’ $6,480.00 he maximum A-Weighted Sound Pressure Level 2D02 18’ x 20’ 8.5’ $6,480.00 T permitted for any of the Exhibits, measured at any 2D03 18’ x 20’ 8.5’ $6,480.00 exterior boundary of the Exhibit, shall not exceed 80 dB. 2D04 18’ x 20’ 8.5’ $6,480.00 The foregoing specifications notwithstanding, no 2D05 18’ x 20’ 8.5’ $6,480.00 exhibit or demonstration shall be conducted in any 2D06 18’ x 20’ 8.5’ $6,480.00 manner or at a sound pressure level such that, in the 2D07 18’ x 20’ 8.5’ $6,480.00 opinion of the Convention Chairman, creates undue

DEMO ROOMS 2D08 28’ x 18’ 8.5’ $9,072.00 disturbance to the Convention or its participants. 2D09 25’ x 18’ 8.5’ $8,100.00 2D10 18’ x 18’ 8.5’ $5,832.00 2D11 18’ x 18’ 8.5’ $5,832.00 CONTACT ADDRESSES: 2D12 18’ x 18’ 8.5’ $5,832.00 Space Application and Payment 2D13 18’ x 18’ 8.5’ $5,832.00 Chris Plunkett / Donna Vivero 2D14 18’ x 18’ 8.5’ $5,832.00 Audio Engineering Society, Inc. 2D15 18’ x 18’ 8.5’ $5,832.00 60 East 42nd Street, Rm. 2520 2D16 25’ x 18’ 8.5’ $8,100.00 3D01 30’ x 33’ 13.5’ $23,760.00 New York, NY 10165 U.S.A. 3D02 45’ x 33’ 13.5’ $35,640.00 Tel: +1 (212) 661-8528, Fax: +1 (212) 682-0477 3D03 45’ x 33’ 13.5’ $35,640.00 [email protected] 3D04 45’ x 33’ 13.5’ $35,640.00 AES Bank: 3D05 45’ x 33’ 13.5’ $35,640.00 Chase Manhattan, 60 East 42nd Street, New York, NY 10165 3D06 30’ x 33’ 13.5’ $23,760.00 Account Number: 195-1-126703 All room sizes have been rounded down to nearest foot. All room sizes and specifications are provided by the ABA Number: 021000021 Javits Convention Center. AES does not attest to the accuracy of these specifications, nor does AES accept responsibility or liability for any inaccuracies in these rooms. Swift Code: CHASUS33 123rd AES Convention

October 5-8, 2007 Targeted Move-In Days: October 2, 3, 4, 2007 Show Days: October 5, 6, 7, 8, 2007 Move-Out Days: October 9, 10, 2007 Seniority Assignment Deadline May 1, 2007

Please return application and deposit to:

Convention Services Rm. 2520 60 East 42nd Street New York, NY 10165, USA

Tel: +1 212-661-8528 Fax: +1 212-682-0477 Recent AES Exhibitors

A Brauner Microphones Elysia GmbH Innovative Electronic Designs, Inc. The Museum of Sound Recording Radio Magazine Symetrix, Inc. A Designs Audio Brent Averill Enterprises EM Acoustics US, LLC Intel Corporation Music Maker Publications Rane Corporation Syncheck.com A Designs/TransAudio Group, Inc. Bricasti Design Ltd. EMM Labs Inc. Intelligent Acoustics The Music People! Inc. Real Sound Lab Synthax, Inc. A & G Solvzioni Digitali BridgeCo Empirical Labs, Inc. International Music Software Trade Music Player Network RealTraps Systems Contractor News AATON s.a. Briscasti Design Enco Systems, Inc. Association (IMSTA) Music & Sales P.E. GmbH The Recording Academy Systems for Improved Acoustic Abbey Road Studios Broadcast Engineering Magazine Energy Transformation Systems, Inc. IZ Technology Corporation The Music & Sound Retailer The Recording Studio Insurance Program Performance B.V Aberdeen Recording Studios Broadcasters General Store EQ Magazine iZotope MusiCares Red Microphones Inc Ableton Bruel & Kjaer North America Equi=Tech Corporation Musician's Friend Redco Audio, Inc. T J ACO Pacific, Inc. Bryston Ltd. Equi-Tech Musikelektronik Geithain GmbH Remix Taylor Hohendahl Engineering Jan-Al Cases Acoustic Systems BSS Audio ETA Systems MXL Microphones Renkus-Heinz, Inc. Tape Op Magazine JBL Professional Acoustical Solutions, Inc. BSWA Technology Co., Ltd. Euphonix, Inc. Mytek Digital ResoAudiotronics TASCAM Joe Desmond and Associates (JDA) Acoustics First Corporation BTX Event Electronics Resolution Taylor Guitars Joemeek/PMI Audio Group ADAM Audio GmbH Buzz Audio Eventide, Inc. N Resolution Audio TC Electronic The John Hardy Co. Adamson Systems Engineering Ex’pression College for Digital Arts NABS, Inc. RFPro TC-Helicon Josephson Engineering ADK Microphones C Nady Systems, Inc. Rip-Tie, Inc TCS Audio JRF Magnetic Sciences Adobe Systems, Inc. Cable Factory F Nagra USA, Inc. RMGI North America TeachLogic, Inc. JSX—A Home Director Company AEA Cadac Electronics plc FairlightAU Pty Ltd. National Hearing Conservation Association RODE Microphones LLC Technologies for Worship Magazine JTS Professional AES Standards Cadac Electronics FiberPlex, Inc. National Instruments Rogers Nichols Digital, Inc. Tekserve Corporation Five Towns College Native Instruments TELARC International Corporation AFC Industries, Inc. Cakewalk K Rohde & Schwarz, Inc Focal Press/Elsevier Nautilus Master Technology Telefunken USA AKG Acoustics Calrec Audio Ltd. Keyboard Magazine Roll Music Systems Focal Professional North America NetCIRA TerraSonde AKM Semiconductor Caseworld Corporation Kilo International Rosendahl Focusrite Audio Engineering Ltd. Networksound, Inc. Testa Communications Alcons Audio CB Electronics Klein + Hummel North America Ross Video Limited Focusrite Neumann Texas Instruments Alcorn McBride Inc. CEDAR Audio Limited Klein + Hummel Royer Labs Fostex America Neural Audio Corp. THAT Corporation All Pro Sound Celestion/Group One Ltd. Klippel GmbH RPG Diffusor Systems, Inc. Francis Manzella Design Ltd. Neutrik USA, Inc. Thermoionic Culture Allen & Heath USA CEntrance, Inc. Korby Audio Technologies, Inc. Rupert Neve Designs Fraunhofer IIS Nexo USA, Inc. Thomson Course Technology PTR AlterMedia, Inc. Chameleon Labs Korg USA, Inc. Freescale Semiconductor, Inc. NHT Pro Audio THX Ltd. Advanced Micro Devices (AMD) Chandler Limited, Inc. KSC Industries, Inc S Friend-Chip Noren Products, Inc TiMax USA Office American Music & Sound CharterOak Acoustic Devices KV2 Audio S.E.A. Vertrieb & Consulting GmbH American Recorder Technologies Church Production Magazine Front End Audio.com Norris-Whitney Communications SaatiTech Timax Audio Imaging TL Audio AMI/TAB-Funkenwerk Cirrus Logic Inc. Front of House Magazine L Novation Digital Music Systems Ltd. Sabine, Inc. TOA Electronics, Inc. AMS Neve Ltd Clear-Com Communication Systems Frontier Design Group L-Acoustics Novation Sabra-som Toft Audio Designs/PMI Audio Group Anadigm Clearsonic Mfg., Inc. Furman Sound, Inc. LA Audio NPNG, Inc. SAE Institute of Technology Tonelux, Inc. Analog Devices, Inc. Cliff Electronic Components, Inc. Future Music LA Audio Exchange International NSCA—National Systems Contractors Saint Claire Recording Company Association Antelope Audio Climax Teknologies Future Rhythm (AXI) Distribution Sanken Microphones Toroid Corporation of Maryland NTI Americas Inc. APB-DynaSonics, Inc. Club Systems International FXpansion Audio UK Ltd. Lab.gruppen Schoeps Microphones Torus Power Conditioners NWAA Labs Apex CM Labs LaChapell Audio SE Electronics Total Production U.S. Aphex Systems, Ltd. CMP Entertainment Media G Lake Technology Corp SEK’D Trans Audio Group O API Coding Technologies G.R.A.S. Sound + Vibration Las Vegas Pro Audio/TransAudio Group Selenium Loudspeakers TransAmerica Odds On Recording API—ATI Group Distribution, Smart AV Coleman Audio G-Force Software Ltd Laser Turntable, Ltd. Sencore, Inc. Transmission Lines Marketing & Distribution OKM Microphones Apogee Electronics Coles Microphones Gamble DCX Consoles Latch Lake Music Sennheiser Electronic Corp. Trantec Wireless Open Labs, Inc. Apple Community Professional Loudspeakers Garritan Lauten Audio Sequoia Digital Triad Magnetics Open Radio Software LLC Applied Microphone Technology Consolidated Audio Technology Gearslutz Lavry Engineering Serato Audio Research Trident—Oram Pro Audio Optocore APRS Cooper Sound Systems Gefen Inc. Lawo North America Corp. Servoreeler Systems Trinnov Audio Opus Audio Technologies Ltd. APT—Audio Processing Technology Ltd. Core Sound LLC Genelec, Inc. Lectrosonics, Inc. Shadow Hill Industries True Systems Orban/CRL Systems The Art Institutes Cogswell College Genex Audio, Inc. Legendary Audio Shaxon Industries, Inc. Tube-Tech Otari Inc. Arturia Crane Song Ltd. Geoffrey Daking & Co., Inc. Leo's Professional Audio, Inc. ShinyBox Turbosound Outboard Electronics, Ltd Ashly Audio/Camco Creative Network Design George Massenburg Laboratories (GML) Level Control Systems Show Distribution Group Inc. Tymphany Corporation Gepco International Lexicon Professional ATC Loudspeaker Technology Crookwood P Shure Incorporated Gibson Guitar Corporation Line 6 U DaySequerra Crowley and Tripp Microphones PAK Global Signex Globe Institute of Recording + Production Lipinski Sound Corporation Ultrasone of America LLC Atlas Pro Audio Crown International Panphonics Oy SKW Development—”MacFOH” Glyph Technologies Listen, Inc. Under Cover ATR Magnetics Custom Electronics, Inc. Paul Reed Smith Guitars SLS Loudspeakers GML, LLC Little Labs Universal Audio, Inc. ATR Services, Inc. Cutting Edge Audio & Video Group Pearl Microphones Smart AV PTY LTD Gold Line/TEF Live Sound ! International ATSG Advanced Technical Services Group CW Sales & Marketing Pearlman Microphones Smart AV Gordon Instruments Logitek V Audient Consoles Cycling '74 Pelonis Sound and Acoustics, Inc. Solid State Logic Gotham Audio Cable North America Loud Technologies Vancouver Film School Audient Consoles & Signal Processing Pendulum Audio, Inc. Solutions Radio Gotham Audio LLC Lundahl Transformers Vestax Audinate D Performance Devices Sommer Cable Gotham Sound and Communications Lynx Studio Technology Vintage King Audio Accessories, Inc. D.A.S. Audio, S.A. Philips IPFS—Protech Sonic Distribution USA LLC Grace Design Vintech Audio Audio Developments D.A.S. Audio of America, Inc. Philips Applied Technologies Sonic Studio LLC Great River Electronics M Violet Audio Audio Engineering Associates D.W. Fearn Phoenix Audio/Independent Audio Sonifex Griffin Audio USA LLC M & K Sound Virtual Katy AXI Distribution DACS Ltd Plangent Processes Sonomic Grimm Audio M-Audio VOVOX AG Audio Graph Daking & Co/TransAudio Group PLITRON Manufacturing, Inc. Sonopak Audio History Library Dale Pro Audio Groove Tubes LLC “MacFOH”—SKW Development Sony Electronics, Inc. Plus24 W Audio Images Corporation of San Francisco Dan Dugan Sound Design Group One Ltd. Manley Laboratories, Inc. Sony Pro-Audio Lab—Audio Networking PMC Monitors Walters-Storyk Design Group Audio, Ltd./MacArthur Group Dangerous Music, Inc Guitar Center Marian Digital Audio Electronics Sound & Communications Magazine PMI Audio Group Ward-Beck Systems Ltd. Audio Media Worldwide dbx Professional Products GC Pro Mercury Recording Equipment Co./ Sound Devices, LLC Marquette Audio Labs Post Magazine Wave Distribution Audio Plus Services (Focal Pro) dCS Guitar One Magazine Sound Ideas Martin Audio Ltd. Posthorn Recordings Waves Inc. Audio Precision Desch Audio GmbH Guitar Player Sound on Sound Martinsound, Inc. Powercom Way Out Ware Audio-Technica U.S., Inc. The Desk Doctor Guitar World Magazine Sound & Video Contractor Magazine Matrox Graphics PowerPhysics Weiss Engineering Audiomatica SRL Devil Technologies S.R.L. Soundcraft H MC2 Audio Ltd./Group One Powersoft Audio USA, Inc West Penn Wire Audiotis Flight Case Systems DiGiCo Soundtracs Soundelux Microphones H.E.A.R. (Hearing Education & Awareness McDSP PRAM Technologies Westone Laboratories, Inc. Audix Corporation Digidesign Soundfield for Rockers) Media Specialty Resources Inc. Precision Laboratories, Inc. Whirlwind Auralex Acoustics Digifon Soundforce Hacousto International/Sonic Systems, Inc. Media Vision USA PreSonus Audio Electronics Wireworks Corporation Aurora Audio International Digigram Soundminer, Inc. Harman Becker Automotive Systems Mercenary Audio Primera Technology Inc. WK Audio Australian Monitor Digital Audio Denmark Soundwave Research Laboratories Inc Harrison Mercury Recording Equipment/ Prism Business Media Wohler Technologies, Inc. Avalon Design Digital Content Producer Source Elements Hear Technologies TransAudio Group Prism Media Products, Inc Wolfson Microelectronics Avedis Audio Digital Media Arts at Touro College SPARS Heil Sound Merging Technologies Pro Audio Review Women’s Audio Mission Avenson Audio Disc Makers Speck Electronics Hermes Music Meyer Sound Laboratories Pro Show Wroclaw Audio Force Aviom, Inc. DJ Times Spectrasonics HHB Mic Mate/Independent Audio Pro Sound News Wunder Audio Axia, A Telos Company DK-Technologies America HM Electronics, Inc. Mice Technologies, Inc. Pro Sound Web Sound Performance Lab Dolby Laboratories, Inc. Holophone Microboards Technology, LLC Proac USA—Modern Audio SRS Labs, Inc. X B Doremi Labs, Inc. Horch GbR Microtech Gefell GmbH Professional Audio Design, Inc. Stardraw Xedit Corporation Bag End Loudspeakers Dorrough Electronics, Inc. Hosa Technology, Inc. Millennia Media, Inc. Professional Sound Services, Inc. Steinberg Media Technologies GmbH Xilica Audio Design Bang & Olufsen ICEpower a/s DPA Microphones, Inc. House Ear Institute millimeter Magazine PSPaudioware.com s.c. Sterling Modular Systems XTA Electronics/Group One Ltd. Barefoot Sound Drawmer HPV Technologies LLC Minnetonka Audio Software Inc. Pulsus Technologies Inc. Studer USA Bass Player DTS, Inc. Huge Universe Miracle Exports SADiE Y Belden Dynaudio Acoustics Mix Foundation/TEC Awards Q Studio Network Solutions Yamaha Commercial Audio Systems, Inc. Benchmark Media Systems, Inc. I Mix Quantec Pro Audio Studio Projects/PMI Audio Group Yamaha Digital Musical Instruments Berklee College of Music E i3 S.r.l. Mobile Desktop Solutions, Inc. Quantegy Recording Solutions Studio Technologies, Inc. Yamaha mLAN Licensing Office Beyerdynamic-USA E-mu Systems IK Multimedia MAGMA Quested Monitoring Systems Ltd. StudioPanel Yamaki Electric Corporation BIAS, Inc. E.A.R. Inc. Imas Publishing Group Mogami Cable Quiretec Submersible Music, Inc. Blackbird Studio & Audio Rentals Earthworks Inc. Independent Audio Inc. Mojave Audio Summit Audio, Inc. Z BLUE Microphones Eastern Acoustic Works, Inc. Industrial Acoustics Company Moog Music Inc. R Sunrise E.& E. Inc. Z-Systems, Inc. Blue Sky/Group One Edirol Infinium Technologies Ltd MOTU R&D Team Supacam Zaxcom Audio Bourns Inc. Electro-Harmonix InnerTUBE Audio mSoft Inc. RFPRO/Optocore Sweetwater Sound Inc. Zenph Studios, Inc. Brainstorm Electronics Electronic Musician InnovaSON Muse Research, Inc. Radial Engineering Ltd. Switchcraft, Inc. Zonal Media Ltd