Law in Context, Vol 37, Issue 1; 2020 LA TROBE EDITORIAL BOARD

Total Page:16

File Type:pdf, Size:1020Kb

Law in Context, Vol 37, Issue 1; 2020 LA TROBE EDITORIAL BOARD Law in Context, Vol 37, Issue 1; 2020 LA TROBE EDITORIAL BOARD Pompeu Casanovas Jianfu Chen Emma Henderson General Editor Chair of the Editorial Board Book Review Editor Kerstin Steiner Savitri Taylor David Wishart Deputy General Editor Deputy Executive Editor Executive Editor Dina Afrianty Fiona Salisbury Nicholas Morris Jeff Barnes Magda Karagiannakis Andre Oboler Susanne Davies Fiona Kelly Lola Akin Ojelabi Louis de Koker Patrick Keyzer Tarryn Phillips Anne Wallace Commissioning Editor: Darren O’Donovan Treasurer: Lisa Egan (La Trobe Law School Manager) Editorial Assistants: Meredith Jones, Daniel McIntosh, David Venema Journal Administrators: Kallirroi Stavrianou, Mustafa Hashmi INTERNATIONAL EDITORIAL BOARD 1. Andrews, Penelope (La Trobe Univer- 10. Francesconi, Enrico (IGSG-CNR, Italy, 20. Tranter, Kieran (Queensland University sity, Australia) and EUR-Lex, Luxembourg) of Technology, Australia) 2. Araszkiewicz, Michal (Jagiellonian 11. Frug, Sara (Cornell University, USA) 21. Vallbé, Joan-Josep (University of Bar- University, Poland) celona, Spain) 12. Governatori, Guido (Data61, CSIRO 3. Baron, Paula (La Trobe University, and La Trobe University, Australia) 22. Valverde, Mariana (University of To- Australia) ronto, Canada) 13. Liu, Sida (University of Toronto, Canada) 4. Bennet Moses, Lyria (UNSW, Australia) 14. Montiel, Elena (Polytechnic University 23. Van Engers, Tom (University of Am- sterdam, The Netheralands) 5. Chen, Albert Hung-yee (University of of Madrid, Spain) Hong Kong, Hong Kong) 15. Noriega, Pablo (IIIA-CSIC, Spain) 24. Wang, Zhiqiong June (Western Sydney University, Australia) 6. Contini, Francesco (IGSG-CNR, Italy) 16. Pagallo, Ugo (University of Torino, Italy) 25. Wang, Jiangyu (National University of 7. Czarnota, Adam (UNSW, Australia) 17. Poblet, Marta (RMIT University, Australia) Singapore, Singapore) 8. Dignum, Virginia (Umeå University, 18. Rodríguez-Doncel, Víctor (Polytechnic 26. Wheeler, Sally (Australian National Sweeden) University of Madrid, Spain) University, Australia) 9. Fabri, Marco (IGSG-CNR, Italy) 19. Schultz, Ulrike (German National Dis- 27. Zeleznikow, John (La Trobe University, tance Teaching University, Germany) Australia) Law in Context, Vol 37, Issue 1, 2020 INTERNATIONAL ADVISORY BOARD 1. Abel, Richard (University of California Los Angeles, USA) 16. Greenleaf, Graham (UNSW, Australia) 2. Antons, Christoph (University of Newcastle, Australia) 17. Kirby, Michael (The Hon., AC CMG, Australia) 3. Arup, Christopher (Monash University, Australia) 18. Mathews, Robert (University of Hawaii, USA) 4. Ashley Kevin (University of Pittsburgh, USA) 19. Mendelson, Danuta (Deakin University, Australia) 5. Bourcier, Danièle (CNRS, France) 20. Mendelsohn, Oliver (La Trobe University, Australia) 6. Brigham, John (University of Massachussets Amherst, 21. O’Malley, Pat (Australian National University, Australia) USA) 22. Pérez-Perdomo, Rogelio ( Metropolitan University of 7. Bruce, Tom (Cornell University, USA) Caracas,Venezuela) 8. Chanock, Martin (La Trobe University, Australia) 23. Pitt, Jeremy (Imperial College, UK) 9. Di Federico, Giuseppe (IGSG -CNR, Italy) 24. Rotolo, Antonino (University of Bologna, Italy) 10. Ferrari, Vincenzo (University of Milan, Italy) 25. Sartor, Giovanni (University of Bologna, Italy) 11. Fitzpatrick, Peter † (Birkbeck, University of London, UK) 26. Scheiber, Harry N. (University of California Berkeley, USA) 12. Friedman, Lawrence (Stanford University, USA) 27. Schweighofer, Erich (University of Vienna, Austria) 13. Galanter, Marc (University of Wisconsin-Madison, USA) 28. Toharia, José Juan (Autonomous University of Madrid, 14. Garth, Bryant (University of California, Irvine, USA) Spain) 15. Goodrich, Peter (Cardozo School of Law, USA) 29. Tomasic, Roman (University of South Australia, Australia) Law in Context, Vol 37, Issue 1; 2020 ISSN: 1839-4183 TABLE OF CONTENTS Editorial: The Digital World We Will Live By 6 By Pompeu Casanovas, David Wishart and Jianfu Chen Sovereigns, Viruses, and the Law: The Normative Challenges of Pandemics in Today’s Information Societies 11 By Ugo Pagallo Knowledge Graphs: Trust, Privacy, and Transparency from a Legal Governance Approach 24 By Daniel Schwabe, Carlos Laufer, and Pompeu Casanovas Electronic Australian Elections: Verifiability of Accuracy is a Design Goal, which Must be Mandated by Law and Deliberately Designed into Electronic Electoral Processes 42 By Vanessa Teague and Patrick Keyzer Human Rights Issues in Constitutional Courts: Why Amici Curiae are Important in the U.S., and What Australia Can Learn from the U.S. Experience 66 By H. W. Perry Jr and Patrick Keyzer The Adultification of the Youth Justice System: The Victorian Experience 99 By Natalia Antolak-Saper At Play in the Field of Dreams: Theorising Attitudes, Perceptions and Practices of Law Students in conjunction with the Reflections of Early Career Commercial Lawyer 114 By Barry Yau and David Catanzariti A Law School Course in Applied Legal Analytics and AI 134 By Jaromir Savelka, Matthias Grabmair and Kevin D. Ashley Law in Context, Vol 37, Issue 1, 2020 4 ISSN: 1839-4183 Research Note: LYNX: Towards a Legal Knowledge Graph for Multilingual Europe 175 By Víctor Rodríguez-Doncel and Elena Montiel-Ponsoda Research Note: Rules as Code 179 By Matthew Waddington Book Review: Advanced Introduction to Law and Artificial Intelligence 187 By Stephanie Falconer Book Review: Anne Wesemann: Citizenship in the European Union Constitutionalism, Rights and Norms 190 By David Wishart Book Review: Can We Still Afford Human Rights? Critical Reflections on Universality, Costs and Proliferation 194 By Emma Henderson Book Review: A Lesser Species of Homicide. Death, Drivers and the Law 197 By Robert P. Brown 5 Law in Context, Vol 37, Issue 1, 2020 Received: December 26, 2020, Date of publication: January 5, 2021, DOI: http://doi.org/10.26826/law-in-context.v37i1.136 Editorial The Digital World We Will Live By By Pompeu Casanovas, La Trobe University, Melbourne, Australia, Orcid: http://orcid.org/0000-0002-0980-2371 David Wishart, La Trobe University, Melbourne, Australia, Orcid: http://orcid.org/0000-0003-2281-4745 Jianfu Chen, La Trobe University, Melbourne, Australia, Orcid: http://orcid.org/0000-0002-4711-6524 ABSTRACT This editorial provides a brief description of the digital turn experienced at the beginning of this century, the side effects of Covid-19, and the twelve commitments recently laid down by the United Nations. It introduces the concepts of ‘Global Syndemic’ (or synergy of epidemics), the ‘Internet of Things’, ‘RegTech’, and ‘Knowledge Graphs’. Finally, it describesKeywords briefly – Covid-19, the articles Global includedSyndemic, in Digital this issue. turn, Internet of Things, RegTech, Knowledge Graphs Disclosure statement – No potential conflict of interest was reported by the author. License – This work is under Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) https://creativecommons.org/licenses/ by-nc-sa/4.0/ Suggested citation: P. Casanovas, D. Wishart, and J. Chen (2020). “Editorial: The Digital World We Will Live By”, Law in Context, 37 (1): 6-10, DOI: http://doi.org/10.26826/law-in-context.v37i1.136 Summary 1. The Digital World We Will Live By 2. On the Contents of this Issue: LiC 37 (1) 3. References Law in Context, Vol 37, Issue 1, 2020 6 ISSN: 1839-4183 4. THE DIGITAL WORLD WE WILL LIVE BY read them in the light of Covid-19 we will soon realise that LiC 37 (1) is the third Issue of the new Online Law in what is at stake is not just a pandemic but what health Context. It comes at the end of a year subject to all possible experts have called a global syndemic, i.e. a synergy of evaluation criteria. The year leaves a host of questions epidemics. This was already advanced by some analyses awaiting answers. In March 2020, when Covid-19 was published at The Lancet in February 2019 before Covid-19 already in evidence all over the world, Yuval N. Harari appeared in October/November of the same year, focus- (2020) wrote in the Financial Times that humanity was ing on obesity, undernutrition, and climate change. This - global syndemic “affects most people in every country and ian surveillance and citizen empowerment; the second region worldwide” and their elements “co-occur in time betweenfacing two nationalist important isolation choices, theand first global between solidarity. totalitar The and place, interact with each other to produce complex US elections in November and their aftermath seem to sequalae, and share common societal drivers” (Swinburn - et al. 2019, p. 791). From this perspective, Covid-19 and tions than explanations or answers. the global response to it has accelerated the effects of confirm this judgement but have thrown up more ques Many declarations, manifestos, predictions and com- a global change that was already happening, focusing mentaries have followed one another over the course of especially on the Internet of Things. Both threats and challenges are taking place in a dig- present crisis has been felt as an urgent need. The United itised world that is not what we expected it to be only Nationsthe past celebratedtwelve months. its 75th Reflection Anniversary on the in effects 2020. ofHow the- ever, as the UN meeting coverage underlined, what world democracy, and John Perry Barlow’s dreams in his widely twenty-five years ago. The Internet alone cannot foster leaders actually said was “we are not here to celebrate” spread Declaration of the Independence of Cyberspace (1994) (UNGAa). Indeed, the Declaration
Recommended publications
  • An Anatomy of Cosmetic Surgery (2008) by Meredith Jones
    CULTURE MACHINE REVIEWS • MAY 2009 MEREDITH JONES (2008) SKINTIGHT: AN ANATOMY OF COSMETIC SURGERY. OXFORD AND NEW YORK: BERG. ISBN 184520669X. Nora Ruck Meredith Jones’ Skintight: An Anatomy of Cosmetic Surgery has profoundly changed my perspective on cosmetic surgery and its cultural scope. The study carefully navigates between feminist discourse, art, and the latest trends in the celebrity world. To begin with, the title is telling: already the subtitle conveys Jones’ approach of both analyzing and critiquing cosmetic surgery from within its own (ideo)logical framework. ‘I am not objective but rather part of what I study’, she says (2). However, the anatomical metaphorical scope activated by the title Skintight does not do full justice to Jones’ major theoretical contribution: a sound conceptualization of what she calls ‘makeover culture.’ Jones concedes that the term ‘makeover culture’ has been used before. She sees the major yet certainly not single merit of her book in providing an overarching concept for the sometimes diverse and arbitrary usages of the term: Makeover culture is a state where becoming is more desirable than being. It valorises the process of development rather than the point of completion. It is closely related to renovation and restoration, and includes elements of both, but where renovation and restoration imply achieving a final goal or a finished product, makeover – used either as noun or verb – is in the present tense. Despite appearances then, makeover culture is not about the creation of finished products – whether they’re houses, psyches, bodies or gardens – rather it is about showing subjects, objects and environments being worked upon and improved.
    [Show full text]
  • Stakeholder Event 24 June 2013, Radisson Hotel, Leeds, UK
    Stakeholder Event 24 June 2013, Radisson Hotel, Leeds, UK Programme 10:30-11:00 Registration and Coffee/Tea 11:00-11:10 Opening 11:10-11:40 Sun, Sea, Sand & Silicone: An ESRC funded project on Cosmetic Surgery Tourism Ruth Holliday (PI), David Bell, Olive Cheung, University of Leeds; Meredith Jones, University of Technology Sydney; Elspeth Probyn, The University of Sydney; Jacqueline Sanchez Taylor, University of Leicester 11:40-12:10 Linda McAvan MEP Labour Member of the European Parliament for Yorkshire and the Humber Will speak about her role on the EU Public Health Committee and medical tourism 12:10-12:40 Rachel Patient Will talk about travelling to Poland for cosmetic surgery following weight loss surgery 12:40-13:45 Lunch 13:45-14:15 Chris Stone C A Stone Medical & Legal Ltd Will explore some of the pitfalls of cosmetic surgery and how these can be exacerbated in the context of cosmetic surgery tourism 14:15-14:45 Angela Chouaib Secret Surgery Ltd Will discuss the role of cosmetic surgery tourism agents, best practice and the role of the internet in ensuring a positive patient experience 14:45-15:15 Laurence Vick Michelmores LLP solicitors of Exeter London and Bristol Will speak on the reach of UK courts in pursuing medical malpractice claims abroad: “Medical tourism – legal implications and complications” 15:15-15:30 Coffee 15:30-16:00 Keith Pollard Intuition Communication Ltd. Will talk about cosmetic surgery abroad: “What patients say… what they want… and what they get” 16:00-16:30 Inward and outward implications for the NHS of Medical Tourism: An NIHR-funded project Neil Lunt, Daniel Horsfall, University of York; Jo Hanefeld, London School of Hygiene and Tropical Medicine 16:30-17:00 Discussion 17:00 Close .
    [Show full text]
  • Theorizing the 'Designer Vagina'
    This is a repository copy of Vagina dialogues: theorizing the ‘designer vagina’. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/135741/ Version: Accepted Version Book Section: Holliday, R (2018) Vagina dialogues: theorizing the ‘designer vagina’. In: Griffin, G and Jordal, M, (eds.) Body, Migration, Re/constructive Surgeries; Making the Gendered Body in a Globalized World. Routledge , Oxon . ISBN 9781351133654 (c) 2019 the Author. Published by Routledge. This is an author produced version of a book chapter published in Body, Migration, Re/constructive Surgeries; Making the Gendered Body in a Globalized World. Uploaded in accordance with the publisher's self-archiving policy. Reuse Items deposited in White Rose Research Online are protected by copyright, with all rights reserved unless indicated otherwise. They may be downloaded and/or printed for private study, or other acts as permitted by national copyright laws. The publisher or other rights holders may allow further reproduction and re-use of the full text version. This is indicated by the licence information on the White Rose Research Online record for the item. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ 1 Chapter 3.3 Vagina Dialogues: Theorizing the ‘Designer Vagina’ Ruth Holliday, Sociology, Leeds University, UK ORCID no. orcid.org/0000-0002-8796-1853 Abstract Accounts of the ‘designer vagina’ have frequently linked it to ‘traditional’ practices of FGM (or, less pejoratively, FGC), said to reduce women’s sexual pleasure.
    [Show full text]
  • COSMETIC SURGERY and the TELEVISUAL MAKEOVER a Foucauldian Feminist Reading
    COSMETIC SURGERY AND THE TELEVISUAL MAKEOVER A Foucauldian feminist reading Cressida J. Heyes I argue that the televisual cosmetic surgical makeover is usefully understood as a contemporary manifestation of normalization, in Foucault’s sense—a process of defining a population in relation to its conformity or deviance from a norm, while simultaneously generating narratives of individual authenticity. Drawing on detailed analysis of “Extreme Makeover,” I suggest that the show erases its complicity with creating homogeneous bodies by representing cosmetic surgery as enabling of personal transformation through its narratives of intrinsic motivation and authentic becoming, and its deployment of fairy tale tropes. Introduction This essay aims to show how representations of cosmetic surgery have contributed to the evolution of a contemporary discourse in which one’s body must be made to represent one’s character. Within this discourse cosmetic surgery is not simply conceived as a technology that allows one to become more beautiful, or even achieve normalcy, but as a vehicle for self-transformation. This form of representation is becoming quite widespread across the different contexts in which cosmetic surgery is marketed, as other interpreters have suggested (e.g., Covino 2004; Fraser 2003a; Jones 2006), but it takes a particularly striking form in the recent genre of the televisual cosmetic surgical makeover. TV shows such as Extreme Makeover (US and UK editions), The Swan, Ten Years Younger, and numerous other more local versions, offer a scripted narrative of identity becoming in which the ordinary individual is aesthetically dramatically and rapidly transformed, while also making over her life and coming better to embody the virtuous person she allegedly truly is.
    [Show full text]
  • Expressive Surfaces: the Case of the Designer Vagina
    Expressive Surfaces: The Case of the Designer Vagina Meredith Jones [email protected] ABSTRACT In this paper I set out an argument that skins and screens, once distinctly different types of surface, are merging. I show how in contemporary highly mediatised worlds skins are required to be visually expressive whilst also noting a parallel movement whereby screens are becoming more affective. Using the ‘designer vagina’—specifically labiaplasty—as a case study I show how ideal bodies exist simultaneously as screen and as skin, as image and as affect. In turn, I argue that two-dimensional images and three-dimensional ‘real life’ bodies are blending in ways that parallel skin-screen mergers. INTRODUCTION This paper is part of a project I call ‘media-bodies’ that works to interrogate how contemporary bodies and media are conceptually, visually, and physically intertwined. One of the effects of such entanglements between media and bodies is a profound cultural and feminist uneasiness, especially in relation to women and objectificationi. This uneasiness is complemented by related, parallel tensions and concerns about how bodies are able to—or are made to—appear in 1 reality (real life) versus in virtuality (representations). In the age of the digital and the ‘surgical-aesthetic’—which is ‘the theory and practice that deals with the surgical transformation of women’s bodies from a “natural” state of inadequacy and ugliness into a potentially “ideal” state of beauty and perfect functioning’ (Adams, 1997: 60)—these tensions and anxieties are even more apparent. Boundaries between representations, realities, and virtualities become even more porous in context of ultra-mediatised contemporary landscapes wherein bodies, images, and technologies like aesthetic surgery co-mingle to the degree that, for example, alterations made using Photoshop compared to those using scalpels are indistinguishable to most viewers.
    [Show full text]
  • Muslim Women in the Western Media: Foucault, Agency, Governmentality and Ethics
    UvA-DARE (Digital Academic Repository) Muslim women in the western media: Foucault, agency, governmentality and ethics Vintges, K. DOI 10.1177/1350506812443476 Publication date 2012 Document Version Final published version Published in European Journal of Women's Studies Link to publication Citation for published version (APA): Vintges, K. (2012). Muslim women in the western media: Foucault, agency, governmentality and ethics. European Journal of Women's Studies, 19(3), 283-298. https://doi.org/10.1177/1350506812443476 General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:02 Oct 2021 EJW19310.1177/1350506812443476VintgesEuropean Journal of Women’s Studies 4434762012 Article EJWS
    [Show full text]
  • Makeover Culture's Dark Side: Breasts, Death and Lolo Ferrari Meredith
    Makeover Culture’s Dark Side: Breasts, Death and Lolo Ferrari Meredith Jones Abstract The word ‘makeover’ is dotted through popular culture and is applied to a range of activities including home renovation, gardening, urban renewal, and business invigoration. Makeover culture is part of a socio-cultural paradigm that values endless improving, renovating and rejuvenating. Makeover citizens enact urgent and never- ending renovations of the self. Cosmetic surgery is both symptom and manufacturer of makeover culture. It is indicative and constitutive of an arena in which ideal objects and subjects are always being improved, and in which everything – including the body – is always ripe for enhancement. This paper focuses on the 1990s French pornography star, Lolo Ferrari. Two aspects of Ferrari’s famous cosmetic surgery are examined. They indicate a darker side of makeover culture – one that is less about lifestyle and surface gloss and more about pornography, death and unconsciousness. The first is her breasts, which I examine in relation to gigantism and normalised notions of femininity, and as symbols of the transition from girl to woman. The second is Ferrari’s striking declaration that she loved being under anaesthetic. I delve into this notion to discuss how immobility, stasis, decay and mortality are crucial parts of makeover culture’s promises of transformation. 1 Introduction Because I could not stop for Death— He kindly stopped for me— The Carriage held but just Ourselves— And Immortality (Emily Dickinson, 1890). Lolo Ferrari was in Cyprus before we got her... she'd had so many hands on her that there was a hole between her breasts – so we had to fix her (A curator describing the Lolo Ferrari waxwork on display at the Checkpoint Charlie Museum in Berlin, Reuters, 2005).
    [Show full text]
  • Aesthetic Surgery and the Expressive Body
    1 Aesthetic surgery and the expressive body Dr Rachel Alsop, School of Education and Social Sciences, University of Hull Hull Prof Kathleen Lennon, Centre for Gender Studies, University of Hull Abstract: In this paper we explore the relation between bodies and selves evident in the narratives surrounding aesthetic surgery. In much feminist work on aesthetic surgery such narratives have been discussed in terms of the normalising consequences of the objectifying, homogenising, cosmetic gaze. These discussions stress the ways in which we model our bodies, under the gaze of others, in order to conform to social norms. Such an objectified body is contrasted with the subjective body; the body –for –the self. In this paper, however, we wish to make sense of the narratives surrounding such surgery by invoking the expressive body, which fits on neither side of this binary. We wish to explore how the modification of the body’s anatomical features (physiology) are taken to be a modification of its expressive possibilities, and therefore as modifications of possibilities for inter-subjective relations with others. It is such expressive possibilities, which, we suggest, underlie decisions to undergo surgical procedures. The possibility of modification of the expressive possibilities of the body, by the modification of its anatomical features, rests on the social imaginaries attached to anatomical features. In the context of such imaginaries individual decisions to undergo or promote surgery can be both intelligible and potentially empowering. However, the social consequences of such acts are an increasing normalisation of the ‘body under the knife’ and an intolerance of bodily 2 difference.
    [Show full text]
  • Annual Report 2007
    Annual Report 2007 Contact Details Ms Josephine Peters Administrator Centre for Corporate Law and Securities Regulation Melbourne Law School The University of Melbourne Victoria 3010 AUSTRALIA Telephone: +61 3 8344 5281 Facsimile: +61 3 8344 5285 Email: [email protected] Professor Ian Ramsay Director Centre for Corporate Law and Securities Regulation Melbourne Law School The University of Melbourne Victoria 3010 AUSTRALIA Telephone: +61 3 8344 5332 Facsimile: +61 3 8344 5285 Email: [email protected] Centre Website http://cclsr.law.unimelb.edu.au 2 CENTRE FOR CORPORATE LAW AND SECURITIES REGULATION Annual Report 2007 Contents Director's Report ................................................................................................................... 4 Purposes and Objectives of the Centre .............................................................................. 11 International Advisory Board............................................................................................. 12 Australian Advisory Board................................................................................................. 13 Academic Members of the Centre and Associates of the Centre ..................................... 14 Seminars .............................................................................................................................. 21 Links with Peak Organisations........................................................................................... 24 Editorial Positions ..............................................................................................................
    [Show full text]
  • Faces of Emotion: Medieval to Postmodern
    shaping the modern Collaboratory Watt had watched people smile and thought he understood how it was done. And it was true that Watt’s smile, when he smiled, resembled more a smile than a sneer, for example, or a yawn. But there was something wanting to Watt’s smile, some little thing was lacking, and people who saw it for the first time, and most people who saw it saw it for the first time, were sometimes in doubt as to what expression exactly was intended. Samuel Beckett, Watt Date: 5-7 December 2012 Venue: The University of Melbourne Convenors: Stephanie Downes: [email protected] Stephanie Trigg: [email protected] All enquiries: [email protected] “Kristy” Artwork by Dianne Jones FACES OF EMOTION: MEDIEVAL TO POSTMODERN What’s in a face? And how do faces communicate Presentations and performances in the collaboratory will address these wider research questions: emotion? • historical change: what narratives, patterns, contrasts, or The Mona Lisa captivates us again and again, not only for what contradictions emerge over time? What mental, social and cultural her smile communicates, but also for what it leaves unspoken processes help us order and recognise faces and emotions? and unreadable. Faces can express emotions, or withhold them, just as they both invite and resist our scrutiny. Many academic • racial, cultural and linguistic encounters: how do European and disciplines and artistic and cultural practices are fascinated by Indigenous understandings, representations and definitions of the face and its capacity to express emotion, from art, literature, facial emotion compare or conflict? cinema, photography, drama and biography to sociology, politics, psychology, cultural studies and anthropology.
    [Show full text]
  • Placenta-Eating and the Epistemology of Ignorance
    Placenta-Eating and the Epistemology of Ignorance la dépression post-partum et à titre de pratique ayant Cressida Heyes is Canada Research Chair in Philoso- lieu dans un contexte de bioamplification des polluants phy of Gender and Sexuality, and Professor of Political environnementaux. Science and Philosophy at the University of Alberta, Ed- monton. She is the author of Self-Transformations: Fou- cault, Ethics, and Normalized Bodies (Oxford University Press, 2007), and, most recently, “Dead to the World: Rape, Unconsciousness, and Social Media” (Signs 41:2 [2016]). Abstract This article argues that human postpartum placen- tophagy—eating one’s placenta—is an example of an epistemology of ignorance. Placentophagy has been stubbornly resistant to conventional scientific inquiry, but has nonetheless been the subject of considerable epistemic speculation based on very little evidence. To remain ignorant about placentophagy takes epistemic work. Tracing the form the epistemology of ignorance takes—disdain for female bodies, visceral disgust— this article argues that placentophagy deserves a more nuanced treatment as a practice that meets the un- der-served needs of women who fear postpartum de- pression and as a practice taking place in a context of the biomagnification of environmental pollutants. Résumé Cet article affirme que la placentophagie après l’ac- couchement humain—manger son placenta—est un ex- emple d’une épistémologie de l’ignorance. La placento- phagie a été obstinément résistante à une enquête scien- tifique conventionnelle, mais elle a néanmoins fait l’ob- jet de spéculations épistémiques considérables, fondées sur très peu de données probantes. Rester ignorant au sujet de la placentophagie exige du travail épistémique.
    [Show full text]
  • Makeover Culture
    Makeover Culture Landscapes of Cosmetic Surgery Meredith Jones 2006 Thesis submitted for the degree of PhD Centre for Cultural Research University of Western Sydney I certify that this work has not been submitted for a higher degree at any other institution, and that the thesis presents original research, except where otherwise indicated. Meredith Jones, 2006 Parts of this work appear elsewhere, in different forms, in the journals Social Semiotics; Continuum: Journal of Media & Cultural Studies; Space and Culture: International Journal of Social Spaces, and in a chapter (with Zoë Sofoulis) in the book The Cyborg Experiments: the Extensions of the Body in the Media Age (Ed. Joanna Zylinska). TABLE OF CONTENTS ABSTRACT ...................................................................................................................................6 ACKNOWLEDGEMENTS ........................................................................................................8 CHAPTER ONE - THEMES, ARGUMENTS, BASICS INTRODUCTION ......................................................................................................................12 MAKEOVER CULTURE..........................................................................................................15 IDEOLOGICAL COMPLEXES: CONTRADICTIONS IN MAKEOVER CULTURE.17 WHAT IS COSMETIC SURGERY? ........................................................................................21 WHERE IS COSMETIC SURGERY? ......................................................................................23
    [Show full text]