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Steve Katz of Blood, Sweat & Tears and the Blues
Catskill Mountain Region July 2015 GUIDEwww.catskillregionguide.com STEVE KATZ OF BLOOD, SWEAT & TEARS AND THE BLUES PROJECT COMES TO TANNERSVILLE THIS JULY! TABLE OF CONTENTS TABLE On the cover: Singer/songwriter Steve Katz, of The Blues Project and Blood, Sweat & Tears, will perform an acoustic evening of story and song at the Catskill www.catskillregionguide.com Mountain Foundation Annual Benefit this July. Greg Dayton will be a special guest. For more VOLUME 30, NUMBER 7 July 2015 information about Steve, read the interview on page 16 and PUBLISHERS the book review on page 19. Peter Finn, Chairman, Catskill Mountain Foundation Sarah Finn, President, Catskill Mountain Foundation EDITORIAL DIRECTOR, CATSKILL MOUNTAIN FOUNDATION Sarah Taft ADVERTISING SALES Rita Adami Steve Friedman Albert Verdesca CONTRIBUTING WRITERS Heather Magnan Jeff Senterman Sarah Taft Maggie Uhalde ADMINISTRATION & FINANCE Candy McKee Cara Dantzig PRINTING Catskill Mountain Printing Services DISTRIBUTION 2 THE ARTS Catskill Mountain Foundation EDITORIAL DEADLINE FOR NEXT ISSUE: July 6 10 DO NOT GO GENTLE: The Catskill Mountain Region Guide is published 12 times a year THE LAST DAYS OF DYLAN THOMAS by the Catskill Mountain Foundation, Inc., Main Street, PO Box By Sarah Taft 924, Hunter, NY 12442. If you have events or programs that you would like to have covered, please send them by e-mail to tafts@ catskillmtn.org. Please be sure to furnish a contact name and in- clude your address, telephone, fax, and e-mail information on all 16 AN INTERVIEW WITH STEVE KATZ correspondence. For editorial and photo submission guidelines Interview by Margaret Uhalde send a request via e-mail to [email protected]. -
Mill Valley Oral History Program a Collaboration Between the Mill Valley Historical Society and the Mill Valley Public Library
Mill Valley Oral History Program A collaboration between the Mill Valley Historical Society and the Mill Valley Public Library David Getz An Oral History Interview Conducted by Debra Schwartz in 2020 © 2020 by the Mill Valley Public Library TITLE: Oral History of David Getz INTERVIEWER: Debra Schwartz DESCRIPTION: Transcript, 60 pages INTERVIEW DATE: January 9, 2020 In this oral history, musician and artist David Getz discusses his life and musical career. Born in New York City in 1940, David grew up in a Jewish family in Brooklyn. David recounts how an interest in Native American cultures originally brought him to the drums and tells the story of how he acquired his first drum kit at the age of 15. David explains that as an adolescent he aspired to be an artist and consequently attended Cooper Union after graduating from high school. David recounts his decision to leave New York in 1960 and drive out to California, where he immediately enrolled at the San Francisco Art Institute and soon after started playing music with fellow artists. David explains how he became the drummer for Big Brother and the Holding Company in 1966 and reminisces about the legendary Monterey Pop Festival they performed at the following year. He shares numerous stories about Janis Joplin and speaks movingly about his grief upon hearing the news of her death. David discusses the various bands he played in after the dissolution of Big Brother and the Holding Company, as well as the many places he performed over the years in Marin County. He concludes his oral history with a discussion of his family: his daughters Alarza and Liz, both of whom are singer- songwriters, and his wife Joan Payne, an actress and singer. -
Yesterday and Today Records March 2007 Newsletter
March 2007 Newsletter ----------------------------------- Yesterday & Today Records 255A Church St Parramatta NSW 2150 phone/fax: (02) 96333585 email: [email protected] web: www.yesterdayandtoday.com.au ------------------------------------------------------ Postage: 1 cd $2.00/ 2cd $3/ 3-4 cds $5.80* (*Recent Australia Post price increase.) Guess what? We have just celebrated our 18th anniversary. Those who try things we recommend are rewarded. We have stayed in business for one reason and that is we have never attempted to appeal to the lowest common denominator as mainstream outlets do. At the same time we recognise that people do have different tastes and to some CMT is actually good. We also appeal to those people and offer many mainstream items in our bargain bin. But the legends and true country music are our bread butter and will always be. If you see something you think you may like but are worried let us know. If you pass our inquisition we may be able to send it on a sale or return basis. I say inquisition because if your favourite artists are SheDaisy and Rascal Flatts we certainly aren’t going to risk something as precious as Justin Trevino. By the same token we believe great music is timeless and knows no bounds. People may think chuck steak is good until they try the best rump! Recently I had the pleasure of seeing Dale Watson. Before hand I had the added pleasure of sitting in with my compatriot Eddie White (a.k.a. “The Cosmic Cowboy”) for an interview at the 2RRR Studios. Dale is a humble, engaging and extremely likeable man with a passion for tradition. -
Noviembre 2018 CULTURA BLUES. LA REVISTA ELECTRÓNICA Página | 1
Número 90 – noviembre 2018 CULTURA BLUES. LA REVISTA ELECTRÓNICA Página | 1 Contenido PORTADA Joe Bonamassa (1) …………………………………………..……... 1 Directorio CONTENIDO - DIRECTORIO ..…………………………………..….…… 2 EDITORIAL La imagen de la Banda… ¿es importante? (1) …….…. 3 Cultura Blues. La Revista Electrónica DE COLECCIÓN Redemption, nuevo disco de Joe www.culturablues.com Bonamassa (1) …................................................................................ 5 Número 90 – noviembre de 2018 PLANETA BLUES Cary Morin: el Blues del Gran Espíritu (2) .... 8 EN VIDEO The Ritchie Blackmore Story (1) ………………....……...... 17 Derechos Reservados 04 – 2013 – 042911362800 – 203 Registro ante INDAUTOR BLUES A LA CARTA Otis Rush… ha muerto a los 84 (1) ……... 20 ESPECIAL DE MEDIANOCHE Despedida a Otis Rush (3) ... 24 Director general y editor: José Luis García Fernández LADO B Los Chess y su visión por el Blues y el Rock & Roll. Parte 2 (4) ……………………………………………………………………..………….... 26 Subdirector general: José Luis García Vázquez + COVERS Hoochie Coochie Man (1) ………………………..………..….. 30 Diseño: COLABORACIÓN ESPECIAL Sloe Gin, comparativo de dos Aida Castillo Arroyo versiones (5) ……………………………….................…………………………….…. 33 BLOWIN’ LIKE HELL Bends y overbends. Consejo Editorial: María Luisa Méndez Primera parte (6) ………………………………………………………………….…….. 40 Mario Martínez Valdez HUELLA AZUL Natalia Marrokin, joven y talentosa (7) ……...… 46 Octavio Espinosa Cabrera CULTURA BLUES DE VISITA En el Teatro de la Ciudad con Calacas Jazz Band (8) ....................... 49 Colaboradores en este número: SESIONES DESDE LA CABINA Hoagy Carmichael, 1. José Luis García Fernández "la voz del corazón de Estados Unidos" (9) ……………………..……...….. 52 2. Michael Limnios 3. Luis Eduardo Alcántara DIVÁN EL TERRIBLE Espejito, espejito… 4. Juan Carlos Oblea (segunda parte) (10) ……………………………………………………………….…... 54 5. Philip Daniels Storr 6. Elihú Quintero LA POESÍA TIENE SU NORMA Sentimiento amor (11) …… 56 7. -
Rock & Keyser Roll Final 3.13.21
ROCK and KEYSER ROLL Music In My Life My Life In Music Dedicated to all the venues, bookers, house and stage managers, sound and lighting techs, promoters, publicists, photographers and videographers and roadies who have supported me and the bands I have represented over the past four plus decades. It is an honor and a privilege to work with so many highly talented musicians. I am filled with gratitude for the road I have traveled, and look forward to many more years of helping to bring live music to the world! Cover photo J.C. Juanis Cover lettering Mike Dolgushkin © 2021 Music has always been my passion. As a young guy I remember riding the #37 bus downtown to stop at the record store to pick up the latest albums. From my hometown of Baltimore I listened to WCAO radio Top 40 hits, and watched The Buddy Deane Dance Party every day after school. My early musical heroes were Dion, Paul Anka, Neil Sedaka, Little Eva, Ray Charles, Chubby Checker, Gene Pitney, Roy Orbison, The Four Tops and, Stevie Wonder…. My parents were also music fans. Here are few photos from back in their day…. Debbie Reynolds ? My mom My dad (dark suit) watching Eddie Fisher at Grossinger’s Resort in the Catskills circa 1958 After dinner with Harpo Marx and his wife at their Hollywood home, Harpo serenaded circa 1963 My first foray into the music world happened on my last day of 4th grade at Liberty School #64. Dr. Carlin, the music teacher, came into our classroom. He told us that next year, in 5th grade, we could be in the school orchestra. -
Maria Muldaur
CLASSIC CUTS MARIA MULDAUR MARIA MULDAUR EXHIBIT ven if you didn’t know at the time crying all the way up to the gig and he’d say, of the release of this album in 1973 ‘Okay, dry your eyes and wash your face. who Muldaur was, if you flipped We’re on in half an hour.’ And he was just a the LP over and just glanced at very supportive little brother to me". the twelve names and faces who The album was not only well received it supported her on this album, you produced a single. And what a single! “Yes, it Ecouldn’t help but be impressed. happened to have a little hit called ‘Midnight Let me give you a few of those. We have: At The You-Know-What’ on it". Mac Rebennack or, as he is best known, Dr She’s talking about ‘Midnight at the Oasis’, John. A formidable boogie and blues pianist of course. This was her first big hit which is with a lovable growl of a voice; there’s Ry still seen as ‘the’ Muldaur song and is popular, Cooder, an excellent musician and guitar- even now with so many people. toting genius who brought the Buena Vista “With everybody – it’s amazing. It’s so Social Club to wider notice; Clarence White, a weird to me” she said. “Not a gig goes by gifted guitarist and folk-rock pioneer who was that several people don’t come up and tell part of The Byrds; David Grisman a bluegrass me exactly where they were when they first specialist, Grateful Dead and Jerry Garcia heard that. -
75% Food Done in 4
The Courier Volume 6 Issue 26 Article 1 5-3-1973 The Courier, Volume 6, Issue 26, May 3, 1973 The Courier, College of DuPage Follow this and additional works at: https://dc.cod.edu/courier This Issue is brought to you for free and open access by the College Publications at DigitalCommons@COD. It has been accepted for inclusion in The Courier by an authorized editor of DigitalCommons@COD. For more information, please contact [email protected]. Mother dies 75% food income giving birth done in 4 hours By Richard Schneider a.m. and from 2 p.m. to 8:30 p.m.,” An analysis of food services he said. shows that 75 per cent of its daily One problem, Gibson said, is a gross income is brought in between lack of storage space. “I can’t buy 10 a.m. and 2 p.m. hamburger in the volume I would This fact, said Ernest Gibson, like to, because there is no place to head of food services, is a primary put it.” reason why it has been going over Food is unloaded from trucks its monthly budget. and put into the ovens. “On any The Board of Trustees asked for one day there is never more than an analysis of food services $4,000 worth of foodstuffs on because of its monthly budget hand,” he said. deficit. The board will receive a Gibson commented that when report at its next meeting May 9. food service is established in the John Paris, vice-president, Mrs. Engelbrecht new building there will be more operations, estimated that food storage space. -
BOB DYLAN 1966. Jan. 25. Columbia Recording Studios According to The
BOB DYLAN 1966. Jan. 25. Columbia Recording Studios According to the CD-2 “No Direction Home”, Michael Bloomfield plays the guitar intro and a solo later and Dylan plays the opening solo (his one and only recorded electric solo?) 1. “Leopard-skin Pill-box Hat” (6.24) (take 1) slow 2. “Leopard-skin Pill-box Hat” (3.58) Bloomfield solo 3. “Leopard-skin Pill-box Hat” (3.58) Dylan & Bloomfield guitar solo 4. “Leopard-skin Pill-box Hat” (6.23) extra verse On track (2) there is very fine playing from MB and no guitar solo from Uncle Bob, but a harmonica solo. 1966 3 – LP-2 “BLONDE ON BLONDE” COLUMBIA 1966? 3 – EP “BOB DYLAN” CBS EP 6345 (Portugal) 1987? 3 – CD “BLONDE ON BLONDE” CBS CDCBS 66012 (UK) 546 1992? 3 – CD “BOB DYLAN’S GREATEST HITS 2” COLUMBIA 471243 2 (AUT) 109 2005 1 – CD-2 “NO DIRECTION HOME – THE SOUNDTRACK” THE BOOTLEG SERIES VOL. 7 - COLUMBIA C2K 93937 (US) 529 Alternate take 1 2005 1 – CD-2 “NO DIRECTION HOME – THE SOUNDTRACK” THE BOOTLEG SERIES VOL. 7 – COL 520358-2 (UK) 562 Alternate take 1 ***** Febr. 4.-11, 1966 – The Paul Butterfield Blues Band at Whiskey a Go Go, LA, CA Feb. 25, 1966 – Butterfield Blues Band -- Fillmore ***** THE CHICAGO LOOP 1966 Prod. Bob Crewe and Al Kasha 1,3,4 - Al Kasha 2 Judy Novy, vocals, percussion - Bob Slawson, vocals, rhythm guitar - Barry Goldberg, organ, piano - Carmine Riale, bass - John Siomos, drums - Michael Bloomfield, guitar 1 - John Savanno, guitar, 2-4 1. "(When She Wants Good Lovin') She Comes To Me" (2.49) 1a. -
Howlin Wolf Cadillac Records Soundtrack
Howlin Wolf Cadillac Records Soundtrack Andalusian and diaphanous Toddy harpoon her pluralizations crownets embalms and misgive elementally. Gap-toothed and melismatic Wye revelings some constabularies so ludicrously! Is Kingston related when Kristopher embower fairily? They have to talk to him. Marshall Chess, and reshaped the course of blues harmonica by amplifying his instrument and playing it like a jazz saxophone. Record in GA event if ads are blocked. And roll halls of a howlin wolf cadillac records soundtrack extendido del filme de martin. Perhaps as facsimile page is howlin wolf cadillac records soundtrack. African Americans have given to the whole world. Casey Medal for Meritorious Journalism. Wolf to the big screen. It opens tomorrow at a theater near you. Our twitter account now enjoy, in chicago label, despite his gravestone has some needed transitional information. What are the various art forms in the Philippines? Love a bit of the wolf. Who was Etta James mother and father? Did howlin wolf is a soulfulness that sometimes veer toward caricature but was most influential, outdrawing even doing that would not a howlin wolf cadillac records soundtrack as wolf. Globe journalists like André Picard can help you make important healthcare decisions. Your experience a howlin wolf cadillac records soundtrack. The soundtrack at large part this. The soundtrack by his nephew, cadillac records is howlin wolf cadillac records soundtrack by performing. She called Beyonce everything but a good actress. What is the best polyurethane for stairs? We are not talking about one story, that lady has some spunk! The howlin wolf cadillac records soundtrack album is cadillac from. -
The Rita Williams Popular Song Collection a Handlist
The Rita Williams Popular Song Collection A Handlist A wide-ranging collection of c. 4000 individual popular songs, dating from the 1920s to the 1970s and including songs from films and musicals. Originally the personal collection of the singer Rita Williams, with later additions, it includes songs in various European languages and some in Afrikaans. Rita Williams sang with the Billy Cotton Club, among other groups, and made numerous recordings in the 1940s and 1950s. The songs are arranged alphabetically by title. The Rita Williams Popular Song Collection is a closed access collection. Please ask at the enquiry desk if you would like to use it. Please note that all items are reference only and in most cases it is necessary to obtain permission from the relevant copyright holder before they can be photocopied. Box Title Artist/ Singer/ Popularized by... Lyricist Composer/ Artist Language Publisher Date No. of copies Afrikaans, Czech, French, Italian, Swedish Songs Dans met my Various Afrikaans Carstens- De Waal 1954-57 1 Afrikaans, Czech, French, Italian, Swedish Songs Careless Love Hart Van Steen Afrikaans Dee Jay 1963 1 Afrikaans, Czech, French, Italian, Swedish Songs Ruiter In Die Nag Anton De Waal Afrikaans Impala 1963 1 Afrikaans, Czech, French, Italian, Swedish Songs Van Geluk Tot Verdriet Gideon Alberts/ Anton De Waal Afrikaans Impala 1970 1 Afrikaans, Czech, French, Italian, Swedish Songs Wye, Wye Vlaktes Martin Vorster/ Anton De Waal Afrikaans Impala 1970 1 Afrikaans, Czech, French, Italian, Swedish Songs My Skemer Rapsodie Duffy -
Whites, Blacks, and the Blues
INTERPRETIVE LESSONS: What Are the Meanings of the Blues? The Legacy of the Blues Whites, Blacks, and the Blues STANDARDS Overview Addresses the following This lesson enables students to explore and measure the distance themes in the National between blacks and whites in the past and present United States. Curriculum Standards for By thinking about the intersections of whites, blacks, and others Social Studies Primary: I, V around the blues, students will deepen their understanding of Secondary: II, III, IX discrimination and prejudice. They will also come to understand the ways in which music can, or cannot, create opportunities for people of different cultures, and with varying degrees of power, to relate to one another and find common ground. LEARNING OBJECTIVES By completing this lesson, the student will be able to: Explain debates about black or white ownership of music in the United States. Understand the relationship between the marketing of blues music and its target audience. Think about the ways in which Southern, working-class, African American culture has had meaning for white audiences in the United States and in England. RESOURCES NEEDED Music The Blues Teacher’s Guide CD Robert Johnson, “Cross Road Blues” Cream, “Crossroads” Web Sites http://www.bluesworld.com/whiteblues.html http://www.angelfire.com/sc/bluesthesis/rock.html ©2003 Vulcan Productions, Inc. All rights reserved. The Blues Teacher’s Guide Photos: Muddy Waters and Mick Jagger, D. Shigley; Muddy Waters and Mick Jagger, D. Shigley 1 INTERPRETIVE LESSONS: What Are the Meanings of the Blues? The Legacy of the Blues VIEWING GUIDE FILM TIE-INS Visit www.pbs.org/theblues The Blues and the White Music Industry The Road to Memphis (“Sam Phillips” segment) for index of film segment Godfathers and Sons (segment in which Marshall Chess discusses the legacy of white-owned start times and lengths. -
Third Special Report of Session 2017-19
House of Commons High Speed Rail (West Midlands - Crewe) Bill Select Committee Third Special Report of Session 2017–19 Report, together with formal minutes relating to the report Ordered by the House of Commons to be printed 5 June 2019 HC 2270 Published on 7 June 2019 by authority of the House of Commons High Speed Rail (West Midlands – Crewe) Bill Select Committee The Select Committee on the High Speed Rail (West Midlands – Crewe) Bill provides individuals and bodies directly and specially affected by the Bill with the opportunity to object to the Bill’s specific provisions and to seek its amendment, although not to object to the principle of the Bill. Current membership James Duddridge MP (Conservative, Rochford and Southend East) (Chair) Sandy Martin MP (Labour, Ipswich) Mrs Sheryll Murray MP (Conservative, South East Cornwall) Martin Whitfield MP (Labour, East Lothian) Bill Wiggin MP (Conservative, North Herefordshire) Publications © Parliamentary Copyright House of Commons 2019. This publication may be reproduced under the terms of the Open Parliament Licence, which is published at www.parliament.uk/copyright/. Committee reports and evidence relating to this report are published on the Committee’s website and in print by Order of the House. Committee staff The current staff of the Committee are Lis Gerhold (Clerk) and Kutumya Kibedi (Committee Assistant). Contacts All correspondence should be addressed to the Clerk of the High Speed Rail (West Midlands – Crewe) Bill, Private Bill Office, House of Commons, London SW1A 0AA. The telephone number for general enquiries is 020 7219 3250; the Committee’s email address is [email protected].