Prairie Progressive • Spring 2015
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Memphis Jug Baimi
94, Puller Road, B L U E S Barnet, Herts., EN5 4HD, ~ L I N K U.K. Subscriptions £1.50 for six ( 54 sea mail, 58 air mail). Overseas International Money Orders only please or if by personal cheque please add an extra 50p to cover bank clearance charges. Editorial staff: Mike Black, John Stiff. Frank Sidebottom and Alan Balfour. Issue 2 — October/November 1973. Particular thanks to Valerie Wilmer (photos) and Dave Godby (special artwork). National Giro— 32 733 4002 Cover Photo> Memphis Minnie ( ^ ) Blues-Link 1973 editorial In this short editorial all I have space to mention is that we now have a Giro account and overseas readers may find it easier and cheaper to subscribe this way. Apologies to Kees van Wijngaarden whose name we left off “ The Dutch Blues Scene” in No. 1—red faces all round! Those of you who are still waiting for replies to letters — bear with us as yours truly (Mike) has had a spell in hospital and it’s taking time to get the backlog down. Next issue will be a bumper one for Christmas. CONTENTS PAGE Memphis Shakedown — Chris Smith 4 Leicester Blues Em pire — John Stretton & Bob Fisher 20 Obscure LP’ s— Frank Sidebottom 41 Kokomo Arnold — Leon Terjanian 27 Ragtime In The British Museum — Roger Millington 33 Memphis Minnie Dies in Memphis — Steve LaVere 31 Talkabout — Bob Groom 19 Sidetrackin’ — Frank Sidebottom 26 Book Review 40 Record Reviews 39 Contact Ads 42 £ Memphis Shakedown- The Memphis Jug Band On Record by Chris Smith Much has been written about the members of the Memphis Jug Band, notably by Bengt Olsson in Memphis Blues (Studio Vista 1970); surprisingly little, however has got into print about the music that the band played, beyond general outline. -
TOM MALONEY and TOM HALL a Tribute to Four Important St
TOM MALONEY AND TOM HALL A Tribute to Four Important St. Louisans, BLUESWEEK Review in Pictures, An Essay by Alonzo Townsend, The Application Window Opens for the St. Louis/IBC Road to Memphis, plus: CD Review, Discounts for Members and more... THE BI-MONTHLY MAGAZINE OF THE SAINT LOUIS BLUES SOCIETY July/August 2014 Number 69 July/August 2014 Number 69 Officers Chairperson BLUESLETTER John May The Bi-Monthly Magazine of the St. Louis Blues Society Vice Chairperson The St. Louis Blues Society is dedicated to preserving and perpetuating blues music in Jeremy Segel-Moss and from St. Louis, while fostering its growth and appreciation. The St. Louis Blues Society provides blues artists the opportunity for public performance and individual Treasurer improvement in their field, all for the educational and artistic benefit of the general public. Jerry Minchey Legal Counsel Charley Taylor CELEBRATING 30 YEARS Secretary Lynn Barlar OF SUPPORTING BLUES MUSIC IN ST LOUIS Communications Dear Blues Lovers, Mary Kaye Tönnies Summer is in full swing in St. Louis.Festivals, neighborhood events and patios filled with Board of Directors music are kickin’ all over the City. Bluesweek, over Memorial Day Weekend, was a big hit for Ridgley "Hound Dog" Brown musicians and fans alike. Check out some of the pictures from the weekend on page 11. Thanks to Bernie Hayes everyone who helped make Bluesweek a success! Glenn Howard July means the opening of applications for bands and solo/duo acts who want to be involved Rich Hughes in this year’s International Blues Challenge. Last year we had a fantastic group of bands and solo/ Greg Hunt duo acts competing to go to Memphis. -
Steve Katz of Blood, Sweat & Tears and the Blues
Catskill Mountain Region July 2015 GUIDEwww.catskillregionguide.com STEVE KATZ OF BLOOD, SWEAT & TEARS AND THE BLUES PROJECT COMES TO TANNERSVILLE THIS JULY! TABLE OF CONTENTS TABLE On the cover: Singer/songwriter Steve Katz, of The Blues Project and Blood, Sweat & Tears, will perform an acoustic evening of story and song at the Catskill www.catskillregionguide.com Mountain Foundation Annual Benefit this July. Greg Dayton will be a special guest. For more VOLUME 30, NUMBER 7 July 2015 information about Steve, read the interview on page 16 and PUBLISHERS the book review on page 19. Peter Finn, Chairman, Catskill Mountain Foundation Sarah Finn, President, Catskill Mountain Foundation EDITORIAL DIRECTOR, CATSKILL MOUNTAIN FOUNDATION Sarah Taft ADVERTISING SALES Rita Adami Steve Friedman Albert Verdesca CONTRIBUTING WRITERS Heather Magnan Jeff Senterman Sarah Taft Maggie Uhalde ADMINISTRATION & FINANCE Candy McKee Cara Dantzig PRINTING Catskill Mountain Printing Services DISTRIBUTION 2 THE ARTS Catskill Mountain Foundation EDITORIAL DEADLINE FOR NEXT ISSUE: July 6 10 DO NOT GO GENTLE: The Catskill Mountain Region Guide is published 12 times a year THE LAST DAYS OF DYLAN THOMAS by the Catskill Mountain Foundation, Inc., Main Street, PO Box By Sarah Taft 924, Hunter, NY 12442. If you have events or programs that you would like to have covered, please send them by e-mail to tafts@ catskillmtn.org. Please be sure to furnish a contact name and in- clude your address, telephone, fax, and e-mail information on all 16 AN INTERVIEW WITH STEVE KATZ correspondence. For editorial and photo submission guidelines Interview by Margaret Uhalde send a request via e-mail to [email protected]. -
Yesterday and Today Records March 2007 Newsletter
March 2007 Newsletter ----------------------------------- Yesterday & Today Records 255A Church St Parramatta NSW 2150 phone/fax: (02) 96333585 email: [email protected] web: www.yesterdayandtoday.com.au ------------------------------------------------------ Postage: 1 cd $2.00/ 2cd $3/ 3-4 cds $5.80* (*Recent Australia Post price increase.) Guess what? We have just celebrated our 18th anniversary. Those who try things we recommend are rewarded. We have stayed in business for one reason and that is we have never attempted to appeal to the lowest common denominator as mainstream outlets do. At the same time we recognise that people do have different tastes and to some CMT is actually good. We also appeal to those people and offer many mainstream items in our bargain bin. But the legends and true country music are our bread butter and will always be. If you see something you think you may like but are worried let us know. If you pass our inquisition we may be able to send it on a sale or return basis. I say inquisition because if your favourite artists are SheDaisy and Rascal Flatts we certainly aren’t going to risk something as precious as Justin Trevino. By the same token we believe great music is timeless and knows no bounds. People may think chuck steak is good until they try the best rump! Recently I had the pleasure of seeing Dale Watson. Before hand I had the added pleasure of sitting in with my compatriot Eddie White (a.k.a. “The Cosmic Cowboy”) for an interview at the 2RRR Studios. Dale is a humble, engaging and extremely likeable man with a passion for tradition. -
Rhythm Posse Occasionally Worked with Bukka White in Local Juke Facebook.Com/Rhythmposse Joints
father of the Memphis blues guitar style. By the turn of the century, at the age of 12, Stokes worked as a blacksmith, traveling the 25 miles to Memphis on the weekends to sing and play guitar All shows begin at 6:30 In case of inclement weather, Tuesday Night Blues with Don Sane, with whom he developed a long- is held at the House of Rock, 422 Water Street. term musical partnership. Together, they busked on *August 7 will be held at Phoenix Park. the streets and in Church's Park (now W. C. Handy Park) on Memphis' Beale Street. Sane rejoined Stokes May 28 Howard ‘Guitar’ Luedtke & Blue Max for the second day of an August 1928 session for HowardLuedtke.com June 4 Revolver Victor Records, and they produced a two-part RevolverBand.net version of "Tain't Nobody's Business If I Do", a song August 20, 2013 at Owen Park June 11 Bryan Lee well known in later versions by Bessie Smith and BrailleBluesDaddy.com Jimmy Witherspoon, but whose origin lies June 18 Tommy Bentz Band somewhere in the pre-blues era. RhythmRhythm PPosseosse TommyBentz.com In 1929, Stokes and Sane recorded again for June 25 Code Blue with Catya & Sue Catya.net Paramount, resuming their 'Beale Street Sheiks' July 2 Left Wing Bourbon billing for a few cuts. In September, Stokes was back LeftWingBourbon.com on Victor to make what were to be his last July 9 Charlie Parr recordings, this time without Sane, but with Will Batts CharlieParr.com on fiddle. Stokes and Batts were a team as July 16 Deep Water Reunion MySpace.com/DWReunion evidenced by these records, which are both July 23 Steve Meyer with the True Heat Band traditional and wildly original, but their style had (featuring Ben Harder) fallen out of favor with the blues record buying July 30 Ross William Perry public. -
Maria Muldaur
CLASSIC CUTS MARIA MULDAUR MARIA MULDAUR EXHIBIT ven if you didn’t know at the time crying all the way up to the gig and he’d say, of the release of this album in 1973 ‘Okay, dry your eyes and wash your face. who Muldaur was, if you flipped We’re on in half an hour.’ And he was just a the LP over and just glanced at very supportive little brother to me". the twelve names and faces who The album was not only well received it supported her on this album, you produced a single. And what a single! “Yes, it Ecouldn’t help but be impressed. happened to have a little hit called ‘Midnight Let me give you a few of those. We have: At The You-Know-What’ on it". Mac Rebennack or, as he is best known, Dr She’s talking about ‘Midnight at the Oasis’, John. A formidable boogie and blues pianist of course. This was her first big hit which is with a lovable growl of a voice; there’s Ry still seen as ‘the’ Muldaur song and is popular, Cooder, an excellent musician and guitar- even now with so many people. toting genius who brought the Buena Vista “With everybody – it’s amazing. It’s so Social Club to wider notice; Clarence White, a weird to me” she said. “Not a gig goes by gifted guitarist and folk-rock pioneer who was that several people don’t come up and tell part of The Byrds; David Grisman a bluegrass me exactly where they were when they first specialist, Grateful Dead and Jerry Garcia heard that. -
The Jones Tones Are a Veteran Band of Four Musicians, All with a Distinctive Style and Personality That Blends Into a Powerful Whole
Davey J and the Jones Tones are a veteran band of four musicians, all with a distinctive style and personality that blends into a powerful whole. As bandleader, Davey J's approach to the blues is all about Furry Lewis (by Reverend Keith A. Gordon, About.com Guide) the shuffle, a style and tempo pioneered in acoustic Delta blues and electric Chicago blues. When the four- Bridging the gap between the early acoustic blues of the Mississippi Delta of the 1920s and the rediscovery piece band gets its groove on, you can hear the foot-tapping acoustic-electric sounds from the era of of so-called "folk" or country blues by white audiences in the '60s, Furry Lewis was both a unique stylist and a rockabilly, Nashville country and western, early rock and roll, and of course, classic Chicago blues. And in throwback to the sound of an earlier era. Equally capable of playing guitar with an original fingerpicked style the midst of the traditional shuffle tempos and rich vocals, Davey J also uses processing tools of the 21st as well as delivering a mean slide-guitar sound, Lewis was a charismatic storyteller and a flamboyant century to add an edge to his acoustic guitar sound. So, as the Jones Tones perform songs that range from showman that performed naturally with skill and humor. the 1930s Delta blues to the blues styles of our time, the band pays tribute to blues traditions as well as Born Walter Lewis in Greenwood, Mississippi in the Delta, the exact year of his birth remains in question, and creating an original new sound. -
Epk Sk Copy 2.Pages
The Legendary STEVE KATZ In an Evening Of Story and Song Guitarist/singer/songwriter/storyteller Steve Katz has played on an enviable string of recordings during the 1960s and '70s in acoustic folk, jazz, blues, R&B, hard rock, and almost every other popular genre that's come along in America since the start of the 1960s. Katz was born in Brooklyn, NY in 1945 and grew up in the upstate city of Schenectady. Already a gifted musician in his early teens, he was good enough to get hired for a local television program called Teenage Barn, doing his versions of pop hits of the late '50s. As he got older, Steve was drawn to folk music and blues. He studied traditional American guitar styles with Dave Van Ronk and the Rev. Gary Davis. Eventually, he became part of a circle of similarly minded folk and blues enthusiasts who formed the Even Dozen Jug Band, which also included John Sebastian, Maria Muldaur, David Grisman, and Stefan Grossman. After moving to Greenwich Village, Steve Katz became an established part of the Village music scene, eventually joining The Blues Project, New York City's first major home-grown contribution to blues- rock. The Blues Project had an impact on music that far exceeded their relatively modest record sales. Katz was part of the Blues Project lineup that played the Monterey Pop Festival. Later that same year, with Blues Project bandmate, Al Kooper, Katz founded the original Blood Sweat & Tears. He recorded five albums with the band. Throughout the end of the 1960s and early 70s, Katz performed at countless historic venues including the Fillmore East, and several major rock festivals including Woodstock. -
A. L'histoire Du Blues Exemple-Type : Memphis Jug Band, Sugar Pudding
A. L’histoire du blues Exemple-type : Memphis Jug Band, Sugar pudding (Take your fingers off it), 1928 Ou On the Road again Groupe parfaitement représentatif de ce qu’est le blues : Naissance dans ce qu’on appelle le Delta. Esprit du blues apparaît au 18ème dans les plantations de coton. Maîtres blancs entreprennent l’évangélisation des esclaves ® leur permettent d’assister aux offices religieux ® Ecoutent des cantiques blancs qu’ils revisitent & transforment avec des rythmes africains ð Negro spirituals. Ex. Swing low sweet chariot c. 1865 Enregistrement : Fisk Jubilee Singers, 1909 Abolition de l’esclavage, 4 avril 1863 ® Les esclaves deviennent un sous-prolétariat agricole. Des chanteurs itinérants passent dans les villages pour les distraire : chantent des ballades du folklore irlandais, au violon + banjo. 1880 : nelles lois ségrégationnistes du Sud = interdiction de tout droit politique et civique aux Noirs. ® Nelle coloration des chants : le blues devient plus agressif & les negro spirituals demandent l’intervention de r. ® Les Noirs quittent le Sud : ± 2 millions (entre 1865 et 1914) montent vers le Nord & les cités industrialisées. 1ère étape : Memphis, à la frontière du Tennessee et du Mississippi. Cette population se concentre le long du Mississippi, dans le quartier populaire de Beale Street. ð C’est à Memphis que le Blues va se façonner et s’organiser. Histoire du blues moderne : — Beaucoup d’historiens considèrent Charlie Patton comme le père fondateur du Blues (ce qu’on appelle le Delta Blues) 1er à enregistrer un disque en 1929 for Paramount Fils d’un propriétaire de plantation (hors norme) qui choisit de devenir prédicateur ® rencontre des musiciens qui vont l’initier au blues dans le delta. -
WILL SHADE,,DEWEY CORLEY, JENNIE MAE CIAYTON (Sp?)
..^ WILL SHADE,,DEWEY CORLEY, JENNIE MAE CIAYTON (sp?) ^A^ry/^-^ <1 II [of 3-N. f ^^r^^^^^^fl^^^ ^\ '/ ^ ^ sr r^, / r f \ May 25. 1960 \ <. ; .i:' S / /v;, /' f/- ^ L- Lv-^. Also presents Richard B. Alien, William Claxton (Will Shade talking first) [See Memphis folder.] Some of the bands playing around [Memphis] when WS was a boy t \ were led by W. C. Handy, Howard Yandey, and Bea [sp?] Smith. Yancey ^ was a man when WS "was a "kid in Knee pants;" Yancey, who is now at [operates?] the pool room just around tte corner, had a musicians' "headquarters, a club, at one time. The bands of that time were playing ragtime music and Dixieland, tunes such as "Way D%3»n Yonder In New Orleans." [Perhaps suggested by tlie fact that RBA was from N.O.] When WS began playing music for money, instrumentatdxan .and personnel of the band were: "Roundhouse" (real name, Elijah), jug? Ben Ramey, kazoo; WS, lead guitar and harmonica; Will Weldon, second guitar. WS made up his own tunes and wrote his own songs. The group was called the Memphis Jug Band. The first records WS made were with the persons listed above; the recordings were "Newport News," "Memphis Jug Band Blues," [Cf. discographies] "Stingy Woman Blues" and "Sun- brimmer's Blues." The original personnel have been replaced in the last ten or fifteen years as they died; Weldon was replaced by Robert Carter, guitar [Cf. discographies.]? Jones j'oined the band to play jug and piano. [Jab Jones?] WS recorded with Sleepy Sohn Estes around [19]26 or [19]27; they titles inciLuded "Diving Duck" and "[ ] Jail." Estes was in Brownville [i.e., Brownsville?], Tennessee, the last time WS heard from him; Estes is now blind. -
October 2008
FREE SAN DIEGO ROUBADOUR Alternative country, Americana, roots, folk, Tblues, gospel, jazz, and bluegrass music news December 2008 www.sandiegotroubadour.com Vol. 8, No. 3 what’s inside Welcome Mat ………3 Mission Contributors HAT Awards 2008 Songs of Peace Benefit Concert Full Circle.. …………4 Roger McGuinn & John Sebastian Recordially, Lou Curtiss Front Porch... ………6 Slide Guitar Jim Hinton Celia Lawley Spreckels Organ Pavilion Parlor Showcase …10 Gilbert Castellanos Ramblin’... …………12 Bluegrass Corner The Zen of Recording Hosing Down Radio Daze Stages Highway’s Song. …15 Kelly Joe Phelps Of Note. ……………17 Laura Roppe Laura Kuebel Fiffin Market Chris Stuart Plow ‘Round About ....... …18 December Music Calendar The Local Seen ……19 Photo Page PHIL HARMONIC SEZ: “The chief stress of Jesus’ teaching was not laid upon poverty and humility. … The thing He taught mainly, first and last, was simple goodwill between man and man – simple friendliness, simple decency” — H.L. Mencken DECEMBER 2008 SAN DIEGO TROUBADOUR welcome mat Special Benefit Concert Celebrates Peace and Raises Funds for the Peace Alliance and RSAN ODUIEGBO ADOUR Americans for a Department of Peace Alternative country, Americana, roots, folk, Tblues, gospel, jazz, and bluegrass music news by Sue Trisler rate functions and charity events. 2008 HAT Award Winners Sandi Kimmel is a singer-songwriter, music healer, and inspirational speaker, ISSION ONTRIBUTORS special benefit concert in support of M C called “a lifeguard in a sea of negativity.” To promote, encourage, and provide an the Peace Alliance and its San Diego FOUNDERS San Diego acoustic music is entirely unique Sandi writes positive songs intended to uplift alternative voice for the great local music that chapter, Americans for a Department Ellen and Lyle Duplessie and we all know someone who is active in the A and inspire, heal the heart, and soothe the is generally overlooked by the mass media; Liz Abbott of Peace (AFDOP), will be hosted by local namely the genres of alternative country, soul. -
00.Jug Band Song Book Title Page.Pages
The Trolleydrops Official ! Jug Band Song Book Jug ‘till you drop…. The Trolley Drops Official Jug Band Song Book 01. Blues in the bottle 02. Come on down 03. Cornbread and butter beans 04. Deep Ellum Blues 05. Dollars not dimes 06. The dough won’t rise 07. Eight more miles to Louisville 08. Good Bye Booze 09. Got a letter from my baby 10. Hesitation blues 11. I could complain 12. I like bananas 13. I’ve been blue 14. Let it Go 15. Jesus on the main line 16. Jug band music 17. Ragg mopp 18. Salty dog blues. 19. Soquel is a polka town 20. Stealin’ 21. Take a whiff on me 22. Take a whiff on me (a cautionary tale) 23. Tapping that thing 24. Tear it down 25. This will bring you back 26. Tight like that 27. Told that gal I was red hot 28. Walk right in. 29. Wild about my lovin’ 30. You may leave Blues in the Bottle Chorus: G Blues in the bottle, blues in the bottle G7 Where do you think you're at, pretty mama C G Blues in the bottle, where do you think you're at D7 C7 G You went and kicked my dog, And now you've skinned my cat G Rooster chews tobacco, rooster chews tobacco G7 And the hen uses snuff, pretty mama C G The rooster chews tobacco and the hen uses snuff D7 C7 G The baby chickens don't do nothin', they just strut their stuff (Chorus) G Well I’m going to Chatanoogie, going to Chatanoogie G7 To see my pony run, pretty mama C G I’m going to Chatanoogie, to see my pony run, D7 C7 G And if I win a prize, gonna give my baby some (Chorus) G Dig your taters, oh dig your taters G7 It's tater diggin' time, pretty mama C G Oh dig your taters,