IRIE RECORDS New Release Catalogue 02-11 #1
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A Thesis Submitted for the Degree of PhD at the University of Warwick Permanent WRAP URL: http://wrap.warwick.ac.uk/ 84893 Copyright and reuse: This thesis is made available online and is protected by original copyright. Please scroll down to view the document itself. Please refer to the repository record for this item for information to help you to cite it. Our policy information is available from the repository home page. For more information, please contact the WRAP Team at: [email protected] warwick.ac.uk/lib-publications Culture is a Weapon: Popular Music, Protest and Opposition to Apartheid in Britain David Toulson A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy in History University of Warwick Department of History January 2016 Table of Contents Acknowledgements………………………………………………………………...iv Declaration………………………………………………………………………….v Abstract…………………………………………………………………………….vi Introduction………………………………………………………………………..1 ‘A rock concert with a cause’……………………………………………………….1 Come Together……………………………………………………………………...7 Methodology………………………………………………………………………13 Research Questions and Structure…………………………………………………22 1)“Culture is a weapon that we can use against the apartheid regime”……...25 The Cultural Boycott and the Anti-Apartheid Movement…………………………25 ‘The Times They Are A Changing’………………………………………………..34 ‘Culture is a weapon of struggle’………………………………………………….47 Rock Against Racism……………………………………………………………...54 ‘We need less airy fairy freedom music and more action.’………………………..72 2) ‘The Myth -
The Dub Issue 15 August2017
AIRWAVES DUB GREEN FUTURES FESTIVAL RADIO + TuneIn Radio Thurs - 9-late - Cornerstone feat.Baps www.greenfuturesfestivals.org.uk/www.kingstongreenradi o.org.uk DESTINY RADIO 105.1FM www.destinyradio.uk FIRST WEDNESDAY of each month – 8-10pm – RIDDIM SHOW feat. Leo B. Strictly roots. Sat – 10-1am – Cornerstone feat.Baps Sun – 4-6pm – Sir Sambo Sound feat. King Lloyd, DJ Elvis and Jeni Dami Sun – 10-1am – DestaNation feat. Ras Hugo and Jah Sticks. Strictly roots. Wed – 10-midnight – Sir Sambo Sound NATURAL VIBEZ RADIO.COM Daddy Mark sessions Mon – 10-midnight Sun – 9-midday. Strictly roots. LOVERS ROCK RADIO.COM Mon - 10-midnight – Angela Grant aka Empress Vibez. Roots Reggae as well as lo Editorial Dub Dear Reader First comments, especially of gratitude, must go to Danny B of Soundworks and Nick Lokko of DAT Sound. First salute must go to them. When you read inside, you'll see why. May their days overflow with blessings. This will be the first issue available only online. But for those that want hard copies, contact Parchment Printers: £1 a copy! We've done well to have issued fourteen in hard copy, when you think that Fire! (of the Harlem Renaissance), Legitime Defense and Pan African were one issue publications - and Revue du Monde Noir was issued six times. We're lucky to have what they didn't have – the online link. So I salute again the support we have from Sista Mariana at Rastaites and Marco Fregnan of Reggaediscography. Another salute also to Ali Zion, for taking The Dub to Aylesbury (five venues) - and here, there and everywhere she goes. -
Vindicating Karma: Jazz and the Black Arts Movement
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-2007 Vindicating karma: jazz and the Black Arts movement/ W. S. Tkweme University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Tkweme, W. S., "Vindicating karma: jazz and the Black Arts movement/" (2007). Doctoral Dissertations 1896 - February 2014. 924. https://scholarworks.umass.edu/dissertations_1/924 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. University of Massachusetts Amherst Library Digitized by the Internet Archive in 2014 https://archive.org/details/vindicatingkarmaOOtkwe This is an authorized facsimile, made from the microfilm master copy of the original dissertation or master thesis published by UMI. The bibliographic information for this thesis is contained in UMTs Dissertation Abstracts database, the only central source for accessing almost every doctoral dissertation accepted in North America since 1861. Dissertation UMI Services From:Pro£vuest COMPANY 300 North Zeeb Road P.O. Box 1346 Ann Arbor, Michigan 48106-1346 USA 800.521.0600 734.761.4700 web www.il.proquest.com Printed in 2007 by digital xerographic process on acid-free paper V INDICATING KARMA: JAZZ AND THE BLACK ARTS MOVEMENT A Dissertation Presented by W.S. TKWEME Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 W.E.B. -
EINZELHANDEL NEUHEITEN-KATALOG NR. 129 RINSCHEWEG 26 IRIE RECORDS GMBH (CD/LP/10" & 12"/7"/Dvds/Books) D-48159 MÜNSTER KONTO NR
IRIE RECORDS GMBH IRIE RECORDS GMBH BANKVERBINDUNGEN: EINZELHANDEL NEUHEITEN-KATALOG NR. 129 RINSCHEWEG 26 IRIE RECORDS GMBH (CD/LP/10" & 12"/7"/DVDs/Books) D-48159 MÜNSTER KONTO NR. 31360-469, BLZ 440 100 46 (VOM 27.07.2003 BIS 08.08.2003) GERMANY POSTBANK NL DORTMUND TEL. 0251-45106 KONTO NR. 35 60 55, BLZ 400 501 50 SCHUTZGEBÜHR: 0,50 EUR (+ PORTO) FAX. 0251-42675 SPARKASSE MÜNSTERLAND OST EMAIL: [email protected] HOMEPAGE: www.irie-records.de GESCHÄFTSFÜHRER: K.E. WEISS/SITZ: MÜNSTER/HRB 3638 ______________________________________________________________________________________________________________ IRIE RECORDS GMBH: DISTRIBUTION - WHOLESALE - RETAIL - MAIL ORDER - SHOP - YOUR SPECIALIST IN REGGAE & SKA -------------------------------------------------------------------------------------------------------------- GESCHÄFTSZEITEN: MONTAG/DIENSTAG/MITTWOCH/DONNERSTAG/FREITAG 13 – 19 UHR; SAMSTAG 12 – 16 UHR ______________________________________________________________________________________________________________ *** CDs *** ALPHA BLONDY...................... PARIS BERCY................... EMI............ (FRA) (00/01). 19.99EUR GLADSTONE ANDERSON & THE MUDIE ALL STARS........................ GLADY UNLIMITED............... MOODISC........ (USA) (77/99). 21.99EUR HORACE ANDY....................... FEEL GOOD ALL OVER: ANTHOLOGY. TROJAN......... (USA) (--/02). 21.99EUR 2CD BADAWI............................ SOLDIER OF MIDIAN............. ROIR........... (USA) (01/01). 21.99EUR BEENIE MAN/BUJU BANTON/BOUNTY KILLER.......................... -
Ruddy Thomas First Time Around Mp3, Flac, Wma
Ruddy Thomas First Time Around mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Reggae / Funk / Soul Album: First Time Around Country: US Released: 1981 MP3 version RAR size: 1939 mb FLAC version RAR size: 1468 mb WMA version RAR size: 1962 mb Rating: 4.4 Votes: 524 Other Formats: AU AAC WAV ASF MPC XM MOD Tracklist A1 That's What Friends Are For A2 Ticket To Ride A3 Poorer Side Of Town A4 Loving Pauper A5 Shake Your Body Down To The Ground B1 Little Jeannie B2 Go On B3 Let Me Know It B4 Sad Eyes B5 Someone To Love Companies, etc. Recorded At – Joe Gibbs Studio Published By – Joe Gibbs Music Publishing, Inc. Manufactured By – Joe Gibbs Music Corp. Distributed By – Joe Gibbs Music Corp. Printed By – Zoimi Litho Inc. Credits Arranged By – Joe Gibbs And Errol Thompson* Artwork – Albelo Backing Vocals – Beres Hammond, Calmon Scott*, Dean Frazer*, D. Young*, Prilly Hamilton Bass – L. Parks*, Robert Shakespear* Drums – D. Richards*, Sly Dunbar Engineer – Errol Thompson Engineer [Assistant] – O. Palmer*, Ruddy Thomas Executive-Producer – Joe Gibson* Guitar – Bo-Pe*, Willie Lindo Organ – Errol Nelson, Winston Wright Percussion – Ruddy Thomas, Sticky* Piano – Franklyn Waul*, Harolld Butler* Producer – Joe Gibbs And Errol Thompson* Remix – Errol Thompson And Joe Gibbs* Saxophone – C. Brooks*, Dean Frazer* Synthesizer – Ala* Trombone – Nambo* Trumpet – T. Chin* Comments about First Time Around - Ruddy Thomas Lynnak One of the best records I own! (of any genre) Related Music albums to First Time Around by Ruddy Thomas Jacob Miller / Joe Gibbs & The Professionals - I'm Just A Dread Ruddy Thomas - Windy Day Various - Shining Stars Volume II, A Reggae Encounter Joe Gibbs & The Professionals - African Dub - All Mighty - Chapter 3 Dennis Brown - Words Of Wisdom Errol Dunkley - You Gonna Need Me Various - Irie Reggae Hits Joe Gibbs And The Professionals - State Of Emergency Ruddy Thomas - Loving Pauper Ruddy Thomas - Can't Stop Now. -
The Dub June 2018
1 Spanners & Field Frequency Sound System, Reading Dub Club 12.5.18 2 Editorial Dub Front cover – Indigenous Resistance: Ethiopia Dub Journey II Dear Reader, Welcome to issue 25 for the month of Levi. This is our 3rd anniversary issue, Natty Mark founding the magazine in June 2016, launching it at the 1st Mikey Dread Festival near Witney (an event that is also 3 years old this year). This summer sees a major upsurge in events involving members of The Dub family – Natty HiFi, Jah Lambs & Lions, Makepeace Promotions, Zion Roots, Swindon Dub Club, Field Frequency Sound System, High Grade and more – hence the launch of the new Dub Diary Newsletter at sessions. The aim is to spread the word about forthcoming gigs and sessions across the region, pulling different promoters’ efforts together. Give thanks to the photographers who have allowed us to use their pictures of events this month. We welcome some new writers this month too – thanks you for stepping up Benjamin Ital and Eric Denham (whose West Indian Music Appreciation Society newsletter ran from 1966 to 1974 and then from 2014 onwards). Steve Mosco presents a major interview with U Brown from when they recorded an album together a few years ago. There is also an interview with Protoje, a conversation with Jah9 from April’s Reggae Innovations Conference, a feature on the Indigenous Resistance collective, and a feature on Augustus Pablo. Welcome to The Dub Editor – Dan-I [email protected] The Dub is available to download for free at reggaediscography.blogspot.co.uk and rastaites.com The Dub magazine is not funded and has no sponsors. -
Dennis Brown Let Me Love You Mp3, Flac, Wma
Dennis Brown Let Me Love You mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Reggae Album: Let Me Love You Country: Jamaica Style: Reggae MP3 version RAR size: 1795 mb FLAC version RAR size: 1858 mb WMA version RAR size: 1363 mb Rating: 4.6 Votes: 397 Other Formats: AHX WMA VQF TTA AIFF XM MP3 Tracklist Hide Credits Let Me Love You A –Dennis Brown Written-By – D. Brown*, E. Thompson* B –Joe Gibbs & The Professionals Let Me Love You (Version) Companies, etc. Published By – Joe Gibbs Music Corp. Distributed By – Joe Gibbs Records Credits Producer – Joe Gibbs Notes B Side is the version from U Brown / Joe Gibbs & The Professionals - Me Chat U Rock / Rocking. Barcode and Other Identifiers Matrix / Runout (Etching Run-Out Groove A Side): KK mastering JGM - 4079 - A Matrix / Runout (Etching Run-Out Groove B Side): U BROWN - JGM - 8558 - B ME CHAT YOU ROCK Other versions Category Artist Title (Format) Label Category Country Year Dennis Let Me Love You / All Joe Gibbs none none Jamaica 1980 Brown Night Long (7") Record Globe Dennis Let Me Love You (7", Joe Gibbs none none Jamaica Unknown Brown RP) Record Globe Dennis Let Me Love You / All Joe Gibbs JGM 4079 JGM 4079 US 1980 Brown Night Long (7") Music Dennis Dennis Brown & Trinity Joe Gibbs JGMD 80100 Brown & - Let Me Love You / JGMD 80100 US 1980 Music Trinity Uptown Girl (12") Joe Gibbs, Joe Gibbs, Dennis Joe Gibbs JGMD-80106 Dennis Brown - Let Me Love JGMD-80106 US 1980 Music Brown You (12") Related Music albums to Let Me Love You by Dennis Brown Dennis Brown - Man Next Door Dennis Brown & Big Youth / Joe Gibbs & The Professionals - Equal Rights Style / Justice & Rights Joe Gibbs & The Professionals - African Dub All-Mighty - Chapter 3 Dennis Brown - Say What You Say Trinity / Joe Gibbs & The Professionals - John Saw Them Coming / Wicked Dem Running Dennis Brown - Save A Little Love For Me Dennis Brown / Little U. -
Culture Zion Gate / Fool Say No God Mp3, Flac, Wma
Culture Zion Gate / Fool Say No God mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Reggae Album: Zion Gate / Fool Say No God Country: Jamaica Released: 1999 Style: Roots Reggae, Dub MP3 version RAR size: 1242 mb FLAC version RAR size: 1399 mb WMA version RAR size: 1703 mb Rating: 4.7 Votes: 633 Other Formats: AAC VOC AC3 APE AHX ASF DXD Tracklist Hide Credits Zion Gate A –Culture Written-By – J. Hill* B –Kandy Man* Fool Say No God Companies, etc. Published By – Joe Gibbs Music Corp. Distributed By – Joe Gibbs Records Credits Producer – Joe Gibbs Other versions Category Artist Title (Format) Label Category Country Year Culture / Maloney Culture / Maloney Brown & Joe Gibbs none Brown & Major Major Facts - Zion Gate / Fool Record none Jamaica 2001 Facts Say No God (7", RE) Globe Culture / Maloney Culture / Maloney Brown & Joe Gibbs none Brown & Major Major Facts - Zion Gate / Fool Record none Jamaica 2001 Facts Say No God (7", RE) Globe Related Music albums to Zion Gate / Fool Say No God by Culture 1. Dennis Brown, Dhaima - A True 2. Dennis Brown / Joe Gibbs & The Professionals - Should I 3. Dennis Brown / U Brown / Joe Gibbs & The Professionals - Say What You Say / Honey Money / The Girl Is Mine 4. Jacob Miller, Joe Gibbs & The Professionals - Back Yard Movement 5. George Nooks - Zion Gate 6. The Culture - The Concorer 7. Dennis Brown & Big Youth - Running Up And Down 8. Culture - Two Sevens Clash 9. Culture / Joe Gibbs & The Proffesionals - Natty Dread Taking Over / Natty Gone Clear 10. Culture - Culture Dub. -
Dennis Brown ARTIST: Dennis Brown TITLE: The
DATE March 27, 2003 e TO Vartan/Um Creative Services/Meire Murakami FROM Beth Stempel EXTENSION 5-6323 SUBJECT Dennis Brown COPIES Alice Bestler; Althea Ffrench; Amy Gardner; Andy McKaie; Andy Street; Anthony Hayes; Barry Korkin; Bill Levenson; Bob Croucher; Brian Alley; Bridgette Marasigan; Bruce Resnikoff; Calvin Smith; Carol Hendricks; Caroline Fisher; Cecilia Lopez; Charlie Katz; Cliff Feiman; Dana Licata; Dana Smart; Dawn Reynolds; [email protected]; Elliot Kendall; Elyssa Perez; Frank Dattoma; Frank Perez; Fumiko Wakabayashi; Giancarlo Sciama; Guillevermo Vega; Harry Weinger; Helena Riordan; Jane Komarov; Jason Pastori; Jeffrey Glixman; Jerry Stine; Jessica Connor; Jim Dobbe; JoAnn Frederick; Joe Black; John Gruhler; Jyl Forgey; Karen Sherlock; Kelly Martinez; Kerri Sullivan; Kim Henck; Kristen Burke; Laura Weigand; Lee Lodyga; Leonard Kunicki; Lori Froeling; Lorie Slater; Maggie Agard; Marcie Turner; Margaret Goldfarb; Mark Glithero; Mark Loewinger; Martin Wada; Melanie Crowe; Michael Kachko; Michelle Debique; Nancy Jangaard; Norma Wilder; Olly Lester; Patte Medina; Paul Reidy; Pete Hill; Ramon Galbert; Randy Williams; Robin Kirby; Ryan Gamsby; Ryan Null; Sarah Norris; Scott Ravine; Shelin Wing; Silvia Montello; Simon Edwards; Stacy Darrow; Stan Roche; Steve Heldt; Sujata Murthy; Todd Douglas; Todd Nakamine; Tracey Hoskin; Wendy Bolger; Wendy Tinder; Werner Wiens ARTIST: Dennis Brown TITLE: The Complete A&M Years CD #: B0000348-02 UPC #: 6 069 493 683-2 CD Logo: A&M Records & Chronicles Attached please find all necessary liner notes and credits for this package. Beth Dennis Brown – Complete A&M Years B0000348-02 1 12/01/19 11:49 AM Dennis Brown The Complete A&M Years (CD Booklet) Original liner notes from The Prophet Rides Again This album is dedicated to the Prophet Gad (Dr. -
The A-Z of Brent's Black Music History
THE A-Z OF BRENT’S BLACK MUSIC HISTORY BASED ON KWAKU’S ‘BRENT BLACK MUSIC HISTORY PROJECT’ 2007 (BTWSC) CONTENTS 4 # is for... 6 A is for... 10 B is for... 14 C is for... 22 D is for... 29 E is for... 31 F is for... 34 G is for... 37 H is for... 39 I is for... 41 J is for... 45 K is for... 48 L is for... 53 M is for... 59 N is for... 61 O is for... 64 P is for... 68 R is for... 72 S is for... 78 T is for... 83 U is for... 85 V is for... 87 W is for... 89 Z is for... BRENT2020.CO.UK 2 THE A-Z OF BRENT’S BLACK MUSIC HISTORY This A-Z is largely a republishing of Kwaku’s research for the ‘Brent Black Music History Project’ published by BTWSC in 2007. Kwaku’s work is a testament to Brent’s contribution to the evolution of British black music and the commercial infrastructure to support it. His research contained separate sections on labels, shops, artists, radio stations and sound systems. In this version we have amalgamated these into a single ‘encyclopedia’ and added entries that cover the period between 2007-2020. The process of gathering Brent’s musical heritage is an ongoing task - there are many incomplete entries and gaps. If you would like to add to, or alter, an entry please send an email to [email protected] 3 4 4 HERO An influential group made up of Dego and Mark Mac, who act as the creative force; Gus Lawrence and Ian Bardouille take care of business. -
The 2017 American Folk Festival on the Bangor Waterfront!
2 AMERICAN FOLK FESTIVAL • Bangor Daily News Special Advertising Section • August 12, 2017 Index Welcome to the 2017 American Folk Festival 03 WHO’S WHO 05 VENDORS on the Bangor Waterfront! 06 WAYS TO SUPPORT Welcome to the weekend when Bangor shines bright with from our community. Each year, we need to schedule more than 08 INFORMATION visitors from around the world, showcasing their traditional 500 volunteers, and raise nearly $900,000 in support. Those are two 10 MAP & SCHEDULE cultures and experiencing a global variety of music, dance and art. pretty large goals, especially to continue to meet (or exceed!) them year after year. But we continue to work at it, because the Festival 12 SPONSORS The arts are a force in Bangor these days. Music, dance, theatre, and what it represents is important to our residents and visitors. 19 CHILDREN’S VILLAGE and creativity are enriching our community year-round. I hope that it’s important to you as well. Opportunities to learn, explore, and showcase diverse arts can be found in our vibrant downtown, and throughout our region. Recent Please be generous when you see the Bucket Brigade at this year’s research published in the Arts & Economic Prosperity 5 Report Festival. Kick in the suggested donation of $10 (or more!) per day. shows that the arts directly account for $10 million in economic And if you’re able to contribute some “sweat equity” to keeping our The American Folk Festival activity in Bangor annually. Festival going, a couple of hours of your volunteer time would be a Program is produced by big part of this year’s success – and a lot of fun, as well! On behalf of the Folk Festival team, we’re thrilled to be along for this ride. -
The Swell and Crash of Ska's First Wave : a Historical Analysis of Reggae's Predecessors in the Evolution of Jamaican Music
California State University, Monterey Bay Digital Commons @ CSUMB Capstone Projects and Master's Theses 2014 The swell and crash of ska's first wave : a historical analysis of reggae's predecessors in the evolution of Jamaican music Erik R. Lobo-Gilbert California State University, Monterey Bay Follow this and additional works at: https://digitalcommons.csumb.edu/caps_thes Recommended Citation Lobo-Gilbert, Erik R., "The swell and crash of ska's first wave : a historical analysis of reggae's predecessors in the evolution of Jamaican music" (2014). Capstone Projects and Master's Theses. 366. https://digitalcommons.csumb.edu/caps_thes/366 This Capstone Project is brought to you for free and open access by Digital Commons @ CSUMB. It has been accepted for inclusion in Capstone Projects and Master's Theses by an authorized administrator of Digital Commons @ CSUMB. Unless otherwise indicated, this project was conducted as practicum not subject to IRB review but conducted in keeping with applicable regulatory guidance for training purposes. For more information, please contact [email protected]. Erik R. Lobo-Gilbert CSU Monterey Bay MPA Recording Technology Spring 2014 THE SWELL AND CRASH OF SKA’S FIRST WAVE: A HISTORICAL ANALYSIS OF REGGAE'S PREDECESSORS IN THE EVOLUTION OF JAMAICAN MUSIC INTRODUCTION Ska music has always been a truly extraordinary genre. With a unique musical construct, the genre carries with it a deeply cultural, sociological, and historical livelihood which, unlike any other style, has adapted and changed through three clearly-defined regional and stylistic reigns of prominence. The music its self may have changed throughout the three “waves,” but its meaning, its message, and its themes have transcended its creation and two revivals with an unmatched adaptiveness to thrive in wildly varying regional and sociocultural climates.