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Mutiny Simplifies Deflector Plan
` ASX: MYG Mutiny Simplifies Deflector Plan 4 August 2014 Highlights: • New management complete “Mine Operators Review” of the Deflector 2013 Definitive Feasibility Study, simplifying and optimising the Deflector Project • Mutiny Board has resolved to pursue financing and development of the Deflector project based on the new mine plan • New mine plan reduces open pit volume by 80% based on both rock properties and ore thickness, and establishes early access to the underground mine • Processing capital and throughput revised to align with optimal underground production rate of 380,000 tonnes per annum • Payable metal of 365,000 gold ounces, 325,000 silver ounces, and 15,000 copper tonnes • Pre-production capital of $67.6M • C1 cash cost of $549 per gold ounce • All in sustaining cost of $723 per gold ounce • Exploration review completed with primary focus to be placed on the 7km long, under explored, “Deflector Corridor” Note: Payable metal and costs presented in the highlights are taken from the Life of Mine Inventory model (LOM Inventory). All currency in AUS$ unless marked. Mutiny Gold Ltd (ASX:MYG) (“Mutiny” or “The Company”) is pleased to announce that the new company management, under the leadership of Managing Director Tony James, has completed an internal “Mine Operators Review” of the Deflector gold, copper and silver project, located within the Murchison Region of Western Australia. The review was undertaken on detail associated with the 2013 Definitive Feasibility Study (DFS) (ASX announcement 2 September, 2013). Tony James, -
Boston Baseball Dynasties: 1872-1918 Peter De Rosa Bridgewater State College
Bridgewater Review Volume 23 | Issue 1 Article 7 Jun-2004 Boston Baseball Dynasties: 1872-1918 Peter de Rosa Bridgewater State College Recommended Citation de Rosa, Peter (2004). Boston Baseball Dynasties: 1872-1918. Bridgewater Review, 23(1), 11-14. Available at: http://vc.bridgew.edu/br_rev/vol23/iss1/7 This item is available as part of Virtual Commons, the open-access institutional repository of Bridgewater State University, Bridgewater, Massachusetts. Boston Baseball Dynasties 1872–1918 by Peter de Rosa It is one of New England’s most sacred traditions: the ers. Wright moved the Red Stockings to Boston and obligatory autumn collapse of the Boston Red Sox and built the South End Grounds, located at what is now the subsequent calming of Calvinist impulses trembling the Ruggles T stop. This established the present day at the brief prospect of baseball joy. The Red Sox lose, Braves as baseball’s oldest continuing franchise. Besides and all is right in the universe. It was not always like Wright, the team included brother George at shortstop, this. Boston dominated the baseball world in its early pitcher Al Spalding, later of sporting goods fame, and days, winning championships in five leagues and build- Jim O’Rourke at third. ing three different dynasties. Besides having talent, the Red Stockings employed innovative fielding and batting tactics to dominate the new league, winning four pennants with a 205-50 DYNASTY I: THE 1870s record in 1872-1875. Boston wrecked the league’s com- Early baseball evolved from rounders and similar English petitive balance, and Wright did not help matters by games brought to the New World by English colonists. -
2013 Winter Newsletter
HHHHHHH LEGACY JOHN F. KENNEDY LIBRARY FOUNDATION Winter | 2013 Freedom 7 Splashes Down at JFK Presidential Library and Museum “I believe this nation should commit itself, to achieving the goal, before this decade is out, of landing a man on the moon and returning him safely to the earth.” – President Kennedy, May 25, 1961 he John F. Kennedy Presidential Library and Museum Joined on September 12 by three students from Pinkerton opened a special new installation featuring Freedom 7, Academy, the alma mater of astronaut Alan B. Shepard Jr., Tthe iconic space capsule that U.S. Navy Commander Kennedy Library Director Tom Putnam unveiled Freedom 7, Alan B. Shepard Jr. piloted on the first American-manned stating, “In bringing the Freedom 7 space capsule to our spaceflight. Celebrating American ingenuity and determination, Museum, the Kennedy Library hopes to inspire a new the new exhibit opened on September 12, the 50th anniversary generation of Americans to use science and technology of President Kennedy’s speech at Rice University, where he so for the betterment of our humankind.” eloquently championed America’s manned space efforts: Freedom 7 had been on display at the U.S. Naval “We choose to go to the moon in this decade and do the Academy in Annapolis, MD since 1998, on loan from the other things, not because they are easy, but because they are Smithsonian Air and Space Museum. At the request of hard, because that goal will serve to organize and measure Caroline Kennedy, Secretary of the Navy Ray Mabus, the best of our energies and skills, because that challenge is the U.S. -
“What Is That?” Off in the Dark, a Frightening, Glowing Shape Sailed Across the Ocean Like a Ghost
The moon shined down on the Windcatcher as the great clipper ship sailed through the cold waters of the southern Pacific Ocean. The year was 1849, and the Windcatcher was carrying passengers and cargo from San Francisco to New York City. The Windcatcher was one of the fastest ships on the seas. She was now sailing south, near Chile in South America. She would soon enter the dangerous waters near Cape Horn. Then she would sail into the Atlantic Ocean and move north to New York City. Suddenly, one of the sailors yelled to the crew. “Look!” he cried. “What is that?” Off in the dark, a frightening, glowing shape sailed across the ocean like a ghost. The captain and some of his men moved to the front of the ship to look. As soon as the captain saw the strange sight, he knew what it was. “The Flying Dutchman,” he said softly. The captain looked worried and lost in his thoughts. “What is the Flying Dutchman?” asked one of the sailors. 2 3 Pirates often captured the ships when the crew resisted, they Facts about Pirates and stole the cargo without were sometimes killed or left violence. Often, just seeing at sea with little food or water. the pirates’ flag and hearing Other times, the pirates took A pirate is a robber at sea who great deal of valuable cargo their cannons was enough to the crew as slaves, or the crew steals from other ships out being shipped across the make the crew of these ships became pirates themselves! at sea. -
The Flying Dutchman Dichotomy: the Ni Ternational Right to Leave V
Penn State International Law Review Volume 9 Article 7 Number 2 Dickinson Journal of International Law 1991 The lF ying Dutchman Dichotomy: The International Right to Leave v. The oS vereign Right to Exclude Suzanne McGrath Dale Follow this and additional works at: http://elibrary.law.psu.edu/psilr Part of the International Law Commons Recommended Citation Dale, Suzanne McGrath (1991) "The Flying Dutchman Dichotomy: The nI ternational Right to Leave v. The oS vereign Right to Exclude," Penn State International Law Review: Vol. 9: No. 2, Article 7. Available at: http://elibrary.law.psu.edu/psilr/vol9/iss2/7 This Comment is brought to you for free and open access by Penn State Law eLibrary. It has been accepted for inclusion in Penn State International Law Review by an authorized administrator of Penn State Law eLibrary. For more information, please contact [email protected]. The Flying Dutchman Dichotomy: The International Right to Leave v. The Sovereign Right to Exclude' I. Introduction The Flying Dutchman is a mythic figure who is condemned to roam the world, never resting, never bringing his ship to port, until Judgement Day. Cursed by past crimes, he is forbidden to land and sails from sea to sea, seeking a peace which forever eludes him. The Dutchman created his own destiny. His acts caused his curse. He is ruled by Fate, not man-made law, or custom, or usage. But today, thanks to man's laws and man's ideas of what should be, there are many like the Dutchman who can find no port, no place to land. -
Pandora-Eve-Ava: Albert Lewin's Making of a “Secret
PANDORA-EVE-AVA: ALBERT LEWIN’S MAKING OF A “SECRET GODDESS” Almut-Barbara Renger Introduction The myth of the primordial woman, the artificially fabricated Pandora, first related in the early Greek poetry of Hesiod, has proven extremely influential in the European history of culture, ideas, literature, and art from antiquity to the present day. Not only did the mythical figure itself undergo numerous refunctionalizations, but, in a striking manner, partic- ular elements of the narrative in the Theogony (Theogonia) and in Works and Days (Opera et dies) – for example, the jar, which would later be con- ceived as a box – also took on a life of their own and found their place in ever new cultural contexts. Having been drawn out from the “plot” (in the Aristotelian sense of μῦθος), these elements formed separate strands of reception that at times interfered with each other and at other times diverged. In the twentieth century such myth-elements also developed a distinc- tive dynamic of their own in film. Albert Lewin’s Pandora and the Flying Dutchman (1951) offers a particularly original conception of the Pandora myth by interweaving its elements with the legend of the Flying Dutch- man and plotting it into a story that takes place around 1930.1 It is the story of a young American woman, Pandora Reynolds, “bold and beautiful, desired by every man who met her” – so goes the original trailer of 1951, which opens with some introductory remarks about glamour by Hedda Hopper.2 Lewin’s intermingling of the Pandora myth and the Dutch legend in a love story of the 1950s is in many ways bold and original. -
The Low Countries. Jaargang 11
The Low Countries. Jaargang 11 bron The Low Countries. Jaargang 11. Stichting Ons Erfdeel, Rekkem 2003 Zie voor verantwoording: http://www.dbnl.org/tekst/_low001200301_01/colofon.php © 2011 dbnl i.s.m. 10 Always the Same H2O Queen Wilhelmina of the Netherlands hovers above the water, with a little help from her subjects, during the floods in Gelderland, 1926. Photo courtesy of Spaarnestad Fotoarchief. Luigem (West Flanders), 28 September 1918. Photo by Antony / © SOFAM Belgium 2003. The Low Countries. Jaargang 11 11 Foreword ριστον μν δωρ - Water is best. (Pindar) Water. There's too much of it, or too little. It's too salty, or too sweet. It wells up from the ground, carves itself a way through the land, and then it's called a river or a stream. It descends from the heavens in a variety of forms - as dew or hail, to mention just the extremes. And then, of course, there is the all-encompassing water which we call the sea, and which reminds us of the beginning of all things. The English once labelled the Netherlands across the North Sea ‘this indigested vomit of the sea’. But the Dutch went to work on that vomit, systematically and stubbornly: ‘... their tireless hands manufactured this land, / drained it and trained it and planed it and planned’ (James Brockway). As God's subcontractors they gradually became experts in living apart together. Look carefully at the first photo. The water has struck again. We're talking 1926. Gelderland. The small, stocky woman visiting the stricken province is Queen Wilhelmina. Without turning a hair she allows herself to be carried over the waters. -
Damn Yankees Program.Pdf
GOODSPEED MUSICALS 2014 SEASON Damn Yankees The Musical | 13 Cast of Characters | 14 Musical Numbers | 15 Who’s Who | 16 Program Notes | 24 About Goodspeed Musicals | 26 History of Goodspeed Opera House | 27 The Goodspeed Opera House Foundation | 28 Corporate Support | 29 Foundation & Government Support | 30 February; President’s Day weekend: Enough is Looking to the Future— Leaving a Legacy | 31 enough! Jon and Ida Kadish are defecting. Life in Goodspeed Musicals Staff | 40 the United States is different. No nuclear explosions For Your Information | 49 or widespread epidemics have occurred, but the America we grew up in, the land that we loved Audio and video recording and is gone. Personal freedoms have been trampled. photography are prohibited in the theatre. Israeli/US relations are severed after they bomb Iran: Please turn off your cell phone, beeper, watch alarm or anything else that might • Retirement age is seventy-five. make a distracting noise during the performance. Unwrap any candies, cough • Healthcare is rationed. drops, or mints before the performance begins to avoid disturbing your fellow • The NSA, FBI and the IRS monitor everyone. audience members or the actors on stage. • More than marijuana is legal. We appreciate your cooperation. • Exit Permits are needed to leave the country. Editor Lori A. Cartwright • There is no escape. Jon and Ida embark on a tension filled drive to the Canadian border, but it’s not as easy as they had ADVERTISING hoped. Shapiro once more writes of a journey… OnStage Publications of mysterious people they meet, of bureaucratic 937-424-0529 | 866-503-1966 e-mail: obstacles, new opportunities, & intrigue that envelop [email protected] them from startling places, in just the next few days… www.onstagepublications.com This program is published in association with OnStage Publications, 1612 Prosser Theatre Goers: 20% Discount! Go to: Avenue, Kettering, OH 45409. -
* Text Features
The Boston Red Sox Thursday, April 1, 2021 * The Boston Globe With new faces, Red Sox begin quest to start anew, and put 2020 in the distance Alex Speier Opening Day typically offers the promise of renewal. Yet for the Red Sox, the first game of the 2021 season offers something more — the long-awaited opportunity for the franchise to begin officially distancing itself from the wreckage of the 2020 campaign. An active offseason represented a potential start to that undertaking. The team that is introduced prior to Thursday’s 2:10 p.m. contest against the Orioles will be drastically different from the one that last played in front of fans on Sept. 29, 2019 — a game punctuated by Mookie Betts diving across the plate in an extra- innings walkoff victory over Baltimore – and the one that opened last year’s fan-less, ill-fated, last-place slog through a compressed season. Many of the most recognizable faces in recent franchise history are now gone. The last time a home opener had fans in attendance, Mookie Betts, Jackie Bradley Jr., Andrew Benintendi, David Price, and Dustin Pedroia all collected their rings. Now, Betts and Price are Dodgers, Benintendi is a Royal, Bradley a Brewer, and Pedroia a retired dad. Still, while much has changed with those departures and the additions of players such as new leadoff hitter Kiké Hernández, outfielder Hunter Renfroe, starter Garrett Richards and late-innings contributor and Northeastern alum Adam Ottavino, there is some sense of reconnection to a time that predates the past 18 tumultuous months. -
Treasure Island
Treasure Island Contents: Afterschool Curriculum • Overview • 9 Sessions/Activities Thank you so much for your interest in this afterschool curriculum. • List of Local, State and This content is provided to you free of charge and was developed National Standards addressed for Beyond School Bells by Homegrown Theatre Camp • Treasure Island Script (homegrowntheatrecamp.org). Treasure Island: Overview Homegrown Theatre Camp for Beyond School Bells Program Outline: 9 Sessions Session 1 Casting & Read Through Session 2 Objectives Activity Session 3 Subtext Activity Session 4 Environment Walk Activity Session 5 Walk Like a Pirate Activity Session 6 Staging Rehearsal Session 7 Talk Like a Pirate Activity Session 8 Tech Day Crafts: Prepping for a Treasure Hunt Session 9 Dress Rehearsal Treasure Island S1 Casting & Read Through Set the Stage: Subtext in the Script | Treasure Island video: Beginning at 5:33 Activity 1: Cast Your Play Procedure: • Students should gather with their group of castmates. These groups will work together throughout the next few weeks, and can have anywhere from 1-4 students. ∙ Treasure Island Script • After viewing the synopsis in the video, students can discuss which ∙ Pencil characters they’d like to play. Ideas can be written down for discus- ∙ Paper sion within each cast group. ∙ Highlighters (if possible) • It’s possible that two students will want to play the same character, this is okay, an instructor can help them decide who can play what, with the understanding that each character has lines and plays a special part in the play. • Once characters are decided, a cast list for each group can be written down, and students can begin highlighting their lines in their scripts. -
Boston Druggists' Association
BOSTON DRUGGISTS’ ASSOCIATION SPEAKERS, 1966 to 2019 Date Speaker Title/Topic February 15, 1966 The Honorable John A. Volpe Governor of Massachusetts March 22, 1966 William H. Sullivan, Jr. President, Boston Patriots January 24, 1967 Richard E. McLaughlin Registry of Motor Vehicles March 21, 1967 Hal Goodnough New York Mets Baseball February 27, 1968 Richard M. Callahan “FDA in Boston” January 30, 1968 The Honorable Francis W. Sargeant “The Challenge of Tomorrow” November 19, 1968 William D. Hersey “An Amazing Demonstration of Memory” January 28, 1969 Domenic DiMaggio, Former Member, Boston Red Sox “Baseball” November 18, 1969 Frank J. Zeo “What’s Ahead for the Taxpayer?” March 25, 1969 Charles A. Fager, M.D. “The S.S. Hope” January 27, 1970 Ned Martin, Red Sox Broadcaster “Sports” March 31, 1970 David H. Locke, MA State Senator “How Can We Reduce State Taxes?” November 17, 1970 Laurence R. Buxbaum Chief, Consumer Protection Agency February 23, 1971 Steven A. Minter Commissioner of Welfare November 16, 1971 Robert White “The Problem of Shoplifting” January 25, 1972 Nicholas J. Fiumara, M.D. “Boston After Dark” November 14, 1972 E. G. Matthews “The Play of the Senses” January 23, 1973 Joseph M. Jordan “The Vice Scene in Boston” November 13, 1973 Jack Crowley “A Demonstration by the Nether-hair Kennels” January 22, 1974 David R. Palmer “Whither Goest the Market for Securities?” February 19, 1974 David J. Lucey “Your Highway Safety” November 19, 1974 Don Nelson, Boston Celtics “Life Among the Pros” January 28, 1975 The Honorable John W. McCormack, Speaker of the House “Memories of Washington” Speakers_BDA_1966_to_Current Page #1 February 25, 1975 David A. -
C:\Myfiles\Genealogy & Family\Family Books\WW2 Timeline
A World War II Timeline A Perspective from within The Netherlands Compiled by Jo Kruithof - December 2004 01 12 April 1945 Canadian troops liberate the town of Steenwijk, where I was staying with my family at the time I was six years old then. A World War II Timeline a Perspective from within The Netherlands INTRODUCTION This document is based entirely on information and pictures found on the Internet. It is a brief illustrated timeline of the events of World War 2, as seen from within the Netherlands. When I first came across a basic timeline on the (Dutch) web site http://hetillegaleparool.nl, it occurred to me that, if I ever got around to writing up my life’s story, this would paint a good picture of the background against which I lived my first six years. However, before it would be any use to my descendants, I would either have to translate it, or find an alternative in the English language. Any writings presenting the unique view of the war by Dutch people living in the Netherlands is much more likely to be in Dutch than in English (and a quick scan of the Net supported this notion), so I decided on the translation option. In the process of checking out a few facts, events and names, I came across large amounts of other material, but I have only used those bits and pieces that helped to flesh out my timeline into a record that can be read and understood by those who weren’t there or who haven’t heard the stories from parents or older relatives.