Donkey Kong Country Returns 3D Is a Nintendo 3DS Remake of Donkey Kong™ Country Returns for Wii™
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Use of Progressive Rock in David Wise's Soundtrack for Donkey Kong
Use of Progressive Rock in David Wise’s Soundtrack for Donkey Kong Country and the Advancement of Video Game Music Brooke Spencer Professor Stephanie Lind MUSC501 3 March 2019 Introduction In 1994, Nintendo released the Super Nintendo game: Donkey Kong Country (DKC)– resulting in widespread popularity and new innovative use of music in gameplay. Through the utilization of prog-rock in David Wise’s soundtrack for DKC, Nintendo has expanded its range of musical styles, function, and status as a top contending videogame company. The use of prog-rock can be broken down in David Wise’s three pieces: “Treetop Rock”, “Fear Factory”, and “Aquatic Ambience”. Through elements of prog-rock seen in each of these pieces - harmonic prolongation, fragmentation, distortion, and use of the concept ‘meta- chord’ – we can see that DKC’s music was unlike anything Nintendo had been creating previously, and set expectations for music in videogames to come. History Starting in 1977-78, the video game industry began to rise in popularity through arcades. In the 1960s/1970s when first-generation home consoles were created, sound was not a possibility. It was only when Pong was released on the Atari home console in 1975 that sounds were used deliberately: the game had 3 different sounds coinciding with actions on screen: the ball hitting the wall, the paddle, and a sound for player failure. Most games included sound in future releases to increase profits after Pong’s success.1 By the end of the 70s, arcades were growing in popularity, with Nintendo a primary arcade console producer. -
Nintendo Co., Ltd
Nintendo Co., Ltd. Financial Results Briefing for the Six-Month Period Ended September 2013 (Briefing Date: 10/31/2013) Supplementary Information [Note] Forecasts announced by Nintendo Co., Ltd. herein are prepared based on management's assumptions with information available at this time and therefore involve known and unknown risks and uncertainties. Please note such risks and uncertainties may cause the actual results to be materially different from the forecasts (earnings forecast, dividend forecast and other forecasts). Nintendo Co., Ltd. Semi-Annual Consolidated Statements of Income Transition million yen FY3/2010 FY3/2011 FY3/2012 FY3/2013 FY3/2014 Apr.-Sept.'09 Apr.-Sept.'10 Apr.-Sept.'11 Apr.-Sept.'12 Apr.-Sept.'13 Net sales 548,058 363,160 215,738 200,994 196,582 Cost of sales 341,759 214,369 183,721 156,648 134,539 Gross profit 206,298 148,791 32,016 44,346 62,042 (Gross profit ratio) (37.6%) (41.0%) (14.8%) (22.1%) (31.6%) Selling, general, and administrative expenses 101,937 94,558 89,363 73,506 85,321 Operating income 104,360 54,232 -57,346 -29,159 -23,278 (Operating income ratio) (19.0%) (14.9%) (-26.6%) (-14.5%) (-11.8%) Non-operating income 7,990 4,849 4,840 5,392 24,708 (of which foreign exchange gains) ( - ) ( - ) ( - ) ( - ) (18,360) Non-operating expenses 1,737 63,234 55,366 23,481 180 (of which foreign exchange losses) (664) (62,175) (52,433) (23,273) ( - ) Ordinary income 110,613 -4,152 -107,872 -47,248 1,248 (Ordinary income ratio) (20.2%) (-1.1%) (-50.0%) (-23.5%) (0.6%) Extraordinary income 4,311 190 50 - 1,421 Extraordinary loss 2,306 18 62 23 18 Income before income taxes and minority interests 112,618 -3,981 -107,884 -47,271 2,651 Income taxes 43,107 -1,960 -37,593 -19,330 2,065 Income before minority interests - -2,020 -70,290 -27,941 586 Minority interests in income 18 -9 -17 55 -13 Net income 69,492 -2,011 -70,273 -27,996 600 (Net income ratio) (12.7%) (-0.6%) (-32.6%) (-13.9%) (0.3%) - 1 - Nintendo Co., Ltd. -
Rareware Games Donkey Kong Country Donkey Kong Country 2 Diddys Kong Quest Donkey Kong 64
RAREWARE GAMES DONKEY KONG COUNTRY DONKEY KONG COUNTRY 2 DIDDYS KONG QUEST DONKEY KONG 64 PDF-22RGDKCDKC2DKQDK613 | Page: 92 File Size 4,045 KB | 29 May, 2020 TABLE OF CONTENT Introduction Brief Description Main Topic Technical Note Appendix Glossary PDF File: Rareware Games Donkey Kong Country Donkey Kong Country 2 Diddys Kong Quest Donkey 1/2 Kong 64 - PDF-22RGDKCDKC2DKQDK613 Rareware Games Donkey Kong Country Donkey Kong Country 2 Diddys Kong Quest Donkey Kong 64 e-Book Name : Rareware Games Donkey Kong Country Donkey Kong Country 2 Diddys Kong Quest Donkey Kong 64 - Read Rareware Games Donkey Kong Country Donkey Kong Country 2 Diddys Kong Quest Donkey Kong 64 PDF on your Android, iPhone, iPad or PC directly, the following PDF file is submitted in 29 May, 2020, Ebook ID PDF-22RGDKCDKC2DKQDK613. Download full version PDF for Rareware Games Donkey Kong Country Donkey Kong Country 2 Diddys Kong Quest Donkey Kong 64 using the link below: Download: RAREWARE GAMES DONKEY KONG COUNTRY DONKEY KONG COUNTRY 2 DIDDYS KONG QUEST DONKEY KONG 64 PDF The writers of Rareware Games Donkey Kong Country Donkey Kong Country 2 Diddys Kong Quest Donkey Kong 64 have made all reasonable attempts to offer latest and precise information and facts for the readers of this publication. The creators will not be held accountable for any unintentional flaws or omissions that may be found. PDF File: Rareware Games Donkey Kong Country Donkey Kong Country 2 Diddys Kong Quest Donkey 2/2 Kong 64 - PDF-22RGDKCDKC2DKQDK613. -
Spend up to 25O/O of Their Time on Smaftphones Using Whatsapp. As
OASIS February 26,2014 Mr. Satoru Iwata President and CEO, Nintendo Co., Ltd. CEO, Nintendo of America 1 I -l Kamitoba-hokotate-cho, Minami-ku Kyoto 60 I -850 I Japan Dear Mr. Iwata, Oasis, a private investment fund management company, is an advisor to entities that are the beneficial owners of shares of Nintendo Co. Ltd. I am following up on my letter to you dated June I1,2013, in which Iwrote to you that as both customers and shareholders, Oasis would like to see Nintendo develop and sell games for the iOS and Android platforms, and that as shareholders, we look forward to participating in your current business and your future success. I was prompted to write this follow up, open letter to you after analyzing Facebook's purchase of WhatsApp for $19 billion. We believe that Facebook's decision demonstrates the value placed on maintaining supremacy in the Iimited pool of mobile social interaction. lt is the battle for consumer attention on the smartphone. According to media repofts, users in many countries spend up to 25o/o of their time on smaftphones using WhatsApp. As the holder of what is arguably the largest library of casual games, Nintendo is well placed to make an immediate entry into mobile. Adapting the Nintendo library for smartphones could profoundly alter the complexion of the "attention share" currently occupied by Facebook, WhatsApp, and mobile games developers. The same people who spent hours playing Super Mario, Donkey Kong, and Legend of Zelda as children are now a demographic whose engagement on the smartphone is valued by the market at well over $100 billion if we look at the aggregate value of all companies competing for attention on mobile. -
Virtual Muscularity: a Content Analysis of Male Video Game Characters
Body Image 8 (2011) 43–51 Contents lists available at ScienceDirect Body Image journal homepage: www.elsevier.com/locate/bodyimage Virtual muscularity: A content analysis of male video game characters Nicole Martins a,∗, Dmitri C. Williams b, Rabindra A. Ratan b, Kristen Harrison c a Indiana University, United States b University of Southern California, United States c University of Illinois, Urbana-Champaign, United States article info abstract Article history: The 150 top-selling video games were content analyzed to study representations of male bodies. Human Received 1 April 2010 males in the games were captured via screenshot and body parts measured. These measurements were Received in revised form 4 October 2010 then compared to anthropometric data drawn from a representative sample of 1120 North American Accepted 4 October 2010 men. Characters at high levels of photorealism were larger than the average American male, but these characters did not mirror the V-shaped ideal found in mainstream media. Characters at low levels of Key words: photorealism were also larger than the average American male, but these characters were so much Video games larger that they appeared cartoonish. Idealized male characters were more likely to be found in games Body imagery Cultivation for children than in games for adults. Implications for cultivation theory are discussed. Content analysis © 2010 Elsevier Ltd. All rights reserved. Muscularity Introduction Moore, 1986). This media-driven ideal highlights a lean, muscular physique and a mesomorphic (“V-shaped”) body type (Stanford Much has been written about the sociocultural pressures put & McCabe, 2002). The research in this arena demonstrates that on women to attain unrealistic ideals of physical perfection (Botta, exposure to the male body ideal results in men evaluating their 1999; Grabe, Hyde, & Ward, 2008; Smolak, 2004). -
Rare Has Been Developing Video Games for More Than Three Decades
Rare has been developing video games for more than three decades. From Jetpac on the ZX Spectrum to Donkey Kong Country on the Super Nintendo to Viva Pinata on Xbox 360, they are known for creating games that are played and loved by millions. Their latest title, Sea of Thieves, available on both Xbox One and PC via Xbox Play Anywhere, uses Azure in a variety of interesting and unique ways. In this document, we will explore the Azure services and cloud architecture choices made by Rare to bring Sea of Thieves to life. Sea of Thieves is a “Shared World Adventure Game”. Players take on the role of a pirate with other live players (friends or otherwise) as part of their crew. The shared world is filled with other live players also sailing around in their ships with their crew. Players can go out and tackle quests or play however they wish in this sandboxed environment and will eventually come across other players doing the same. When other crews are discovered, a player can choose to attack, team up to accomplish a task, or just float on by. Creating and maintaining this seamless world with thousands of players is quite a challenge. Below is a simple architecture diagram showing some of the pieces that drive the backend services of Sea of Thieves. PlayFab Multiplayer Servers PlayFab Multiplayer Servers (formerly Thunderhead) allows developers to host a dynamically scaling pool of custom game servers using Azure. This service can host something as simple as a standalone executable, or something more complicated like a complete container image. -
The Nintendo 64: Nintendo’S Adult Platform? the Dichotomy of Nintendo And
THE NINTENDO 64: NINTENDO’S ADULT PLATFORM? THE DICHOTOMY OF NINTENDO AND CHILDREN’S VIDEO GAMES by Nicholas AshmorE, BA, TrEnt UnivErsity, 2016 A Major ResEarch ProjEct prEsEnted to RyErson UnivErsity in partial fulfillmEnt of thE rEquirEmEnts for thE dEgrEE of Master of Arts in thE English MA Program in LiteraturEs of ModErnity Toronto, Ontario, Canada, 2017 ©Nicholas AshmorE 2017 1 Contents Author’s DEclaration 2 Introduction 3 Toys, Or ElEctronics?: A BriEf History of Nintendo and ChildrEn’s EntertainmEnt 6 LEssons From Childhood StudiEs and Youth: ThE Adult Hand, Child PlayEr, and NostalgiA 11 Nintendo’s GamEs: ThE PowEr of ExclusivE SoftwarE 15 PhasE OnE: Launch, Super Mario 64, and ChildrEn’s VidEo GamEs 17 PhasE Two: 1998 and thE First Turning Point 22 PhasE ThrEE: ThE Dichotomy of MaturE GamEs: 2000 Onward 26 Conclusion 30 Works Cited 31 Video GAmEs Cited 33 Appendix 34 2 AUTHOR'S DECLARATION FOR ELECTRONIC SUBMISSION OF A MAJOR RESEARCH PROJECT I hereby declare that I am the sole author of this MRP. This is a true copy of the MRP, including any required final revisions. I authorize Ryerson University to lend this MRP to other institutions or individuals for the purpose of scholarly research. I further authorize Ryerson University to reproduce this MRP by photocopying or by other means, in total or in part, at the request of other institutions or individuals for the purpose of scholarly research. I understand that my MRP may be made electronically available to the public. 3 Introduction WhEn thE Nintendo 64 was rElEasEd in 1996, TIME Magazine gavE it thE distinction of “MachinE of thE YEar,” arguing that Nintendo had rEvitalized thE somEwhat stagnant vidEo gamE consolE markEt of thE 1990s, which had offErEd littlE morE than incrEmEntal hardwarE upgradEs and mostly unsuccEssful add-on dEvicEs. -
Super Mario 64 Was Proclaimed by Many As "The Greatest Video Game
The People Behind Mario: When Hiroshi Yamauchi, president of Nintendo Co., Ltd. (NCL), hired a young art student as an apprentice in 1980, he had no idea that he was changing video games forever. That young apprentice was none other than the highly revered Shigeru Miyamoto, the man behind Mario. Miyamoto provided the inspiration for each Mario game Nintendo produces, as he still does today, with the trite exception of the unrelated “Mario-based” games produced by other companies. Just between the years 1985 and 1991, Miyamoto produced eight Mario games that went on to collectively sell 70 million copies. By record industry standards, Miyamoto had gone 70 times platinum in a brief six years. When the Nintendo chairman Gunpei Yokoi was assigned to oversee Miyamoto when he was first hired, Yokoi complained that “he knows nothing about video games” (Game Over 106). It turned out that the young apprentice knew more about video games than Yokoi, or anyone else in the world, ever could. Miyamoto’s Nintendo group, “R&D4,” had the assignment to come up with “the most imaginative video games ever” (Game Over 49), and they did just that. No one disagrees when they hear that "Shigeru is to video gaming what John Lennon is to Music!" (www.nintendoland.com) As soon as Miyamoto and Mario entered the scene, America, Japan, and the rest of the world had become totally engrossed in “Mario Mania.” Before delving deeply into the character that made Nintendo a success, we must first take a look at Nintendo, and its leader, Hiroshi Yamauchi. -
DONKEY KONG COUNTRY RETURNS Disc 1 Into the Disc Slot
INSTRUCTION BOOKLET (CONTAINS IMPORTANT HEALTH AND SAFETY INFORMATION) Any manuals provided with this software are digital reproductions of the original printed manuals. Please note that references may be made to features that can’t be used in this version of the game. There may also be references to outdated consumer information, e.g. warranties and support hotlines. For product information, please visit the Nintendo website at: www.nintendo.com For technical support and troubleshooting, please refer to the Operations Manual for your Wii U console or visit: support.nintendo.com For age rating information for this and other software, please consult the relevant website for the age rating system in your region. PEGI (Europe): www.pegi.info USK (Germany): www.usk.de Classification Operations Branch (Australia): www.classification.gov.au OFLC (New Zealand): www.classificationoffice.govt.nz Russia: minsvyaz.ru/ru/doc/index.php?id_4=883 [0610/UKV/RVL] The in-game language depends on the one that is set on your Wii console. This game includes five different language versions: English, German, French, Spanish and Italian. If your Wii console is already set to one of them, the same language will be displayed in the game. If your Wii console is set to a different language This seal is your assurance that Nintendo has than those available in the game, the in-game default language will be English. You can change the in-game reviewed this product and that it has met our language by changing the language setting of your Wii console. For further instructions about how to change language settings please refer to the Wii Operations Manual – Channels & Settings. -
Donkey Kong Country Version 2.9 by Cataquack Warrior
Donkey Kong Country Version 2.9 By Cataquack Warrior Ah, the sweet sounds of the jungle. Nothing to do but relax and… Hey, what’s the big idea, dropping in on me like this?! Huh, some “Jump-chan” said I’d give you the tour of this place? Forget it; I’ve had enough bad luck with “Jump” guys, and besides, I have enough of a time with all my young dimwit relatives paying me a call for advice. If I was them, I’d figure everything out on my own, and complete each game in half the time. Really, why do people need this “jump” thingymabob when you could just go out and play the games? Those games were made for a hardier age, so they’re still playable. Kids these days, they always want someone to do everything for them instead of just doing it themselves. That reminds me of back when… You’re still here? Ugh, I was hoping if I yammered on enough you’d leave me alone. But all right. This world is focused around a set of games called “Cranky Kong Country.” What, you heard it’s called Donkey Kong Country? Okay, sure, if you want to call it that, but let me tell you, without yours truly here as the star, you’d have nothing but a cheap game trying to be all fancy with “3D” and all that newfangled stuff. So you’d better listen to me if you want to know what’s what. You won’t get half the wisdom with just one of those game guides, and even with those they don’t make them like they used to… Now where was I? Oh, anyway, this is a wild and wacky world. -
Un Nuovo Banjo Kazooie Potrebbe Arrivare Su Nintendo Switch
Un nuovo Banjo Kazooie potrebbe arrivare su Nintendo Switch Il genere platform è stato da sempre uno di quelli che si è meglio adattato al3D ; c’è stato un periodo, esattamente nel passaggio dalla generazione16-bit alla 32/64-bit, in cui tutti giochi sarebbero dovuti diventare tridimensionali, indipendente dal loro genere, ma questa decisione non giovò per molti titoli (basti pensare aCastlevania su N64, Contra: Legacy of War su Sony Playstation e Sega Saturn o l’orrendo Bubsy 3D). Super Mario 64 dimostrò al mondo come il platform poteva funzionare, ma soprattutto evolversi, nelle console di nuova generazione; in uno scenario in cui in molti tentavano di dare la miglior definizione diplatform 3D, come la Sony Computer Entertainment con Spyro the Dragon, uscì un platform che riscrisse le regole di un genere quasi ancora agli albori: stiamo parlando diBanjo-Kazooie , titolo di Rare uscito esclusivamente su Nintendo 64 nel 1998. Lo studio inglese non solo andava d’accordo con Nintendo ma lo era ancora di più con l’innovazione: già ai tempi dello SNES tirarono fuori Donkey Kong Country, titolo che utilizzava l’allora innovativagrafica 3D pre-renderizzata, e su Nintendo 64, Rare finì per gettare le basi per gli FPS moderni con Goldeneye 007. Banjo-Kazooie prese i concetti di Super Mario 64, gioco già innovativo di suo, e li espanse: il titolo, che vedeva un orso campagnolo e un picchio rosso chiacchierone (o meglio, chiacchierona… sì, Kazooie è femmina) al salvataggio della sorella del primo, presentava un overworld e livelli più espansi, una storyline e dei personaggi più definiti, mosse e meccaniche sempre nuove ma soprattutto tantissimi oggetti da collezionare (tanto che fu coniato il termine “Collectathon” per descrivere giochi simili a questo). -
Donkey Kong Country: Tropical Freeze Is a Platform Game in Which You Control Donkey Kong on His Adventures Across Various Islands Filled with Traps and Puzzles
Donkey Kong™ Country: Tropical Freeze 1 Importan t Informati on Setup 2 Controll ers and Sou nd 3 Oinl ne Feusat re 4 Parent al Contro ls Idntro unctio 5 AuTbo t hiGs am e 6 Gtget in Srdta te 7 Seav Daat Hwto o Plya 8 MpSa crese n 9 Bsca i Plya 10 Sing le- Player Mode 11 Multip layer Mo de Actions 12 Basic Acstion WUP-P-ARKP-00 13 Joint Acstion 14 Mult ipl ayer Actio ns Device s and Ite ms 15 Vieh csle 16 Barrels 17 Items Lreade bsoard 18 Time Atta ck Leaderboa rds Prod uct Inform ati on 19 Copyrigh t Informati on 20 Supp ort Inform ati on 1 Importan t Informati on Thank you for selecting Donkey Kong™ Country: Tropical Freeze for Wii U™. This software is designed only for use with the European/Australian version of the Wii U console. Please read this manual carefully before using this software. If the software is to be used by young children, the manual should be read and explained to them by an adult. Before use, please also read the contents of the Health and Safety Information application on the Wii U Menu. It contains important information that will help you enjoy this software. Language Selection The in-game language depends on the one that is set on the console. This title supports five different languages: English, German, French, Spanish and Italian. If your Wii U console language is set to one of these, the same language will be displayed in the game.