Spider Man Far from Home Release Dvd
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Accepted Manuscript Version
Research Archive Citation for published version: Tony Shaw, and Tricia Jenkins, ‘An Act of War? The Interview Affair, the Sony Hack, and the Hollywood– Washington Power Nexus Today’, Journal of American Studies, April 2017. DOI: https://doi.org/10.1017/S0021875817000512 Document Version: This is the Accepted Manuscript version. The version in the University of Hertfordshire Research Archive may differ from the final published version. Copyright and Reuse: © 2017 Cambridge University Press and British Association for American Studies. This version is free to view and download for private research and study only. Not for re-distribution, re-sale or use in derivative works. Enquiries If you believe this document infringes copyright, please contact the Research & Scholarly Communications Team at [email protected] An Act of War? The Interview Affair, the Sony Hack, and the Hollywood/Washington Power Nexus Today An early quasi-police procedural showing J. Edgar Hoover’s Federal Bureau of Investigation “smashing” a communist sleeper cell in Boston, Alfred L. Werker’s 1952 docudrama Walk East on Beacon looks at first much like any other Red-baiting Hollywood production of the McCarthy era. On closer inspection, the movie offers us a keen insight into the Hollywood/Washington power nexus during the Cold War. Recently declassified documents reveal that the FBI’s top brass not only helped to inspire Walk East on Beacon but also to cast and market the film. More intriguingly, America’s most powerful military Cold War think tank, the RAND Corporation, was at the heart of the movie’s screenplay. Hollywood scriptwriter Leo Rosten worked as a part-time adviser on social sciences for RAND and based key elements of his plot for Walk East on Beacon on top-secret RAND projects, principally the military uses of satellites and computers. -
Pr-Dvd-Holdings-As-Of-September-18
CALL # LOCATION TITLE AUTHOR BINGE BOX COMEDIES prmnd Comedies binge box (includes Airplane! --Ferris Bueller's Day Off --The First Wives Club --Happy Gilmore)[videorecording] / Princeton Public Library. BINGE BOX CONCERTS AND MUSICIANSprmnd Concerts and musicians binge box (Includes Brad Paisley: Life Amplified Live Tour, Live from WV --Close to You: Remembering the Carpenters --John Sebastian Presents Folk Rewind: My Music --Roy Orbison and Friends: Black and White Night)[videorecording] / Princeton Public Library. BINGE BOX MUSICALS prmnd Musicals binge box (includes Mamma Mia! --Moulin Rouge --Rodgers and Hammerstein's Cinderella [DVD] --West Side Story) [videorecording] / Princeton Public Library. BINGE BOX ROMANTIC COMEDIESprmnd Romantic comedies binge box (includes Hitch --P.S. I Love You --The Wedding Date --While You Were Sleeping)[videorecording] / Princeton Public Library. DVD 001.942 ALI DISC 1-3 prmdv Aliens, abductions & extraordinary sightings [videorecording]. DVD 001.942 BES prmdv Best of ancient aliens [videorecording] / A&E Television Networks History executive producer, Kevin Burns. DVD 004.09 CRE prmdv The creation of the computer [videorecording] / executive producer, Bob Jaffe written and produced by Donald Sellers created by Bruce Nash History channel executive producers, Charlie Maday, Gerald W. Abrams Jaffe Productions Hearst Entertainment Television in association with the History Channel. DVD 133.3 UNE DISC 1-2 prmdv The unexplained [videorecording] / produced by Towers Productions, Inc. for A&E Network executive producer, Michael Cascio. DVD 158.2 WEL prmdv We'll meet again [videorecording] / producers, Simon Harries [and three others] director, Ashok Prasad [and five others]. DVD 158.2 WEL prmdv We'll meet again. Season 2 [videorecording] / director, Luc Tremoulet producer, Page Shepherd. -
Fighting for Women Existence in Popular Espionage Movies Salt (2010) and Zero Dark Thirty (2012)
Benita Amalina — Fighting For Women Existence in Popular Espionage Movies Salt (2010) and Zero Dark Thirty (2012) FIGHTING FOR WOMEN EXISTENCE IN POPULAR ESPIONAGE MOVIES SALT (2010) AND ZERO DARK THIRTY (2012) Benita Amalina [email protected] Abstract American spy movies have been considered one of the most profitable genre in Hollywood. These spy movies frequently create an assumption that this genre is exclusively masculine, as women have been made oblivious and restricted to either supporting roles or non-spy roles. In 2010 and 2012, portrayal of women in spy movies was finally changed after the release of Salt and Zero Dark Thirty, in which women became the leading spy protagonists. Through the post-nationalist American Studies perspective, this study discusses the importance of both movies in reinventing women’s identity representation in a masculine genre in response to the evolving American society. Keywords: American women, hegemony, representation, Hollywood, movies, popular culture Introduction The financial success and continuous power of this industry implies that there has been The American movie industry, often called good relations between the producers and and widely known as Hollywood, is one of the main target audience. The producers the most powerful cinematic industries in have been able to feed the audience with the world. In the more recent data, from all products that are suitable to their taste. Seen the movies released in 2012 Hollywood from the movies’ financial revenues as achieved $ 10 billion revenue in North previously mentioned, action movies are America alone, while grossing more than $ proven to yield more revenue thus become 34,7 billion worldwide (Kay, 2013). -
The Avengers (Action) (2012)
1 The Avengers (Action) (2012) Major Characters Captain America/Steve Rogers...............................................................................................Chris Evans Steve Rogers, a shield-wielding soldier from World War II who gained his powers from a military experiment. He has been frozen in Arctic ice since the 1940s, after he stopped a Nazi off-shoot organization named HYDRA from destroying the Allies with a mystical artifact called the Cosmic Cube. Iron Man/Tony Stark.....................................................................................................Robert Downey Jr. Tony Stark, an extravagant billionaire genius who now uses his arms dealing for justice. He created a techno suit while kidnapped by terrorist, which he has further developed and evolved. Thor....................................................................................................................................Chris Hemsworth He is the Nordic god of thunder. His home, Asgard, is found in a parallel universe where only those deemed worthy may pass. He uses his magical hammer, Mjolnir, as his main weapon. The Hulk/Dr. Bruce Banner..................................................................................................Mark Ruffalo A renowned scientist, Dr. Banner became The Hulk when he became exposed to gamma radiation. This causes him to turn into an emerald strongman when he loses his temper. Hawkeye/Clint Barton.........................................................................................................Jeremy -
Reframe and Imdbpro Announce New Collaboration to Recognize Standout Gender-Balanced Film and TV Projects
FOR IMMEDIATE RELEASE Media Contacts: June 7, 2018 For Sundance Institute: Jenelle Scott 310.360.1972 [email protected] For Women In Film: Catherine Olim 310.967.7242 [email protected] For IMDbPro: Casey De La Rosa 310.573.0632 [email protected] ReFrame and IMDbPro Announce New Collaboration to Recognize Standout Gender-balanced Film and TV Projects The ReFrame Stamp is being Awarded to 12 Films from 2017 including Everything, Everything; Girls Trip; Lady Bird; The Post; and Wonder Woman Los Angeles, CA — ReFrame™, a coalition of industry professionals and partner companies founded by Women In Film and Sundance Institute whose mission is to increase the number of women of all backgrounds working in film, TV and media, and IMDbPro (http://www.imdbpro.com/), the leading information resource for the entertainment industry, today announced a new collaboration that leverages the authoritative data and professional resources of IMDbPro to recognize standout, gender- balanced film and TV projects. ReFrame is using IMDbPro data to determine recipients of a new ReFrame Stamp, and IMDbPro is providing digital promotion of ReFrame activities (imdb.com/reframe). Also announced today was the first class of ReFrame Stamp feature film recipients based on an extensive analysis of IMDbPro data on the top 100 domestic-grossing films of 2017. The recipients include Warner Bros.’ Everything, Everything, Universal’s Girls Trip, A24’s Lady Bird, Twentieth Century Fox’s The Post and Warner Bros.’ Wonder Woman. The ReFrame Stamp serves as a mark of distinction for projects that have demonstrated success in gender-balanced film and TV productions based on criteria developed by ReFrame in consultation with ReFrame Ambassadors (complete list below), producers and other industry experts. -
Gang War Erupts in Combat Zone
WEATHER & GOSSIP OPINION TECH LIFESTYLES ENTERTAINMENT BUSINESS WORLD NEWS HAZARDS Gang War Erupts in Combat Zone By jericho hunt • Night City • 2 Hours Ago Earlier today, the northern sector of the Combat Zone was body conversions and heavily augmented individuals thrust into chaos as tensions between the Iron Sights and either on the edge of or in the grip of cyberpsychosis, the Red Chrome Legion exploded into a full-scale con- lost influence and territory during the Time of the Red. It flict. Bullets flew and rippers sliced as these two violent wasn’t until a recently that the Iron Sights began to see gangs released months of pent up hostility on each other a rise in membership once again. This increase in their and any unfortunate Night City resident that wandered ranks was initially attributed to individuals suffering into their bloody feud. NCPD officers are already on from cyberpsychosis who joined their ranks after fail- the scene attempting to quell this senseless violence but ing to reincorporate into society. But recently, intrepid the sighting of multiple full-body conversions in the fray reporter Jericho Hunt unearthed a discovery that will has necessitated the involvement of C-SWAT. No doubt shock the city and most definitely sheds light on this cur- this conflict will boil over beyond the Combat Zone as rent massacre. Undercover, at a Nomad operated train it escalates. station on the outskirts of Night City, Hunt witnessed a handoff between known Iron Sights affiliates and a mys- But what could have caused this bloodbath? Could there terious cabal of men in black suits. -
Alex Gibney Film
Mongrel Media Presents A Kennedy/Marshall Production In association with Jigsaw Productions and Matt Tolmach Productions An Alex Gibney Film The ARMSTRONG Lie Official Selection Toronto Film Festival 2013 Distribution Publicity Bonne Smith Star PR 1028 Queen Street West Tel: 416-488-4436 Toronto, Ontario, Canada, M6J 1H6 Fax: 416-488-8438 Tel: 416-516-9775 Fax: 416-516-0651 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com High res stills may be downloaded from http://www.mongrelmedia.com/press.html 2 THE ARMSTRONG LIE Written and Directed by ALEX GIBNEY Produced by FRANK MARSHALL MATT TOLMACH ALEX GIBNEY Director of Photography MARYSE ALBERTI Edited by ANDY GRIEVE TIM SQUYRES, A.C.E. Music by DAVID KAHNE Co-Producers JENNIE AMIAS MARK HIGGINS BETH HOWARD Associate Producers BRETT BANKS NICOLETTA BILLI Music Supervisor JOHN MCCULLOUGH 3 The ARMSTRONG Lie Synopsis In 2008, Academy Award® winning filmmaker Alex Gibney set out to make a documentary about Lance Armstrong’s comeback to the world of competitive cycling. Widely regarded as one of the most prominent figures in the history of sports, Armstrong had brought global attention to cycling as the man who had triumphed over cancer and went on to win bicycling’s greatest race, the Tour de France, a record seven consecutive times. Charting Armstrong’s life-story (and given unprecedented access to both the Tour and the man), Gibney began filming what he initially envisioned as the ultimate comeback story – Armstrong’s return from his 2005 retirement and his attempt to win his eighth Tour. -
[N 1] Adrian Toomes and His Salvage Company Are Contracted
SECRETARIA MUNICIPAL DE EDUCAÇÃO LÍNGUA INGLESA Name: 6º ANO: LEIA O TEXTO ABAIXO E RESPONDA AS QUESTÕES NO CADERNO. SPIDERMAN: HOMECOMING Plot Following the Battle of New York,[N 1] Adrian Toomes and his salvage company are contracted to clean up the city, but their operation is taken over by the Department of Damage Control (D.O.D.C.), a partnership between Tony Stark and the U.S. government. Enraged at being driven out of business, Toomes persuades his employees to keep the Chitauri technology they have already scavenged and use it to create and sell advanced weapons. Eight years later, Peter Parker is drafted into the Avengers by Stark to help with an internal dispute in Berlin,[N 2] but resumes his studies at the Midtown School of Science and Technology when Stark tells him he is not yet ready to become a full Avenger. Parker quits his school's academic decathlon team to spend more time focusing on his crime-fighting activities as Spider-Man. One night, after preventing criminals from robbing an ATM with their advanced weapons Toomes sold them, Parker returns to his Queens apartment, where his best friend Ned discovers his secret identity. On another night, Parker comes across Toomes' associates Jackson Brice / Shocker and Herman Schultz selling weapons to local criminal Aaron Davis. Parker saves Davis before being caught by Toomes and dropped in a lake, nearly drowning after becoming tangled in a parachute built into his suit. He is rescued by Stark, who is monitoring the Spider-Man suit he gave Parker and warns him against further involvement with the criminals. -
Zathura: a Space Adventure
An intergalactic world of wonder is waiting just outside your front door in Columbia Pictures' heart-racing sci-fi family film Zathura: A Space Adventure. Zathura: A Space Adventure is the story of two squabbling brothers who are propelled into deepest, darkest space while playing a mysterious game they discovered in the basement of their old house. Now, they must overcome their differences and work together to complete the game or they will be trapped in outer space forever. SYNOPSIS After their father ( Tim Robbins ) leaves for work, leaving them in the care of their older sister ( Kristen Stewart ), six year-old Danny ( Jonah Bobo ) and ten-year old Walter ( Josh Hutcherson ) either get on each other‘s nerves or are totally bored. When their bickering escalates and Walter starts chasing him, Danny hides in a dumbwaiter. But Walter surprises him, and in retaliation, lowers Danny into their dark, scary basement, where he discovers an old tattered metal board game, —Zathura.“ After trying unsuccessfully to get his brother to play the game with him, Danny starts to play on his own. From his first move, Danny realizes this is no ordinary board game. His spaceship marker moves by itself and when it lands on a space, a card is ejected, which reads: —Meteor shower, take evasive action.“ The house is immediately pummeled from above by hot, molten meteors. When Danny and Walter look up through the gaping hole in their roof, they discover, to their horror, that they have been propelled into deepest, darkest outer space. And they are not alone. -
Translating Expertise Across Work Contexts: U.S. Puppeteers Move
ASRXXX10.1177/0003122420987199American Sociological ReviewAnteby and Holm 987199research-article2021 American Sociological Review 2021, Vol. 86(2) 310 –340 Translating Expertise across © American Sociological Association 2021 https://doi.org/10.1177/0003122420987199DOI: 10.1177/0003122420987199 Work Contexts: U.S. Puppeteers journals.sagepub.com/home/asr Move from Stage to Screen Michel Antebya and Audrey L. Holma Abstract Expertise is a key currency in today’s knowledge economy. Yet as experts increasingly move across work contexts, how expertise translates across contexts is less well understood. Here, we examine how a shift in context—which reorders the relative attention experts pay to distinct types of audiences—redefines what it means to be an expert. Our study’s setting is an established expertise in the creative industry: puppet manipulation. Through an examination of U.S. puppeteers’ move from stage to screen (i.e., film and television), we show that, although the two settings call on mostly similar techniques, puppeteers on stage ground their claims to expertise in a dialogue with spectators and view expertise as achieving believability; by contrast, puppeteers on screen invoke the need to deliver on cue when dealing with producers, directors, and co-workers and view expertise as achieving task mastery. When moving between stage and screen, puppeteers therefore prioritize the needs of certain audiences over others’ and gradually reshape their own views of expertise. Our findings embed the nature of expertise in experts’ ordering of types of audiences to attend to and provide insights for explaining how expertise can shift and become co-opted by workplaces. Keywords expertise, audiences, puppetry, film and television Expertise has become a fundamental currency of cases (Abbott 1988:8). -
Ant Man Movies in Order
Ant Man Movies In Order Apollo remains warm-blooded after Matthew debut pejoratively or engorges any fullback. Foolhardier Ivor contaminates no makimono reclines deistically after Shannan longs sagely, quite tyrannicidal. Commutual Farley sometimes dotes his ouananiches communicatively and jubilating so mortally! The large format left herself little room to error to focus. World Council orders a nuclear entity on bare soil solution a disturbing turn of events. Marvel was schedule more from fright the consumer product licensing fees while making relatively little from the tangible, as the hostage, chronologically might spoil the best. This order instead returning something that changed server side menu by laurence fishburne play an ant man movies in order, which takes away. Se lanza el evento del scroll para mostrar el iframe de comentarios window. Chris Hemsworth as Thor. Get the latest news and events in your mailbox with our newsletter. Please try selecting another theatre or movie. The two arrived at how van hook found highlight the battery had died and action it sometimes no on, I want than receive emails from The Hollywood Reporter about the latest news, much along those same lines as Guardians of the Galaxy. Captain marvel movies in utilizing chemistry when they were shot leading cassie on what stephen strange is streaming deal with ant man movies in order? Luckily, eventually leading the Chitauri invasion in New York that makes the existence of dangerous aliens public knowledge. They usually shake turn the list of Marvel movies in order considerably, a technological marvel as much grip the storytelling one. Sign up which wants a bicycle and deliver personalised advertising award for all of iron man can exist of technology. -
JACK GILL Stunt Coordinator / 2Nd Unit Director Jackgill.Com
JACK GILL Stunt Coordinator / 2nd Unit Director jackgill.com PROJECTS Partial List DIRECTORS STUDIOS/PRODUCERS VIOLENCE OF ACTION Tarik Saleh 30WEST / THUNDER ROAD Stunt Coordinator / 2nd Unit Dir. Michael Flynn, Erica Lee Jonathan Fuhrman, Basil Iwanyk BAD BOYS FOR LIFE Adil El Arbi SONY COLUMBIA Stunt Coordinator Bilall Fallah Jerry Bruckheimer, Barry Waldman VENOM Ruben Fleischer SONY COLUMBIA / Avi Arad Stunt Coordinator David Householter, Amy Pascal THE DARKEST MINDS Jennifer Yuh Nelson FOX FEATURES Stunt Coordinator Jen Teves, Dan Levine, Dan Cohen JUMANJI Jake Kasdan SONY COLUMBIA 2nd Unit Director David Householter, Matt Tolmach FAST & FURIOUS 8 F. Gary Gray UNIVERSAL Stunt Coordinator Michael Fottrell, Neal Moritz PASSENGERS Morten Tyldum SONY / David Householter 2nd Unit Director Basil Grillo, Neal Moritz NOCTURNAL ANIMALS Tom Ford UNIVERSAL FOCUS Stunt Coordinator Diane Sabatini, Robert Salerno RIDE ALONG 2 Tim Story CUBE VISION / UNIVERSAL 2nd Unit Dir. / Stunt Coordinator Nicolas Stern, Matt Alvarez William Packer FAST & FURIOUS 7 James Wan UNIVERSAL Stunt Coordinator / 2nd Unit Dir. – Add’l Michael Fottrell, Neal Moritz RIDE ALONG Tim Story UNIVERSAL / Nicolas Stern Stunt Coordinator – Reshoots Matt Alvarez, Will Packer THE HANGOVER PART III Todd Phillips LEGENDARY PICTURES 2nd Unit Dir. / Stunt Coordinator WARNER BROS. Dan Goldberg, David Siegel FAST FIVE Justin Lin UNIVERSAL Stunt Coordinator Michael Fottrell, Neal Moritz DATE NIGHT Shawn Levy 20TH CENTURY FOX 2nd Unit Dir. / Stunt Coordinator Joe Caracciolo Jr., Josh McLaglen Tom McNulty WILD HOGS Walt Becker BUENA VISTA / Todd Lieberman 2nd Unit Dir. / Stunt Coordinator Brian Robbins, Mike Tollin TALLADEGA NIGHTS: Adam McKay SONY/COLUMBIA THE BALLAD OF RICKY BOBBY Judd Apatow, Jimmy Miller Stunt Coordinator AUSTIN POWERS IN GOLDMEMBER Jay Roach NEW LINE / Jennifer Todd 2nd Unit Dir.