achievements 2005 Club Of The Year WINNER Se7en Magazine

2006 Australian Nightclub Of The Year FINALIST Annual Bar Awards

2007 Best Music Offering WINNER Annual Bar Awards

2007 Australian Venue Operator Of The Year FINALIST Annual Bar Awards (Benny Roney)

2007 Australian Bartender Of The Year FINALIST Annual Bar Awards (Mark Walker)

2008 Nightclub Of The Year FINALIST Australian Liquor Industry Awards

2008 Best Music Offering In Australia FINALIST Annual Bar Awards

2008 Australian Bartender Of The Year FINALIST Annual Bar Awards (Pablo Millane)

2008 Australian Bartender Of The Year FINALIST Annual Bar Awards (Leon Scanlon)

2008 Absolut Number 100 Venue In The World Absolut Vodka Awards

2009 Nightclub Of The Year FINALIST: HIGHLY COMMENDED Australian Liquor Industry Awards

2014 Young Entrepreneur Award FINALIST Gold Coast Business News (Simone Jenkins)

2015 Venue Of The Year FINALIST Gold Coast Music Awards

2015 Queensland Hero Venue Bombay Sapphire & Grey Goose

2015 #1 Gold Coast Bartender Gold Coast Bulletin (Liam McDonald)

2016 Venue Of The Year FINALIST Gold Coast Music Awards

2017 Venue Of The Year WINNER Gold Coast Music Awards serving you gladly Tucked away in the heart of Surfers Paradise, up two flights of now-iconic stairs, nestles an unlikely space called elsewhere. Since 2003, this little family owned venue has bloomed into a cultural institution that prides itself on delivering an unrivalled platform for local artists, presenting acts of international infamy and being a springboard for those of tomorrow. Many national nominations for excellence have cemented elsewhere’s place in the industry landscape and it is widely regarded by its peers as a lighthouse venue. Against the odds, it has become much more than it’s four walls and is a space held dear by a loyal and incredibly generous audience for its intimacy and inclusive ethos, with many loved colourful characters and regulars. elsewhere is a place designed to protect the rights to a safe night out for any person of any persuasion, with excellence in service and sound. Focused on space and comfort, with a beloved flashing dancefloor and retro-industrial detailing, it is a feast of conversation and a celebration of the arts, music and escapism. A sea of culture, not just another night out. history In October of 2003, the most powerful solar flare Time always compresses when you are trying ever recorded by satellite instrumentation hap- to open a venue, some memories of those early pens. What also happens on a balmy afternoon days make us laugh or cry still. Watching the in that same month is the lease to the premises transformation from beast to butterfly. Sixteen we now know as elsewhere was signed. It was huge skips of rubbish removed by hand, building official : the company was founded. A meeting of the dance floor from scratch, hope against hope. minds and a single purpose. All we could do is make the kind of place that we We had recently moved here, knowing not a soul, would want to go. We always believed that quality after living in a tent in Byron Bay for 8 months and consistency would find a loyal following. and scouting the eastern seaboard for a premises with the cabaret license we needed to create our But eventually came opening night. passion. The year before, we parted with our dar- A trickle of people that slowly built and we grew ling signature club in Melbourne to seek warmer with them, serving you gladly. Learning together weather and start a family beside the ocean. how to get the best from the room and ourselves. We wanted to use this Melbourne ownership But it was a journey. The yawning gap at the history, winning numerous awards in Fitzroy St start between what we wanted to offer and the St Kilda for best coffee by the Melbourne Age readiness of the crowd to accept it. We wanted (in Epicure at Ninety Seven) and the multi award to offer the locals a home where they could feel winning Onesixone nightclub in Prahran, to bring comfortable in surrounds that gave them quality, an element of excellence to the Gold Coast. great sound and safety. We wanted Gold Coasters to have an intimate room with the feeling you It was clear to us then, although crazy to others, could be in any major city. That level of certainty. that Surfers Paradise had room for a personalized hospitality offering that served local and return It took a long time for people to understand clientele and identified that this market had been what we were trying to do, that we had a very neglected. This was backed up by research into defined agenda and wanted to see it through with demographics, council plans, industry indicators discipline and consistency. Looking back, the and employment data. transformation is beyond belief. As fate would have it, we found the dormant dia- mond that is now elsewhere after much scouting and snooping around surfers. It had the licence we needed, it had the dimensions we wanted and it had the upstairs position we coveted. It also had a collapsed roof, a colorful stairway dweller and a pidgeon infestation. So it goes.

defining moments There are defining moments in any venue’s Steve Aoki turned up fresh from New York with Tame Impala played one of their first public gigs What So Not, Alison Wonderland and Anna Lunoe history. headphones on and carrying a small suitcase that in the downstairs bar, to a very intimate and lucky all hosted prior to now significant international was playing an LP record inside. That night the early crowd – it’s always a thrill to be a launchpad fame. Fame or infamy, it is only an illusion. We relied cement slab floor was actually rippling. He stage for talent in this way. on a blurring of boundaries as long as they dived repeatedly off the DJ booth and vowed it Kolsch’s impromptu longplay set, hopping on the respected the rights of the individual and the was one of the best gigs he has ever played. And The Presets and Cut Copy double bill on a quiet mic and comparing the experience to the legend- furthering of culture. he has done the lot. Thursday, before they blew up, with 40 people in ary Panorama Bar in Berlin. the room. Refusing Paris Hilton a roped off VIP area was a The Strokes having a cocktail at the bar, Sneaky The launch of Bag Raiders “shooting stars” still marker in time for us. The idea of allowing that Sound System doing an impromptu sneaky Jimmy and Hugo’s first ever performance as bringing down the house and going viral again in violated our belief that walking into the venue show, infamous surfers from Mick fanning to Flight Facilities was their maiden voyage event at 2017. meant equality and so we had to refuse. We Taj Burrows in for a beer, Arj Barker loving the elsewhere. never understood the idea that any famous per- Every artist who has become an advocate for space for a comedy performance. Wolfmother, The three-day extravaganza that was the else- son could be more important than our regulars the venue to the community, industry and media Bleeding Knees, early Cut Copy and Presets were where 10th birthday, with performers and friends who support us week in week out. over the journey, both here and overseas. milestones. We could never have afforded these from all around the country. bands in their full blown success and have man- It simply was not a big deal to have Metallica Being nominated for 9 national industry awards aged to help launch some on their way to super The epic Seth Troxler 5 hour marathon set, only cutting shapes on the flashing dance floor. There has been a highlight, winning Best Music from the stardom. Bang Gang, the Light Year Christmases, to be outlasted a short time later by Dirtybird’s was a lack of mob mentality that sprang from illustrious Bartender Magazine gave us a sense of Draculas staff. Family. Justin Martin’s 7 hour megathon. giving people their own respect. Peaches had pride of place, topped off with winning in 2017 a long groove without being hassled and loved Flume performing live before his profile went The Van She party of 2008 featuring our good Best Live Music Venue in the Gold Coast Music every minute. gangbusters. friend and sorely missed supporter Ajax. Awards. the co-founders elsewhere is an established venture involving Simone and Benny, who met in Melbourne when Benny owned and operated onesixone, a high profile 24 hour lounge bar in Chapel Street. Deciding to join forces, so began the search for a new project closer to the sun and warmer weather.

Benny Roney • Worked for Melbourne’s best Melbourne” three years running. • Worked with Peter Raff from One operators (Brian Goldsmith, infa- Onesixone also featured in numer- Love Setting up a Sunday recovery mous in the Melbourne nightclub ous magazines, such as Bartender • Hosted parties for Sportsgirl, Roy, scene, Marios at Continental, and Australian Style. Carlo Colossimo at Lounge) as Bettina Liano • Developed onesixone into a doorman and host • Involved local talent from platform for artists and had • Set up Ninety Seven with Simon Swinburne University in graphic regular exhibitions – Phil Castle design Johnson in Fitzroy Street, St Kilda. (Collette Dinningan’s in-house Area renown as nasty and lowbrow photographer) • Regularly employed the award at the time. Won top 10 best cafes winning talents of Damn Fine in Melbourne from the Age. • Hosted fashion parades at one- foods catering company. sixone for: Fat 52 (labels stocked: • Was chairman of the street com- Monk, Jaine, Bonny Scurry, and • Collaborated with Peril from 1200 mittee for the St Kilda Festival. techniques to set up War On the This position is responsible for Gorman) Willy Flimp (went on to win the Mercedes Individual Floor – a break dancing and hip the co-ordination and running hop night of the event and the liaison with Design awards) Jeffrey Montiero council. (Alice Euphemia), Francis • Catered to the needs of onesixone clientele by diversifying the venue • Worked with Spiro Bosunos from • Set up onesixone in Chapel and offering different nights with earthcore on outdoor gigs and Street, Prahran which is a 24-hour individual styles licensed venue & won The Age hosted freebase on Sunday nights Newspaper Award for “Best Bar in in the venue

Simone Jenkins • Studied and completed Law • Developed a close working • General managed Babka the degree at Australian national relationship with the Higgerson award winning licensed Russian University, Canberra family whose experience is highly restaurant and bakery regarded within the industry • Was Supervisor at Canberra’s first • Travelled to Japan, worked as outdoor café, Tosolinis • Moved to Melbourne and worked model and hostess at The Continental for the Marios • Travelled the world & worked in • Worked at the cocktail bar & DJ London and Italy • Held the position of bar supervisor venue ‘La La Land’ in Byron Bay as the Door person and floor • Was General manager of Tilley at the Kitten Club cocktail bar in supervisor Devine’s Café and Gallery, a Little Collins Street Melbourne sister venue to the Continental in • Was General Manager of one- Melbourne and the Basement in sixone from opening, working Sydney. Tilley’s boasts an inter- closely with Benny and the team national reputation for quality service, high-class sound and as • Held a Modelling contract with a top live music venue Chadwicks the engine room

All great venues are defined by their staff. Some of ours have been with elsewhere more than 14 years, This creates the “family team” atmosphere that is crucial to our intimate offering. We have a lot of working in a loud, busy and demanding environment till 5 in the morning. Their input and dedication returning staff, and a lot who have gone onto other things that we have been proud to help them with. Our define the venue and they are our most prized asset, so staff retention has always been a priority for us. stories are linked. It is a kaleidoscope, where the story is a human one as much as a venue one. the vision • Create an intimate, stylish venue that appeals to the seasoned patron • Be a platform for local talent in every way possible, including fashion, art, design, graphics and music and to coordinate their expression in the venue • Gain industry respect through quality and standards that others aspire to • Enhance the amazing and unique local personalities of the Gold Coast • Offer a discreet, late night alternative that is conducive to the art of conversation • Encourage communication between people on a social level in a safe environment of • Pride ourselves on intimacy, not turnover respect and non-discrimination • Invest in the globally renowned NEXO sound system, understand how sound affects our • Participate in local liquor accords and abide by industry codes and the law clientele and use this knowledge to cater to their needs and that of the room • Institute Responsible Service of Alcohol and Harm Minimisation practices with a stringent • Blow people’s minds with our personalised service and top notch drinks house policy • Enhance the culture of Surfers Paradise • Comply absolutely with council requirements and regulations • Support the arts and entertainment and to provide the professionals from these industries • Provide competent and well trained long-term staff who are proud hospitality with a lighthouse venue professionals the room DESIGN SOUND

Two stories up what are now iconic terracotta It is impossible to have a comfortable room with steps in the heart of the chaos sat a derelict a bad sound system. Poor quality sound com- room with a roof caving in and a desire to be presses frequency, making you subconsciously loved. Being used as a storage space for condom kingdom, the room hadn’t traded for 7 years and irritable and fatigued. If there is no refuge from was a rabbit warren of shelves and piles of junk. this intensity, it makes for an anxious environment. After removing 16 skips of rubbish by hand, we Cheap sound creates the kind of concentrated set upon our goal in room design : and hectic atmosphere that creates trouble and gives the entertainment industry a bad name. The marriage of sometimes bizarre materials and influences as broad as art deco, retro, Quality of sound and its delivery is a major part industrial, ghetto and stencil art makes for a of the elsewhere operation and we have worked warm, confidently kooky aesthetic, best termed very hard to get to where we are today. If sound is “retro-industrial”. our biggest quality then it is the frequencies that Order in chaos: classic curves, precise moulded play a major role in making the room comfort- shapes, vibrant colours of retro, industrial refer- able and our ‘unique’ knowledge to understand ences with raw concrete beams, rough welded how the power of frequencies can make or break steel joins and unfinished metal tiling a room. Low-rise couches, high perspex domes and a dramatic mezzanine give the feeling of space, The story goes: elsewhere was originally aligned proportion and voyerism; of somewhere different, with Acoustic Technologies and Bose. After somewhere safe and somewhere the individual winning the title of Best Music from the industry can flourish. VENUE DESIGN AND KEY giant Bartender Magazine in 2008, elsewhere FACILITIES: made a very scary move to improve their future Layout that encourages the art of conversation; low communal couches, no private or roped off • Expansive and adaptable lighting in sound. It was risky because not only were our areas, less intimidating lighting and soft surfaces provisions choices expensive, there lacked the technical that lend themselves to lazy toe tapping chats support locally to install, service and maintain • World class NEXO sound system and our desired system. Local artists and designers showcase their works PA facilities throughout the venue, working to create and • Professional sound and lighting Despite these hurdles, elsewhere installed NEXO enhance the atmosphere as much as the music technicians from France to move us to the next level. It was a total game changer. We finally felt that we Rouge and gold entwined axeminster carpet from • Powerful projectors and video input New Zealand – with thought given it’s the sound facilities could deliver what the audience and the per- absorbing qualities formers deserved. Further to this, we committed • Various lighting programs and sound to the ongoing need to educate ourselves in Creatively low-lit nooks and crannies, carpeted levels all fully programmable to suit any the language of sound and all the associated walls, projected images upon uneven surfaces event, exhibition or function frustrations. Iconic flashing dance floor designed by hand • Comfortable, mature surrounds from scratch that brings a 70s kiss to the thick- Elsewhere founders picked this avenue of busi- • A versatile space, easily transformed ly-layered dancing experience ness as sound is something overlooked by most from an innovative conference venue A lush, rounded atmosphere providing a haven into a live band room into a place to of our competitors because it is not material. from the chaos below is a stairway leading showcase fashion via a parade or photo You can’t see it, the equipment is expensive and elsewhere… shoot like ourselves you rarely start out with the best. the foundation AUTHORITIES & COMPLIANCE SAFETY Part of any legitimate and serious business is showing respect for the regulations that are imposed Safety is a hot topic and always will be. It has been guiding government policy in many key areas, on the industry. particularly the world we find ourselves in post-Sept 11. Everything from public policy on industry and OH&S standards to the defense forces to private enterprise in safety products and consultancy We consulted with all authorities prior to opening and used consultants and designers who were – safety is big business. respected locally in their field when constructing. This has stood us in good stead to this day and created a reputation for safety and collaboration. It is a topic often sensationalized in the media and used as an emotionally charged weapon to gen- erate fear and concern. At the same time, it is important to create safety standards that any industry COMPLIANCE BODIES: BUILDING CODE STANDARDS: should operate within. Keeping loved ones safe has always been a top priority at elsewhere and our safety record is one • Office of Liquor and Gaming (OLGR) • David Raby Architects of our proudest achievements, as it shows how our vision translates into a responsible and peaceful • Queensland Fire and Rescue (QFARS) • Keith Thomas Certifications (Building Code crowd that has itself come to oversee group behavior. It demonstrates to us that our policy of small • Queensland Police Service (QPS) of Australia) groups that do not dominate the room, individual rights, helpful staff and security, harm minimization • George Frame Engineers and liquor accord participation has been rewarded with people accepting responsibility for their • Gold Coast City Council (GCCC) actions and encouraging other to do the same. • Beavis and Cochrane Hydralics COLLABORATIVE BODIES: Elsewhere is safe, it has an amazing record. TRAINING BODIES: • Surfers Paradise Licensed Venues Association THE FORMULA (SPLVA) • Bars Training Australia (RSA and RMLV) We trade on Thursday, Friday, Saturday & Sunday. We’ve had over 1 million customers through • Surfers Paradise Alliance (SPA) • Fire and Evacuation Traning QLD the doors over the course of our 14 year history. This is 10 times the amount of punters you • Chill Out Zone (COZ) can fit into the Melbourne Cricket Ground or 2 times the entire population of the Gold Coast. • Events Advisory Committee (Gold Coast) In all this time, and with this magnitude through the door, we’ve had no major incident on • Surfers Paradise Traders Forum the premises.

• Safe Night Out Precinct Board Very few venues have even been running long enough, let alone peacefully enough, to hang their hat • Gold Coast Chamber of Commerce on a statistic like that. what makes us unique DOOR POLICY The front door of a good club is always iconic. The door is a place but also a policy and there are always many things to consider in how it operates. It is where the club is made or broken and truly is the gate to success or failure in a per- sonal business like elsewhere. One of the major things to consider is our location and demographic. Surfers Paradise is a young city; a tourist driven town which is bom- barded at times with big groups and the influx of group mentality, with temporary attitudes and the idea that their behavior has no lasting consequence. It is flooded with AUDIENCE tourists letting off steam and the Without the audience we do not exist. staff from the Gold Coast surrounds industries that cater for them. looking to blow off steam after their They are simply the awesome peo- It took a long time for people to really shift. ple who make elsewhere what it is. get what we were trying to achieve, We pride ourselves on multiple gen- which is intimacy and excellence. We By nature, they are diverse but erations of patrons, a phenomenon had to find our place in the cultural discerning and tend to be prod- that is honored with the annual landscape and repeatedly explain uct-conscious and brand aware. “parent’s night” an opportunity to our mission with enthusiasm, which The patrons are primarily local and party with multiple generations of is a discipline of its own. return clientele, and are usually elsewhere supporters, a national first. image-leaders and influencers in Power to the individual is our hall- their field. The patrons are big hearted, enthusi- mark. We wanted to avoid group astic and grateful and have been the mentally, as it tends to dominate the Often they are industry professionals unexpected highlight for many major space. We have never had a dress in hospitality, arts or entertainment acts. It is the reason that so many big code. We assess entry on attitude and primarily professionals with names want to play in the small room alone – how people approach the high disposable income. we have - heartfelt appreciation from staff, the way they carry themselves, Sometimes they are just colourful the audience is rare and something their manners and whether they are misfits from the local area. that evolves when a venue has the dedicated customers and returning faith of the customer. patrons, who introduce their friends Our local client base is added to to the room. This is why we created by our large patron base from The feedback we get constantly is the memberships and our focus on Melbourne and Sydney, as well as that elsewhere provides people a door lists and familiar faces. other interstate and international place of respite, of belonging, of visitors and friends. abandon. Many locals have literally The benefits of such a door pol- grown up going out in this space, icy is that the people in the room Most of our audience are music learnt clubbing etiquette by our know how to behave, it helps keep savvy and some are very dedicated example and hold the club very everyone safe and there are far less to sounds that are particular to close to their heart indeed. scattered energies. elsewhere, others are hospitality music policy The music presented within elsewhere is dom- At all times, the elsewhere sound complements elsewhere’s music policy is a reflection of the Musically, elsewhere operates on a policy of inantly grounded in minimal electronic, electro the space rather than dominates it. Management founders’ belief in supporting local artistic four distinct concept nights, each with one res- and various sub-genres of house, with resident are experienced in monitoring and adjusting talent and not only recognising, but appreciating ident DJ and a small group of rotating resident and guest DJs aiming for a balance between sound levels in each area of the venue accord- talent found ‘in our own backyard’. Rather than guest DJs. Each night will also periodically host entertainment and education. This is achieved ing to the specific needs for each night and placing focus on touring ‘star’ DJs, elsewhere’s select touring DJs and live acts form around the through continuously pushing boundaries and conditions. resident DJs are the ‘stars’, week in week out country and abroad, carefully chosen so that introducing new sounds and evolving styles of and are frequently joined by other high calibre the touring DJ is aligned with the sound and electronic music, whilst simultaneously ensuring guest DJs from around the country. This philos- concepts of the night’s philosophy. respect for the customer remains in terms of ophy has seen elsewhere survive over 14 years in enjoyable delivery. a fickle industry as a consistent, self-respecting music- focused and locally-conscious indepen- dent venue. our nights THURSDAY: is a more student-friendly offering FRIDAY: Audun Fiskerud has been chief of SATURDAY: Giv Ashfar is the long-standing SUNDAY: showcases Jimmy D and his night, called High Distinction, run by Joel Samin, elsewhere’s Friday Night Electronic Boogie Show captain of this bustling, more accessible night Royale Sundays, which has gathered a strong hosting a rotation of weekly resident DJs who for 14 years, exploring various house, disco and which offers a variety of warmth and colours to industry following playing melodic, earthy music specialise in party house fleshed out with other techno sub-genres with the aim of presenting the weekend summit. that is infused with tech house and techno. concepts like Prom Night and On the Mic Hip electronic music that is contemporary and Hop. unconventional, yet inclusive.

Each of the four nights are developed and run by local DJs, with the philosophy of allowing our resident DJs to provide the various nights with a strong identity and consistency, whilst also presenting their loyal followings with the very best of touring Australian and international DJs and live acts. In testament to the success of this policy, elsewhere has retained the same three concept night resident DJs since its inception. Each night distinctly differs in approach, sound and of course, resident DJ. Consequently, this has lead to each night having its own variations of clientele. We have found that not only do our guests associate themselves as ‘elsewhere’ regulars, but they firmly position themselves alongside an individual night and DJ. The elsewhere resident DJs are also frequently invited to appear in other cities and states to represent themselves, their venue and the sounds of their respective concept night. They are also regular features at major festivals and outdoor events, such as Splendour In The Grass, Listen Out, Summafieldayze, Good Vibrations, Big Day Out, Future Music Festival, Stereosonic and more. live music For more than a decade, elsewhere has helped nurture and present local live music with pas- sion and fairness to the artists themselves. This passion was honoured recently with our humble acceptance of the award for Best Live Music Venue 2017 at the Gold Coast Music Awards. Being a platform for the up and coming Gold Coast bands and helping to launch their careers is core to our ethic of supporting local talent. arts & community

IN-HOUSE OUTDOOR EVENTS • Art exhibitions with a focus on nurturing local talent; • Bond University: Assisting entrepreneurship in the industry Undergold (ABCK, Beau Velasco, Christian Halford), by partaking twice a year in a panel that is interviewed at Fineline, Libertine Magazine Bond Uni for students interested in business start up. • Album and EP launches for a wide array of artists; Sneaky • Nautic Giants: Our seaside dance party invention that com- Sound System, Children Collide, Van She, The Moderns, bines the outdoors with world class electronic music on the British India, Polish Club, Good Boy, The Belligerents, PLTS, water Ivey, Elizabeth Rose, Dreems, Hood Rich, Von Villains, Taya, Free The Genie, Major Leagues • Earthcore: A longstanding collaboration with Australia’s longest running music and lifestyle festival • Seasonal fashion parades and launches from both local & national designers; Ksubi, Rufus Green, Burlesque Amore, • Listen Out: Support for and collaboration with this well Love Is Treason, Sunny Side Smart Kids respected Brisbane contemporary music festival • Concept events; Creative Juices (a series of forums devel- • Splendour In The Grass: Curated the Smirnoff stage for an oped by the Gold Coast City Council’s Cultural Development entire night of music in both 2015 & 2017 Unit and Economic Development Branch to give the creative • Big Day Out: elsewhere was the only Queensland venue to industry a space to gather & connect with like-minded indi- be invited to partake in a new concept for Lilyworld @ Big viduals), poetry nights, Prom Night (a student-friendly ongoing Day Out. The Lilyworld ‘clubtainer’, only 6m x 3m was a themed concept that offers a platform for budding local DJs) tripped-out miniature nightclub for festival goers. • Stand up comedy • Sitting on a number of boards in the industry, including the • Live music of a variety of genres; electronic, hip hop, rock, Local Liquor accord (SPLVA), the Events Advisory Committee folk, acoustic, metal, experimental for the Surfers Paradise Alliance and the local traders body. • Support for the live music scene here on the Gold Coast • Pop up bar Wherelse, a novelty concept to service earlier trade in an otherwise derelict warehouse site. • Acknowledging the role of multi-generational patrons in our annual Parent’s Night • Presenting the ‘elsewhere stage’ at 2010 and 2011 Oneway Project as part of the Surfers Paradise Festival • Live art; Reka, Lister, Tyler Hill • Involvement with local magazines; Clay, Blank • Industry after-parties; Big Day Out, Earthcore, Analogue Digital Conference, Gold Coast Music Awards 2016 artist history TROPICS AUTODIDAKT KID KENOBI THE SWISS SALVADARLINGS LYDIA JAMES FRANCIS BRYCE DAVIS PUNKS JUMP UP FLIGHT FACILITIES RUSSIAN KIDD BLUE BONES CHRIS LORENZO PARMIGIANA BOYS LOVE CANNONS JUSTIN JAY DECIEVER WILL CLARKE LEISURE GUIDE PAUL WOOLFORD STEELE JUSTICE LEOCH LEON VYNEHALL YOUNG FRANCO BAG RAIDERS GUI BORATTO KRIS BAHA ELEGANT SHIVA THE GARDEN BASS KLEPH THY ART IS MURDER SCOTT PULLEN THE ETHER BEN ASHTON MAELSTROM THEM JEANS DONNY LOVE AIRWOLF ROLLS BAYCE RITON HOLY GHOST DIDI TINCTURE FLEX COP ZOMBIE NATION MISTER BENNETTS MYLO DCUP VIVI SPACIE GABRIELLE LAMBE CANYONS CHILDREN COLLIDE TRUMPDISCO LOCKHART BANG GANG DJS BOB MOSES THE BELLIGERENTS MOTEZ WAVE RACER BIXBY CANYON HOCKEY DAD BENI BRETT SELLWOOD LAST DINOSAURS KOLOMBO PALMS DOM DOLLA DON NADI WOLF & CUB YUKSEK SILVERSIX CYBERPUNKERS MATTIA MUSELLA SHANNAN DODD SPANK ROCK SOUNDTRAFFIK RUFUS SHARAM JEY CONSTANTINE CLASSIXX JAGWAR MA BOYBLEWE NICK YOUNG SEAN PATRICK FRANCIS XAVIER PHIL K HEKO SURECUT KIDS MOSK YACHT CLUB DJS LATOUR LYON APPRENTICE THEE OH SEES MR CLIFFORD WONGO ANNA LUNOE NEW NAVY JAXON ELLIE HOPLEY THE CREASES DEPTHS OF BALSA JIMMY ELLIS THE CAIROS TAYA TOUCH SENSITIVE TAME IMPALA PARACHUTE YOUTH PESCADORES NOAH BRITISH INDIA NICO GHOST HOBOPHONICS PACES FLUME SAMMY OWENS SAMPOLOGY HAKAN HENRY THOMAS VON PARTY THE VERNONS VARCITY TORREN FOOT DOORLY THE HOLIDAYS RADIOSLAVE STEP-PANTHER PLTS APOLLOS APOSTLES RHYS BYNON GABE GLEESON LYNDON KIDD FADE IN MONA LISA SLUDGE BARRETSO JIMMY THE SAINT & TIAFAU CHICKEN LIPS KLUBKNIGHT GOVS JENGIS KOSE AJAX NORTHEAST PARTY SAN MEI THE SINNERS HOUSE THE OTTOMANS 21HUNDRED DUNE RATS ROLAND TINGS THE JUNGLE GIANTS PAISLEY DJ FUNK DIE! DIE! DIE! DOWNTOWN SECRET POODFY THE JENSENS DOLLARS DEAD BOOKS TSUN METRONOMY WHAT SO NOT KATO SOCIETY GRAZ LILY PAPAS DEACON ROSE BAG RAIDERS CANYONS KILL FRENZY TOMMY FRANKLIN SOSUEME DJS COSMO CATER THE MIDNIGHT SLOCLO GROUCH WHITE LODGE SKYWAY WIDOW THE SEA OH DEER FAIRCHILD RAMBLERS TYLER TOUCHE OISIMA AUTOEROTIQUE THE MODERNS FREE THE GENIE BEN ABRAHAMS CLEAVER MIDNIGHT TANGO CASSETTE KIDS K.I.M THE DEATH SET ROB PIX KILTER HARVARD BASS KLP DZ DEATHRAYS MITZI FRIEND WITHIN STRETCH PAPER FOAM WALKER DJ T ALONE WITH WOLVES MONTGOMERY CRANES SESSIONKATZ TH’FIKA EDWARD THATCH & SÜFÜR ALISON WONDERLAND WAX WITCHES OLIVER TANK MIGHTY PSYLIS GRAND PAVILLION NINA LAS VEGAS THE SALVAGE DANNY T CHARLES MURDOCH BRCKS WEBBER FLEET MACWOOD SOFTWAR TORREN FOOT FRANZ & SHAPE LACHLAN KEENAN WAX HEAD ELECTRIK DYNAMITE THE DARK HAWKS THE REVENGE BONDI HIPSTERS LUEN LANCELOT STEVE AOKI ADAM & EVE THE MAGICIAN NICK FOLEY CLIENT LIAISON ATTICUS BEATS JUNO REACTOR DANGEROUS DAN CASSIAN COLOURFIDE MOURNING TIDE WOODY LOUISAHHH CVIRO FAIT ACCOMPLI EMOH INSTEAD THE DELTA RIGGS PIRATES OF THE BREAKBOT ASTRIX WILL D. NESS TENTICLE DAVID SCHWEPPS NANCY WHANG TEMPEST PARKSIDE DJS LINDA MARIGLIANO AUDUN ADAM & LOREN CADILLAC HOOD RICH JIMMY D BOOGS YES SIR NOCEUR GRIVS SIX SHOOTER SAN CISCO BUGS TIM FUCHS KALEIDOSCOPE SNOBS PIRATES ALIVE JAMES FAVA LUCCA TAN YUMO J-FLAME YORKE YOUNG MAGIC RYAN CROWE THE OTCHKIES DOLPHINS JONATHAN TERRIFIC THE DELICATES STERLING SILVER FULL FLOWER MOON THIEF UNDERWOOD MAYBE ELIZABETH ROSE SETH TROXLER THOMAS J MANJAZZ IVEY BAND GROOVE TERMINATOR BLEEDING KNEES CLUB MOTION PICTURE BOYS NOIZE K.OH! DREEMS JAMES HUNTER BARRETSO ACTRESS PIRATES ALIVE ENTHEOGENESIS MUSCLES THE PRESETS ELKE THE GOOCH PALMS LEE COOMBS KÖLSCH HEY SAM! 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