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Gender Performativity in Japan
IJMSS Vol.04 Issue-09, (September, 2016) ISSN: 2321-1784 International Journal in Management and Social Science (Impact Factor- 5.276) Gender Performativity in Japan Lin Fan I-Shou University No. 1, Section 1, Xuecheng Rd., Dashu District Kaohsiung City, TAIWAN Abstract This paper explores gender issues Japanese daily life or traditional and contemporary shows. Specifically, it looks at gender politics in a number of performing arts, highlighting ways in which humor constructs the feminine. Like eroticism, humor builds on a fascination with the real ambiguity of gender; and reciprocally gender is sensually and humorously fashioned. Humorous performances arise from the aesthetic disturbance or subversion of historically specific gender prescriptions, just as the child develops role-playing strategies to understand what makes a male and a female body, game or activity before assimilating the gender divisions that prevail in her world. Gender is understood in this paper as a sort of unfinished picture that people have fun crafting. Keywords: humor; gender; performance; Japan. A Monthly Double-Blind Peer Reviewed Refereed Open Access International Journal - Included in the International Serial Directories International Journal in Management and Social Science http://www.ijmr.net.in email id- [email protected] Page 288 IJMSS Vol.04 Issue-09, (September, 2016) ISSN: 2321-1784 International Journal in Management and Social Science (Impact Factor- 5.276) Gender politics in kyōgen and kabuki The classical theatrical genres that are still performed today are known as sarugaku and kabuki. Gaining popularity throughout the fourteenth and fifteenth centuries, the two types of sarugaku, nō and kyōgen, acquired their present form between the late sixteenth and early seventeenth centuries. -
A Study of •Œgaymers╊ and Digital
University of Rhode Island DigitalCommons@URI Open Access Dissertations 2013 SAVING PRINCE PEACH: A STUDY OF “GAYMERS” AND DIGITAL LGBT/GAMING RHETORICS M. William MacKnight University of Rhode Island, [email protected] Follow this and additional works at: https://digitalcommons.uri.edu/oa_diss Recommended Citation MacKnight, M. William, "SAVING PRINCE PEACH: A STUDY OF “GAYMERS” AND DIGITAL LGBT/GAMING RHETORICS" (2013). Open Access Dissertations. Paper 135. https://digitalcommons.uri.edu/oa_diss/135 This Dissertation is brought to you for free and open access by DigitalCommons@URI. It has been accepted for inclusion in Open Access Dissertations by an authorized administrator of DigitalCommons@URI. For more information, please contact [email protected]. SAVING PRINCE PEACH: A STUDY OF “GAYMERS” AND DIGITAL LGBT/GAMING RHETORICS BY M. WILLIAM MACKNIGHT A DISSERTATION SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN ENGLISH (RHETORIC AND COMPOSITION) UNIVERSITY OF RHODE ISLAND 2013 DOCTOR OF PHILOSOPHY DISSERTATION OF M. WILLIAM MACKNIGHT APPROVED: Dissertation Committee: Major Professor: Libby Miles Mike Pennell Ian Reyes Nasir Zawia DEAN OF THE GRADUATE SCHOOL UNIVERSITY OF RHODE ISLAND 2013 ABSTRACT This study looks at the tensions surrounding the inclusion and increasing presence of LGBT performances within video games, their surrounding industry and culture, and their related internetworked cyberspaces – an assemblage referred to in this research as the “game-sphere.” By analyzing the rhetorical activity performed within a specific LGBT game cyberspace (the Reddit subforum r/gaymers), this study offers insight into gaming and LGBT culture by answering the following research question: What rhetorical action is performed by LGBT video game players within r/gaymers? Data were collected over a period of two weeks, wherein screen-captures were taken and saved twice a day at 10:00 am and pm. -
Fanning the Flames: Fandoms and Consumer Culture in Contemporary Japan
FANNING THE FLAMES Fans and Consumer Culture in Contemporary Japan Edited by William W. Kelly Fanning the Flames SUNY series in Japan in Transition Jerry Eades and Takeo Funabiki, editors Fanning the Flames Fans and Consumer Culture in Contemporary Japan EDITED BY WILLIAM W. K ELLY STATE UNIVERSITY OF NEW YORK PRESS Published by State University of New York Press, Albany © 2004 State University of New York All rights reserved Printed in the United States of America No part of this book may be used or reproduced in any manner whatsoever without written permission. No part of this book may be stored in a retrieval system or transmitted in any form or by any means including electronic, electrostatic, magnetic tape, mechanical, photocopying, recording, or otherwise without the prior permission in writing of the publisher. For information, address State University of New York Press, 90 State Street, Suite 700, Albany, NY 12207 Production by Kelli Williams Marketing by Michael Campochiaro Library of Congress Cataloging-in-Publication Data Fanning the f lames : fans and consumer culture in contemporary Japan / edited by William W. Kelly. p. cm. — (SUNY series in Japan in transition) Includes bibliographical references and index. ISBN 0-7914-6031-2 (alk. paper) — ISBN 0-7914-6032-0 (pbk. : alk.paper) 1. Popular culture—Japan—History—20th century. I. Kelly, William W. II. Series. DS822.5b. F36 2004 306'.0952'09049—dc22 2004041740 10987654321 Contents List of Illustrations vii Acknowledgments ix Introduction: Locating the Fans 1 William W. Kelly 1 B-Boys and B-Girls: Rap Fandom and Consumer Culture in Japan 17 Ian Condry 2 Letters from the Heart: Negotiating Fan–Star Relationships in Japanese Popular Music 41 Christine R. -
Global Political Ecology
Global Political Ecology The world is caught in the mesh of a series of environmental crises. So far attempts at resolving the deep basis of these have been superficial and disorganized. Global Political Ecology links the political economy of global capitalism with the political ecology of a series of environmental disasters and failed attempts at environmental policies. This critical volume draws together contributions from 25 leading intellectuals in the field. It begins with an introductory chapter that introduces the readers to political ecology and summarises the book’s main findings. The following seven sections cover topics on the political ecology of war and the disaster state; fuelling capitalism: energy scarcity and abundance; global governance of health, bodies, and genomics; the contradictions of global food; capital’s marginal product: effluents, waste, and garbage; water as a commodity, human right, and power; the functions and dysfunctions of the global green economy; political ecology of the global climate; and carbon emissions. This book contains accounts of the main currents of thought in each area that bring the topics completely up-to-date. The individual chapters contain a theoretical introduction linking in with the main themes of political ecology, as well as empirical information and case material. Global Political Ecology serves as a valuable reference for students interested in political ecology, environmental justice, and geography. Richard Peet holds degrees from the London School of Economics (BSc (Econ)), the University of British Columbia (MA), and the University of California, Berkeley (PhD). He is currently Professor of Geography at Clark University, Worcester, MA. His interests are development, global policy regimes, power, theory and philosophy, political ecology, and the causes of financial crises. -
Modeling of Rakugo Speech and Its Limitations: Toward Speech Synthesis That Entertains Audiences
©2020 IEEE. Personal use of this material is permitted. Permission from IEEE must be obtained for all other uses, in any current or future media, including reprinting/republishing this material for advertising or promotional purposes, creating new collective works, for resale or redistribution to servers or lists, or reuse of any copyrighted component of this work in other works. Modeling of Rakugo Speech and Its Limitations: Toward Speech Synthesis That Entertains Audiences SHUHEI KATO1,2, (Student Member, IEEE), YUSUKE YASUDA1,2, (Student Member, IEEE), XIN WANG2, (Member, IEEE), ERICA COOPER2, (Member, IEEE), SHINJI TAKAKI3, (Member, IEEE) AND JUNICHI YAMAGISHI2,4, (Senior Member, IEEE) 1The Graduate University for Advanced Sciences (SOKENDAI), Hayama, Kanagawa, Japan 2National Institute of Informatics, Chiyoda, Tokyo, Japan 3Nagoya Institute of Technology, Nagoya, Aichi, Japan 4The University of Edinburgh, Edinburgh, UK Corresponding author: Shuhei Kato (e-mail: [email protected]). This work was partially supported by a JST CREST Grant (JPMJCR18A6, VoicePersonae project), Japan, and by MEXT KAKENHI Grants (16H06302, 17H04687, 18H04120, 18H04112, 18KT0051), Japan. The authors would like to thank Prof. Masaru Kitsuregawa of the National Institute of Informatics for kindly providing useful suggestions on rakugo speech synthesis. ABSTRACT We have been investigating rakugo speech synthesis as a challenging example of speech synthesis that entertains audiences. Rakugo is a traditional Japanese form of verbal entertainment similar to a combination -
Japanese Women's Science Fiction: Posthuman Bodies and the Representation of Gender Kazue Harada Washington University in St
Washington University in St. Louis Washington University Open Scholarship Arts & Sciences Electronic Theses and Dissertations Arts & Sciences Spring 5-15-2015 Japanese Women's Science Fiction: Posthuman Bodies and the Representation of Gender Kazue Harada Washington University in St. Louis Follow this and additional works at: https://openscholarship.wustl.edu/art_sci_etds Part of the East Asian Languages and Societies Commons Recommended Citation Harada, Kazue, "Japanese Women's Science Fiction: Posthuman Bodies and the Representation of Gender" (2015). Arts & Sciences Electronic Theses and Dissertations. 442. https://openscholarship.wustl.edu/art_sci_etds/442 This Dissertation is brought to you for free and open access by the Arts & Sciences at Washington University Open Scholarship. It has been accepted for inclusion in Arts & Sciences Electronic Theses and Dissertations by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. WASHINGTON UNIVERSITY IN ST. LOUIS Department of East Asian Languages & Cultures Dissertation Examination Committee: Rebecca Copeland, Chair Nancy Berg Ji-Eun Lee Diane Wei Lewis Marvin Marcus Laura Miller Jamie Newhard Japanese Women’s Science Fiction: Posthuman Bodies and the Representation of Gender by Kazue Harada A dissertation presented to the Graduate School of Arts & Sciences of Washington University in partial fulfillment of the requirements for the degree of Doctor of Philosophy May 2015 St. Louis, Missouri © 2015, Kazue Harada -
Boys' Love E Omosessualità
Corso di Laurea Magistrale in Lingue e civiltà dell'Asia e dell'Africa Mediterranea (D.M. 270/2004) Tesi di Laurea Boys’ Love e omosessualità Promozione e comunicazione del manga BL in favore di una riflessione sulla comunità LGBTIQ+ Relatore Prof. Toshio Miyake Correlatore Dott. Cristian Posocco Laureanda Claudia Calzuola Matricola 852319 Anno Accademico 2020 / 2021 1 A Mark McLelland 2 Indice Abstract in italiano………………………………………………………………………………...8 Abstract in giapponese…………………………………………………………………………….11 CAPITOLO 1 – L’influenza del medium chiamato “manga”…………………………………..16 1.1. Definizioni di “manga”……………………………………………………………...17 1.2. Il manga come medium……………………………………………………………...19 1.3. Breve storia editoriale del manga in Giappone: comunicazione, convergenza, educazione, condivisione…………………………………...22 1.3.1. Dalle origini alla Seconda guerra mondiale: arte, parodia e politica……………………………22 1.3.2. Il dopoguerra: la nascita di riviste specializzate e del “manga moderno”………………………27 1.3.3. Gli anni Sessanta e la rivoluzione di Tezuka Osamu……………………………………………29 1.3.4. Il 1968 e il manga della ribellione giovanile…………………………………………………….30 1.3.5. Gli anni Settanta: Hadashi no Gen e il manga come denuncia storica………………………….32 1.3.6. Gli anni Settanta e la fioritura del manga per ragazze…………………………………………..34 1.3.7. Gli anni Ottanta: nuove sperimentazioni e strategie…………………………………………….35 1.3.8. Gli anni Novanta e il fenomeno manga………………………………………………………….37 1.3.9. Ieri, oggi, domani: verso una nuova evoluzione………………………………………………...39 1.4. Dalla casa editrice allo scaffale: come nasce e viene promosso un manga…………41 1.5. Oltre la semplice promozione: il media mix………………………………………...43 1.5.1. La nascita del media mix con Astroboy………………………………………………………….44 1.5.2. -
Referencia Bibliográfica: Saito, K. (2011). Desire in Subtext: Gender
Referencia bibliográfica: Saito, K. (2011). Desire in Subtext: Gender, Fandom, and Women’s Male-Male Homoerotic Parodies in Contemporary Japan. Mechademia, 6, 171–191. Disponible en https://muse.jhu.edu/article/454422 ISSN: - 'HVLUHLQ6XEWH[W*HQGHU)DQGRPDQG:RPHQ V0DOH0DOH +RPRHURWLF3DURGLHVLQ&RQWHPSRUDU\-DSDQ .XPLNR6DLWR Mechademia, Volume 6, 2011, pp. 171-191 (Article) 3XEOLVKHGE\8QLYHUVLW\RI0LQQHVRWD3UHVV DOI: 10.1353/mec.2011.0000 For additional information about this article http://muse.jhu.edu/journals/mec/summary/v006/6.saito.html Access provided by University of Sydney Library (13 Nov 2015 18:03 GMT) KumiKo saito Desire in Subtext: Gender, Fandom, and Women’s Male–Male Homoerotic Parodies in Contemporary Japan Manga and anime fan cultures in postwar Japan have expanded rapidly in a manner similar to British and American science fiction fandoms that devel- oped through conventions. From the 1970s to the present, the Comic Market (hereafter Comiket) has been a leading venue for manga and anime fan activi- ties in Japan. Over the three days of the convention, more than thirty-seven thousand groups participate, and their dōjinshi (self-published fan fiction) and character goods generate ¥10 billion in sales.1 Contrary to the common stereo- type of anime/manga cult fans—the so-called otaku—who are males in their twenties and thirties, more than 70 percent of the participants in this fan fic- tion market are reported to be women in their twenties and thirties.2 Dōjinshi have created a locus where female fans vigorously explore identities and desires that are usually not expressed openly in public. The overwhelming majority of women’s fan fiction consists of stories that adapt characters from official me- dia to portray male–male homosexual romance and/or erotica. -
Grades 9-12 Sample High School Fundamentals I Learning Plan Big Idea/ Topic Researching Historical Styles
Grades 9-12 Sample High School Fundamentals I Learning Plan Big Idea/ Topic Researching Historical Styles (This lesson plan along with Lesson plan 4 should be repeated for multiple historical periods) Connecting Theme/Enduring Understanding: The skills associated with auditioning allow students to explore skills similar to presentations in non-theatre related fields. Students will demonstrate an understanding of the process of preparing a performance associated with a particular historical period through research. Essential Questions: How does one research appropriately for a given acting style? What is a period style? How do theatrical traditions connect to specific societal, cultural, and historical contexts? Standard Alignment PERFORMING TAHSFT.PR.1 Act by communicating and sustaining roles in formal and informal environments. c. Explore various acting methods and techniques (e.g. Stanislavski, Uta Hagen, sense memory, emotional recall) for the purpose of character development. d. Perform acting choices for an audience based on critiques. RESPONDING TAHSFT.RE.1 Engage actively and appropriately as an audience member. b. State and support aesthetic judgments through experience in diverse styles and genres of theatre. TAHSFT.RE.2 Critique various aspects of theatre and other media using appropriate supporting evidence. a. Generate and use the terminology for critiquing theatre presentations. b. Analyze performance and utilize various effective forms of criticism to respond to and/or improve performance. CONNECTING TAHSFT.CN.1 Explore how theatre connects to life experiences, careers, and other Content d. Explore various careers in the theatre arts (e.g. performance, design, production, administrative, education, promotion). TAHSFT.CN.2 Examine the role of theatre in a societal, cultural, and historical context. -
View / Open Hirao Oregon 0171N 11721.Pdf
BINDING A UNIVERSE: THE FORMATION AND TRANSMUTATIONS OF THE BEST JAPANESE SF (NENKAN NIHON SF KESSAKUSEN) ANTHOLOGY SERIES by AKIKO HIRAO A THESIS Presented to the Department of East Asian Languages and Literatures and the Graduate School of the University of Oregon in partial fulfillment of the requirements for the degree of Master of Arts September 2016 THESIS APPROVAL PAGE Student: Akiko Hirao Title: Binding a Universe: The Formation and Transmutations of the Best Japanese SF (Nenkan Nihon SF Kessakusen) Anthology Series This thesis has been accepted and approved in partial fulfillment of the requirements for the Master of Arts degree in the Department of East Asian Languages and Literatures by: Alisa Freedman Chairperson Glynne Walley Member and Scott L. Pratt Dean of the Graduate School Original approval signatures are on file with the University of Oregon Graduate School. Degree awarded September 2016. ii © 2016 Akiko Hirao This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs (United States) License. iii THESIS ABSTRACT Akiko Hirao Master of Arts Department of East Asian Languages and Literatures September 2016 Title: Binding a Universe: The Formation and Transmutations of the Best Japanese SF (Nenkan Nihon SF Kessakusen) Anthology Series The annual science fiction anthology series The Best Japanese SF started publication in 2009 and showcases domestic writers old and new and from a wide range of publishing backgrounds. Although representative of the second golden era of Japanese science fiction in print in its diversity and with an emphasis on that year in science fiction, as the volumes progress the editors’ unspoken agenda has become more pronounced, which is to create a set of expectations for the genre and to uphold writers Project Itoh and EnJoe Toh as exemplary of this current golden era. -
Pression Du Groupe Et Affirmation De Soi Dans Le Shôjo Manga
005 Académie européenne du manga et des arts japonais Working Paper Working serie Art et communication N° Pression du groupe et affirmation de soi dans le shôjo manga par Saïnabou CISSE sous la direction de Julien BASTIDE 2008 SOMMAIRE SOMMAIRE ..............................................................................................................................................2 REMERCIEMENTS .................................................................................................................................4 ABSTRACT(F) .........................................................................................................................................5 ABSTRACT (E) ........................................................................................................................................6 INTRODUCTION ....................................................................................................................................7 PREMIERE PARTIE............................................................................................................................ 11 Qu’est ce que le shôjo manga ? ............................................................................................................ 11 A) Mode de production........................................................................................................................... 16 1) Un objet éditorial....................................................................................................................... 16 -
Theorizing in Unfamiliar Contexts: New Directions in Translation Studies
Theorizing in Unfamiliar Contexts: New Directions in Translation Studies James Luke Hadley Submitted for the Degree of Doctor of Philosophy University of East Anglia School of Language and Communication Studies April 2014 This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that use of any information derived there from must be in accordance with current UK Copyright Law. In addition, any quotation or extract must include full attribution.” 1 ABSTRACT This thesis attempts to offer a reconceptualization of translation analysis. It argues that there is a growing interest in examining translations produced outside the discipline‟s historical field of focus. However, the tools of analysis employed may not have sufficient flexibility to examine translation if it is conceived more broadly. Advocating the use of abductive logic, the thesis infers translators‟ probable understandings of their own actions, and compares these with the reasoning provided by contemporary theories. It finds that it may not be possible to rely on common theories to analyse the work of translators who conceptualize their actions in radically different ways from that traditionally found in translation literature. The thesis exemplifies this issue through the dual examination of Geoffrey Chaucer‟s use of translation in the Canterbury Tales and that of Japanese storytellers in classical Kamigata rakugo. It compares the findings of the discipline‟s most pervasive theories with those gained through an abductive analysis of the same texts, finding that the results produced by the theories are invariably problematic.