April 2013 Download
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Imazine 2013
IIMAZINEMAZINE 20132013 VOLVOL.. 33 New Castle County Libraries’ Annual Teen Magazine Cover: Frame of Mind by Taylor B. (age 17) 2 TableTable ofof ContentsContents (cover) Frame of Mind Taylor B. 5 A Grimm Fairy Tale Chloe M. 6 Lotus in the Night Sky Sangeeta 7 Alexander and the Star Chloe M. 10 If Life Was One of Us Medha R. 12 Colossal Transformations Kayla V. 13 Spirited Jordyn V. 14 Beyond the Looking Glass Taylor B. 16 Bonnie and Frank Matthew W. 18 Complementary Color Chloe M. 19 Fall Leaves Sangeeta 20 Sleeping Beauty Taylor B. 22 Game of the Season Benjamin 24 Rise of Gold Caroline 25 Beauty of Fall Sangeeta 26 The Suspicious Friends Donovan T. 28 Time Arianna H. 29 Sundial Taylor B. 30 To the Voices Inside My Head Medha R. 31 Mistakes Matter Jordyn V. 33 Winding Path in Shadow and Light Taylor B. 34 Damsel Taylor B. 36 Give Me Arianna H. 37 Smile Medha R. 38 Vibrant Jordyn V. 39 Now this is emptiness… Taylor B. 40 Room 401 Rebekah M. 42 Wounded Soldier Caroline 45 The Hum Chloe M. 47 Day's End Jordyn V. 3 4 A Grimm Fairy Tale by Chloe M. (age 16) Like looking through a looking glass, that's not completely clear a beautiful and dark glimpse of neither here nor there a world of dim light and foreignness of deep shadows and night a place where demons kiss and angels learn to bite you see it in old stories that warn of curiosity where innocent and desperate unleash the caged ferocity those frightening tales of caution of a place that we all know that from the time we're children we fear but want to go 5 Lotus in the Night Sky by Sangeeta C. -
Broadcast Bulletin Issue Number 243 02/12/13
Ofcom Broadcast Bulletin Issue number 243 2 December 2013 1 Ofcom Broadcast Bulletin, Issue 243 2 December 2013 Contents Introduction 4 Standards cases In Breach Breakfast Show Kerrang! Radio, 21 September 2013, 09:55 6 Dave Bayliss Interview BBC Radio Cumbria, 14 September 2013, 17:00 10 Resolved Colin Murray Talksport, 9 September 2013, 10:00 13 Advertising Scheduling cases Resolved Resolved findings table Code on the Scheduling of Television Advertising compliance reports 17 Fairness and Privacy cases Upheld Complaint by Mr Abkar Singh Rai Let’s Talk, Kismat Radio, 17 May 2013 18 Not Upheld Complaint by Johnsons Solicitors on behalf of the Burzynski Clinic Panorama, BBC1, 3 June 2013 23 Complaint by Ms Roxana Tesla Mary Queen of the High Street, Channel 4, 14 May 2013 36 Complaint by Mr Robin Vaughan-Lyons Mary Queen of the High Street, Channel 4, 14 May 2013 46 Complaint by Mr Dan Thompson Mary Queen of the High Street, Channel 4, 14 May 2013 53 2 Ofcom Broadcast Bulletin, Issue 243 2 December 2013 Other Programmes Not in Breach 58 Complaints Assessed, Not Investigated 59 Investigations List 66 3 Ofcom Broadcast Bulletin, Issue 243 2 December 2013 Introduction Under the Communications Act 2003 (“the Act”), Ofcom has a duty to set standards for broadcast content as appear to it best calculated to secure the standards objectives1. Ofcom must include these standards in a code or codes. These are listed below. Ofcom also has a duty to secure that every provider of a notifiable On Demand Programme Services (“ODPS”) complies with certain standards requirements as set out in the Act2. -
Issue 249 of Ofcom's Broadcast Bulletin
Ofcom Broadcast Bulletin Issue number 249 3 March 2014 1 Ofcom Broadcast Bulletin, Issue 249 3 March 2014 Contents Introduction 4 Standards cases In Breach Dog and Beth: On the Hunt CBS Reality, 14 November 2013, 11:00 and 16:00 6 Our World – Sri Lanka’s Unfinished War BBC 1 and BBC News channel, 9 November 2013, 05:30 9 News Bangla TV, 26 October 2013, 21:00 and 27 October 2013, 01:00 and 09:30 13 Sponsorship of Balika Vadhu Colors, 11 November 2013, 20:00 20 Advertising Scheduling cases Resolved Resolved findings table Code on the Scheduling of Television Advertising compliance reports 22 Broadcast Licence Condition cases Provision of licensed service London Turkish Radio, 17 October 2013 to present 24 Providing a service in accordance with ‘Key Commitments’ Biggles FM, 24, 25 and 27 July 2013 27 Fairness and Privacy cases Upheld Complaint by Miss Laura Muirhead Cherry Healey: Old Before My Time, BBC Three, 21 October 2013 31 Not Upheld Complaint by Mr Chris Reynard Cowboy Traders, Channel 5, 27 June 2013 36 2 Ofcom Broadcast Bulletin, Issue 249 3 March 2014 Complaints Assessed, Not Investigated 46 Investigations List 51 3 Ofcom Broadcast Bulletin, Issue 249 3 March 2014 Introduction Under the Communications Act 2003 (“the Act”), Ofcom has a duty to set standards for broadcast content as appear to it best calculated to secure the standards objectives1. Ofcom must include these standards in a code or codes. These are listed below. Ofcom also has a duty to secure that every provider of a notifiable On Demand Programme Services (“ODPS”) complies with certain standards requirements as set out in the Act2. -
Sabine Schenk Running and Clicking Narrating Futures
Sabine Schenk Running and Clicking Narrating Futures Edited by Christoph Bode Volume 3 Sabine Schenk Running and Clicking Future Narratives in Film The research leading to these results has received funding from the European Research Council under the European Community’s Seventh Framework Programme (FP7/2007-2013) / ERC grant agreement no. 229135. ISBN 978-3-11-027215-4 e ISBN 978-3-11-027243-7 Library of Congress Cataloging-in-Publication Data A CIP catalog record for this book has been applied for at the Library of Congress. Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available in the Internet at http://dnb.dnb.de . © 2013 Walter de Gruyter GmbH, Berlin/Boston Typesetting: PTP-Berlin Protago-TEX-Production GmbH, Berlin Printing: Hubert & Co. GmbH & Co. KG, Göttingen ♾ Printed on acid-free paper Printed in Germany www.degruyter.com Acknowledgments [Mr. Englethorpe said:] “But to me, there is no higher honor one can give to a text than to return to it and re-examine its contents, to ask of it, ‘Does this still hold true?’ A book that is read, then forgotten – that is a mark of failure to me. But to read and reread… that is faith in the process of evolution” “Well, why dont you write one? Why don’t you collect all of your works together and write a book” Emma asked, almost exasperated. “Perhaps” Mr. Englethorpe said thoughtfully. “I am not sure which of my works to select for this book. Or perhaps I am just scared no one will read it… let alone reread it and deem it worthy of revision. -
RFI2013 Summary Date Received RFI20130001 Please Can You
Date RFI2013 Summary received Please can you provide with the average salary of local news presenter. Ie look north RFI20130001 01/01/2013 This FOI requested reasons for the BBC's wrong and hypothetical stance on the July 7 2005 bombings in London, when evidence clearly suggests that it was an inside job, the bombs were already planted under the trains...Why has the BBC not looked at the evidence which points to its cover-up and why is the BBC clinging on to its rehearsed storylines which are untrue, baseless and impossible RFI20130002 and don't make any sense? 02/01/2013 How much are the following members of the 'Match of the Day' team paid: Gary Lineker, Alan Hansen, Mark Lawrenson, Colin Murray, Robbie Savage, and Alan Shearer? - How much are the following athletics presenters and commentators paid: Steve Cram, Denise Lewis, Michael Johnson, Colin Jackson, Jonathan Edwards, Stuart Storie, Phil Dickinson, and John Rawling? and - Are the above presenters, commentators, and contributors paid on a salary RFI20130005 basis, or per appearance? 02/01/2013 How much did the BBC pay in total on TV panel guests for Question Time, QI and Mock The Week in 2012? What is each panellist paid to appear on Question Time in 2012? And, what was it in 2011? What is each panellist paid to appear on QI in 2012? And, what was it in 2011? What is each panellist paid to appear on Mock The Week in 2012? And, what was it in 2011? How much did the BBC pay in expenses in total for panellists on Questions Time in 2012? And, what did it pay out in 2011? How much -
RFI2014 Summary Date Received RFI20141921 but Im Trying to Find
Date RFI2014 Summary received but im trying to find out the name and artist of the hip hop backing track used on rugby leauge four nations final highlights 2014, do you know of where i can get this or who i can contact to find out? I did find a music page on your website that list RFI20141921 backing tracks but only goes up to 2006 23/11/2014 the cost of film taken at Denmark Hill Railway Station dated 18 September 2013, Wednesday, where a young girl aged 23 years was killed by a freight train at RFI20140004 3:30pm? 02/01/2014 RFI20140005 Cost of Mandela funeral coverage 01/01/2014 How many complaints has the BBC received about its coverage of the lifting of transitional immigration controls on Bulgaria and Romania.How many of these complaints were concerned that the coverage was over-prominent or gave disproportionately high weight to the idea that many migrants would come to the UK. How many of these complaints were concerned that the coverage was under- RFI20140006 prominent or downplayed the prospect of increased immigration 01/01/2014 information on the following relating to public tickets for the recent 2013 series of Strictly Come Dancing.. 1 How many tickets were issued to the public for each performance? 2 How many of the public were allowed in to each performance? 3 At what time were "Guaranteed Seat" stickers issued to people in the queue?4 At what time were "Standby" stickers issued to people in the queue? 5 How many people were allowed in on "standby" tickets.6 How many people were not allowed in?7 Why wasn't the process of obtaining stickers explained when the original email sending RFI20140007 out the tickets was sent out? 01/01/2014 all information and correspondence held by the BBC relating to the selection and engagement of Antony Jenkins, the chief executive of Barclays, as a guest editor RFI20140008 of the Today programme broadcast on 31 December 2013. -
BBC Annual Report and Accounts 2013/14 the BBC’S Mission Is to Inform, Educate and Entertain BBC Annual Report and Accounts 2013/14
BBC Annual Report and Accounts 2013/14 The BBC’s mission is to inform, educate and entertain BBC Annual Report and Accounts 2013/14 Presented to Parliament by the Secretary of State for Culture, Media and Sport by command of Her Majesty 21 July 2014 Extended versions of the financial statements provided in Part Two of this report were also laid before Parliament on 21 July 2014 and are available online at: bbc.co.uk/annualreport © BBC Copyright 2014 The text of this document (this excludes, where present, the Royal Arms and all departmental or agency logos) may be reproduced free of charge in any format or medium provided that it is reproduced accurately and not in a misleading context. The material must be acknowledged as BBC copyright and the document title specified. Photographs are used ©BBC or used under the terms of the PACT agreement except where otherwise identified. Permission from copyright holders must be sought before any photographs are reproduced. You can download this publication from: bbc.co.uk/annualreport Designed by Fishburn™ thisisfishburn.com Prepared pursuant to the BBC Royal Charter 2006 (Art.45) Contents Overview Overview 02 The BBC at a glance 02 Our role and purpose 04 Serving everybody 05 Better value for money 130 Additional information 130 Glossary 131 Index The BBC exists to serve the public, IBC Contacts and its mission is to inform, educate and entertain Part One 08 Chairman’s foreword Part One 09 Setting strategy and The BBC Trust’s assessing performance 10 Setting strategy 12 Quality and distinctiveness review and assessment 20 Value for money 26 Serving all audiences 29 Openness and transparency 31 Understanding audiences 35 Inside the trust 36 BBC Trustees The Trust exists to get the best out of the BBC 38 Governance for licence fee payers. -
Voices of the Community EXPLORING ATTITUDES TOWARDS PHYSICAL CHASTISEMENT AMONG AFRICAN COMMUNITIES in GREATER MANCHESTER
Voices of the Community EXPLORING ATTITUDES TOWARDS PHYSICAL CHASTISEMENT AMONG AFRICAN COMMUNITIES IN GREATER MANCHESTER An AFRUCA Community Research Project September 2018 ACKNOWLEDGEMENT AFRUCA would like to thank Awards For All for providing us with the funds to conduct this community research project. We are grateful to the African community across Greater Manchester for their insight and support in facilitating the focus groups that have participated in this research and have given us their invaluable views, provided data and time which has made this work possible. We are grateful to the volunteers and staff of AFRUCA for their continuous hard work and commitment in ensuring the successful completion of this study. About the Researchers: • Debbie Ariyo OBE is Founder and Chief Executive of AFRUCA (Lead Researcher and author of Chapter Two) • Rose Ssali is a Programmes Manager at AFRUCA Centre for Children and Families, Manchester • Barbara Nambuya is a Researcher at AFRUCA Centre for Children and Families • Fola Olurin is a Researcher at AFRUCA Centre for Children and Families This is our third report in our series of “Voices of Community” 2 CONTENTS ABOUT AFRUCA 4 EXECUTIVE SUMMARY 5 RECOMMENDATIONS 6 CHAPTER ONE: INTRODUCTION 7 1.1 Overview of Physical Chastisement In African Communities 7 1.2 AFRUCA’s Work with Families in Greater Manchester 7 1.3 Aims and Objectives 8 1.4 Approach and Methodology 8 1.5 Constraints and Limitations 8 CHAPTER TWO: EXPLORING “PHYSICAL CHASTISEMENT” IN AFRICAN FAMILIES 9 2.1 Defining Physical Chastisement -
Ofsted's Social Care
The report of Her Majesty’s Chief Inspector of Education, Children’s Services and Skills 2016 Social care Contents HMCI’s foreword 5 Children’s social care in local authorities 11 Helping and protecting children 25 Experiences and progress of children looked after 36 Inspection and the future 59 Annex: Key statistics 61 Bibliography 65 www.gov.uk/ofsted 1 Figure 1: Children and young people in England and the social care system 11.5 million children aged 0-17 in England. Of these children: 50,000 children on child protection plans, of which; 35,000 children assessed as both 5,000 have statements of SEN or education, children in need and children with health and care plans (EHC plans)i an education health and care planiii 240,000 320,000 children with an education children in need health and care plan of services to achieve (or statement of SEN)ii. or maintain a reasonable level of health or development All disabled children are considered children in need. 70,000 children looked afteriv, of which; 26,000 care leavers aged 19 to 21 10,000 have statements of SEN or education, health and care plans (EHC plans)v Placements of children looked after as at 31 March 2015 Foster placements Placed for adoption Placement with parents Living independently Secure units Children’s home Other residential settings Residential schools Other placement i Figure is an estimate as data is not available. Calculated using the same proportion as children in need. ii Figures for all children cover children in all schools (including independent schools and non-maintained special schools). -
BBC Corporate Responsibility Performance Review 2014
BBC Corporate Responsibility Performance Review 2014 For more information see bbc.co.uk/outreach FOREWORD The BBC delivers a with across the UK, beyond fantastic service to directly making programmes audiences around the and providing services to our globe, and I am proud audience. to lead one of the most The projects and initiatives creative organisations of set out in this report show the world. the commitment the BBC has to extending the reach of our My aim is that we should be activities, and to working with bold in the work we do and the partners, charities and our way we serve our audiences. own staff. In this document – our I’m immensely proud of this Corporate Responsibility work and I hope you’ll enjoy Performance Review – we reading about it. set out some of the exciting projects that the BBC is engaged Tony Hall Director-General 2 CONTENTS Page Introduction 4 Serving all our audiences 6 Working with charities 22 Sustainability 37 The way we work 43 Looking ahead 63 3 INTRODUCTION by Diane Reid, Head of Outreach & Corporate Responsibility In support of sustaining high unemployment and limited citizenship and civil society, opportunities. After training we launched pilots in London and rehearsals, professional and and Greater Manchester amateur musicians performed of the BBC’s Community a specially commissioned work Doorway programme. This is in front of an audience and an opportunity for community broadcast live on Radio Cumbria. organisations to work with BBC Another of our public purposes staff volunteers on projects which is to bring the UK to the world bring skills, opportunity and and the world to the UK. -
Pity and Patriotism: UK Intra-National Charitable Giving
Pity and Patriotism: UK Intra-national Charitable Giving Thesis submitted in partial fulfilment of the requirements for the degree of PhD Harriet Lloyd Centre for Language and Communication Research School of English, Communication and Philosophy Cardiff University August 2016 DECLARATION This work has not been submitted in substance for any other degree or award at this or any other university or place of learning, nor is being submitted concurrently in candidature for any degree or other award. Signed ………………………………………… (candidate) Date ………………………… STATEMENT 1 This thesis is being submitted in partial fulfilment of the requirements for the degree of PhD. Signed ………………………………………… (candidate) Date ………………………… STATEMENT 2 This thesis is the result of my own independent work/investigation, except where otherwise stated. Other sources are acknowledged by explicit references. The views expressed are my own. Signed ………………………………………… (candidate) Date ………………………… STATEMENT 3 I hereby give consent for my thesis, if accepted, to be available online in the University’s Open Access repository and for inter-library loan, and for the title and summary to be made available to outside organisations. Signed ………………………………………… (candidate) Date ………………………… STATEMENT 4: PREVIOUSLY APPROVED BAR ON ACCESS I hereby give consent for my thesis, if accepted, to be available online in the University’s Open Access repository and for inter-library loans after expiry of a bar on access previously approved by the Academic Standards & Quality Committee. Signed ………………………………………… (candidate) Date ………………………… Abstract This thesis examines the discourse of intra-national charitable giving in the UK. I combine a rhetorical discourse analysis of Children in Need (CiN), a popular charity telethon for ‘disadvantaged’ British children, with that of six focus groups carried out with people who have different relationships with charities (student volunteers, a local Amnesty International group, bereavement counselling volunteers, non-charity related office workers, employees of different charities, and academics). -
A Year in the Life of Tv & Twitter in the Uk
A YEAR IN THE LIFE OF TV & TWITTER IN THE UK @weloveaudiences @kmuksocialtv What’s inside? Contents 03 Introduction 04 The key findings 06 How do Twitter TV levels compare across TV channels? 10 What kinds of shows have the most ‘Twitter TV’ activity? 13 How does Twitter correlate with TV ratings for broadcasts? 16 How does Twitter correlate with TV ratings across genres? 27 Do trends in viewing correlate with Twitter activity over time? 30 How does Twitter correlate with TV ratings from episode to episode? 34 Does Twitter Affect audience levels during a broadcast? 40 Impact of pre-show Twitter activity 42 How exactly are TV Tweets defined? 43 How was Correlation defined? 44 What was the Causation methodology? @weloveaudiences 02 @kmuksocialtv People love to This report is being published by Kantar Media as an independent overview of Twitter and its relationship to television. talk about TV In 2014 Kantar Media is launching its Twitter TV Ratings service in the UK which will allow broadcasters, media agencies and others to look at this relationship in much Introduction more detail. Twitter’s relationship with television has been central to the debate about the future of both media. There is a good fit between the two. People have always loved to talk about TV, even before social media gave them a different outlet to do it. As a result, around 40% of all UK Twitter traffic at peak time is related to TV. The main focus of this study is on the relationship and correlation between TV viewing levels and Twitter.