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Updates & Amendments to the Great R&B Files
Updates & Amendments to the Great R&B Files The R&B Pioneers Series edited by Claus Röhnisch from August 2019 – on with special thanks to Thomas Jarlvik The Great R&B Files - Updates & Amendments (page 1) John Lee Hooker Part II There are 12 books (plus a Part II-book on Hooker) in the R&B Pioneers Series. They are titled The Great R&B Files at http://www.rhythm-and- blues.info/ covering the history of Rhythm & Blues in its classic era (1940s, especially 1950s, and through to the 1960s). I myself have used the ”new covers” shown here for printouts on all volumes. If you prefer prints of the series, you only have to printout once, since the updates, amendments, corrections, and supplementary information, starting from August 2019, are published in this special extra volume, titled ”Updates & Amendments to the Great R&B Files” (book #13). The Great R&B Files - Updates & Amendments (page 2) The R&B Pioneer Series / CONTENTS / Updates & Amendments page 01 Top Rhythm & Blues Records – Hits from 30 Classic Years of R&B 6 02 The John Lee Hooker Session Discography 10 02B The World’s Greatest Blues Singer – John Lee Hooker 13 03 Those Hoodlum Friends – The Coasters 17 04 The Clown Princes of Rock and Roll: The Coasters 18 05 The Blues Giants of the 1950s – Twelve Great Legends 28 06 THE Top Ten Vocal Groups of the Golden ’50s – Rhythm & Blues Harmony 48 07 Ten Sepia Super Stars of Rock ’n’ Roll – Idols Making Music History 62 08 Transitions from Rhythm to Soul – Twelve Original Soul Icons 66 09 The True R&B Pioneers – Twelve Hit-Makers from the -
The Funky Diaspora
The Funky Diaspora: The Diffusion of Soul and Funk Music across The Caribbean and Latin America Thomas Fawcett XXVII Annual ILLASA Student Conference Feb. 1-3, 2007 Introduction In 1972, a British band made up of nine West Indian immigrants recorded a funk song infused with Caribbean percussion called “The Message.” The band was Cymande, whose members were born in Jamaica, Guyana, and St. Vincent before moving to England between 1958 and 1970.1 In 1973, a year after Cymande recorded “The Message,” the song was reworked by a Panamanian funk band called Los Fabulosos Festivales. The Festivales titled their fuzzed-out, guitar-heavy version “El Mensaje.” A year later the song was covered again, this time slowed down to a crawl and set to a reggae beat and performed by Jamaican singer Tinga Stewart. This example places soul and funk music in a global context and shows that songs were remade, reworked and reinvented across the African diaspora. It also raises issues of migration, language and the power of music to connect distinct communities of the African diaspora. Soul and funk music of the 1960s and 1970s is widely seen as belonging strictly in a U.S. context. This paper will argue that soul and funk music was actually a transnational and multilingual phenomenon that disseminated across Latin America, the Caribbean and beyond. Soul and funk was copied and reinvented in a wide array of Latin American and Caribbean countries including Brazil, Panama, Jamaica, Belize, Peru and the Bahamas. This paper will focus on the music of the U.S., Brazil, Panama and Jamaica while highlighting the political consciousness of soul and funk music. -
2019 ● Infrastructure ● Budgets & Management Budgets & Management ● Housing ● Public Safety ● Health & Human Services ● Education ● Energy & En
ECONOMIC DEVELOPMENT ● INFRASTRUCTURE ● BUDGETS & MANAGEMENT ● HOUSING ● PUBLIC SAFETY ● HEALTH & EDUCATION ● ENERGY & ENVIRONMENT ● GOVERNMENT DATA & TECHNOLOGY ● DEMOGRAPHICS ● ECONOMIC DEVEL- GOVERNMENT DATA & TECHNOLOGY ● DEMOGRAPHICS ● ECONOMIC DEVELOPMENT ● INFRASTRUCTURE ● BUDGETS & DEVELOPMENT ● INFRASTRUCTURE ● BUDGETS & MANAGEMENT ● HOUSING ● PUBLIC SAFETY ● HEALTH & HUMAN EDUCATION ● ENERGY & ENVIRONMENT ● GOVERNMENT DATA & TECHNOLOGY ● DEMOGRAPHICS ● ECONOMIC DEVEL- INFRASTRUCTURE ● BUDGETS & MANAGEMENT ● HOUSING ● PUBLIC SAFETY ● HEALTH & HUMAN SERVICES ● EDUCA- BUDGETS & MANAGEMENT ● HOUSING ● PUBLIC SAFETY ● HEALTH & HUMAN SERVICES ● EDUCATION ● ENERGY & EN- GOVERNMENT DATA & TECHNOLOGY ● DEMOGRAPHICS ● ECONOMIC DEVELOPMENT ● INFRASTRUCTURE ● BUDGETS & INFRASTRUCTURE ● BUDGETS & MANAGEMENT ● HOUSING ● PUBLIC SAFETY ● HEALTH & HUMAN SERVICES ● EDUCA- BUDGETS & MANAGEMENT ● HOUSING ● PUBLIC SAFETY ● HEALTH & HUMAN SERVICES ● EDUCATION ● ENERGY & EN- PUBLIC SAFETY ● HEALTH & HUMAN SERVICES ● EDUCATION ● ENERGY & ENVIRONMENT ● GOVERNMENT DATA & TECHNOLOGY ● DEMO- ECONOMIC DEVELOPMENT ● INFRASTRUCTURE ● BUDGETS & MANAGEMENT ● HOUSING ● PUBLIC SAFETY ● HEALTH & HEALTH & HUMAN SERVICES ● EDUCATION ● ENERGY & ENVIRONMENT ● GOVERNMENT DATA & TECHNOLOGY ● DEMO- EDUCATION ● ENERGY & ENVIRONMENT ● GOVERNMENT DATA & TECHNOLOGY ● DEMOGRAPHICS ● ECONOMIC DEVEL- ECONOMIC DEVELOPMENT ● INFRASTRUCTURE ● BUDGETS & MANAGEMENT ● HOUSING ● PUBLIC SAFETY ● HEALTH & INFRASTRUCTUREState ● BUDGETS & MANAGEMENT of ● HOUSING ● PUBLIC SAFETY ● HEALTH -
Congressional Record United States Th of America PROCEEDINGS and DEBATES of the 115 CONGRESS, FIRST SESSION
E PL UR UM IB N U U S Congressional Record United States th of America PROCEEDINGS AND DEBATES OF THE 115 CONGRESS, FIRST SESSION Vol. 163 WASHINGTON, TUESDAY, DECEMBER 5, 2017 No. 198 House of Representatives The House met at 10 a.m. and was Pennsylvania (Mr. THOMPSON) for 5 search will help farmers in the Com- called to order by the Speaker pro tem- minutes. monwealth of Pennsylvania better pro- pore (Mr. JODY B. HICE of Georgia). Mr. THOMPSON of Pennsylvania. tect their crops from bear-related dam- f Mr. Speaker, I rise today to acknowl- age. Pennsylvania has one of the larg- edge the work of a student at Penn est populations of black bears in North DESIGNATION OF SPEAKER PRO State DuBois. America, and thanks to studies like TEMPORE Alec Baker, a native of Clarion, Alec’s, the Commonwealth will be bet- The SPEAKER pro tempore laid be- Pennsylvania, is a student in the wild- ter able to understand how bears influ- fore the House the following commu- life technology degree program at Penn ence agriculture and how farmers can nication from the Speaker: State DuBois. He was recently awarded implement better management tactics WASHINGTON, DC, an Erickson Discovery Grant from to protect their crops. December 5, 2017. Penn State’s Office of Undergraduate I congratulate Alec for his achieve- I hereby appoint the Honorable JODY B. Education for an independent research ment and all those who received the HICE to act as Speaker pro tempore on this project. Erickson Discovery Award, and I look day. -
The Politics of Soul Music
UNLV Retrospective Theses & Dissertations 1-1-2005 Soul shakedown: The politics of soul music Melanie Catherine Young University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/rtds Repository Citation Young, Melanie Catherine, "Soul shakedown: The politics of soul music" (2005). UNLV Retrospective Theses & Dissertations. 1917. http://dx.doi.org/10.25669/9hmc-nb38 This Thesis is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Thesis has been accepted for inclusion in UNLV Retrospective Theses & Dissertations by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. SOUL SHAKEDOWN: THE POLITICS OF SOUL MUSIC by Melanie Catherine Young Bachelor of Arts University of Nevada, Las Vegas 1 9 9 9 A thesis submitted in partial fulfillment of the requirements for the Master of Arts Degree in Political Science Department of Political Science College of Liberal Arts Graduate College University of Nevada, Las Vegas December 2005 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. UMI Number: 1435648 Copyright 2006 by Young, Melanie Catherine All rights reserved. INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. -
2007/02/03 I'm a Rattlesnakin' Daddy / Blind Boy Fuller East Coast
2007/02/03 I'm A Rattlesnakin' Daddy / Blind Boy Fuller East Coast Piedmont Style The Sun Didn't Shine / Golden Gate Quartet Swing Down, Chariot Mean Mistreater Blues / Tampa Red The Bluebird Recordings 1934-1936 One O' Clock Jump / Count Basie An Anthology of Big Band Swing (1930-1955) Choo Choo Ch' Boogie / Louis Jordan The Anthology 1938-1953 Caldonia / Louis Jordan The Anthology 1938-1953 Hound Dog / Willie Mae "Big Mama" Thornton There's a Riot Goin' On! - The Rock 'n' Roll Classics of Leiber & Stoller Bewildered / Amos Milburn One Scotch, One Bourbon, One Beer (box set) So Long / Charles Brown Charles Brown with Johnny Moore's Three Blazers Good Rocking Tonight / Wynonie Harris Good Rocking Tonight His Eye Is On The Sparrow / Mahalia Jackson The Essential Mahalia Jackson Sixty Minute Man / Billy Ward & The Dominoes Sixty Minute Man Crying In The Chapel / Orioles The Doo Wop Box: 101 Vocal Group Gems From The Golden Age of Rock 'N' Roll The Glory of Love / Five Keys The Doo Wop Box: 101 Vocal Group Gems From The Golden Age of Rock 'N' Roll One Mint Julep / The Clovers The Very Best of The Clovers Shake, Rattle & Roll / Big Joe Turner The Very Best of Big Joe Turner Work With Me Annie / Hank Ballard & The Midnighters Let 'em Roll Little Richard's Boogie / Little Richard The Best of Duke-Peacock Blues Tutti Frutti / Little Richard Here's Little Richard I'll Sail My Ship Alone / Moon Mullican All-Time Greatest Hits Harlem Nocturne / Earl Bostic Bill Doggett / Earl Bostic- Trading Licks Honky Tonk / Bill Doggett Bill Doggett / Earl Bostic- -
Download a PDF of the Inventory B
PUBLIC COLLECTORS Records Collection Inventory of: Marc Fischer Chicago, IL, USA About PUBLIC COLLECTORS Public Collectors consists of informal agreements where collectors allow the contents of their collection to be published and permit those who are curious to directly experience the objects in person. Participants must be willing to type up an inventory of their collection, provide a means of contact and share their collection with the public. Collectors can be based in any geographic location. Public Collectors is founded upon the concern that there are many types of cultural artifacts that public libraries, museums and other institutions and archives either do not collect or do not make freely accessible. Public Collectors asks individuals that have had the luxury to amass, organize, and inventory these materials to help reverse this lack by making their collections public. The purpose of this project is for large collections of materials to become accessible so that knowledge, ideas and expertise can be freely shared and exchanged. Public Collectors is not intended, nor should it be used for buying and selling objects. There are many preexisting venues for that. Collectors can accommodate viewers at whatever location is most com - fortable or convenient for them. If their collection is portable or can be viewed in a location other than the collector’s home, this would still be an appropriate way to participate in the project. In addition to hosting collection inventories and other information, www.publiccollectors.org includes digital collections that are suitable for web presentation, do not have a physical material analog, or are difficult or impossible to experience otherwise. -
SEPTEMBER 1968 EDITORIAL TAKING CARE of OUR OWN This Last Month a .·Lot Has Happened a Revolutionary Identity
HAIGHT STREET BLUES P. 3 20¢ WILDCATS IN CHICAGO P. 6 CUBAN POEMS, PHOTOS P. 8 photo by stephen Shames by Karen Wald Oakland, California -- him. Garry hammered not only at the Laughter broke out in the courtroom Garry aske:i, "How do I find a juror racial compositionbut the economic class at one point when Zeisel was asked by who is not racist to the extent that he OUtside the Alameda County Courthouse bias of the jury panel. disciplined Black Panthers, men and the somewhat disconcerted judge, "Do will prejudge a black defendant?" women, lead a demonstration of thou Expert Testimony you think white jurors would wrongfully The most feasible way" , Blauner testi sands. Free Huey! Set our warrior free! convict a Negro defendant?" Zeisel, who fied, "would be not to have whiteson the GarrY's pre-trial motions were based had been trying to avoid strong condemn jury." (Exactly what the Panthers and Inside the seventh floor courtroom sits Garry have argued from the beginning). Huey P. Newton, Ministe-r of Defense, on several days of expert testimony by ations and stick to clear evidence, said, charged with first-degre-e murder. But social scientists. Dr. Jan Dizard of U.C. " It's been rumored to have happened." If this was not done, Blauner suggested, even as Huey Newton sits in the court cited a study he had made of Oakland Zeisel's testimony on capital punish there might be ways to eliminate the most room, it is America on trial. and various national studies to indicate ment included a description of what has serious racists. -
THE CULTURAL IMPACT of KANYE WEST This Page Intentionally Left Blank the Cultural Impact of Kanye West
THE CULTURAL IMPACT OF KANYE WEST This page intentionally left blank The Cultural Impact of Kanye West Edited by Julius Bailey THE CULTURAL IMPACT OF KANYE WEST Copyright © Julius Bailey, 2014. Softcover reprint of the hardcover 1st edition 2014 978-1-137-39581-8 All rights reserved. First published in 2014 by PALGRAVE MACMILLAN® in the United States—a division of St. Martin’s Press LLC, 175 Fifth Avenue, New York, NY 10010. Where this book is distributed in the UK, Europe and the rest of the world, this is by Palgrave Macmillan, a division of Macmillan Publishers Limited, registered in England, company number 785998, of Houndmills, Basingstoke, Hampshire RG21 6XS. Palgrave Macmillan is the global academic imprint of the above companies and has companies and representatives throughout the world. Palgrave® and Macmillan® are registered trademarks in the United States, the United Kingdom, Europe and other countries. ISBN 978-1-349-48439-3 ISBN 978-1-137-39582-5 (eBook) DOI 10.1057/9781137395825 Library of Congress Cataloging-in-Publication Data The cultural impact of Kanye West / edited by Julius Bailey. pages cm Includes bibliographical references and index. 1. West, Kanye—Criticism and interpretation. 2. Rap (Music)— History and criticism. 3. Rap musicians—United States. I. Bailey, Julius, editor of compilation. ML420.W452C85 2014 782.421649092—dc23 2013036142 A catalogue record of the book is available from the British Library. Design by Newgen Knowledge Works (P) Ltd., Chennai, India. First edition: March 2014 10 9 8 7 6 5 4 3 2 1 To all those whose complexities are misunderstood and rendered pathological when all you ever need and want is appreciation. -
MUSI 302 Course Outline Spring 2018
UNIVERSITY OF CALGARY FACULTY OF ARTS SCHOOL OF CREATIVE AND PERFORMING ARTS MUSI 302-01 Music in Popular CulturE: PErformErs (ThE Music and LifE of JamEs Brown) Spring 2018 Instructor Mr. John C. Reid Office Email [email protected] Office Hours By appointmEnt (no drop-ins please). Day(s),time(s) and Tuesday, Thursday: 6:00 to 8:45 p.m., May 14 to June 26, 2018. location of Class Craigie Hall, F 202. Out of class activities Learning resources: Text: The One: The Life and Music of James Brown by RJ Smith. required readings, textbooks and Listening songs in Spotify. List of recordings will be provided to students. materials Additional required readings noted in Schedule (below). Prerequisites Supplementary fees Course description This course will be an examination of the music, life, history, influence, and contributions of James Brown from his early life, early, middle, and late career, the highs and lows of his professional and personal life, through to his death in 2006. His music will be emphasized throughout. The objectives of this course are to develop students' listening skills, familiarize them with the details of James Brown's life in music, build understanding of the various musical styles and genres in which James Brown played a part, and to enable students to recognize key songs in Mr. Brown's repertoire. The course will make use of lectures, active listening, examining elements of music (such as melody, harmony, rhythm, form, syncopation, song lyrics, song construction, musical instrument roles, the genres of Blues, Soul, Rhythm and Blues, Funk, Gospel, Jazz, etc.), singing, clapping-tapping-and-snapping, small group discussion, making form charts, analyzing the 12 bar blues and other song forms, and watching films on the subject of James Brown and/or in which he appeared. -
An Anthology of Literary and Art Work by Students from Charlottesville City Schools the Unfinished Jigsaw 2017–2018
an anthology of literary and art work by students from Charlottesville City Schools The Unfinished Jigsaw 2017–2018 an anthology of literary and art work by students from Charlottesville City Schools Charlottesville City Schools 1562 Dairy Road Charlottesville, Virginia Cover Art: Luka Wimer CHS Grade 12 ACKNOWLEDGMENTS Appreciation is expressed to our creative students, teachers, and all others whose contributions have made this anthology possible. Editor Aaron Eichorst, Fine Arts Coordinator Editorial Board Jen McGraw, CHS Susan Muse and Kristie Rush, Buford Carole Anderson and Jeff Smith, Walker Carol Busching, Burnley-Moran Ashley Riley, Clark Beth Easter, Greenbrier Ida Cummings, Jackson-Via Christine Esposito, Johnson Cindy Cartwright, Venable Art Teachers K–12 Jennifer Mildonian, CHS Rachel McLaughlin, CHS Sarah Sweet, CHS Rachel Wilson, CHS (Photography) Marcelle Van Yahres, BRJD Academic Program Desmond Cormier, Buford Samantha Pagni, Walker Ryan Trott, Burnley-Moran and Jackson-Via Evelyn Reid, Clark Angela Corpuz, Greenbrier Jocelyn Johnson, Johnson and Jackson-Via Melissa Combs, Jackson-Via and Venable Aaron Eichorst, ArtQuest Program Specialist Desktop Publishing Ellen Pitts Photography Rachel Wilson Editing/Layout Jeff Suling Ellen Pitts Rachael Inlow CHS Grade 12 This Book Just Ate My Dog Huck Storer Burnley-Moran Grade K (Book review) ou are going to like this book because it Y is funny! Books Jaxon Scott Buford Grade 8 Jackson-Via Grade 3 Pray Meh hen every book is opened, First Painting It starts a new adventure. Penelope Figueroa-Ray W A magical journey Johnson Grade 4 That comes in different forms. Explore a new land ne day I was watching my dad drawing a Without having to travel. -
Mayors for Solar Energy
For more information, visit: https://environmentamerica.org/feature/ame/mayors-solar-energy Mayors for Solar Energy We, the undersigned U.S. Mayors and local officials, resolve to make solar energy a key element of our communities' energy plans. Accelerating the growth of solar will reduce pollution while revitalizing our communities by creating jobs and keeping energy dollars in our local economies. Expanding solar power helps residents and businesses benefit from lower energy costs while providing more local control of energy and improving our communities' resilience. Therefore, solar energy can and should be a much larger part of our energy mix than it is today. The U.S. has the potential to produce 100 times more solar power than the total amount of energy we consume each year. We must continue to harness this vast source of clean energy for the benefit of all of our citizens. As local leaders, we know that our communities are particularly well-suited to adopt solar power. Cities and towns are natural centers of electricity demand, have the rooftops and infrastructure needed for installing solar panels, and can craft policies to help residents and utilities make the switch to solar power. With a concerted effort underway on the state and federal levels to limit the growth of solar by fossil fuel special interests, communities like ours across the country need to act quickly to continue our progress toward renewable energy. By signing this statement in support of solar, we commit to supporting efforts to advance solar energy in our local communities, states, and the nation.