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Training Report on Cultural Heritage Protection
Training Report on Cultural Heritage Protection Training Course for Researchers in Charge of Cultural Heritage Protection in Asia and the Pacific 2011 - Indonesia - 5 July - 4 August, 2011, Nara, Japan Cultural Heritage Protection Cooperation Office, Asia-Pacific Cultural Centre for UNESCO (ACCU) Training Report on Cultural Heritage Protection Training Course for Researchers in Charge of Cultural Heritage Protection in Asia and the Pacific 2011 - Indonesia - 5 July - 4 August, 2011, Nara, Japan Cultural Heritage Protection Cooperation Office, Asia-Pacific Cultural Centre for UNESCO (ACCU) Edited and Published by Cultural Heritage Protection Cooperation Office, Asia-Pacific Cultural Centre for UNESCO (ACCU) 757 Horen-cho, Nara 630-8113 Japan Tel: +81-(0)742-20-5001 Fax: +81-(0)742-20-5701 e-mail: [email protected] URL: http://www.nara.accu.or.jp Printed by Meishinsha Ⓒ Cultural Heritage Protection Cooperation Office, Asia-Pacific Cultural Centre for UNESCO (ACCU) 2012 Practical training of taking rubbing Practical training of drawing Practical training of photography The closing ceremony at the ACCU office Preface The Cultural Heritage Protection Cooperation Office, Asia-Pacific Cultural Centre for UNESCO (ACCU Nara) was established in August 1999 with the purpose of serving as a domestic centre for promoting cooperation in cultural heritage protection in the Asia-Pacific region. Subsequent to its establishment, our office has been implementing a variety of programmes to help promote cultural heritage protection activities, in close cooperation with the Agency for Cultural Affairs, Japan (Bunkacho); National Institutes for Cultural Heritage, National Research Institute for Cultural Properties, Tokyo and Nara; the Nara Prefectural Government; the Nara Municipal Government; universities; and museums. -
Inter Cultural Studies of Architecture (ICSA) in Japan 2012
Intercultural Understanding, 2013, volume 3, pages 69-78 Inter Cultural Studies of Architecture (ICSA) in Japan 2012 Based on the general exchange agreement between Mukogawa Women’s University (MWU) and Bahçeşehir University (BU), students and professors from the Faculty of Architecture and Design of BU joined us at Koshien Hall and the Architecture Studio on MWU’s Kami-Koshien Campus from June 26th to August 3rd, 2012. BU’s students were tackling a design projects for third-year students. By participating in this program, they gained knowledge, learned techniques, and increased their awareness for designing of architecture. They also joined a basic design studio for first-year students and had the opportunity to experience such traditional Japanese culture as Ikebana (Japanese flower arrangement under Ryuho Sasaoka, a headmaster of the Ikebana Misho-ryu Sasaoka in Kyoto) or woodwork (with Sadahide Kanda, a master carpenter in Hyogo). They also participated in fieldwork on Saturdays to explore such Japanese cities and architecture examples as Funaya in a town called Ine, Amanohashidate, Itsukushima Shrine, Nishi Honganji Temple, Himeji Castle, and the Jodo-do of the Jodo-ji Temple. Participants Professors: Assistant professor Murat Dündar, Research assistants Belinda Torus and Sinem Kültür Students: Beyza Nur Bozkurt, Binnaz Kalcoğlu, Didem Dinçkal, Ece Yağan, Gonca Hande Şahin, Gözde Uyar, Kübra Pars, and Şahsena Bildirici 1. Greetings 1.1. Welcome Party: June 28 Eight students and two teachers from Bahçeşehir University were greeted by the students and teachers of Mukogawa Women’s University. Prof. Dr. Shigeyuki Okazaki (Chair, Department of Architecture, MWU) and Assist. Prof. Dr. Murat Dündar (Vice-Dean, Faculty of Architecture & Design, BU) gave speeches and the BU students and teachers introduced themselves. -
Carrie Blake Park Master Plan
RESOLUTION NO.RZ016-05 A RESOLUTION OF THE CITY OF SEQUIM ADOPTING THE CARRIE BLAKE COMMUNITY PARK MASTER PLAN WIDCH ESTABLISHES A SITE PLAN TO BE FOLLOWED FOR CURRENT AND FUTURE PARK DEVELOPMENTS AND TO ASSIST IN THE PRIORITIZATION OF CAPITAL PLANNING NEEDS WHEREAS, the Washington State Legislature directed all jurisdictions planning under the Growth Management Act (RCW 36.70A) to plan in a coordinated and comprehensive manner to maintain and enhance the quality of life enjoyed by state residents; and, WHEREAS, the planning goals established under the Act address the retention of open space, enhancement of recreational opportunities, conservation of fish and wildlife habitat, increased access to natural resource lands and water, and the development of parks and recreation facilities, (RCW 36.70A020(9); and, WHEREAS, the Parks and Recreation Element of the Comprehensive Plan sets goals and policies guiding the planned growth of the park and recreation system in the City; and, WHEREAS, the Washington State Recreation and Conservation Office (RCO) requires a community-wide park planning effort be completed and certified to maintain eligibility for grant funds for acquisition and development of park sites and facilities; and, WHEREAS, the City of Sequim Parks and Recreation Board has completed the Carrie Blake Community Park Master Plan including all necessary elements and, WHEREAS, the plan has been extensively reviewed by the Parks and Recreation Board, City Council and City Staff; and, WHEREAS, the City Council adopted a Resolution at a regularly scheduled meeting on February 22, 2016 and, WHEREAS, in conformance with Title 20, Sequim Municipal Code, the plan has been available for public review and comment; NOW, THEREFORE, THE CITY COUNCIL OF THE CITY OF SEQUIM, WASHINGTON, HEREBY RESOLVES AS FOLLOWS: Section 1. -
Orpheus Noster 9. Évf. 4. Sz. (2017.)
IX. évf. 2017/4. Zsófia Vasadi The Japanese Setting in the 2006 Film Adaptation of As You Like It: Kenneth Branagh’s Japanese (G)Arden Introduction In this paper I propose to consider the 2006 film version of Shakespeare’sAs You Like It,1 directed by Kenneth Branagh, with special emphasis on the significance of the film’s Japanese setting. Branagh mixes elements of two entirely separate cul- tures, but for what reason? One of the main points of my research will be to try to come up with evidence that the Japanese setting adds meaningfully to the inter- pretation of the well-known play. An appreciation of the function of traditional Japanese motifs, the use of sets that depict particular periods of time and the choice of actors in the film are all aspects that should be considered in order to recognise how the Japanese setting throws new light on Shakespeare’s comedy. In my research I relied on several interviews with the director himself, in ad- dition to some critical reviews that were published around the time of the film’s release. I will also consider those scenes of the original play which seem to have special relevance in the adaptation. Presuming that the selection of some of the lines is in connection with Branagh’s choice of setting, we will see how the Japanese setting gives new meaning to them. Even though Branagh stated that the setting of the film is nineteenth-century Japan, it resembles more a stereotypical Asian country with mixed elements from several cultures rather than a specific place.2 For some reason, the characters prac- tice the Chinese art of tai chi,3 and we can recognise some more or less hidden In- dian elements as well.4 But why does the setting matter at all? One could argue – as have those critics who wrote negative reviews of the film – that the whole point of Branagh’s choice of setting is to prove that the Bard’s tale could be placed any- where, and it would not alter its meaning at all. -
Tabletop Rock Garden
LEARN FROM ROCK GARDEN HOME In Japan, gardening is seen as an art form used to balance and highlight the natural landscape. There are two major types of Japanese gardens: water gardens and rock gardens. Water gardens typically feature a waterfall or pond surrounded by flowers, grasses, and trees to create a lush and organic environment. Rock gardens involve— you guessed it—rocks! Long associated with Buddhist traditions, rock gardens provide a calming space often used to practice meditation. One of the most impressive features of rock gardens is their carefully raked and arranged patterns of sand or gravel. These wavy and undulating patterns mimic the movements of water. Surrounding, and sometimes inside, these raked patterns are larger rocks arranged in odd-number groupings. All these larger rocks also represent natural forms like islands, mountains, waterfalls, or trees. JAPANESE ROCK GARDEN DESIGN TECHNIQUES STANDARDS: Today, Japanese garden designers use some of the following VA.4.H.1.3 techniques in their rock garden design: VA.68.S.2.1 • Rocks are the backbone of rock garden composition • Triangular rocks and rock groupings are best, as the form of a triangle can represent the earth, man, and the divine • Odd-numbered groupings of rocks or objects are preferred • The total number of groupings should also be odd • The largest rock in each cluster is placed first, then smaller rocks can be placed in relation to that rock • Asymmetry in the design should be carefully considered and incorporated Discover more activities at ringling.org MATERIALS: ACTIVITY SAND/ROCKS/PEBBLES, FORK, CONTAINER DIFFICULTY LEVEL: (SHALLOW BOX, PLATE, OR DISH), CENTERPIECE MODERATE ROCK GARDEN (SMALL FAKE TREE, DINOSAUR TOY) BUILD A TABLETOP ROCK GARDEN The act of raking and creating designs in the gravel of a rock garden can help people relax and focus on the moment, which is one of the reasons these gardens are used to practice meditation. -
UC Riverside Electronic Theses and Dissertations
UC Riverside UC Riverside Electronic Theses and Dissertations Title K- Popping: Korean Women, K-Pop, and Fandom Permalink https://escholarship.org/uc/item/5pj4n52q Author Kim, Jungwon Publication Date 2017 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA RIVERSIDE K- Popping: Korean Women, K-Pop, and Fandom A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Music by Jungwon Kim December 2017 Dissertation Committee: Dr. Deborah Wong, Chairperson Dr. Kelly Y. Jeong Dr. René T.A. Lysloff Dr. Jonathan Ritter Copyright by Jungwon Kim 2017 The Dissertation of Jungwon Kim is approved: Committee Chairperson University of California, Riverside Acknowledgements Without wonderful people who supported me throughout the course of my research, I would have been unable to finish this dissertation. I am deeply grateful to each of them. First, I want to express my most heartfelt gratitude to my advisor, Deborah Wong, who has been an amazing scholarly mentor as well as a model for living a humane life. Thanks to her encouragement in 2012, after I encountered her and gave her my portfolio at the SEM in New Orleans, I decided to pursue my doctorate at UCR in 2013. Thank you for continuously encouraging me to carry through my research project and earnestly giving me your critical advice and feedback on this dissertation. I would like to extend my warmest thanks to my dissertation committee members, Kelly Jeong, René Lysloff, and Jonathan Ritter. Through taking seminars and individual studies with these great faculty members at UCR, I gained my expertise in Korean studies, popular music studies, and ethnomusicology. -
Korea Morning Focus
August 16, 2019 Korea Morning Focus Company News & Analysis Major Indices Close Chg Chg (%) KEPCO (015760/Trading Buy/TP: W29,000) Upgrade rating & Present TP KOSPI 1,938.37 12.54 0.65 Earnings improve on easing cost pressures KOSPI 200 254.86 2.03 0.80 KOSDAQ 597.15 6.40 1.08 Korean Air (003490/Buy/TP: W30,000) Lower TP Attractive valuation vs. weak earnings momentum Turnover ('000 shares, Wbn) Volume Value Hanwha Corp. (000880/Buy/TP: W34,000) Lower TP KOSPI 687,077 5,076 Plant issue resolved; Revenue to normalize from 4Q19 KOSPI 200 80,776 3,177 KOSDAQ 781,543 4,106 SK Holdings (034730/Buy/TP: W300,000) Lower TP Market Cap (Wbn) Share prices at rock bottom Value KOSPI 1,293,002 LS (006260/Buy/TP: W57,300) Lower TP KOSDAQ 207,101 LSCS on the mend; LS Mtron in need of growth engines KOSPI Turnover (Wbn) Buy Sell Net Partron (091700/Buy/TP: W20,000) Lower TP Foreign 1,528 1,578 -50 Record-high quarterly results Institutional 1,001 1,025 -24 Retail 2,497 2,445 52 Spigen Korea (192440/Buy/TP: W76,000) Lower TP Revenue growth vs. inevitable margin erosion KOSDAQ Turnover (Wbn) Buy Sell Net Amotech (052710/Buy/TP: W23,500) Foreign 415 480 -65 Navigating rough waters Institutional 197 191 5 Retail 3,466 3,403 62 Iljin Materials (020150/Buy/TP: W64,000) Program Buy / Sell (Wbn) Elecfoils in hot demand Buy Sell Net KOSPI 1,187 1,339 -152 JYP Entertainment (035900/Buy/TP: W28,000) Lower TP KOSDAQ 394 447 -53 Margin recovery in 3Q19 will be key Advances & Declines Advances Declines Unchanged Vieworks (100120/Buy/TP: W34,000) Lower TP KOSPI 508 -
Visual Perception in Japanese Rock Garden Design
Axiomathes (2005) 15:353–371 Ó Springer 2005 DOI 10.1007/s10516-004-5448-8 GERT J. VAN TONDER and MICHAEL J. LYONS VISUAL PERCEPTION IN JAPANESE ROCK GARDEN DESIGN ABSTRACT. We present an investigation into the relation between design princi- ples in Japanese gardens, and their associated perceptual effects. This leads to the realization that a set of design principles described in a Japanese gardening text by Shingen (1466), shows many parallels to the visual effects of perceptual grouping, studied by the Gestalt school of psychology. Guidelines for composition of rock clusters closely relate to perception of visual figure. Garden design elements are arranged into patterns that simplify figure-ground segmentation, while seemingly balancing the visual salience of subparts and the global arrangement. Visual ‘ground’ is analyzed via medial axis transformation (MAT), often associated with shape perception in humans. MAT analysis reveals implicit structure in the visual ground of a quintessential rock garden design. The MAT structure enables formal com- parison of structure of figure and ground. They share some aesthetic qualities, with interesting differences. Both contain naturalistic asymmetric, self-similar, branching structures. While the branching pattern of the ground converges towards the viewer, that of the figure converges in the opposite direction. KEY WORDS: figure-ground, multi-scale, segmentation, tree structure, visual grouping ‘There is ... a basic issue that is only very seldomly discussed: What do we mean by ‘‘visual experience’’? Very often the problem of vision is oversimplified, and to ‘‘see’’ a scene is identified with the task of computing a verbal description of it. This problem is difficult enough, but it is important to recognize that there is much more in visual perception than assigning verbal labels to ‘‘objects’’.’ J.L. -
The Japanese Garden at Cheekwood Japanese Garden
BEYOND TIME & PLACE A Teacher’s Guide to the Tour IN THIS GUIDE: Preparing For Your Visit Curriculum Connections Exhibition Introduction Hands-On Fun! Vocabulary The Cheekwood Japanese Garden provides students the opportunity to experience Japanese culture as they learn about the diversity and customs of another country. This Resources tour will inspire students to look at the world around them with a unique, new perspective. Please use this guide to prepare for your visit. PREPARING FOR YOUR VISIT The Beyond Time and Place: Japanese Garden Educator Guide was prepared with the classroom teacher in mind. We hope you will find this packet helpful as you prepare your students for their visit to Cheekwood and also when you return to the classroom. Garden Etiquette—very similar to indoor museum etiquette Visitors are asked to stay on the paths for the protection of the plant collections and for their own safety. Please do not touch or pick the plants unless invited to do so by the Garden Guides. Speak in a normal ‘inside’ voice. Please do not disturb oth- er guests in the garden by yelling or shouting to others. Many varieties of wildlife and insects make their homes at Cheekwood. Please do not disturb these valuable members of our ecosystem. Stay with your group. Cheekwood is very large, and it is easy to get distracted. We do not want anyone to get separated from their group. A pineapple designates topics for discussion and pre/post-visit classroom activities. GARDEN INTRODUCTION Beyond Time and Place: The Japanese Garden Tour Japanese Gardens Japanese Gardens are designed to show us some of the finest features of the natural world. -
ENGE 2018 Program Book.Pdf
CONTENTS 003 Conference Information 007 Technical Programs 003 Welcome Message 007 Program at a Glance 004 Overview 008 Venue Layout 005 Committee 009 Poster Session Layout 010 Session Timetable 013 Conference Topics 026 Useful Information 018 Plenary Speakers 019 Key Speakers 026 Registration 023 Sponsor Session 027 Useful Tips 024 Satellite Session 028 Social Programs 025 Presentation Guidelines 029 Presentation Schedule 030 1. Materials and devices for VLSI applications 038 2. Materials, processes and devices for wearable and stretchable electronic applications 049 3. Materials for frontier displays and optoelectronics 060 4. Two-dimensional materials and their heterostructures 070 5. Materials and processes for nanofabrication 077 6. Materials for renewable solar energy 086 7. Electrochemical and photoelectrochemical energy conversion materials 093 8. Materials for sustainable energy storage 101 9. Energy harvesting materials 112 10. Biomaterials 118 11. Computational materials science 126 12. Advanced materials characterization 133 13. General program 155 Author Index WELCOME MESSAGE “We hope you will join us for a symphony of outstanding sciences, and enjoy the bonus of the spectacular beauty of Jeju island.” Dear Colleagues and Friends, On behalf of the organizing committee, I am delighted to welcome you to ENGE 2018, the 5th International Conference on Electronic Materials and Nanotechnology for Green Environment running from November 11 to 14, 2018 in Jeju, Korea. ENGE has been held biennially since 2010 to provide a special platform for researchers to share their latest progresses in and explore future directions of studies of electronic materials and nanotechnology. ENGE stands as a highly acclaimed meeting with the reputation of pursuing high standards particularly in oral presentations as well as an atmosphere of close interactions with world-renowned scientists. -
The Vitality and Resilience of Inherited Japanese Houses -100 Years of Shimizu-Gumi Houses-
The Vitality and Resilience of Inherited Japanese Houses -100 Years of Shimizu-gumi Houses- Preface Since its foundation in 1804, residential architecture had been one of the primary business focuses for Shimizu-gumi, the present Shimizu Corporation. Many books have been published to showcase its works, such as Sekkei zushū, jūtaku no maki, ji 1907 nen shi 1923 nen (Drawing collection: house, from 1907 to 1923) and Sekkei zushū, shitsunai narabini kagu dentō no maki, ji 1909 nen shi 1913 nen (Drawing collection: interior, furniture and lighting, from 1909 to 1913). These books feature painted drawings of large houses, which could be considered mansions in the Western sense, designed and built by Shimizu-gumi, and include plans, elevations, development plans, and illustrations of furniture. The books enable the reader to visualize many aspects of mansions in the Meiji era (1868-1912) and Taisho era (1912-1926,) and to understand how these mansions were significant as elements of urban culture. Additionally, an academic work based on these earlier texts was published to commemorate the 60th anniversary of the Housing Research Foundation JUSOKEN: Meiji/Taisho no teitaku, Shimizu-gumi sakusei saishiki-zu no sekai (Mansions in Meiji and Taisho, the world of colored drawings created by Shimizu-gumi, Kashiwashobo, 2009, currently unavailable). This book is the product of joint research by “Shimizu Kensetsu Teitaku Shiryō Kenkyūkai” (Shimizu Corporation Mansion Document Study Group, 2004 to 2009) in the “Jūtaku Shiryō Iinkai” (Committee for historical materials about houses) of Jusoken. For the next phase of study, surveys and research on Jūtaku kenchiku zushū (Residential architecture catalog, 1st volume: 1935, 2nd volume: 1939) should be conducted. -
Immortal Song Seventeen Eng Sub 2018
Immortal song seventeen eng sub 2018 Continue Contest South Korean television music program Immortal Songs: Singing LegendGenreMusicPresented Shin Dong-YupCountry OriginsSut Korea Origin (s) Korean No. episodes426 (as of October 19, 2019) ManufacturingInsyant Manufacturer (s)Kwon Yong Taek KBSProduction location (s) South KoreaRunning time110 minutesProduction company (s) KBS EntertainmentReleaseOriginal networkKBSOriginal release4, 2011 - March 31, 2012 (as Immortal Songs 2), April 7, 2012 (2012-04-07) -PresentChronologyPreced byImmortal Songs (2007-2009)External LinksWebsite Immortal Songs: Singing Legends (Korean: 불후의 명곡: 전설을 노래하다; RR: Bulhu-ui Myeong-gok: Jeonseoreul Noraehada), also known as Immortal Song 2 (Korean: 불후의 명곡 2), is a South Korean television music competition program presented by Shin Dong-yup. This is the revival of Immortal Songs (2007-2009), and in each episode there are singers who perform their reimagined versions of the songs. Synopsis Originally aired as Immortal Songs 2 as part of KBS Saturday Freedom, each episode had six idol singers who performed the singer's songs of the episode. After restructuring in 2012, the show returned on April 7 as an independent program and renamed Immortal Songs: Singing the Legend. Each episode now includes seven singers or bands from different walks of life and annual experiences ranging from members of popular idol K-pop bands to legendary solo artists. As before, each of them performs their own reimagined versions of the famous songs of the legendary singer of the episode. The new format features special episodes that revolve around specific topics, such as festivities or festivities. Invited singers sit in the waiting room with three hosts, where they meet the audience.