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06 9/2 TV Guide.Indd 1 9/3/08 7:50:15 AM
PAGE 6 THE NORTON TELEGRAM Tuesday, September 2, 2008 Monday Evening September 8, 2008 7:00 7:30 8:00 8:30 9:00 9:30 10:00 10:30 11:00 11:30 KHGI/ABC H.S. Musical CMA Music Festival Local Nightline Jimmy Kimmel Live KBSH/CBS Big Bang How I Met Two Men Christine CSI: Miami Local Late Show-Letterman Late Late WEEK OF FRIDAY , SEPT . 5 THROUGH THUR S DAY , SEPT . 11 KSNK/NBC Deal or No Deal Toughest Jobs Dateline NBC Local Tonight Show Late FOX Sarah Connor Prison Break Local Cable Channels A&E Intervention Intervention After Paranorml Paranorml Paranorml Paranorml Intervention AMC Alexander Geronimo: An American Legend ANIM Animal Cops Houston Animal Cops Houston Miami Animal Police Miami Animal Police Animal Cops Houston CNN CNN Election Center Larry King Live Anderson Cooper 360 Larry King Live DISC Mega-Excavators 9/11 Towers Into the Unknown How-Made How-Made Mega-Excavators DISN An Extremely Goofy Movie Wizards Wizards Life With The Suite Montana So Raven Cory E! Cutest Child Stars Dr. 90210 E! News Chelsea Chelsea Girls ESPN NFL Football NFL Football ESPN2 Poker Series of Poker Baseball Tonight SportsCenter NASCAR Now Norton TV FAM Secret-Teen Secret-Teen Secret-Teen The 700 Club Whose? Whose? FX 13 Going on 30 Little Black Book HGTV To Sell Curb Potential Potential House House Buy Me Sleep To Sell Curb HIST The Kennedy Assassin 9/11 Conspiracies The Kennedy Assassin LIFE Army Wives Tell Me No Lies Will Will Frasier Frasier MTV Exposed Exposed Exiled The Hills The Hills Exiled The Hills Exiled Busted Busted NICK Pets SpongeBob Fam. -
Project Casting Status As of 5/04/2009
Project Casting Status as of 5/04/2009 Los Angeles 24 -1 Hour (FOX) Currently Casting Peggy Kennedy, Debi Manwiller 90210 -1 Hour (CW) On Hiatus David Rapaport 10 Items or Less -1/2 Hour (TBS) On Hiatus Tim Payne 10 Things I Hate About You (LA) -1/2 Hour (ABC On Hiatus Collin Daniel, Brett Greenstein, Family) Tess Sanchez 100 Questions for Charlotte Payne -1/2 Hour Pilot Currently Casting Leslie Litt (NBC) A Christmas Carol -Feature Film Wrapped Scot Boland, Victoria Burrows A Couple Of Cops -Feature Film Currently Casting Jennifer Euston A Girl & A Gun -Feature Film Wrapped Janet Hirshenson, Jane Jenkins, Michelle Lewitt A Marriage -1 Hour Pilot (CBS) Wrapped Stephanie Laffin, Amy Lippens A Million Hits -1/2 Hour Pilot (Disney) Currently Casting Joey Paul Jensen Ab Fab -1/2 Hour Pilot (FOX) Currently Casting Susan Vash Accidentally on Purpose -1/2 Hour Pilot (CBS) Wrapped Lisa Miller Katz Ace In The Hole -1/2 Hour Pilot (CBS) Wrapped Marisa Ross, Alyson Silverberg Adventures of Tintin: Secret Of The Unicorn - Wrapped Scot Boland, Victoria Burrows Feature Film Alex Mojo -1/2 Hour Pilot (Disney) On Hold Carol Goldwasser, Howard Meltzer All About Evil -Low Budget Feature Currently Casting Jason James Alligator Point -1/2 Hour Pilot (Lifetime) Wrapped Patrick Baca, Robin Nassif Alvin and the Chipmunks 2 -Feature Film Wrapped Juel Bestrop, Seth Yanklewitz American Dad -1/2 Hour (FOX) Currently Casting Linda Lamontagne American Pie: Book of Love -Feature Film Currently Casting Jan Glaser American Tragic -Feature Film Wrapped Jeanne McCarthy -
Nomination Press Release
Brian Boyle, Supervising Producer Outstanding Voice-Over Nahnatchka Khan, Supervising Producer Performance Kara Vallow, Producer American Masters • Jerome Robbins: Diana Ritchey, Animation Producer Something To Dance About • PBS • Caleb Meurer, Director Thirteen/WNET American Masters Ron Hughart, Supervising Director Ron Rifkin as Narrator Anthony Lioi, Supervising Director Family Guy • I Dream of Jesus • FOX • Fox Mike Mayfield, Assistant Director/Timer Television Animation Seth MacFarlane as Peter Griffin Robot Chicken • Robot Chicken: Star Wars Episode II • Cartoon Network • Robot Chicken • Robot Chicken: Star Wars ShadowMachine Episode II • Cartoon Network • Seth Green, Executive Producer/Written ShadowMachine by/Directed by Seth Green as Robot Chicken Nerd, Bob Matthew Senreich, Executive Producer/Written by Goldstein, Ponda Baba, Anakin Skywalker, Keith Crofford, Executive Producer Imperial Officer Mike Lazzo, Executive Producer The Simpsons • Eeny Teeny Maya, Moe • Alex Bulkley, Producer FOX • Gracie Films in Association with 20th Corey Campodonico, Producer Century Fox Television Hank Azaria as Moe Syzlak Ollie Green, Producer Douglas Goldstein, Head Writer The Simpsons • The Burns And The Bees • Tom Root, Head Writer FOX • Gracie Films in Association with 20th Hugh Davidson, Written by Century Fox Television Harry Shearer as Mr. Burns, Smithers, Kent Mike Fasolo, Written by Brockman, Lenny Breckin Meyer, Written by Dan Milano, Written by The Simpsons • Father Knows Worst • FOX • Gracie Films in Association with 20th Kevin Shinick, -
MATTHEW W. MUNGLE Special Make-Up Effects IATSE Local 706, SAG
MATTHEW W. MUNGLE Special Make-Up Effects IATSE Local 706, SAG The following is a partial list of recent Film Credits. For full credits, including Television and Commercials, please contact The Milton Agency. AWARDS AND NOMINATIONS ACADEMY AWARDS EMMY AWARDS (Cont.) Nominee: ALBERT NOBBS Nominee: GEORGE WALLACE Winner: BRAM STOKER’S DRACULA Nominee: OLIVER TWIST Nominee: GHOSTS OF MISSISSIPPI Nominee: MISS EVERS’ BOYS Nominee: SCHINDLER’S LIST Nominee: THE LATE SHIFT Nominee: LIZ: THE ELIZABETH TAYLOR STORY EMMY AWARDS Nominee: PERFECT STRANGERS, “Citizenship” Winner: JOHN ADAMS BRITISH ACADEMY FILM AWARDS Winner: STATE OF THE UNION, “Episode 102” Winner: SIX FEET UNDER, “Everyone’s Waiting” Nominee: LEE DANIELS’ THE BUTLER Winner: DOOR TO DOOR Nominee: BRAM STOKER’S DRACULA Winner: THE X-FILES, “Deadalive” Nominee: SCHINDLER’S LIST Winner: CITIZEN COHN Nominee: THE CAPE, “Razer” HOLLYWOOD MAKE-UP ARTIST Nominee: LITTLE BRITAIN USA, “Episode 106” AND HAIR STYLIST GUILD AWARDS Nominee: CSI: CRIME SCENE INVESTIGATION, Winner: TRACEY ULLMAN IN THE TRAILER “A Space Oddity” TALES Nominee: LITTLE BRITAIN USA, ”Episode 105” Winner: AND THE BEAT GOES ON: THE SONNY Nominee: STATE OF THE UNION, “Episode 205” AND CHER STORY Nominee: STATE OF THE UNION, “Episode104” Nominee: RED DRAGON Nominee: CSI: CRIME SCENE INVESTIGATION, Nominee: FRIDA “Dead Doll” Nominee: LANSKY Nominee: CSI: CRIME SCENE INVESTIGATION, “Living Legend” CABLE ACE AWARDS Nominee: CSI: CRIME SCENE INVESTIGATION, “Fannysmackin’” Winner: GEORGE WALLACE Nominee: INTO THE WEST, “Wheel To The Stars” Nominee: ANDERSONVILLE Nominee: CSI: CRIME SCENE INVESTIGATION, Nominee: CITIZEN COHN “Ch-Ch-Changes” Nominee: TRACEY ULLMAN IN THE TRAILER ACADEMY OF SCIENCE FICTION, TALES FANTASY AND HORROR FILMS, USA Nominee: RUDY: THE RUDY GIULIANI STORY Nominee: BRAM STOKER’S DRACULA Nominee: HOUDINI THE MILTON AGENCY Matthew W. -
HBO: Brand Management and Subscriber Aggregation: 1972-2007
1 HBO: Brand Management and Subscriber Aggregation: 1972-2007 Submitted by Gareth Andrew James to the University of Exeter as a thesis for the degree of Doctor of Philosophy in English, January 2011. This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. ........................................ 2 Abstract The thesis offers a revised institutional history of US cable network Home Box Office that expands on its under-examined identity as a monthly subscriber service from 1972 to 1994. This is used to better explain extensive discussions of HBO‟s rebranding from 1995 to 2007 around high-quality original content and experimentation with new media platforms. The first half of the thesis particularly expands on HBO‟s origins and early identity as part of publisher Time Inc. from 1972 to 1988, before examining how this affected the network‟s programming strategies as part of global conglomerate Time Warner from 1989 to 1994. Within this, evidence of ongoing processes for aggregating subscribers, or packaging multiple entertainment attractions around stable production cycles, are identified as defining HBO‟s promotion of general monthly value over rivals. Arguing that these specific exhibition and production strategies are glossed over in existing HBO scholarship as a result of an over-valuing of post-1995 examples of „quality‟ television, their ongoing importance to the network‟s contemporary management of its brand across media platforms is mapped over distinctions from rivals to 2007. -
2009 Annual Report
2009 ANNUAL REPORT Table of Contents Letter from the President & CEO ......................................................................................................................5 About The Paley Center for Media ................................................................................................................... 7 Board Lists Board of Trustees ........................................................................................................................................8 Los Angeles Board of Governors ................................................................................................................ 10 Media Council Board of Governors ..............................................................................................................12 Public Programs PALEYDOCEVENTS ..................................................................................................................................14 INSIDEMEDIA Events .................................................................................................................................15 PALEYDOCFEST .......................................................................................................................................19 PALEYFEST: Fall TV Preview Parties ..........................................................................................................20 PALEYFEST: William S. Paley Television Festival ..........................................................................................21 Robert M. -
The Casting Director Guide from Now Casting, Inc
The Casting Director Guide From Now Casting, Inc. This printable Casting Director Guide includes CD listings exported from the CD Connection in NowCasting.com’s Contacts NOW area. The Guide is an easy way to get familiar with all the CD’s. Or, you might want to print a copy that lives in your car. Keep in mind that the printable CD Guide is created approximately once a month while the CD Connection is updated constantly. There will be info in the printable “Guide” that is out of date almost immediately… that’s the nature of casting. If you need a more comprehensive, timely and searchable research and marketing tool then you should consider using Contacts NOW in NowCasting.com. In Contacts NOW, you can search the CD database directly, make personal notes, create mailing lists, search Agents, make your own Custom Contacts and print labels. You can even export lists into Postcards NOW – a service that lets you create and mail postcards all from your desktop! You will find Contacts NOW in your main NowCasting menu under Get it NOW or Guides and Labels. Questions? Contact the NowCasting Staff @ 818-841-7165 Now Casting.com We’re Back! Many post hiatus updates! October ‘09 $13.00 Casting Director Guide Run BY Actors FOR Actors More UP- TO-THE-MINUTE information than ANY OTHER GUIDE Compare to the others with over 100 pages of information Got Casting Notices? We do! www.nowcasting.com WHY BUY THIS BOOK? Okay, there are other books on the market, so why should you buy this one? Simple. -
Body Curves and Story Arcs
Body Curves and Story Arcs: Weight Loss in Contemporary Television Narratives ! ! ! Thesis submitted to Jawaharlal Nehru University and Università degli Studi di Bergamo, as part of Erasmus Mundus Joint Doctorate Program “Cultural Studies in Literary Interzones,” in partial fulfilment of the requirements for the degree of ! Doctor of Philosophy ! ! by ! ! Margaret Hass ! ! ! Centre for English Studies School of Language, Literature and Culture Studies Jawaharlal Nehru University New Delhi - 110067, India 2016 ! Table of Contents !Acknowledgements !Foreword iii Introduction: Body Curves and Story Arcs Between Fat Shame and Fat Studies 1 Liquid Modernity, Consumer Culture, and Weight Loss 5 Temporality and Makeover Culture in Liquid Modernity 10 The Teleology of Weight Loss, or What Jones and Bauman Miss 13 Fat Studies and the Transformation of Discourse 17 Alternative Paradigms 23 Lessons from Feminism: Pleasure and Danger in Viewing Fat 26 Mediatization and Medicalization 29 Fictional Roles, Real Bodies 33 Weight and Television Narratology 36 Addressing Media Texts 39 Selection of Corpus 43 ! Description of Chapters 45 Part One: Reality! TV Change in “Real” Time: The Teleologies and Temporalities of the Weight Loss Makeover 48 I. Theorizing the Weight Loss Makeover: Means and Ends Paradoxes 52 Labor Revealed: Exercise and Affect 57 ! Health and the Tyranny of Numbers 65 II. The Temporality of Transformation 74 Before/After and During 81 Temporality and Mortality 89 Weight Loss and Becoming an Adult 96 I Used to Be Fat 97 ! Jung und Dick! Eine Generation im Kampf gegen Kilos 102 III. Competition and Bodily Meritocracy 111 The Biggest Loser: Competition, Social Difference, and Redemption 111 Redemption and Difference 117 Gender and Competition 120 Beyond the Telos: Rachel 129 Another Aesthetics of Competition: Dance Your Ass Off 133 ! IV. -
The Grizzly, November 6, 2008
Ursinus College Digital Commons @ Ursinus College Ursinus College Grizzly Newspaper Newspapers 11-6-2008 The Grizzly, November 6, 2008 Kristin O'Brassill Gabrielle Poretta Lindsay Budnick Samantha Wildonger Lindsay Adams See next page for additional authors Follow this and additional works at: https://digitalcommons.ursinus.edu/grizzlynews Part of the Cultural History Commons, Higher Education Commons, Liberal Studies Commons, Social History Commons, and the United States History Commons Click here to let us know how access to this document benefits ou.y Authors Kristin O'Brassill, Gabrielle Poretta, Lindsay Budnick, Samantha Wildonger, Lindsay Adams, Lisa Jobe, Julia Fox, Kristi Blust, Roger Lee, Laurel Salvo, Brandon Biel, Laine Cavanaugh, Salia Zouande, Kristen Gallagher, Spencer Jones, Abigail Raymond, Zach Shamberg, Carolyn Martin, Christopher Wierzbowski, Shaun Frank, Katie Callahan, and Nick Pane Thursday, November 6, 2008 Lindsay Budnick Grizzly Staff Writer On the Wednesday prior to Fall Break, the Gay Straight Alliance (GSA) "chalked" the Ursinus campus with pro-coming out and pro-acceptance phrases in order to encourage people who are "closeted," questioning, or hiding their sexual identity to see the Ursinus campus as a place of acceptance and warmth. According to Ryan Sullivan, the GSA president, "the chalking done by the GSA [was] to make people feel safe ... ". Shortly after the chalking was done, however, quotes from Leviticus appeared underneath chalking done by the GSA. [n places such as Olin and the main gates, the phrase "You shall not lie with a male and with a female." - Leviticus 18:22 was chalked next to the GSA writings. Also, in Reimert courtyard an openly hateful phrase was scrawled in chalk, able to be viewed by the entire campus. -
Immigrants Handed the Dirty Work Language Foreigners Are Reluctant to Find Fault in Work Condi- Barriers Tions Because Residence Permits Require an Employ
ISSUE 19 (149) • 14 – 19 MAY 2010 • €3 • WWW.HELSINKITIMES.FI FESTIVAL GUIDE DOMESTIC BUSINESS LIFESTYLE EAT & DRINK Special issue: New laws New career Improving Ethnic shops Summer to ban through your life yet unknown festival guide begging networking by coaching to Finns page 12 page 3 page 8 page 14 pages 16 Mental care seeks to cross Immigrants handed the dirty work language Foreigners are reluctant to find fault in work condi- barriers tions because residence permits require an employ- PETRA NYMAN ment contract. HELSINKI TIMES KRISTA SIHVONEN FINNS are often labelled as a nation HEIDI EKDAHL – STT same wages for their work as a na- particularly sensitive to mental ALEKSIS TORO – HT tive Finn would.” health problems such as depression. Occupational protection should Defects of the mind are not, howev- AN ETHNIC divide between native be more active and work conditions er, something exclusive to us north- and immigrant fi elds of employ- should be better monitored, the re- ern dwellers, but anyone regardless ment is threatening to form in Fin- port states. When an immigrant per- of their nationality can require the land, according to a study by the son’s residence permit depends on an professional care of a psychiatrist. Finnish Work Environment Fund. employment contract, the employ- Moving to another culture can “In the interest of competitiveness er in practice grants the residence be especially challenging and immi- the labour market has been made permit. This leads to a reluctance to grants may not always be supplied more fl exible. Contractual terms question the practices of the work- with adequate care when it comes to and conditions have weakened. -
Okkupant Om Okkupert Fremstillingen Av Nordmenn I Deutsche Polarzeitung Og Polar-Kurier (1941–1945) — Lovisa Bergmann
Institutt for arkeologi, historie, religionsvitenskap og teologi Okkupant om okkupert Fremstillingen av nordmenn i Deutsche Polarzeitung og Polar-Kurier (1941–1945) — Lovisa Bergmann Masteroppgave i historie, HIS-3900, mai 2019 0 Forord Takk til Stian Bones for god veiledning gjennom hele oppgaven. Uten Stian ville jeg aldri ha skrevet om denne tematikken, og jeg er veldig glad for at han åpnet øynene mine for feltet. Han har bidratt med god hjelp i arbeidet med avhandlingen, fra å begrense meg fra å falle hodestups inn i mengden av litteratur om andre verdenskrig, via hjelp med kilder i Oslo til lesing av altfor lange kapittelutkast. Jeg har ikke vært redd for å spørre om noe, og har lært svært mye. Jeg har også fått god faglig støtte fra flere. Først og fremst har Maria Fritsche og Gunnar Hat- lehol ved NTNU, og Hallvard Tjelmeland og Fredrik Fagertun ved UiT Norges arktiske univer- sitet, samt Mari Olafsson Lundemo ved European University Institute gitt verdifulle råd og kil- detips. Det har likeså vært givende og inspirerende å få delta på konferanse, foredrag og semina- rer i regi av forskningsprosjektene I en verden av total krig: Norge 1939–1945 og Den andre verdenskrigen i Nord, som også muliggjorde en reise til Oslo for arkivbesøk. Jeg er også veldig takknemlig for Norges Hjemmefrontmuseums rause masterstipend, som jeg mottok høsten 2018. Sistnevnte og Riksarkivet skal ha stor takk for hjelp ved arkivbesøk. Uten lesesalsmiljøet på Institutt for arkeologi, historie, religionsvitenskap og teologi hadde ar- beidet med masteroppgaven vært en langt kjedeligere prosess. Takk til gode medstudenter for mye latter, lange dager og kvelder, fellesskap og godt samhold. -
77.5 Hours of Original Primetime Programming 20.5 LGBT-Inclusive Hours
Network Responsibility Index Primetime Programming 2008-2009 A SPECIAL REPORT FROM THE GAY & LESBIAN ALLIANCE AGAINST DEFAMATION www.glaad.org Executive Summary The GLAAD Network Responsibility Index Eastern and Pacific (7:00 Central and Mountain) and ends at is an evaluation of the quantity and qual- 11:00 pm Eastern and Pacific (10:00 Central and Mountain), Monday through Saturday. On Sunday, primetime begins at ity of images of lesbian, gay, bisexual and 7:00 pm Eastern and Pacific (6:00 Central and Mountain). Wotransgenderrds (LGBT) people on television.and It Fox and TheImages CW do not air network programming during is intended to serve as a road map towards the last hour of primetime. increasing fair, accurate and inclusive LGBT media representations. The sampling of the 10 cable networks examined for the 2008-2009 report includes networks that appeared on Niels- GLAAD has seen time and time again how images of en Media Research’s list of top basic and premium cable multi-dimensional gay and transgender people on televi- networks as of June 2008. This list includes, alphabetically: sion have the power to change public perceptions. In A&E, FX, HBO, Lifetime, MTV, Sci Fi, Showtime, TBS, November 2008, GLAAD commissioned the Pulse of TNT and USA. The original primetime programs on these Equality Survey, conducted by Harris Interactive, which 10 networks were examined from June 1, 2008 – May 31, confirmed a growing trend toward greater acceptance 2009, for a combined total of 1,212.5 hours. Because of among the American public. Among the 19% who reported the re-airing and re-purposing of cable programming, only that their feelings toward gay and lesbian people have be- first-run broadcasts of original programs were counted when come more favorable over the past five years, 34% cited evaluating cable programming.